Series Review: The Patient (2022)

Therapy, an important asset in our society, there to (hopefully) help people. Aaaand that’s all I got on that right now, so let’s get into the review.

Ladies, gents, and non-binaries… “The Patient”.

On a day like any other, therapist Alan Strauss (Steve Carell) finds himself in a bit of a pickle when he wakes up in the basement of one of his patients (Domhnall Gleeson), who Alan soon finds out is a serial killer. And as Alan tries to find a way to get out alive, he finds himself reluctantly having to council his captor. I find the premise of “The Patient” to be quite fun, a high concept thriller that lends itself to some really interesting bits of suspense. And in execution the narrative is quite compelling, creating an interesting dynamic between our leads, exploring their relationship, and the complexities that it carries. Because obviously Alan wants to simply survive, but the show also goes to great lengths to show that he, on some level, actually cares about helping Sam (his patient/captor). But it’s not just about a therapist delving into the psyche of this horrible man, but it’s just as much, if not more so, about Alan dealing with his own trauma and demons, which further escalates the drama and makes for a much more dynamic emotional spectrum, both when it comes to Alan’s personal stakes, and the story at large. There’s also this quiet undercurrent of awkward, dark humor to a lot of it, which I think adds to the show’s unique vibe. However, for as good as the story here can be, I do think there are things that bring it down a peg. Mainly, it’s the runtime, or more specifically the episode count. Ten episodes is usually a perfect length for a season of tv, but here it feels dragged out, mainly with the last few episodes, as if they had/wanted to pad it out to that length. Adding further to that sensation, the last few episodes are longer than the first half of the show. The first several episodes are roughly 22-28 minutes long. The rest are 30+, which really does add to the feeling of things being a bit stretched out more than needed. Again, the overall narrative is really strong, and it ends on a real high note, but those last few episodes does bring it down with the padding sensation.

The characters in this I found to be really interesting, as they’re never really shown to be simple, one-note things, but fully rounded and surprisingly complex individuals. Especially our two leads, they have so many interesting layers to them, which the show plays around with to give them a really electrifying dynamic. What also helps is that both Steve Carell and Domhnall Gleeson are fantastic, giving career best performances and playing off of each other really well. The rest of the cast is great too, containing people like Laura Niemi, Andrew Leeds, Linda Edmond, Renata Friedman, David Alan Grier, and more, with no one feeling like a weak link.

The score for the show was composed by Nathan Barr, and I thought he did a pretty solid job. It’s nothing too unique or memorable, a fairly standard droning thriller score that occasionally brings in some piano when a little extra sadness needs to be injected. It’s not bad, and it works well enough for the show. There’s also a handful of licensed songs used throughout, and those work quite well in their respective scenes.

“The Patient” was created and written by Joel Fields and Joseph Weinberg, with directing done by a few different people (names will be in tags). And I think this show is generally well crafted. Scene direction have a nice pace to them and have just the right amount of linger to build a nice suspense, editing has a really fun flair to it, and there’s some really interesting shots throughout. It’s just solidly built stuff.

This show’s been pretty well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 74/100. And on imdb.com it has a score of 7.0/10.

So while it might be a bit longer than I felt necessary, “The Patient” is still a really fun and compelling little thriller series. It has a really good story, really good characters, fantastic performances, good music, and great directing/editing. Time for my final score. *Ahem*. My final score for “The Patient” is an 8.01/10. So while it certainly is flawed, I’d still say that it’s worth watching.

My review of “The Patient” is now completed.

Steve Carell’s a bit good at this whole acting stuff, isn’t he?

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