Ladies and gentlemen of the interwebs, it is that time of year again. The time where I for a full month focus my blog in on the spookier side of entertainment. I welcome all of you to the 6th iteration of The Month of Spooks! So let’s enter the nightmare.
Ladies and gents… “Angel Heart”.
New York, 1955. Private investigator Harry Angel (Mickey Rourke) gets hired by the enigmatic Louis Cyphre (Robert De Niro) to find a singer who’s gone missing. But as Harry investigates this disappearance, things start taking a darker turn than originally expected. What’s intriguing about “Angel Heart” in context to this month’s theme is that it isn’t immediately horrific, starting out more as a pulpy detective thriller that over time evolves into more of a psychological affair, building a looming sense of dread and paranoia. And I think the evolution is beautiful and electrifying. I am a fan of detective fiction, so to see it evolve into a horror story is fascinating to me, especially when THIS well. Never was there a moment I was bored, and many moments had me truly glued to what was going on. It’s a fascinating and creepy story that went places I didn’t expect, keeping me on edge throughout its entire runtime.
The characters in this are pretty interesting, all feeling relevant to the plot while also being engaging in their own right. Mickey Rourke plays Harry Angel, silver-tongued, snarky gumshoe from Noo Yohk. At first that is the side we see of him, something very familiar. But over the movie he develops in some interesting ways that I don’t wanna spoil. And Rourke is great in the role. Robert De Niro is great as the mysterious Louis Cyphre. We also get supporting work from people like Lisa Bonet, Charlotte Rampling, Michael Higgins, Brownie McGhee, and more, all doing well in their respective roles.
The score for the movie was composed by Trevor Jones, and I thought it was great. Like the narrative, it shifts a bit in genre, which is fine because of how well composed it is. Sometimes it’s eerie and suspenseful and sometimes Courtney Pine seduces you with his noir-inspired saxophone solos. It’s good shit. There’s also a few licensed songs used throughout, and they work quite well in their respective scenes too. So yeah, this movie has some good music.
Based on the novel “Falling Angel” by William Hjortsberg, “Angel Heart” was written and directed by Alan Parker (recently passed away, R.I.P). And I think he did an excellent job here. His directing hearkens back to old detective noir while still bringing the uncompromising imagery and suspense of 80s horror, and it mixes together wonderfully. This is especially evident when paired with Michael Seresin’s breathtaking cinematography. The combo makes for an insanely well crafted film.
“Angel Heart” is a beautifully crafted and disturbing gumshoe horror that I loved watching. It has a great story, good characters, great performances, really good music, and fantastic directing/cinematography. Time for my final score. *Ahem*. My final score for Angel Heart” is a 9,87/10. So it gets the “SEAL OF APPROVAL!”.
My review of “Angel Heart” is now completed.
Man… young Mickey Rourke was a handsome motherfucker.