Hello! As some of you might remember, last year I retired my 12 Films of Christmas series, as I got burnt out on doing 12 themed pieces over the span of 12 days. And I stand by that retirement. However, that won’t prevent me from still doing a few chrimbo movies on this blog. So with that out of the way, let us talk about one.
Ladies, gents, and non-binaries… “Tokyo Godfathers”!
’twas the night before christmas, and all throughout Tokyo, some shit was stirring, I can’t keep this up, yo. Anyhow, during christmas eve, three homeless people find a baby abandoned in some trash and set out on an adventure to find its parents. “Tokyo Godfathers” is a unique take on familiar ideas, creating a compelling narrative that is equal parts heartwarming, heartbreaking, tragic, and funny. It’s a wonderful and delightfully off-kilter story that had me feeling every emotion possible. I’m sorry that this section is so brief and vague, but it’s hard to talk any more in depth about this story without revealing too much. But trust me when I say that it’s a great little tale.
The characters in this are colorful, charming, flawed, nuanced, and overall quite interesting. First up are our leading three, all coming from tragic backgrounds, all trying their damndest to make the most of their bad situation(s). They’re a frankly amazing trio of characters that I loved following. They’re also wonderfully brought to life by the vocal talents of Toru Emori, Yoshiaki Umegaki, and Aya Okamoto. The supporting cast is great too, featuring interesting characters voiced by terrific actors like Akio Otsuka, Yusaku Yara, Kyoko Terase, and more.
The music for the movie was composed by Keiichi Suzuki, along with Moonriders, his band. And I think they did a swell job with it. It takes some influences from jazz, pop-rock, and various styles of film score to create a unique soundscape that fits the movie wonderfully.
“Tokyo Godfathers” was directed and co-written by Satoshi Kon, and he and his crew did an amazing job here. The animation quality is spectacular, with beautifully fluid movements and actions. But much like Kon’s other works, the characters have a lot of imperfections to them, compared to the oft’ flat and glossy look of many animes, which really helps add to the grounded and somewhat gritty vibe of this movie. It’s stunningly animated, cleverly edited, and just overall wonderfully put together. Kon was an absolute master who was taken from us too soon.
“Tokyo Godfathers” is not just a fun christmas romp, but also a beautifully nuanced drama, and I adored every bit of it. It has a great story, great characters, great performances, really good music, and fantastic direction/animation. Time for my final score. *Ahem*. My final score for “Tokyo Godfathers” is a 9.93/10. Which does mean that it gets the “SEAL OF APPROVAL!”.
My review of “Tokyo Godfathers” is now completed.