I’ve always found the idea of private investigators a fascinating one. Whether they’re investigating missing cats, potentially cheating spouses, or other things that are too petty for the police, these detectives are interesting to me, and often help make for some great fiction. So let’s talk about a detective story.
Ladies and gentlemen… “The Kid Detective”.
When he was a kid, Abe Appelbaum (Adam Brody) was a famous detective, solving cases left and right, being celebrated by everyone around him. Now in his thirties, he’s grown cynical, jaded, and often hungover, still scraping by on petty cases. But one day a high schooler (Sophie Nélisse) walks into his office, with the offer of his first “proper” case: Solving the murder of her boyfriend. Detective fiction is tricky to pull off in a way that feels fresh, often stumbling into very familiar tropes and clichés. But “The Kid Detective” is that rare gem that manages to stick out a bit. While it does allow itself to indulge in some of the tropes of detective fiction, it also does a lot to play around with and subvert most of them, delivering a take on the genre that feels very refreshing and unique. Meanwhile it also acts as an interesting and darkly comedic character study about someone with a bright future who ultimately stumbled. And when you mix these two elements you get a very compelling whole that went to places I never expected from it.
The characters in this are all very colorful, entertaining, and interesting. First up we have Abe, the titular dick. Once a bright young mind beloved by all, now cynical and not taken seriously by anyone. Seeing how far he’s stooped from that original splendor is really interesting, and is further complemented by a small glint in his eye that shows the old Abe might still be in there. He’s a really compelling protagonist, and I think Adam Brody is terrific in the role. Next is Caroline, the girl who seeks Abe’s assistance with investigating her boyfriend’s murder. She could best be described as wide-eyed and naive, being an innocent observer to Abe’s antics. But I also think she makes for a nice counterbalance to Abe, creating an interesting dynamic there. And I think Sophie Nélisse does a good job in the role. We also get supporting work from Jonathan Whittaker, Wendy Crewson, Peter MacNeill, Tzi Ma, and more, all doing very well in their respective roles.
The score for the movie was composed by Jay McCarrol, and I think he did a really good job with it. One thing I really appreciate about it is how it actually incorporates instrumentation and some thematic elements from all kinds of detective fiction. You get some more noir inspired stuff, like out of the 40s and 50s. You get some stuff that sounds like it’s out of the 80s. And even some more modern flourishes appear too. And it all makes for a really nice whole that works really well for the movie. There’s also one or two licensed songs used throughout, and those work pretty well too. The music’s just good, yo.
“The Kid Detective” was written and directed by Evan Morgan, and I think he did a really good job with it. He shows that he has a knack for keeping a scene flowing nicely at a good pace, without making anything feel rushed. He lets moments breathe, allowing scenes to simmer a bit in the viewer’s mind, giving us the intimacy and breathing room necessary for the story to work as well as it does.
This movie has been pretty well received. On Rotten Tomatoes it has an 80% positive rating and a “Fresh” certification. On Metacritic it has a score of 74/100. And on imdb.com it has a score of 6.8/10.
“The Kid Detective” is a subversive and refreshing take on the detective formula that I loved. It has a great story, really good characters, great performances, really good music, and really good directing. Time for my final score. *Ahem*. My final score for “The Kid Detective” is a 9.89/10. So it gets the “SEAL OF APPROVAL!”.
My review of “The Kid Detective” is now completed.
Between this and “Ready or Not”, Adam Brody is proving himself to be a force to be reckoned with.