New “Red Dead Redemption 2” trailer!

Hello there, ladies and gentlemen, time for some more trailer talk. So let’s just get into it.

In 2010, Rockstar Games released a game called “Red Dead Redemption”, which was more or less a follow-up to their older game, “Red Dead Revolver”. In “Redemption”, you played as John Marston (Rob Wiethoff), a former outlaw who’s being forced by government agents to hunt down his old crew. It was an absolutely incredible game, winning all kinds of awards as well as the hearts of gamers all over the world (yours truly included, though admittedly years later). Then skip forward to October 2016 when we got our first poster and our first trailer for “Red Dead Redemption 2”. The gaming world collectively lost their minds. Sure, it revealed fucking nothing, other than it’s existence. But the prospect of a new “Red Dead” game was enough to make everyone go apeshit, especially since people have wanted a new one since they beat “Redemption”. Well, now we have our first REAL trailer for “Red Dead Redemption 2”, and it is all kinds of western goodness. This time we follow Arthur Morgan (voice actor not yet confirmed), an ruthless outlaw. And we will seemingly follow his journey as a total dickhead. So this reveals a bit about the story, and even has a final reveal in the trailer which more than likely made fans gasp harder than humanly possible because it confirms several things that have been speculated for a while. Sure, it shows no gameplay, but I think I know what it will be like, based on previous Rockstar titles. But yeah… I am so excited! “Red Dead Redemption 2” will be released in Spring of 2018.

What are your thoughts? Are you excited for “Red Dead Redemption 2”? And what are your thoughts on the first one (if you played it)? Leave any and all thoughts in the comments.
Have a good one and enjoy the trailer!

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Series Review: The Frankenstein Chronicles – Season 1 (2015)

IT’S ALIVE, IT’S FUCKIN’ ALIVE! JEFF, GET THE CAMERA… ‘CAUSE IT’S ALIVE!

Ladies and gentlemen, these are… “The Frankenstein Chronicles”.

London, early 19th century. Inspector John Marlott (Sean Bean) discovers the body of a dead child washed up on a shore. Upon further investigation it is found out that this child is made up of body parts from a whole bunch of kids, all stitched together. So it’s up to Marlott and his partner Nightingale (Richie Campbell) to find whoever did this and bring him/her to justice. So now we have our 19th century crime-drama. And is it any good? Yeah, I’d definitely say so. Is it perfect? Not really. But damn, it sure did impress me quite a bit. They create an interesting enough plot here that kept me engaged all the way through, filled with twists and turns. And while it has “Frankenstein” in the title, it isn’t a strict “Frankenstein” story, but rather creating an entirely new thing relating in some way to Mary Shelley’s classic story. My only flaw with the plot is the finale. It isn’t bad by any stretch of the imagination, it even has some pretty damn cool things happening in it. But compared to the relatively slow burn of the rest of the episodes, it felt like it rushed a little bit. It’s a minor flaw, but I thought it would be worth noting. Overall the plot here is really good.

When it comes to the characters here, only three of the main players I found interesting. The rest I thought were a little bland and forgettable. Sean Bean plays John Marlott, the inspector leading this investigation into the stitched together child. He’s a deeply troubled man who has experienced some shit in his past, and Sean Bean is absolutely fantastic in the role, often acting the shit out of a scene with just his eyes, he really knows how to do troubled really well. Richie Campbell plays Joseph Nightingale, Marlott’s partner in this investigation. He’s a bit more of a lighthearted presence than Marlott, but he’s still a fairly serious and interesting character. And Campbell is great in the role. The final one I want to properly go through is Elosie Smyth as Flora, a young woman that Marlott meets during his investigation and makes an ally out of. She’s a damaged individual, but she does get a somewhat good arc here. And Eloise Smyth does a really good job here. And while I think pretty much all the other characters were kind of meh, they weren’t necessarily bad. Their writing is fine, and the actors do really well in their respective roles, but their characters weren’t really as memorable or interesting as those three I mentioned before. So this is overall well acted, with some flaws in the characters.

The score for the show was composed by Roger Goula and I think he did a really good job. His score is eerie and atmospheric, perfectly capturing the intended tone of the show. It also managed to give me some chills throughout, which helped elevate some already kind of chilling scenes.

This show was created by Benjamin Ross & Barry Langford, and written/directed by various people. And they manage to create some really interesting stuff here. Their directing looks really good and managed to create a feel of unease from the very first frame. There are also some scenes here that are pretty suspenseful, adding to the already good quality of the show. I also want to mention that the period detail here is amazing, they really made it feel like the early 19th century.

While there isn’t much on this show where I usually steal reception data from, it seems to have been pretty well received (as far as I can tell). On Rotten Tomatoes it does exist, but has no score on there. On Metacritic it doesn’t exist at all. And on imdb.com it has a score of 7,4/10.

“The Frankenstein Chronicles” is a pretty damn solid show. It has a really good plot, okay characters, great performances, really good music, and really good directing. My only flaws with it come from my minor problem with the finale, and most characters being pretty unmemorable. Time for my final score. *IT’S ALIVE!*. My final score for “The Frankenstein Chronicles” season 1 is an 8,98/10. While flawed, I’d say that it is definitely worth a watch.

My review of “The Frankenstein Chronicles” season 1 is now completed.

IT’S ALI- Okay, I’m gonna stop that now.

“Annihilation” trailer!

Hello there, ladies and gents! Time for another trailer talk! So here we go!

We have our first trailer for “Annihilation”, an upcoming sci-fi movie from writer/director Alex Garland. And let’s get it out of the way right now, I’m a fan of Garland’s work. He wrote “Sunshin”, which I love. He wrote “Dredd”, which I love. And he both wrote and directed “Ex Machina”, which I loved. So I’ve been excited to see what he’d cook up next. And now we have our first look at it. So what’s it about then? Well, it’s about a group of scientists (Natalie Portman, Tessa Thompson, Jennifer Jason Leigh) who go on an expedition into a strange place, and they seem to encounter some sci-fi weirdness. So what do I think? It looks good. Weird, but good. Like I said, I’m a fan of Garland’s previous works, so I’m just immediately excited. Especially since this looks like  very few things that have come before it. And there are some good actors involved. Aside from the three mention above, we also hav Oscar Isaac, Benedict Wong, and Gina Rodriguez. So yeah, I’m excited. “Annihilation” is set to be released in February of 2018.

What are your thoughts? Are you excited for “Annihilation”? And what’s your favorite movie written by Alex Garland? Leave any and all thoughts in the comments.
Have a good one and enjoy the trailer.

Movie Review: Falling Down (1993)

Sometimes life can be fucking weird… and horrible. Just look at the guy in this movie.

Ladies and gentlemen, Michael Douglas is… “Falling Down”.

William “D-Fens” Foster (Michael Douglas) is an unemployed defense worker. And during a really hot day he is trying to get to his daughter’s birthday party. And on the way he runs into several infuriating situations which causes him to irrationally lash out at the world. So now we have our plot. And is it any good? Sort of. There are some neat ideas at play, and the final act manages to create some pretty damn solid moments, but for the most part I didn’t feel fully invested. It was interesting enough to not be called bad, and there were scenes spread throughout that had some really interesting things happening in them, but for the most part I just felt like I was simply along for the ride, not getting fully invested in it.

Most of the characters are just there, not having too much to do, simply filling a role. But there are a couple that I thought were good. Let’s start with our main “hero”, played by Michael Douglas. You can tell that he is a very troubled man. He seems like a nice guy, but he can be prone to bursts of rage. There’s a lot of layers to this character, and Douglas is fantastic in the role. Robert Duvall plays a soon-to-be-retired cop who is investigating these seemingly related cases, as a sort of last hurrah before retirement. He has a lot of old man charm, and Duvall is great in the role. Then the supporting cast is rounded out by people like Barbara Hershey, Rachel Ticotin, Tuesday Weld, Frederic Forrest, and Raymond J. Barry (among others), all doing a good job.

The score for the movie was composed by James Newton Howard and it was really good. Not among his best, but definitely a good one. It helps to create a lot of tension and drama throughout, thanks to a lot of intense beats and other sounds. It does really help elevate certain scenes in the movie.

This movie was directed by Joel Schumacher (oh boy…) and I think he did a really good job here (wait, what?). Yeah, go figure that the man who directed two of the worst superhero movies ever could direct a good thriller. His shots look great and manage to create a feel of unease whenever we follow Michael Douglas throughout. And there are also some really suspenseful moments throughout the movie that actually made me tense up a little bit. There’s also an essence of dark, mildly satirical humor to it, which I thought added to the movie.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 73% positive rating and a “Fresh” certification. On Metacritic it has a score of 56/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 7,6/10.

“Falling Down” is not perfect, but it is a pretty damn good movie. It has a pretty good plot, pretty good characters, great performances, really good music, and really good directing. My flaws with it of course come from a plot that isn’t very investing, and a lack of interesting characters. Time for my final score. *Ahem*. My final score for “Falling Down” is an 8,72/10. While flawed, I’d still say that it’s worth buying.

My review of “Falling Down” is now completed.

The summer sun, it blows my mind
Is falling down on all that I’ve ever known

Movie Review: Justice League: Throne of Atlantis (2015)

Bla bla bla, Markus likes DC animation, bla bla bla, moving on.

Ladies and gentlemen… “Justice League: Throne of Atlantis”.

After the death of their king, the Atlantean troops get coaxed by Ocean Master (Sam Witwer) into attacking the surface. This brings queen Atlanna (Sirena Irwin) to try to get help from the Justice League to find her son Arthur (Matt Lanter) and stop Ocean Master’s crusade. So now we have our Aquaman origin/Justice League sequel story. And is it any good? For the most part, sure. It tries to do a lot of things at the same time. On one hand it is a sequel to “Justice League: War”, showing the team still having some mild struggles to come together and help each other. And on the other hand you have Aquaman having to become Aquaman because the DC universe needs Aquaman… Aquaman. And while I’m used to the relatively short runtime of these animated features, I feel like they could’ve added a couple minutes to it, because a couple of the more dramatic/important moments feel a bit rushed through. I’d like to see those moments be held for just a little bit longer. But I was never bored and I wouldn’t call any of it bad, just slightly lacking. The plot is fine.

The characters returning from “Justice League: War” are the fun and colorful characters that we know and love. But since this is mainly an Aquaman movie, let’s talk about the titular fishman. He’s portrayed in this as a broken man, not yet aware of who/what he is and what legacy he has to follow, and it’s interesting seeing him having to come to terms with all this craziness. He’s voiced by Matt Lanter who does a really good job in the role. He gives a very likable performance. Next we have Orm/Ocean Master, the entitled asshole half-brother of Aquaman. He’s kind of a brat and maniacal dick, but that also makes him an interesting foe for Aquaman. He’s voiced by Sam Witwer who gives a pretty hammy performance… but you can tell that he’s having a blast with it, which made me enjoy it. We also got Sumalee Montano as Mera, protector of Atlantis and love interest of Aquaman. She’s a fun character and Montano does a good job in the role. We also got Harry Lennix as Black Manta, the shady Atlantean wearing a weird helmet. He’s clearly up to no good, but he’s still decently interesting. And Lennix does a good job voicing him. And we see the returns of of Jason O’Mara as Batman, Jerry O’Connell as Superman, Rosario Dawson as Wonder Woman, Christopher Gorman as Flash, Nathan Fillion as Green Lantern, Shemar Moore as Cyborg, and Sean Astin as Shazam, all doing really frickin’ well in their respective roles.

The score for the movie was composed by Frederik Wiedmann, a man who has composed the scores of multiple modern DC animated movies. And once again he has created something pretty damn good. His score here is exciting, emotional, dramatic, and even manages to be awe-inspiring at times. So yeah, it was quite good.

This movie was directed by Ethan Spaulding and it is fairly well directed. And since it’s an animated feature, we should talk about the animation. It is pretty damn good (for a low budget direct-to-video movie). The animation here flows very well and there’s a decent amount of detail in it. The action scenes are especially well animated. You can really see it all coming more alive in those times, with plenty of fluency in the animation making for a lot of entertaining moments.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 40% positive rating. On Metacritic it doesn’t even exist. And on imdb.com it has a score of 6,7/10.

“Justice League: Throne of Atlantis” is not one of the greatest DC animated movies ever, but it’s a really enjoyable movie. It has a good plot, good characters, great performances, great music, and really good directing/animation. My main flaw of course being that several moments throughout the plot felt a bit rushed. Time for my final score. *Ahem*. My final score for “Justice League: Throne of Atlantis” is an 8,78/10. While flawed, I’d say that it’s still worth buying.

My review of “Justice League: Throne of Atlantis” is now completed.

This was fun.

Movie Review: Reign of Fire (2002)

Dragons. The coolest of the mythological creatures (aside from the Unicorn which is the most badass motherfucking thing ever), a fire-breathing lizard living for destruction. They’ve been used in countless books, movies, shows, and video games. And they will continue to be used for years to come because… well, because dragons are awesome.

Ladies and gentlemen… “Reign of Fire”.

The world has gone to shit. Twenty years ago, dragons rose from a deep slumber underground. Now in 2020 dragons pretty much rule the world and the humans are close to extinction. And we follow Quinn (Christian Bale), the leader of a group of survivors in England, trying to simply survive. But their way of life takes a bit of a turn when a group of Americans led by a man named Van Zan (Matthew McConaughey) arrive. And we follow them as they try to not get killed by dragons. So now we have our post-apocalyptic plot. And is it any good? Yeah… far from flawless, but definitely better than I expected. For the most part it’s an enjoyable and interesting action plot, putting a cool spin on the post-apocalyptic genre. Where the flaws come in is with how the plot is reaching for something more than just a simple action plot. You can tell that they’re trying to reach for a more dramatic and emotionally layered plot, but not being able to grab on to it. So it is brought down by trying to reach for something that they can’t quite reach. But overall it is pretty good.

The characters in this aren’t the deepest, as a matter of fact I didn’t care about them too much, but they were interesting enough that I didn’t want them dead. Christian Bale plays Quinn, the leader of a group of survivors. He’s smart, kind, and tough, making him a somewhat compelling character. And Bale is really good in the role. Matthew McConaughey plays Van Zan, the leader of the Americans that Quinn teams up with. He’s a badass crazy person, and McConaughey chewed up a good amount of scenery here… in a good way. Izabella Scorupco plays Alex, an American helicopter pilot traveling with Van Zan. She’s tough but still has a more vulnerable side (making her somewhat interesting), and Scorupco is good in the role. Gerard Butler plays Creedy, the comic relief/exposition-y best friend of Quinn. And despite not being a great comic relief/exposition-man, Butler is still likable enough that I thought he worked decently in this movie. Really, the cast in this movie is good and they all did well here.

The score for the movie was composed by Edward Shearmur and it was quite good. It was big, badass, haunting, and kind of epic. The only (small) problem I have with it doesn’t come so much from the composition, but ut rather has to do with the implementation of it. While it helps elevate certain moments throughout the movie, it is a bit on the loud side, often drowning out things that should be louder than it… like tanks, and helicopters, and dragons. Again, it’s a small problem that doesn’t take away anything from it, but I thought it would be worth mentioning.

This movie was directed by Rob Bowman and I think he did a pretty good job. The movie has a very drab color scheme, but overall his shots do look pretty good. And let’s talk about the dragons… holy shit, they look fantastic, especially for 2002. The CG looks great and the dragons are very well implemented into the world, giving them a very real presence. Which leads me to the action scenes in this movie (which all involve dragons!). They’re the best part of this movie. They manage to make the action scenes with the dragons very tense, badass, exciting, and feel like they have weight to them. It’s not just a dragon shooting some fire and that’s it, oh no. They really show the destructive force of these overgrown Draco lizards (google it). And it makes the dragons feel a bit more real and a bit more terrifying, which is great.

This movie hasn’t been very well received. On Rotten Tomatoes it has a 40% positive rating. On Metacritic it has a score of 39/100. Roger Ebert gave it 1/4 stars. And on imdb.com it has a score of 6,2/10.

While far from a great movie, “Reign of Fire” is a surprisingly enjoyable action flick. It has an okay plot, okay characters, really good performances, great music, and really good directing (and those dragons, man!). Time for my final score. *roar*. My final score for “Reign of Fire” is an 8,56/10. So while quite flawed, it’s worth buying.

My review of “Reign of Fire” is now completed.

BIG DWAGON.

New “The Punisher” trailer!

Hello there, ladies and gents of the internet! Another interesting trailer has dropped, so let’s talk about it!

So we have a new trailer for “The Punisher”, the next Marvel/Netflix show. When “The Defenders” was released, we got a small teaser for this series, giving us a slight hint at what might occur. But now we have our first full-blown look at the show and holy shit… holy shit. We get a good glimpse at what caused Frank Castle (Jon Bernthal) to become what he was, as well as some of the people involved in this conspiracy. We also get a good look at the carnage that will ensue and mother of god, it looks brutally glorious. Blood, bullets, shouting, badassery. This trailer also features the best use of Metallica’s “One” ever. And it’s fitting too, since it’s about a soldier who gets everything taken from him. Really, this trailer is amazing and I am so excited for the show! “The Punisher” is set to be released later this year. No specific date, those cheeky fuckers are keeping that on lockdown.

What are your thoughts? Are you excited for “The Punisher”? And what’s your favorite Metallica song? Leave any and all thoughts in the comments!
Have a good one and enjoy the trailer!

“Tomb Raider” trailer

Hello there, ladies and gents. Another “interesting” trailer has arrived, so let’s talk about it.

So we have our first trailer for “Tomb Raider”, the adaptation of the reboot of the beloved video game. People are just saying it’s a reboot, which is wrong. It’s a re-adaptation. Anyhow, what’s this about then? Well, it’s about Lara Croft (Alicia Vikander) who is searching for her missing father (Dominic West) on a mysterious and very dangerous island. And there she faces danger, which seems to include a mysterious leader (Walton Goggins). So what do I think of this? Eh. It’s a generic trailer for what seems like an average adventure movie. Video game adaptations have had a bad streak in Hollywood by generally being… shit. Okay, “Warcraft” was okay. And “Mortal Kombat” was enjoyable despite it’s shortcomings. But for the most part, Hollywood’s attempts at making video game adaptations have failed badly. Will this suffer the same fate? I don’t know. We can only wait and see. But for now I’d say that it looks… meh. “Tomb Raider” is set to be released in March of 2018.

What are your thoughts? Are you excited for “Tomb Raider”? And what’s your favorite adventure movie? Leave any and all thoughts in the comments.
Have a good one and enjoy the trailer.

Movie Review: Gattaca (1997)

Never let anyone tell you that you can’t do something. There’s no “destiny”, you make up your own story. You have control over your own path.

Ladies and gentlemen… “Gattaca”.

Ever since he was a kid, Vincent (Ethan Hawke) has wanted to go to space. But due to his inferior genes he has been ineligible for the longest time to even take part in the program. But he finds a way to potentially achieve his dream when he gets to assume the identity of a genetically superior man (Jude Law) to get into the program. So now we have our sci-fi plot. And it is honestly pretty damn great. It explores the themes of humanity and ethics. It’s an engaging drama with a slight science fiction twist. The type of sci-fi here feels fairly believable, as if it could possibly happen in the future. But it’s mainly an inspiring drama about a man trying to achieve his dreams despite what some have told him, and I have huge respect for that. It’s a truly great plot.

The characters are fleshed out and quite interesting. Vincent has, despite his shortcomings, always hoped that his dreams of space travel will come true. And seeing his determination to make his dream a reality is kind of inspiring. And Ethan Hawke is great in the role. Uma Thurman plays one of Vincent’s co-workers that we get to know a bit throughout the movie. And Thurman is great in the role. Jude Law plays the “genetically superior” man whose identity Vincent assumes to make it into the space program. He’s a charming and fun guy with some okay dramatic stuff going for him throughout. And Law is great in the role. Then the cast is rounded out by actors like Ernest Borgnine, Xander Berkeley, Gore Vidal, Alan Arkin, Loren Dean, Tony Shalhoub, Jayne Brook, and Elias Koteas (and more), all doing very well here.

The score for the movie was composed by Michael Nyman and it was fantastic. It strikes a perfect balance of tense, inspiring, and emotional. It’s mainly based around strings which gives it a very beautiful sound. And it all works very well for the movie, elevating the already great scenes.

The movie was written and directed by Andrew Niccol (who also made the great “Lord of War”) and I think he did a fantastic job here. The way he manages to create a world that is familiar yet different is excellent, and he manages to keep a surprising amount of tension going throughout. I don’t mean edge-of-your-seat type of tension, but rather a tense feel of unease as Vincent tries to keep his real identity a secret throughout. The movie is also very well shot, it’s definitely what I would call visually arresting. And there are a couple of clever little details in certain shots throughout that I thought were nice touches.

This movie has been well received. On Rotten Tomatoes it has an 84% positive rating and a “Fresh” certification. On Metacritic it has a score of 64/100. Roger Ebert gave it 3,5/4 stars. And on imdb.com it has a score of 7,8/10.

“Gattaca” is pretty fucking great. It has a great plot, really good characters, great performances, fantastic music, and great directing. Time for my final score. *Ahem*. My final score for “Gattaca” is a 9,86/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Gattaca” is now completed.

I’m gonna say it once again… Don’t let anyone tell you what you can and can’t do. Write your own story.

Series Review: Hap and Leonard – Season 2 (2017)

About a month ago I reviewed the first season of this show, and I thought it was quite good. Not perfect, but definitely a good season of television. And now I am finally reviewing season 2 (which aired in the spring on this year). So here we go.

Ladies and gents… “Hap and Leonard” season 2.

Hap (James Purefoy) and Leonard (Michael Kenneth Williams) are back, though this time they are not looking for money. This time they instead find the remains of a dead child underneath Leonard’s floorboards. The two then report this find to the police (as you should) only to find themselves under investigation for committing the crime, despite them being innocent. But hope is not completely gone as Florida Grange (Tiffany Mack), a lawyer, comes in to try to help ’em out. So then the plot follows our heroes as they try to find the actual culprit while also dealing with corrupt lawmen. And immediately we can see that this season goes for a more serious and less cartoonish plot compared to the first season. And the season we have here is more quiet and serious. It brilliantly manages to tackle dramatic topics like racism, corruption, and child murder without sacrificing the offbeat and unique feel that the first season set up. It perfectly manages to balance a serious drama with an entertaining and pulpy world. And the pacing is much better compared to the first season, moving at a much more steady and focused pace. So yeah, the plot here is pretty great.

The characters are unique, entertaining, colorful, and just really interesting. James Purefoy of course returns as Hap Collins, the well-meaning worker who sometimes takes a wrong step (which makes him a flawed and interesting character). And Purefoy is great in the role, getting to show a somewhat wider range of emotions this season… his southern accent is also a bit more consistent here, so that’s nice. Michael Kenneth Williams returns as Leonard Pine, the black, gay, Vietnam veteran. He’s a troubled man who gets to endure a whole bunch of various problems throughout the season. And Williams is of course great in the role. And the chemistry between our two leads? It’s great, it’s very entertaining and feels genuine. Tiffany Mack plays Florida Grange, the lawyer who comes to Hap and Leonard’s aid and becomes their most important ally this season. She’s tough, smart, sexy, and fun, making for a refreshing presence in this show. We also get Cranston Johnson as a police detective that is investigating this case that our dynamic duo have gotten themselves involved in, and he’s great in the role. I also have to mention Irma P. Hall as MeMaw, the elderly woman that Hap and Leonard find themselves with every now and then throughout the season. She’s so much fun and one of the best things about the season. Overall the season is filled with good performances.

Like the first season, the score here was composed by Jeff Grace, and it’s once again great. It often manages to add a lot of emotion, excitement, or tension to a scene, really showing Grace’s talent/versatility as a composer. It’s great and works very well for the season/show. There are also a couple of licensed tracks used throughout and they work quite well.

If you forgot or just didn’t read my season 1 review, “Hap and Leonard” was created by Jim Mickle & Nick Damici and is based on a series of novels by Joe R. Lansdale. And it was written/directed by a whole bunch of people (including Mickle/Damici/Lansdale). And in season 1 they made such a well defined world that felt lived in. And with this season they improved on it, deepening the stories of the area they’re in as well as the backstories/relationships of everyone there. The shots look good and the direction in this season just has a really nice flow to it, having some nice energy to it while still keeping it feel real and lived in. And even though there are some heavy dramatic moments this season, they don’t skimp on the black humor. There’s quite a bit of humor here and it made me laugh.

This show/season has been decently well received. On Rotten Tomatoes it exists but has no score. On Metacritic it has a score of 86/100. And on imdb.com it has a score of 7,5/10.

“Hap and Leonard” season 2 takes everything that was good about the first season and improving on it quite a bit. It has a great plot, great characters, great performances, great music, and great directing. Time for my final score. *Y’all*. My final score for “Hap and Leonard” season 2 is a 9,82/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Hap and Leonard” season 2 is now completed.

Mucho mojo.