Sometimes you need something quiet and subtle to help balance out all the explosions in your movie watching. Now don’t get me wrong, I like silly and fun action movies as much as the next guy, but I like a quiet drama every now and then as well. Hell, one of my favorite movies of all time, “Drive”, is for the most part a slow and methodical drama and not an action fest like most people expected. But enough of that, today we are taking a look at a slow moving drama that is set in just one location.
Sirs and madames… “Locke”.
Like I said, this movie is set in just one place, a car to be exact. And in this car we have hard-working family man Ivan Locke (Tom Hardy). Now he is driving somewhere to take care of a problem while a lot of other things come down on him at the same time. I will not spoil what his problem is as I found it more interesting finding out what it was by watching. I also loved seeing this movie unfold and just see how this man tried to handle everything around him despite the fact that it was tearing at him. The plot was really well done and definitely a breath of fresh air.
Despite the fact that the only visible character in the movie was the one of Ivan Locke, I still loved all of the characters in the movie. What I forgot to mention in the plot segment was that constantly throughout the movie he has phone conversations with a bunch of different people. And even though you could never see these people I really thought they were great characters who could be real people thanks to the superb writing and great (vocal) performances by the actors. And Tom Hardy in this movie was fantastic as usual, giving a subtle yet explosive performance. And what I mean by that is that his character was very quiet, but he had a lot on his mind which you could notice through Hardy’s facial expressions and his maneurysms, especially at times that he got big news that would change everything at times. I know my words don’t make any fucking sense, but trust me, I know what I am talking about. What I can clearly say at least is that the acting and characters are superb.
The score by Dickon Hinchliffe (Out of the Furnace) was pretty fucking great. There were a lot of ambient sounds throughout the songs that really helped highten the sense of loneliness and desperation that the movie wanted to convey. And of course there was excellent use of the guitar in the songs. To be honest, with all the guitar in the soundtrack I almost thought this score was done by Gustavo Santaolalla. But now that I know that Dickon Hinchliffe did the score the guitar still makes a lot of sense. And I fucking love it!
This movie looks fantastic, Steven Knight really shows that he is a force to be reckoned with as a director. There are a lot of beautiful shots both outside the car and inside of it. I also heard something about this movie being shot in sequence several times over and then took the different parts of each shoot and splice them together into one movie. Now if that is true or not, I am not sure, someone please tell me if it’s true or not.
This movie has been generally well-received. On Rotten Tomatoes it stands strong with a 91% positive rating and it is certified “Fresh”. On Metacritic it has a score of 81/100. And on imdb.com it stands on a 7,1/10.
“Locke” is a riveting, interesting and different movie with a terrific performance from Tom Hardy, a terrific score by Dickon Hinchliffe and some great direction/camera work. Time for my final score. Where the hell is he with that envelope? *Dials phone* Jeff, where are you? In the car? Well why aren’t you here with that god damn envelope? What? You left it here earlier? Yeah? Well, fuck you too. Sorry about that. My final score for “Locke” is a 9,76/10 and then of course gets the “SEAL OF APPROVAL!”
“Locke” is now reviewed.
Did anyone seriously before this movie believe a movie about Tom Hardy driving a car for 90 minutes would be interesting? Because I didn’t.