This is a very special review. Some of you might think my reasoning for it is because both “Black Panther” and “Avengers: Infinity War” are coming out soon, and that could be a valid argument for it, but that is wrong in this case. I am reviewing this movie in honor of a friend who passed away recently. He was a big fan of the Captain, and I thought that this was the best way I could honor him on here. So here we go.
Ladies and gentlemen… “Captain America: The First Avenger”.
Steve Rogers (Chris Evans) is a young man who just wants to serve his country, but isn’t allowed due to his scrawny build. But one day he takes part in a secret government experiment that turns him into a super soldier. And shortly after this he finds himself on the path to taking down Hydra, an evil nazi death cult led by the evil Johann “Red Skull” Schmidt (Hugo Weaving). So now we have our origin story. And I have to say, I found myself more invested in the plot here than I did the first time I watched it. Sure, I’m not gonna sit here and pretend like this is the most original or even most well written plot ever, but it’s far from bad… in fact, it’s quite good. On one hand you get a fun WW2 adventure with a sci-fi twist, and on the other you get an inspiring tale of overcoming great adversity despite your limitations. The plot isn’t too deep and complicated, but it makes up for that in how inspiring and entertaining it is.
The characters here are unique, interesting, and entertaining. Chris Evans plays Steve Rogers/Captain America, a young man who’s been picked on most of his life. But despite this he has always stood up to bullies and bad people, always willing to give his life for what he cares about. He’s a truly inspiring character if I’ve ever seen one. And Evans is great in the role. Hayley Atwell plays Peggy Carter, a special agent that Steve works with throughout the movie. She’s tough but she does also have a more vulnerable side, making her feel a bit more layered than some characters with similar setups. And Atwell is great in the role. Then we have Tommy Lee Jones as colonel Chester Phillips, Steve’s superior and a tough but fair military man. And Tommy Lee Jones is very Tommy Lee Jones in the role… AKA really good. Then we have Hugo Weaving as Johann Schmidt, AKA Red Skull, AKA evil nazi death cult leader, AKA villain. And he’s suitably intimidating in the role, making the character a bit more interesting in the process. The character in itself isn’t very deep, but Weaving’s performance is what makes him so interesting and memorable. So yeah, Weaving is really good. Then we have Sebastian Stan as James “Bucky” Barnes, Steve’s best friend. You do get a good feel of their friendship and the character is decently interesting. And Stan is really good in the role. And throughout the movie you get some really solid supporting performances from people like Dominic Cooper, Stanley Tucci, Toby Jones, Neal McDonough, Kenneth Choi, Richard Armitage, Derek Luke, JJ Feild, and many more. It’s a very well acted movie.
The score for the movie was composed by Alan Silvestri and I thought it was pretty great. What I like about it is that it aims to capture the feel of inspiration and wonder that comes with Steve’s journey from Brooklyn boy to Captain America. And it does help build some decent tension at times. And in general the score really inspires me to want to go out and do some good. So yeah, the music is great.
The movie was directed by Joe Johnston and I think he did a really good job here. What I like about his direction is that he gives the movie a very retro vibe, often emulating action-adventures of the past. And I think that style really works well for the story and setting. It even bleeds through into the action scenes which are intense, badass, and just a ton of fun.
This movie has been pretty well received. On Rotten Tomatoes it has an 80% positive rating and a “Fresh” certification. On Metacritic it has a score of 66/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 6,9/10.
While it isn’t necessarily the best MCU film, “Captain America: The First Avenger” is an inspiring and highly entertaining action movie. It has a really good plot, good characters, great performances, great music, and really good directing. Time for my final score. *Ahem*. My final score for “Captain America: The First Avenger” is a 9,60/10. Which means it gets the “SEAL OF APPROVAL!”.
My review of “Captain America: The First Avenger” is now completed.
Here’s to you, Eric… you are sorely missed. Rest in peace, my friend.
What would you be willing to do if a loved one was falsely imprisoned? How far would you go to get him/her out? Ponder this as you read this review.
Ladies and gentlemen… “The Next Three Days”.
After his wife (Elizabeth Banks) gets arrested for a murder she didn’t commit, John Brennan (Russell Crowe) aims to do anything in his power to get her out. so now we have our little drama-thriller. And is this plot any good? Kind of. The idea itself is pretty interesting (if unoriginal), and there are some solid dramatic moments throughout that made me feel really invested in the story, but the plot does have some issues. For one, there are a whole load of implausibilities in this movie, situations where the outcome makes no fucking sense. And the pacing at times isn’t very good. Both of these problems drag the plot down quite a bit, but not enough to make me think that it’s total shit. Just that it could be better.
The characters here are good. There are none that I feel are bad, but not everyone gets the same amount of development. Russell Crowe plays John Brennan, the man at the center of this story. Over the movie you seem him go from the average, loving, family man to something else due to this whole crazy situation with his wife. It’s an interesting character journey. And Crowe gives a really good performance. Elizabeth Banks plays Lara, John’s wife and the woman who gets falsely imprisoned. I’m not gonna say too much about her development, as that’s best left experienced rather than explained. But I can say that Banks is great in the role. Then you have Ty Simpkins as Luke, the young son of John and Lara. Sure, he doesn’t get that much development here, but he still works pretty well among the characters. And for someone so young, I thought Simpkins did a really good job in the role. Then we have Lennie James as a cop who gets involved with all this. Again, not that much development there, but his characters still works very well within the plot here. And James is really good in the role. Then you get a bunch of really solid supporting performances from people like Olivia Wilde, Daniel Stern, Jason Beghe, Aisha Hinds, Liam Neeson, and more. It’s a well acted movie.
The score for the movie was composed by Danny Elfman, and it is quite good. It’s emotional, tense, and overall well composed. Sure, it’s not necessarily one of Elfman’s best, but it’s certainly really good. The movie also uses a whole bunch of licensed tracks throughout, with Moby being the most frequent artist used throughout. And all the tracks work pretty well for the movie to elevate their respective scenes slightly. Good music.
This movie was written and directed by Paul Haggis, and is apparently a remake of a French movie called “Pour Elle”. Now, I haven’t seen that French original, so I don’t know how accurately this represents it, but as a movie on it’s own I think Haggis did a good job. The movie is pretty well shot and everything has a pretty nice flow to it in general. He even manages to create some half-decent tension in some scenes throughout.
While it’s not anything truly great, “The Next Three Days” is still an enjoyable drama-thriller. It has an okay plot, okay characters, great performances, really good music, and good directing. As for flaws, there are points in the plot where it’s a bit implausible, and the pacing is a bit draggy at times. Time for my final score. *Ahem*. My final score for “The Next Three Days” is an 8,11/10. While flawed, it’s still definitely worth a rental.
My review of “The Next Three Days” is now completed.
This is the third movie in a row I’ve watched/reviewed where Jonathan Tucker has popped up. It’s like that guy is following me everywhere… and it’s a bit eerie.
Hello there, ladies, gentlemen, and space aliens. As you may have gathered from the title of this post and the text in the image, this blog is now four years old. That’s right, on January 27th 2014 I registered this blog and published my first post (which is kind of shit). To be honest with you guys, I honestly never thought I’d last this long as a blogger. Not because I thought competition would kick my ass out, but because I was very anti-blog for quite a while. But then I made an attempt at starting a blog for the hell of it. Then over time I learned to have fun with it. Sure, there were times where I just weren’t feeling it, and considered quitting it all. But I powered through, and these days I never feel that “ugh” feeling when it comes to blogging. Sure, there are times where I don’t really wanna post, either due to laziness or a headache or something like that, but I never feel like I want to quit.
And while we’re at it, I should also announce that I finally reached 300 followers on here earlier this month! I did consider making a post about that when it happened, but I thought about it and came to the conclusion that it would be better to wait and then include that announcement in this post. So yeah… a huge THANK YOU to every- hold on, that’s not right. Gimme a second…
THANK YOU ALL!!!
But seriously, thank you so much to everyone that has decided to follow this silly blog of mine, you have no idea how much it means. And an extra thank you to the ones who regularly interact with me on here, whether it is through a simple like or a thoughtful/lovely/entertaining comment, any kind of interaction helps in keeping this blog alive. And a lot of the interactions I’ve had have led to me making a bunch of new friends that I still interact with, either on here or on twitter/instagram. Meeting people like that to discuss all kinds of stuff with has really helped fuel my passion for this and it’s what keeps me going… at least in terms of the blogging and such. In real life the coffee is what keeps me going… but you guys do help me out in a way.
I guess since we’re having this double-celebration (with cream and sugar), I should do something special (other than this post). Not sure what that’d be, but we should make something in honor of this thing. So maybe leave some feedback on what you’d like to see from me in the future. More reviews? More lists? More music posts? More other things? Seriously, tell me what you’d like to see from me in the future, whether it’d be more, less, or same of various thing. Any and all feedback is welcomed. I’m all ears.
So yeah… that’s about it. Once again, huge thanks to everyone that has followed me on here… all 300 of you. And who knows, by the 8-year mark we might’ve reached 600, who the fuck knows? Either way, thank you very much… I appreciate it!
Have a good one.
Not sure what to say here really. I can usually come up with some pseudo-clever intro for these relating back to the movie. But right now I got jack shi- Hey look, it’s Punisher!
Ladies and gents… “Sweet Virginia”.
Sam (Jon Bernthal) is a former rodeo star who now runs a motel. One day a young man (Christopher Abbott) checks in and the two strike up a friendship. But what Sam doesn’t know is that this young man is a drifter who recently committed a triple homicide. So now we have our little thriller movie. And while it seems like I might’ve spoiled the movie, I only told you what happened in the beginning. I gave you what you needed to know. And is this plot any good? Yes and no. Let’s start with negatives… the pacing in this movie is weird. And by weird I mean that it drags at times, which is weird because it’s a 90-minute movie. And while I have no problem with a slower pace, it really dragged at times and wasn’t necessarily the most interesting in those parts. Now for the positives. In the parts where the pacing isn’t weird, the plot is tense and has some quite interesting aspects to it. And in those parts it does embrace the more thriller-y sides of this thriller, and it makes those parts suspenseful and pretty entertaining. Overall the plot here is… fine.
The characters her range from really interesting to… just being there. Jon Bernthal plays Sam, our protagonist. While he’s moved on from his old life, you can tell that he’s still slightly troubled by those times, making him a bit more of an interesting character. And Bernthal is of course great in the role. Christopher Abbott plays Elwood, the young and troubled man that Sam befriends. He can seem like an okay dude at first, but has a propensity for violence, and I found his character to be quite interesting in that way. And Abbott really impressed me here, I thought he was great. Then we have Imogen Poots as a woman named Lila, and while Poots gave a really good performance, the character wasn’t great. You can tell that the seed for her character was planted, but it had not fully grown yet. Then you have Rosemarie DeWitt as a character named Bernadetta. Same as with Poots, her performance is really solid, but the character could’ve used a bit more work. So in summary, the characters here are inconsistent in quality, but at least the performances are great.
The score for the movie was composed by Brooke & Will Blair, and they did a good job with it. Sure, the score doesn’t do anything unique, as it has similarities to other thriller scores, but it’s still really good and it does help to elevate some of the scenes throughout the movie.
The movie was directed by Jamie M. Dagg and I think he did a good job with it. It’s tightly directed, and shots have a nice flow to them. He also manages to get a lot of good tension out of multiple scenes. The dude really impressed me in that sense. And the cinematography by Jessica Lee Gagné was really good.
This movie has gotten some mixed reception. On Rotten Tomatoes it has a 78% positive rating and a “Fresh” certification. On Metacritic it has a score of 72/10. And on imdb.com it has a score of 6,2/10.
While flawed, I still think “Sweet Virginia” is a really good movie. It has a fine plot, mixed characters, great performances, really good music, and really good directing/cinematography. My flaws, as previously mentioned, are that the plot drags quite a bit at times, and that a good amount of the characters are kind of uninteresting. Time for my final score. *Ahem*. My final score for “Sweet Virginia” is an 8,45/10. While flawed, I still think that it’s definitely worth a rental.
My review of “Sweet Virginia” is now completed.
Country roads, take me home To the place I belong Sweet Virginia…
It’s kind of incredible how something that at a point seems so innocent can turn into something horrible. This theme has been explored in film multiple times, “Atonement” (a movie I reviewed a while back) is only one example. And even though we’ve seen it several times, it is still endlessly fascinating.
Ladies and gentlemen… “Sleepers”.
The story follows a group of four friends. When they were young they meant to pull a prank, but it went disastrously wrong, which got them sent to a youth detention center. There they endured brutal abuse by multiple caretakers. And this plot follows the friends before, during, and after their horrifying time at this detention center and how it affects their lives. It might sound like I’m spoiling the plot of this, but I’m really not. I give you what you need to know to understand what it’s about… but I’m keeping enough away as to not spoil it. Anyhow, is this plot good? Yes. It’s dark, disturbing, and harrowing, but it’s still interesting and kept me engaged from start to finish. It is a long movie, and it does feel like it. While I’ve watched movies with much worse pacing than this, there were still moments where the pacing dragged a little bit. But those moments aside, this is a truly engaging plot.
I’m not gonna talk too much about the characters here, because their personalities and paths are better experienced rather than explained. But in the core cast of friends we have Jason Patric, Brad Pitt, Billy Crudup, and Ron Eldard. And they are all great in the roles. Then we have Joe Perrino, Brad Renfro (R.I.P), Geoffrey Wigdor, and Jonathan Tucker as the young versions of the four friends. And they all do very well in the roles as well. Then we have Robert De Niro as a goodhearted priest, and he’s great in the role. Then we have Kevin Bacon as one of the “caretakers” at the detention center, and his character is an absolute fucking scumbag… and Bacon is really good in the role. And then there’s a bunch of great supporting work here from people like Dustin Hoffman, Minnie Driver, Vittorio Gassman (R.I.P), Frank Medrano, and many more. Not a weak link in this entire cast.
The score for the movie was composed by the one and only John Williams and let’s fucking face it, the man can do no wrong. The score is emotional, tense, and just overall fits the movie very well, often taking scenes from “pretty good” to “wow” levels. Seriously, it’s great. Williams is a master.
This movie was written and directed by Barry Levinson and is based on a book by Lorenzo Carcaterra. As for the accuracy to the book, I can not attest as I have not read it at the time of writing this. But I can speak for how Levinson did in writing/directing, and I think he did a damn good job. His direction is very tight and really pulls the viewer into the scene, making you feel like you’re there with the characters. He even manages to create some decent tension throughout, which is really cool. The cinematography by Michael Ballhaus is also pretty damn good. My only real flaw within this whole “technical/general stuff” part is that there were some weird edits thrown into certain parts of the movie. I kind of get what they were going for with those small edits, but it took me out of the movie for a moment or two when it happened. It’s not enough to break the movie for me, but it does bring it down a couple of notches.
This movie has gotten a little bit of a mixed reception. On Rotten Tomatoes it has a 74% positive rating and a “Fresh” certification. On Metacritic it has a score of 49/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 7,6/10.
“Sleepers” isn’t an easy watch, but it’s definitely worth your time. It has a really good plot, really good characters, great performances, great music, and really good directing/cinematography. As previously mentioned, I did have a couple of flaws with it. The pacing in a couple of moments dragged a little, and there were a couple of weird edits. Time for my final score. *Ahem*. My final score for “Sleepers” is an 8,99/10. While flawed, It is still definitely worth buying.
My review of “Sleepers” is now completed.
If you sleep through this movie, I will appreciate the pun and then yell at you.
Don’t commit crimes. It’ll only lead to bad stuff. Like prison. But if you do commit a crime (or two) and go to prison, don’t try to escape. You did the crime, so you should do the time. Don’t commit crimes.
Ladies and gents… “A Perfect World”.
After he escapes from prison, Butch Haynes (Kevin Costner) takes a boy (T.J. Lowther) hostage. And during their journey through the back roads of Texas, the two form a bit of a bond. All while a Texas Ranger (Clint Eastwood) heads the search for Haynes. So now we have our little crime-drama. And I found the plot here to be quite engaging. Admittedly it does fall into a couple of cliches throughout, but it’s not enough to ruin it for me. The journey of Haynes and the kid is endearing and it’s one I found myself really caring about. It’s a lot more slow-paced and concerned with the emotional journey than chases and shootouts. And it makes it feel a bit deeper than other movies with similar premises.
The characters here are layered, interesting, and overall entertaining. Kevin Costner plays Robert Haynes, the recently escaped prisoner. The movie makes it clear that he’s done some bad stuff, but he still feels like he’s a good person when he needs to. He’s charismatic and seems like he really cares about the kid. He feels a bit more real than other movie criminals. And this might be the best performance I’ve ever seen from Costner, he’s great here. T.J. Lowther plays Phillip, the kid that Haynes kidnaps. He’s a young and naive kid that sort of quickly accepts this journey he’s been put on, but it’s still interesting seeing him interact with Haynes and what happens during their journey. And Lowther is good in the role. Not saying it’s the greatest child performance ever, but he’s definitely good. Costner and Lowther also share a very likable chemistry that was enjoyable to watch. Then we have Clint Eastwood as Texas Ranger Red Garnett. It’s basically Clint Eastwood, but slightly less gruff than usual. And he’s so good at that type of role that I can’t help but enjoy it. Then we have Laura Dern as Sally, Garnett’s new assistant. And she’s tough and determined without turning unlikable. It’s fun seeing her more or less own the other guys in the room, showing that women can be badasses too. And yeah, Dern is great in the role. Then we get some solid supporting performances from people like Bradley Whitford (who’s a total dick in this), Keith Szarabajka, Ray McKinnon, Jennifer Griffin, and more! ’tis a very well acted movie.
The score for the movie was composed by Lennie Niehaus and it was good. It was sued relatively sparingly, but it worked well for the movie, elevating certain moments throughout. There were also a whole bunch of licensed tracks used throughout and they worked quite well in their respective scenes.
The movie was directed by Clint Eastwood and I think he did a great job. His direction here is a bit more understated than in some of his other movies, but it works so damn well to make this movie stand out and have a unique feel. He also manages to build some really good suspense in certain scenes, properly showing how to make a scene tense. And the cinematography by Jack N. Green is pretty fucking good. There were times where it actually made me go “Wow”, which doesn’t happen too often.
This movie has been pretty well received. On Rotten Tomatoes it has an 81% positive rating and a “Fresh” certification. On Metacritic it doesn’t even exist. Roger Ebert gave it 4/4 stars. And on imdb.com it has a score of 7,5/10.
“A Perfect World” is a really great movie. It has a great plot, good characters, great performances, really good music, and great directing/cinematography. Time for my final score. *Ahem*. My final score for “A Perfect World” is a 9,63/10. Which means that it gets the “SEAL OF APPROVAL!”.
My review of “A Perfect World” is now completed.
Definitely an underrated gem in Eastwood’s filmography.
With the recent commercial success of “Star Wars: The Last Jedi”, I thought it was time for me to go back and have a look at Rian Johnson’s directorial debut. Before lightsabers, before time travel, before cooking meth with Walter White… it’s the very beginning of his film career.
Ladies and gentlemen… “Brick”.
After his ex-girlfriend disappears, Brendan (Joseph Gordon-Levitt) pushes himself into an underworld high school crime ring, so he can investigate and find out what the hell actually happened to her. So now we have our movie. And the plot here is pretty good. It pays a lot of homage to classic noir, having a densely written plot that has a good amount of twists and turns. And I was for the most part intrigued by it all. My flaw with it is that there were parts where the pacing maybe dragged a little. I get that noir movies do that, but there’s a difference between intriguingly slow-paced and just slowly slow-paced. There are honestly moments where it got a little boring. But for the most part I found the plot to be an interesting mystery. It’s pretty good.
To be quite honest, I didn’t fully engage with all of the characters here. I only really felt like I was engaged with one character, and the other ones just were there, being part of the story. Joseph Gordon-Levitt plays Brendan, the young man at the center of this story. He is a bit of a loner, but he’s also clever and a bit of a smart-ass. And I found his character to be quite interesting. And Gordon-Levitt was great in the role. As for the other characters, I didn’t find them engaging (as I mentioned before). But I didn’t dislike them either, as I still found them entertaining in some way. And all the performances from people like Lukas Haas, Nora Zehetner, Noah Fleiss, Matt O’Leary, Richard Roundtree, and Meagan Good were all solid.
The score for the movie was composed by Nathan Johnson and it was really good. It’s weird and often hearkens back to classic film noir scores, without totally ripping off those older scores. It has a unique sound that elevates the movie and often adds a weird sense of unease to the movie.
As I alluded to in the beginning of this review, “Brick” was written and directed by Rian Johnson. And for a low budget directorial debut, I think he did a damn fine job here. It’s nicely framed and everything has a nice flow to it. his direction also has a bit of a dreamlike quality to it, making the situations portrayed on screen feel a bit more tense and uneasy. This was an early sign of Johnson’s talent as a director. Steve Yedlin’s cinematography is also quite good.
This movie has been pretty well received. On Rotten Tomatoes it has a 79% positive rating and a “Fresh” certification. On Metacritic it has a score of 72/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 7,4/10.
Rian Johnson’s “Brick” is a really good movie and showed audiences that this man is talented. It has a pretty good plot, okay-ish characters, great performances, really good music, and great directing/cinematography. But as previously mentioned, there are some pacing issues, and I didn’t feel engaged with several of the characters. Time for my final score. *Ahem*. My final score for “Brick” is an 8,60/10. So while it is flawed, I’d still say that it is worth buying.
My review of “Brick” is now completed.
Do you reckon we could build a house using this movie?
Ladies and gentlemen, it is once again time for me to ramble on about music. To be more specific, it’s time to once again talk about my favorite albums of the recently ended year. 2017 as a year in general wasn’t great. Terror attacks, a less than desirable person becomes president of the United States, people die, people turn out to be sexually assaulting scumbags… there’s been a fuckload of horrible stuff happening in the year. But it has had some bright spots. Mainly in the world of entertainment. We’ve seen some great movies, shows, and games be released over the year. And the topic we’re talking about today is of course no exception to that. So now we’re here to talk about my favorites of the year. Now, there will of course be albums that I missed out on and might discover at a later date, but I don’t exactly have the time or patience to go through every album released just for the sake of this list. So let’s get into it. Some rules first.
Rule #1: This is my list. If you don’t agree with it, then you shouldn’t complain about it. Go make your own damn list. These are my choices.
Rule #2: I will not include any soundtracks/original scores here. This list is all about the albums put out by various bands/artists during the year. So you won’t really see “Baby Driver” or “Guardians of the Galaxy Vol. 2” or “Blade Runner 2049” on this list.
Rule #3: Only full-on albums. No EP’s or singles. The only reason why I’m including this rule is because an EP is technically not an album… it’s more like multiple singles. Like a taste of an album. So while I loved Greta Van Fleet’s “From the Fires”, it will not make an appearance on this list. But I do recommend it… it’s awesome.
Rule #4: No live concert albums. Those are not normal album releases. And they often contain older songs from the artists as well. Live concert albums are cool, but they won’t be on this list.
That should cover it. Here we go. These are my top 20 albums of 2017.
Number 20: Pink – Beautiful Trauma (Sample: What About Us)
The first entry on this list is the latest from pop singer Pink. I’m a huge fan of Pink and her music, which might come as a surprised to some of you due to my heavily publicized love of rock and metal. But I do like her. Out of all the mainstream pop artists out there these days, she somehow manages to appeal to me. Maybe it’s the devil-may-care attitude she portrays at times, maybe it’s that voice of hers, maybe it’s the lyrics, maybe it’s the structure of the songs… or maybe it’s a blend of all. And while this isn’t her greatest outing, it’s still a damn fine album.
Number 19: Queens of the Stone Age – Villains (Sample: The Way You Used To Do)
Number 19 is the seventh album from modern-ish rock band Queens of the Stone Age. And it’s good. Not much else I can say about it. It’s another Queens of the Stone Age album. Has distorted guitars, interesting vocals… it’s the stuff you can expect from these guys. It’s a good album. NEXT!
Number 18: Alice Cooper – Paranormal (Sample: Paranoiac Personality)
In this spot we have the newest album from legendary rock artist Alice Cooper. There are fast songs, there are songs with creepy things in them, there’s fun to be had… basically it’s Alice Cooper doing old school Alice Cooper with enough tweaks to make it stand out a little bit. I like Alice Cooper. Which means I like this. It’s a good album. Good ol’ fashioned rock a la Cooper.
Number 17: Neil Young & Promise of the Real – The Visitor (Sample: Already Great)
Neil Young. Musician. Legend. Canadian. In this album we see him collaborating with American rock band Promise of the Real to bring us a cool, ear-pleasing album filled with social commentary. Hell, the sample track I used for this is a jab at Trump’s “Make America Great Again”. It’s a timely album and another solid entry from one of the greatest musicians of all time.
Number 16: Robert Finley – Goin’ Platinum! (Sample: Get It While You Can)
The number 16 spot goes to the newest release from blues/soul singer Robert Finley. It’s a really cool album that shows how you’re never too old to release a fun and asskicking album. Sure, that was more the point of his previous album “Age Don’t Mean a Thing”, but I think it could apply to his newest album as well. It’s filled with fun tunes drenched in old school blues and soul, giving it a unique vibe that you never really hear these days. And that voice of his is just so cool. ’tis a damn good album
Number 15: Samantha Fish – Chills & Fever (Sample: Chills & Fever)
At number 15 we have an album from female blues musician Samantha Fish. Admittedly it is less blues-heavy than her previous albums, leaning more on soul and jazz. But it still kind of works, since the songs are still catchy and a lot of fun to listen to. And we do get some of her guitar playing on the album. She also has a really cool voice that I just love listening to.
Number 14: Gotthard – Silver (Sample: Tequila Symphony No. 5)
Here we have the latest release from Swiss hard rock band Gotthard. And while they don’t do anything outside of their comfort zone, what they do here is still great. Instead of being jacks of all trades, they aim to instead focus on one thing they’re good at and just do that. And I love that about this album… it’s just Gotthard being Gotthard. It’s great.
Number 13: Deep Purple – inFinite (Sample: Time For Bedlam)
From the band behind “Smoke on the Water”, “Highway Star”, “Perfect Strangers”, and many more classics comes a new hard rock album… and it’s good. These old men still got it. It’s definitely not the band’s best album (“Machine Head” still holds that crown), but it’s still a good return to form for them. It’s a good rock album.
Number 12: Otis Taylor – Fantasizing About Being Black (Sample: Twelve String Mile)
At number 12 we have the latest from blues musician Otis Taylor. It’s a very raw album with some cool and damn interesting tracks. Combine that with Taylor’s voice and you get some damn fine music. It’s about some serious and interesting subjects, mainly civil rights and such. And hearing those things sung by this voice makes it almost heartbreaking without actually feeling too emotional or pander-y. It’s a damn good album.
Number 11: Sons of Apollo – Psychotic Symphony (Sample: Signs of the Time)
Halfway through the list and we’re talking a look at the debut album from American supergroup Sons of Apollo. Consisting of people who’ve played with/in/for all kinds of cool artists/bands, this supergroup is based heavily in prog-metal, and it’s honestly pretty awesome. It’s heavy, but it never loses sight of melody or meaning. It’s actually quite impressive. But I guess I shouldn’t be too surprised when you have that kinds of cool lineup.
Number 10: Body Count – Bloodlust (Sample: No Lives Matter)
Starting the top half of this list is the latest album from rap-metal band Body Count, led by rapper/actor Ice-T (Yes, really). When I first heard about them around mid-2017 I had a hard time believing it and even kind of laughed at it. But then I looked them up and listened to their songs (this album in particular)… and I really like them. While this kind of music seems like it would only be about killing people and such, that isn’t quite it. They have shit to say about society and the law and other such things. They’re like a modern equivalent to Rage Against the Machine (which is ironic considering Prophets of Rage exists). But they talk a lot about how people (especially black people) get totally fucked over in society. And it’s true, it does happen. And this album explores such themes very well. That said, they also have a cover of Slayer’s “Raining Blood” which I think they included just for fun.
Number 9: Samantha Fish – Belle of the West (Sample: Blood in the Water)
Surprise, an artist appeared twice on this list! Not gonna lie, I’m kind of surprised as well since most artists tend to only release one solo album at a time. But in 2017 Fish was very active. First “Chills & Fever”, then some touring, then “Belle of the West”. And this is definitely a more blues-y album than “Chills & Fever”, but it also takes a couple cues from country/western. And it’s a damn cool album. I really dig it.
Number 8: Kasey Chambers – Dragonfly (Sample: Ain’t No Little Girl)
The number 8 spot goes to Australian country/pop singer Kasey Chambers. The album is a ride that will take you through several emotions. You won’t necessarily feel all of them, but they are all part of the songs. It has a decent amount of themes going through it, and the instruments combined with Kasey’s amazing voice makes for a great album.
Number 7: Rise Against – Wolves (Sample: House on Fire)
At number 7 we have the latest from punk/rock/metal band Rise Against, a band that always has deeper meaning behind their songs. I’ve been a big fan of them for years, and while it’s not their best album, “Wolves” still didn’t disappoint. It’s another awesome album filled with great instrumentals, engaging lyrics, and Tim McIlrath’s awesome voice. It’s a great album.
Number 6: Blacktop Mojo – Burn the Ships (Sample: Dream On)
At number 6 we have an album from a hard rock band that I had never heard about until late 2017. I was just cruising around youtube, listening to music. Then I saw this cover of “Dream On” in my suggestions and I clicked it and I loved it. So I decided to check the band out which led to this album and I love it. It’s great. It’s exactly what I want in a good hard rock album. Great instrumentals, great vocals, interesting structure… it’s just really cool.
Number 5: Trombone Shorty – Parking Lot Symphony (Sample: It Ain’t No Use)
We’re in the top 5 now. And kicking this part off is this great fucking album from Trombone Shorty. It’s a cool album that takes a whole bunch of genres and uses them to make great songs. There’s hip hop, jazz, soul, R’n’B, and more. All while you have some nice brass going through it all. And it’s just one of the coolest and most unique albums of 2017 in that way. It’s just got so much energy and style that I can’t help but kind of love it.
Number 4: Brad Paisley – Love and War (Sample: Love and War)
At number 4 we find the latest album from country artist Brad Paisley, AKA my favorite country artist. And on this he sings about love, parties, soldiers not necessarily being treated as well as they should… yeah, it’s a great album. And the overall quality would probably not matter much in the long run as I would’ve put it on this list purely because of my love for Paisley. But since it is as great as it is, I could happily put it high up on the list without any “guilt”. It’s also cool to have a bunch of other famous artists featured in various tracks throughout the album, such as John Fogerty and Mick Jagger. It’s another win for Paisley.
Number 3: Robert Plant – Carry Fire (Sample: Carry Fire)
On third place on this list we find the newest solo album from former Led Zeppelin singer Robert Plant. And here you won’t find any of his classic rock n roll antics, oh no. This is a much more reserved Plant. Not saying it’s as reserved and laid back as Mojave 3, but it’s quite reserved compared to his old Zeppelin days. This is a Plant that has taken musical inspiration from several different cultures in this world to combine them and create some really memorable and fantastic songs. This is truly a fantastic album
Number 2: Styx – The Mission (Sample: Gone Gone Gone)
On the penultimate spot we find the latest release from ye olde rock band Styx. And while some of their older stuff could be hit or miss, with entire albums being kind of inconsistent, this is an album that I find myself listening to quite often. While not the most complex album in the world, it’s still a lot of fun to listen to. And it’s also fun to hear that Styx still got it, almost even being better than ever. I also love the space travel concept of the album. I love space and they made some exciting songs about it.
NUMBER 1: Neil Young – Hitchhiker (Sample: Hitchhiker)
Taking the top spot on this list is “Hitchhiker”, the newest solo album from Neil Young. Not only is the album fucking masterful, containing some emotionally charged songs, but it also has an interesting story to it. This was originally recorded in 1976, but for some reason was never released… until 2017. So in some ways I could technically be cheating since it was made in the 70s. But my counterargument is that is wasn’t actually released until 2017. So it’s a 2017 album. And it’s amazing. And that’s why it’s my favorite album of 2017.
So those were my favorite albums of 2017. Now I’d like to hear from you. Did you have any favorite albums from the year that I didn’t mention here? Did you like any of the ones I mentioned? I’d really like to hear what you guys think.
Have a good one.
Right up front, I adore Stephen King’s “Dark Tower” books. They’re epic, unique, engaging, and just awesome. So I was worried about the series being adapted to film. Then the trailer came out and it looked like shit. But now we’re here, reviewing it. Comparisons to the novels are inevitable, but I will do my best to not rely on that stuff. Try to judge this on it’s own. So here we go.
Ladies and gentlemen… “The Dark Tower”.
Jake Chambers (Tom Taylor) has been having dreams/visions of a strange land filled with strange stuff. And one day he finds an actual portal to that world. There he meets Roland Deschain (Idris Elba), AKA the gunslinger. And they meet up to try to find and stop the evil wizard known as the Man in Black (Matthew McConaughey) from destroying the one thing holding all the universes together… The Dark Tower. So now we have our adaptation. And it’s not a direct adaptation of any of the books, but rather mixes the stories of all of them into one thing. And it feels quite messy. Cramming a ton of stuff into a 90-minute runtime. So you get a rushed mess that has stuff from all the books, but only feels very surface-level. And even if you take the books aside for a second, it still feels rushed and messy. And not very interesting. At best the plot is meh. But for the most part it is not good.
The characters here show potential to be interesting, but never reach that full potential for me (at least I didn’t dislike them, I guess). Idris Elba plays Roland, a gunslinger. Quick lesson: A gunslinger is a sort of guardian who has sworn to protect Mid-World and the Dark Tower. And Roland is the last of the gunslingers because someone (the Man in Black) was a dick. But you can see some history with him and that there’s some pain behind those eyes. But they never go and fully develop him. But Elba is really good in the role. Tom Taylor play Jake Chambers, the young man who gets visions of Mid-World and Roland and all the shit going on with the Dark Tower. He gets some backstory, and you get a decently clear idea of who he is as a character. And I didn’t hate him, he was probably the most well developed character here (even if it’s not full-on development). And Taylor was really good in the role. Matthew McConaughey (alright, alright, alright) plays the Man in Black, the big threat to Mid-World, our world, and all worlds that are connected by the Dark Tower. He’s a wizard of sorts who can tell you something and you do it. He’s like a less interesting version of Kilgrave from “Jessica Jones”. And while McConaughey is clearly having a lot of fun in the role, his performance isn’t great. It’s average-ish. The rest of the actors in this movie range from fine to good. Serious waste of Jackie Earle Haley in this.
The score was composed by Tom Holkenborg (AKA Junkie XL) and it was okay. Bit generic, often reminded me of “The Da Vinci Code”. It’s not bad, but nothing stuck out to me as great or memorable. Most of it is just fairly typical stuff. Takes cues from action, horror, emotional drama, and more in the various tracks. It’s overall… fine.
This movie was directed by Nikolaj Arcel, and I think he did an average job. It’s clear that this movie was rushed into production, so a lot of the less than stellar stuff in direction and such might not be his fault. There is almost no tension here, and the movie looks really generic. For one of the most unique and interesting fantasy franchises, the adaptation sure looks bland. Admittedly there are moments in this movie where I had fun with some of the action. Mainly in parts where action gunslinging was happening, I kind of enjoyed those bits. But there’s also some action here that leaves no impact and just comes off as… meh. Let’s also talk about the visual effects. Some of them look good, and some were kind of bad… distractingly so. It’s kind of like what I said about the plot… messy.
This movie hasn’t been very well received. On Rotten Tomatoes it has a 16% positive rating. On Metacritic it has a score of 34/100. And on imdb.com it has a score of 5,7/10.
As an adaptation of Stephen King’s books, “The Dark Tower” isn’t good. As a movie on it’s own, it’s slightly better but still not that good. Good things include a couple of performances, the character of Jake Chambers, and a couple of action moments. But the plot, most other characters, the music, and directing/cinematography/action range from meh to bad. Time for my final score. *Ahem*. My final score for “The Dark Tower” is a 4,65/10. I didn’t want to dislike it… but I kind of did. I’d recommend skipping it.
My review of “The Dark Tower” is now completed.
I didn’t wanna dislike it. I wanted it to be good. *sigh*. At least I can still read the books.
Ah, limited releases. I don’t like you. It’s stupid. Just let everybody get movies at the same time. Stop with the limited bullshit. I don’t like getting shit late.
Ladies and gents… “Three Billboards Outside Ebbing, Missouri”.
When the local police fails to find whoever killed her daughter, Mildred Hayes (Frances McDormand) aims to get their attention using three billboards located just outside of the town. And soon enough Mildred finds herself having a bit of a feud with the local police. And despite what the trailers might’ve indicated, this isn’t so much a crazy Coen-y comedy as much as it is a drama featuring bursts of dark comedy. Yes, there are parts in this movie that are of a more comedic nature, but this is for the most part a layered and emotionally charged drama. And I found myself engaged by this plot from start to finish. This is one of the few movies I’ve watched recently where I’ve felt emotionally invested. I might’ve been interesting and somewhat engaged by other movies, but none of them have been able to grab me quite as much as “Three Billboards”. It’s a fantastic plot.
The characters here are deep, interesting, engaging, entertaining, and they felt real (even amidst some of the crazier moments). Frances McDormand plays Mildred Hayes, the lady utilizing the title of the movie. She’s tough and determined, but she also has a more vulnerable side that comes froth every now and then. She feels like a fully fleshed out character and I really cared about her. And McDormand is of course fantastic in the role. Woody Harrelson plays William Willoughby, the chief of police in Ebbing, Missouri. He’s a family man who wants to find whoever killed Mildred’d daughter, but he can’t exactly do it. There’s also another aspect to the character that I won’t go into, but it does add another emotional layer to him. And Harrelson is great in the role. Then we have Sam Rockwell as Jason Dixon, a police officer. He’s a racist, bigoted, sack of fucking shit. And he does have an interesting arc in this movie that I won’t go into, but I found it quite engaging. And Rockwell is absolutely fantastic in the role. And then we get some supporting performances from people like John Hawkes, Peter Dinklage, Lucas Hedges, Kerry Condon, Abbie Cornish, Caleb Landry Jones, Zeljko Ivanek, Amanda Warren, and more. And they range from okay to great. ’tis a well acted movie.
The score for the movie was composed by Carter Burwell and it was terrific. It was dramatic, emotional, tense, and just overall well composed. It worked very well for the scenes it was used in, adding a lot to those scenes. There were also a bunch of licensed tracks used throughout, and they were all used very well in their respective scenes. This movie has some damn good music.
This movie was written and directed by Martin McDonagh, and I think he did a fantastic job on both those fronts. The movie is very well directed, with him managing to fully engage me in a scene. He even managed to get some decent tension out of a couple moments in the movie. And the writing is of course on point. It’s engaging and and fully grips ya. And let’s talk about the humor here. It’s darker than the asshole of black void. it made me cringe but it also made me laugh quite a bit. And it works very well with the drama of the movie. The balance is perfect, and McDonagh manages to get a very good flow between the two without making any of it feel jarring. And the cinematography by Ben Davis is really good, giving us some damn pretty shots.
This movie has been very well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 88/100. And on imdb.com it has a score of 8,3/10 and is ranked #129 on the “Top 250” list.
“Three Billboards Outside Ebbing, Missouri” is another win for Martin McDonagh, it’s absolutely fantastic. It has a fantastic plot, great characters, fantastic performances, great music, and fantastic directing/cinematography/humor. Time for my final score. *Ahem*. My final score for “Three Billboards Outside Ebbing, Missouri” is a 9,89/10. Which means that it gets the “SEAL OF APPROVAL!”.
My review of “Three Billboards Outside Ebbing, Missouri” is now completed.