Good afternoon, my friends. Or good whatever-fucking-time-it-is-when-you-read-this. Either way, time for another Summer of the Swedes entry.
Ladies and gentlemen… “Let the Right One In” (Original title: Låt den rätte komma in).
Oskar (Kåre Hedebrant) doesn’t have it easy. He tries to just live his life, which is made harder at every turn by some other boys who bully him. But one day on a chilly winter night, he meets Eli (Lina Leandersson), a weird and mysterious girl that he soon starts befriending, which will change his life in a major way. Initial setup sounds a tad similar to “We Can Be Heroes!”, which I reviewed a week or so ago. But in execution it’s very different. Instead of being a lighthearted and funny story about outcasts who learn to follow their dreams, this is a slowly burning, somber affair that incorporates elements of existentialism and of course also the supernatural. And I found it to be utterly fucking engaging. Some people might hate the slow pace of it, in combination with the lack of scares (since it’s technically a horror movie)… but for me it just really clicked in an emotionally engaging way.
The characters in this are flawed, nuanced, and overall just really interesting. Something about the characters here just feels real to me, at least more so than many movies I’ve seen recently. And while some of the kid actors here aren’t necessarily great, they do still sell their performances pretty well. Kåre Hedebrant, Lina Leandersson, Patrik Rydmark, they all do well. And the adult actors like Per Ragnar and Karin Bergquist all do really well in their roles. It’s a well rounded cast.
The score for the movie was composed by Johan Söderqvist, and I think he did a really good job with it. It’s a somber affair, helping create this electrifying, almost dreamlike vibe for the movie. It helps create a deeper emotional connection between the viewer, really adding a lot to the atmosphere of the movie.
Based on the novel of the same name by John Ajvide Lindqvist, the script for “Let the Right One In” was written by John Ajvide Lindqvist, with Tomas Alfredson serving as director. The craft here is generally really good. Alfredson really knows how to make scenes feel both warmly engaging and weirdly unsettling. He also knows what to show, when to show it, and how long to show it. There is some genuinely disturbing imagery at times, and Alfredson does an excellent job in its usage. And the cinematography by Hoyte van Hoytema is really good as well, giving the movie a unique and stunning look that adds so much to the atmosphere.
“Let the Right One In” is an excellent little horror-drama. It has a great plot, great characters, really good performances, great music, and great directing/cinematography. Time for my final score. *Ahem*. My final score for “Let the Right One In” is a 9,78/10. So it gets the “SEAL OF APPROVAL!”.
My review of “Let the Right One In” is now completed.
Finally, a great movie in this series of mine.