Yes, I know, you’ve been getting a lot of “Line of Duty” content from me in relatively quick succession, but I can’t help if the show is very bingeable. Or, well, technically it is, but also not… Shut up. Let’s just get into it.
Ladies and gentlemen… “Line of Duty” season 3!
When a suspect is fatally shot during a police raid, Arnott (Martin Compston), Fleming (Vicky McClure), and the rest of AC-12 have to look into the possibility of corruption and misconduct within the strike team involved in the shooting. But as they work this case, they soon discover that it isn’t as simple as it might seem at first. And this is how “Line of Duty” weaves its most complex, layered, intense, and unpredictable plot yet… and I loved ever second of it. Not discrediting the first two seasons, they were great… but season 3’s web is so broad and layered with intrigued that it almost puts them to shame. In scope, storytelling, and suspense, it is probably the peak of any police show that I have ever watched, and honestly better than a lot of movies too. It takes the idea of “Line of Duty”, and not only creates a new, interesting plot in it, but weaves in elements from previous seasons too to create this big, elaborate plot… and yet it never feels messy. And at no point could I predict what was going to happen, which is quite nice to see in a police show. So yeah, the plot here is pretty fantastic.
The characters (new and returning) are all flawed, layered, engaging, and overall just really interesting. Martin Compston of course returns as DS Steve Arnott, still being the tenacious investigator that we know and love. Seeing him do his job would’ve been interesting enough, but then they also give him some interesting development here too to keep it feeling fresh, which is a welcome addition. And Compston is great in the role. Vicky McClure returns as DC Kate Fleming, who as per usual, has to go undercover, this time with the strike team that’s under investigation. And while she doesn’t have the biggest arc this season, she still gets a fair amount of good stuff to chew on here. And McClure is great in the role. Adrian Dunbar returns as everyone’s favorite superintendent, Ted Hastings. Seeing him deal with the complexities of the case while also dealing with some personal things is really interesting. And Dunbar is great in the role. We also get supporting work from people like Daniel Mays, Craig Parkinson, Polly Walker, Arsher Ali, Keeley Hawes, Jonas Armstrong, and more, all doing very well in their respective roles.
As with the first two seasons, the music here was composed by Carly Paradis, who once again delivers a tense, emotional, dramatic, and just plain great score. It’s probably the best work she’s done for the show up up to this point. The compositions are layered, yet simple, which works incredibly well in creating the sound of the show.
Series creator Jed Mercurio returned to write all the episodes, and directing duties were split between Michael Keillor and John Strickland. And once again, this crew has really upped their game. The directing is more steady, more confident, and overall more intense, creating a truly electrifying viewing experience. Sure, the writing in itself is already amazing, but the addition of the season’s excellent direction creates a unique and awesome style that I really liked. It also makes the suspenseful bits even more uncomfortable.
Once again, “Line of Duty” has one-upped itself. The plot is fantastic, the characters are great, the performances are great, the music is really good, and the writing/directing is fantastic. Time for my final score. *Ahem*. My final score for “Line of Duty” season 3 is a 9,95/10. Which means it gets the “SEAL OF APPROVAL!”.
My review of “Line of Duty” season 3 is now completed.
For fuck’s sake, show, stop* getting better and better.
*Don’t actually stop.