Time for some more spookums for the Month of Spooks. So let’s stop standing around and get into it.
Ladies and gents… “Candyman”.
Grad student Helen Lyle (Virginia Madsen) is working on a thesis about a local spooky legend known as the Candyman (Tony Todd). And as she investigates this legend, she soon comes face-to-face with the titular myth. So now we have a psychological thriller/procedural. And I’m gonna be frank with you guys, I really liked the story told here. For something that can be technically considered a slasher, there’s a surprising amount of nuance to the story, putting doubt in your mind about certain story elements, making the viewer feel uneasy about the things going on. Despite a relatively short runtime, it took its time to tell this chilling and surprisingly nuanced narrative. That’s not to say that there aren’t thrills, ’cause there are. But the story here isn’t just some thinly veiled excuse for gory slicing and dicing a la Jason Voorhees. The story here has an actual purpose, and I was pleasantly surprised by it.
The characters in this are, like the story, surprisingly nuanced and engaging. Virginia Madsen plays Helen, the grad student investigating the local legend. She’s a bit of a skeptic, so when she starts coming face-to-face with some of the strange things she doesn’t fully believe in, she starts going through a bit of a fascinating arc. And Madsen is fantastic in the role. Next we have Tony Todd as the titular legend. I won’t go into too much detail in case you haven’t seen it but want to. But let’s just say that he’s one of the more intriguing horror antagonists out there. And Todd is great in the role (and what a cool voice he has!). We also get supporting work from people like Xavier Berkeley, Kasi Lemmons, DeJuan Guy, Vanessa Williams, and more, all doing very well in their respective roles.
The score for “Candyman” was composed by Philip Glass, and I think it’s pretty spectacular. Sure, the opening track has some minor things that I’m not a huge fan of. But other than that, this score is wonderful. It’s eerie, yet mournful. Haunting, yet sad. Like with the things we talked about earlier, there’s a surprising amount of nuance to it, and especially with the main theme, which is one of the most stunning that I’ve ever heard.
Loosely based on a short story by Clive Barker, the movie was written and directed by Bernard Rose. And I think he did a great job with it. Yes, there are jump scares, and yes there is gore. But he still has a direction that generally relies more on a subtle creep-factor rather than constant thrills, which adds to the overall experience. There’s even a lot of fun camerawork throughout, which helps add a bit of extra energy to proceedings, and not just have it be a slightly boring, static shot of something happening.
I was pleasantly surprised by “Candyman”, it’s a surprisingly nuanced little horror movie. It has a really good plot, really good characters, great performances, fantastic music, and great writing/directing. Time for my final score. *AHEM*. My final score for “Candyman” is a 9,78/10. So it gets the “SEAL OF APPROVAL!”.
My review of “Candyman” is now completed.
Wait, how many times did I say his name in this review? 1, 2, 3, 4, fuck.