Movie Review: Midsommar (2019)

These kinds of movies are always kind of exciting. You know the ones, the movies that are quite polarizing. A lot of people love them, a lot of people don’t. Those are always the most exciting to watch/talk about, because of this discourse. So let’s chat about this polarizing picture.

Mina damer och herrar… “Midsommar”.

After suffering a terrible tragedy, Dani (Florence Pugh) travels with her boyfriend (Jack Reynor) and his friends to a remote part of Sweden to take part in a festival. But what seems like a nice, relaxing way of getting away from life and gathering your thoughts, soon turns into something a bit more strange. So now we have our semi-cult horror-drama-thriller story. And here where I think the divide will occur for most people. It’s a slow burning affair, more about exploring certain themes and ideas rather than just up and spooking you. And if you don’t want to sit through that for nearly two and a half hours, then maybe avoid this. As for me, I found this a weirdly enrapturing experience. It’s not something I’ll probably ever watch again, and it’s probably not something I’ll call one of my favorite movies… but it’s a story experience unlike any other I’ve witnessed, and I was drawn in from start to finish.

The characters in this are interesting in the sense that not all of them get too much depth, but I wouldn’t want them to not be included. First up we have Florence Pugh as Dani, the young woman at the center of the story. She has gone through some shit, which has really fucked with her mental state, which we see manifest throughout the movie, which adds a bit to making her a very compelling character. And Pugh is absolutely fantastic in the role (give her an Oscar, you cowards). Jack Reynor plays Christian, Dani’s boyfriend who I have conflicted feelings about, which I think was the movie’s intent, and I found him interesting to have along. And Reynor is really good in the role. We also get supporting work from people like William Jackson Harper, Vilhelm Blomgren, Henrik Norlén, Will Poulter, Isabelle Grill, Liv Mjönes, Hampus Hallberg, and many more, all doing very well in their respective roles.

The score for the movie was composed by Bobby Krlic, and I’d say it’s good. It’s not something I’d find myself listening to in my free time, but I can’t deny that it’s well composed and fits quite well within the various scenes where you can hear it. It’s an often droning score, almost dreamlike which adds to the eeriness of the movie.

“Midsommar” was written and directed by Ari Aster, who I think did a damn good job with it. His control of scene flow is immaculate, and when combined with the pitch perfect editing and Pawel Pogorzelski’s stunning cinematography, and you got one of the most impressively crafted films of the year. It manages to be otherworldly while still clearly being on our own planet earth.

This movie has gotten mixed reception (but mostly positive from critics). On Rotten Tomatoes it has an 83% positive rating and a “Fresh” certification. On Metacritic it has a score of 72/100. And on imdb.com it has a score of 7,2/10.

“Midsommar” isn’t for everyone… but I certainly thought it was engaging. It has a really good plot, good characters, fantastic performances, good music, and fantastic writing/directing/cinematography/editing. Time for my final score. *Ahem*. My final score for “Midsommar” is a 9,58/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Midsommar” is now completed.

They present the midsummer celebration in the movie as some huge, elaborate event. But the actual celebration here in Sweden is just people getting drunk, eating bland food, and maybe stumbling around a wreath pole.

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