My Favorite Albums of 2018

Hello there, ladies and gentlemen, it’s that time of year again. The time when I share with you some of my favorite albums of the year that recently ended. Took a little longer than usually this time, as I slacked a bit throughout 2018 in listening to a lot of new albums. But now we’re here. And I’m excited to start writing, this is one of my favorite things to do each year. Just a few stipulations between us.

Rule number 1: Please be nice. If you don’t agree with my picks, that is fine, I encourage discussion. Just don’t be a dick about it.

Rule number 2: I am not including any film scores/soundtracks, as that would make this list go on for way too long. Also, this is just to celebrate the music in its own right, and not have it clouded by any positive cinematic experiences.

Rule number 3: I don’t do EPs or singles. This is for those fully referred to as ALBUMS. So if there’s an EP that you liked that isn’t here, now you know why.

That should be it. Though I will also give an honorable mention to “Campfire” by Kasey Chambers and The Fireside Disciples. The few tracks I’ve heard from that album are incredible, but due to some licensing bullshit, I can’t listen to the full album since I’m not in Australia… and importing is too pricey, so I’m not gonna hear it anytime soon. But I guess an honorable mention is fine.

Anyway, with all that out of the way, now is the time for me to share my favorite albums of 2018!

Number 13: Luke Westaway – Short Songs With Long Titles (Sample: I Took a Week Off Work and My Brain Didn’t Know What to Do With That, Clearly).

Kicking off this list is an album with a very self-explanatory title. From Luke Westaway, most known for his hosting gig on the OutsideXtra youtube channel, comes “Short Songs With Long Titles” an album all about short songs with long titles. It’s a charming little thing that just puts a smile on my face. It’s not musically complex, it’s not emotionally charged… it’s just a guy having a bit of fun, and that is quite infectious, for me at least.

Number 12: Ry Cooder – The Prodigal Son (Sample: The Prodigal Son).

Next up is “The Prodigal Son”, the latest album from musician Ry Cooder. It has an interesting sound in how it blends a bit of rock and folk and blues and a tiny bit of country. And it blends together to make something really cool that I enjoy listening to.

Number 11: Kacey Musgraves – Golder Hour (Sample: Slow Burn).

At number 11 we have the latest release from pop/country artist Kacey Musgraves. When I first heard of Musgraves I dismissed her as another pop artist (like an asshole). But then later I started hearing murmurs of her actually being a country artist, which had me intrigued. And I decided to give her newest release a chance. And I’m glad I did, because it’s pretty damn good (evidenced by its inclusion here).

Number 10: Buddy Guy – The Blues is Alive and Well (Sample: A Few Good Years).

I think I’ve made it clear on this blog a few times that I’m a fan of blues. So the fact that such an old school blues album can be released in 2018 just makes me happy. Hell, that album title just summarizes my thoughts perfectly. The blues is indeed alive and well.

Number 9: Florence + The Machine – High as Hope (Sample: 100 Years)

First single digit entry is the latest from alt-rock/pop outfit Florence and The Machine (that “and” often stylized as a +). And with this, Florence Welch (who fronts the band) lays herself bare, talking about pain, suffering, sadness, and other such fun subjects. I already enjoyed the band to a certain extent, and this album is another reason for me to do so.

Number 8: Greta Van Fleet – Anthem of the Peaceful Army (Sample: Lover, Leaver).

At number 8 we have the latest release from legendary rock band Led Zeppelin. *Smack* Ouch, okay, fine, I’ll be serious… dick. So yeah, it’s impossible to talk about Greta Van Fleet without mentioning their similarity to Led Zep. I mean, Josh Kiszka’s voice is a dead ringer for a young Robert Plant. Anyway, similarities to Markus’ favorite bands aside, how does it stack up on its own as a rock album? It’s great (the inclusion on the list should’ve been a dead giveaway). It’s great to hear this kind of old school rock still being played in our current days. And who can complain about hearing a bit of new Led Zep material in 2018/2019? *Smack*.

Number 7: Shemekia Copeland – American’s Child (Sample: Ain’t Got Time For Hate).

Buddy Guy said it. Blues is alive and well. Copeland comments on a lot of current issues within the United States, and her message comes through beautifully through her strong vocals, and use of the blues genre. Blues is great for telling genres, so using it to send a message about some of the fucked up stuff going on in the world is a brilliant idea. Plus, it’s just a damn solid listen overall.

Number 6: Beth Hart & Joe Bonamassa – Black Coffee (Sample: Give it Everything You Got).

Man, 2018 was one hell of a year for blues. Even better is that this is a collab by one of the best duo’s in the genre. Hart and Bonamassa have done a couple albums before that I really liked, so I was already excited to hear another one from them… and man, it did not disappoint. Hard-hitting instruments, Hart’s fierce voice, and an overall sense of the various crew members’ skill makes this one hell of a good time.

Number 5: Steve Perry – Traces (Sample: No Erasin’).

Man, was this the biggest surprise release of 2018. I was just chilling out and browsing twitter a bit, and suddenly I just see “Journey’s Steve Perry to release new album in a couple days”, which of course had me reacting like “Fucking what?”. Perry’s been relatively quiet on the musical front since leaving Journey in 1998. Then suddenly 20 years later he releases a new solo album… and it’s great? Talk about one of the most pleasant surprises in recent years. But yeah, if you like a lot of his old Journey stuff, you’ll most likely enjoy “Traces” too.

Number 4: Father John Misty – God’s Favorite Customer (Sample: Hangout at the Gallows). 

“If Radiohead had sex with The Beatles” a youtube comment described this song. It’s not entirely wrong. I can certainly hear a little bit of that in Misty’s sound, though I also think he’s still created something entirely his own within the sort of indie/folk/alt-rock sounds that he clearly resides within. His voice, the instrumentals, and the lyrics all make for one really great album.

Number 3: Joe Satriani – What Happens Next (Sample: Energy).

Rock and motherfucking roll. Coming in with a bronze medal, we have the latest release from acclaimed rock guitarist Joe Satriani. I’ve been a fan of his for years, so I was of course excited for his new album which was an early 2018 release, and I was listening on day 1. And man, it was so badass. Badass solos, slick licks, and and Satriani’s overall sense of how to keep purely instrumental songs fresh and unique makes it one of the best of the year. Plus, the background work by Chad Smith and Glenn Hughes gives it an extra edge too.

Number 2: Judas Priest – Firepower (Sample: Firepower).

Wow, was the inclusion of this quite surprising. Bands that have been working for as long as Judas Priest shouldn’t sound so good so far into their lifetime. And when I first heard the album, I kinda dismissed it as another half-decent, fairly catchy, pretty well done metal album. But since then it’s really grown on me, and I have realized just how good it is. “Firepower” is as old school as metal gets, and I’d say that it might be the band’s best since “Painkiller”, maybe even since “British Steel”. Like, what the fuck, this is way better than it has any right to be. Oh well, I’m not gonna complain about a bit of awesome music.

Number 1: Joe Bonamassa – Redemption (Sample: Redemption).

Anybody who knows me should not be surprised by this. I’ve said so many times on this blog, on twitter, and in real life how much I adore Bonamassa’s music. And with “Redemption” he has once again given us a musically impressive, catchy, and overall solid blues-rock album. His vocals are the best we’ve heard from him, and the guitar work is still absolutely stunning. Bonamassa is one of the most hard working musicians out there, constantly touring and putting out content and just overall kicking musical ass. “Redemption” is my favorite album of 2018.

So those were my favorite albums of 2018. But now I wanna hear from you guys, what have been some of your favorite albums of last year? Either leave a comment or make a blog post of your own as a response to this, I’d love to hear your thoughts.

Have a good one.

3 thoughts on “My Favorite Albums of 2018

  1. The only one of these I actually own is the Florence and The Machine one. I love her style, and her voice. I have some old Buddy Guy vinyl albums in the loft, but I generally buy a lot less music these days. I think it comes with getting older, and hearing myself saying things like “It all sounds the same”.
    🙂
    Best wishes, Pete.

  2. I liked Pale Waves – My Mind Makes Noises, a strong first outing from a great band. Isolation from Kali Uchis was just genius. Arctic Monkeys – Tranquility Base Hotel & Casino was a breath of fresh air while Andrew W.K.’s You’re Not Alone is pure fun. My favourite album though has to be Wildness from Snow Patrol – a return to form and a return from a band many might have written off having been gone so long. A truly exceptional album, each song a work of art.

  3. I’m in a blues frame of mind tonight, so I was glad to see you posted something from Buddy Guy and Joe Bonamassa. But I did not know Ry Cooder released another album last year. Awesome!

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