We’re getting a lot of superhero stuff these days. But what I do like about it is that we’re at a point where we’re getting more experimental things, not just typical “Colorful hero saves day” thing. Don’t get me wrong, I like those… but I appreciate the lean towards a lot more weird things. So let’s discuss such a thing.
Ladies and gentlemen… “Doom Patrol” season 1!
The story follows a group of outcasts who have been brought together by a scientist (Timothy Dalton) as they have to reluctantly band together to stop the villainous Mr. Nobody (Alan Tudyk)… at least that’s the initial setup. It sets itself up with a bit of a typical superhero idea, but then decides to shove that to the side a bit to explore the stranger side of the DC universe. While there are overarching themes and ideas, each episode is generally a self-contained adventure where the team encounter a new strange thing and have to deal with that while also having to try to handle their personal demons. So the show balances a lot of ideas and tones, which can often be a movie or show’s downfall. But “Doom Patrol” balances it all wonderfully to create a unique superhero show that for the most part just subverts most superhero tropes, all while giving us some of the most surprisingly compelling character drama that I have seen in quite a while. It’s a strange, fun, emotional, and overall well-realized story that I loved following from start to end.
The characters are flawed, layered, colorful, and just overall really interesting. They’re all damaged in some way, which makes them quite dysfunctional, leading to a lot of interesting character dynamics. And with the core cast of Diane Guerrero, Brendan Fraser, April Bowlby, Matt Bomer, Joivan Wade, and Timothy Dalton, you get some truly great performances to go along with these vividly written characters.
The score for the show was composed by Clint Mansell and Kevin Kiner. And man, it is pretty great. A lot of synth is used throughout, which gives the show an almost otherworldly feeling that helps sell the unique vibe of the show. It’s suspense-building, it’s emotionally charged, it’s exciting, it’s fun… it’s just a perfect match for the show. There are also a handful of licensed tracks used throughout the season, and they work quite well in their respective scenes. So yeah, this show has great music.
Based on the comic books from DC, the show was created by Jeremy Carver, and written/directed by a whole bunch of cool people. And as mentioned in some of the previous sections, the writing is some of the most uniquely compelling stuff I’ve experienced in quite some time. And the directing is pretty stellar too, featuring some really fun camerawork that adds a lot to the show in terms of visual storytelling. I should probably also mention that the show in large part is a comedy. So is it funny? Yes, very, it’s one of the funniest shows I’ve watched in a while. The humor can often be quite crude and weird, but I do think it works to the show’s advantage in giving it a distinct feel.
This show/season has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 70/100. And on imdb.com it has a score of 8,2/10.
“Doom Patrol” is one of the weirdest shows I’ve seen in quite a while… but it’s also absolutely fantastic. It has a great plot, great characters, great performances, great music, great writing/directing, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Doom Patrol” season 1 is a 9,92/10. Which means that it gets the “SEAL OF APPROVAL!”.
My review of “Doom Patrol” season 1 is now completed.
That was a bit insane.