Homes. We live in them. They shelter us from the harshness of the outside world. And yet despite their importance, a few small legal stipulations can instantly take them away from us.
Ladies and gents… “99 Homes”.
After he gets tossed out of his own home, Dennis Nash (Andrew Garfield) goes on a quest to find a job so he can try to get it back. This eventually leads him to working for Richard Carver (Michael Shannon), the real estate agent that made Dennis leave his home. Already there you get an interesting setup. And the movie uses it to its advantage in developing the drama of the story, and it only grows more and more compelling as Dennis delves further down this spiral, becoming more involved with the real estate business. I honestly didn’t see where the story went at first, and even when I got some idea of the path later on, I still found it really engaging thanks to the genuinely interesting writing.
The characters in this are really interesting, as they’re actually pretty layered. Andrew Garfield plays Dennis Nash, a dedicated single father doing everything he can to keep his family afloat. He is the one that goes through the most development in the cast here (which makes sense, since he’s the main character), going from his emotionally charged starting position to where he ends up. And Garfield is fantastic in the role. We then have Michael Shannon as Richard Carver, real estate agent and dickhead extraordinaire. If you just think of those words together with the casting, you can probably imagine what the character’s like. And you’re mostly right… and it’s awesome. Michael Shannon’s awesome. We also get supporting work from Laura Dern, Noah Lomax, Tim Guinee, J.D. Evermore, and a whole bunch of other people, all doing well in their respective roles.
The score for the movie was composed by Antony Partos & Matteo Zingales, and I think they did a pretty good job with it. The score is a mostly synthesized affair, making for a decently dramatic sound that fits the movie well enough. Not much else I can say. Good, but not too memorable.
“99 Homes” was written by Ramin Bahrani and Amir Naderi, with Bahrani serving as director. And I think Bahrani did a great job. He really knows how to bring you into it. There’s a confidence in his direction that gives the movie a certain flair that elevates it everything else by quite a margin. He almost gives the movie a bit of a documentary-esque vibe, without sacrificing the cinematic flair of the fictional elements. He also knows how to build some good suspense at times, especially with a scene early on that I won’t spoil. Bahrani’s good.
“99 Homes” is a damn fine drama, taking a nuanced look at some fairly complex issues. It has a great plot, good characters, great performances, pretty good music, and really good writing/directing. Time for my final score. *Ahem*. My final score for “99 Homes” is a 9,62/10. So it gets the “SEAL OF APPROVAL!”.
My review of “99 Homes” is now completed.
Oh, and that “Based on true events label”? Not quite true. It uses the 2008 recession as basis for its story, but beyond that, the story and characters are fabrications.