Series Review: The Defenders – Season 1 (2017)

At long last, it is here. The culmination of all the Marvel/Netflix shows. It’s a really exciting time to be alive. Four characters from four different shows (three great, one meh), coming together for one big event. Let’s get into it.

Ladies and gentlemen… “The Defenders” season 1!

When something threatens to destroy New York City, Matt Murdock (Charlie Cox), Jessica Jones (Krysten Ritter), Luke Cage (Mike Colter), and Danny Rand (Finn Jones) have to team up to try to stop this great threat. And from that we get a superhero plot filled with twists, turns, and drama. And I’d say that it’s quite the enjoyable plot. Sure, at times in certain episodes the pacing can drag a little bit, but for the most part it moves at a good pace and it’s just a fun plot to follow. Seeing these heroes we’ve come to know and (mostly) love band together to fight a common threat is just really exciting. And overall it is a solid plot, with a couple of (minor) pacing issues.

The characters here are fun, cool, interesting, and quite entertaining. And most of the characters get some really solid development throughout. Charlie Cox once again plays Matt Murdock/Daredevil, and once again he’s great in the role, giving us the blind(ish) catholic badass that we’ve gotten to know. Krysten Ritter once again plays Jessica Jones, the drunken, cynical bitch who has a heart hidden somewhere behind all the whiskey and trauma. And once again she’s great in the role. Mike Colter once again plays Luke Cage, the bulletproof badass with a heart of gold. He’s charming, he’s likable, and Colter is once again great in the role. Finn Jones once again plays Danny Rand/Iron Fist, and I wasn’t the biggest fan of him in his solo show. As a matter of fact, he kind of annoyed me. But here something happened… he’s fun, he’s interesting, and he’s not the worst thing ever. Sure, at times he has some of those whiny moments that can get on one’s nerves, but he’s much more likable/tolerable here than in his own show. And Jones is good in the role. Rosario Dawson once again plays Claire Temple, the Nick Fury of the Netflix shows. And once again she’s fun and cool. And Dawson is great in the role… she’s Rosario Awesome. Jessica Henwick from “Iron Fist” reprises her role as Colleen Wing in this, the interesting and badass love interest of Danny Rand. And once again she’s really good in the role. Elden Henson and Deborah Ann Woll reprises their roles as Foggy Nelson and Karen Page from “Daredevil” here, and while they don’t have the biggest roles in the show, they’re present, and they’re good in their roles. Simone Missick once again plays Misty Knight, her tough cop character from “Luke Cage”, and once again she’s really good in the role. Rachael Taylor once again plays Trish, Jessica’s best friend, and once again she’s great in the role. Wai Ching Ho once again plays Madame Gao, the mysterious lady from “Daredevil” and “Iron Fist”, and once again she’s great. Also, spoiler for “Daredevil” season 2 coming up here, but this is a character important to this show, so I have to mention her… sorry. Elodie Yung plays Elektra, the dead ex-girlfriend of Matt Murdock. But she’s back here, and she’s tough and interesting (more so than in “Daredevil”) and Yung is great in the role. Now, for the newcomer. We get Sigourney Weaver (oh hell yes!) here as Alexandra, the primary antagonist of this show. She’s interesting and I found myself caring about her. And as expected, Weaver is great in the role. Then we get plenty of supporting characters/performances throughout, and they all range from good to great.

The score for the show was composed by John Paesano, the man who handled the music for “Daredevil”. And once again he has succeeded in a score that works very well for the show. It’s big, epic, cool, dramatic, and even at times beautiful. It’s just overall great. There were also a couple of licensed tracks throughout and they were used well. This show has good music.

The show was created by Douglas Petrie & Marco Ramirez, and written/directed by a whole bunch of different people (and don’t get me started on all the producers). And overall this show is quite well crafted in terms of directing and such. The show looks good and feels tight in it’s directing. The action scenes too are quite fun. They’re well choreographed, and you get a clear sense of what is going on in each action scene. It’s just fun seeing all of these guys kick some ass… even Iron Fist. One little detail that I too liked that was noticeable in transitions and the opening credits is that each character gets a specific color to represent them in those situations. I won’t go through each of them as you’ll quickly pick up on them yourself. Just thought I’d quickly mention it.

This show just came out but has so far been well received. On Rotten Tomatoes it has a 79% positive rating and a “Fresh” certification. On Metacritic it has a score of 63/100. And on imdb.com it has a score of 9,0/10. (Keep in mind, these scores can and will change over time, but I will not edit this damn post for that, all these scores are at the time of writing).

Season 1 of “The Defenders” is one hell of an entertaining show. It has a really good plot, great characters, great performances, great music, and great directing. The only flaw I have with it is that in a couple moments throughout the pacing drags a little, but it’s not too deal-breaking for me. Time for my final score. *Ahem*. My final score for “The Defenders” season 1 is a 9,32/10. While mildly flawed, you should definitely watch it!

My review of “The Defenders” season 1 is now completed.

It looks unclear right now, but let’s face it… there will be a season 2 at some point.

“The Punisher” Teaser Trailer!

Hello there, ladies and gentlemen of the internet! A trailer has dropped and I want to talk about it… so let’s talk about it.

So we finally have our first look at the upcoming Marvel/Netflix series “The Punisher”. For those who don’t know, “The Punisher” is based on a Marvel Comics character created by Gerry Conway, and making his first appearance in “The Amazing Spider-Man” #129 in 1974. Then he’s gotten his own comics and various movies (and even a video game). Then he made his MCU debut last year in season 2 of Netflix’s “Daredevil”, where he was played by Jon Bernthal. And shortly after that it was announced that he would be getting his own Netflix series. Skip forward to earlier today when we got our first teaser trailer for his show. All caught up? Great. Now, while we don’t get too many details from this teaser, we can tell that it will be an intense show featuring a lot of military-based action/drama. Also, Frank/Punisher (Jon Bernthal) is smashing his logo (a skull) into some concrete. And yeah, I’m excited. Sure, I was excited for this series as soon as it was announced, but I’m even more excited now that we have a little bit of actual footage. So I am pretty hyped. “The Punisher” has no official release date, but will most likely premiere around November of this year.

What are your thoughts? Are you excited for “The Punisher”? And what’s your favorite out of all the MCU/Netflix shows so far (not counting “Defenders” which just came out)? Leave any and all thoughts in the comments.
Have a good one and enjoy the trailer!

Movie Review: Magnum Force (1973)

I know what you’re thinking. “Did he fire six shots or only five?” Well, to tell you the truth, in all this excitement I kind of lost track myself. But being as this is a .44 Magnum, the most powerful handgun in the world, and would blow your head clean off, you’ve got to ask yourself one question: “Do I feel lucky?” Well, do ya, punk?!

Ladies and gents… “Magnum Force”.

Harry Callahan (Clint Eastwood) is back to solve crimes. This time he is trying to find and stop a group of vigilantes who are killing a bunch of less than desirable people in San Francisco. So now we have our “Dirty Harry” adventure set up. And it’s actually a good plot. It’s simple and straightforward without being dumb. Sure, it’s not particularly deep or engaging, but it’s not a bad plot at all. As a matter of fact, I kind of love the premise of it, it’s just that it isn’t as engaging as it could be. So overall the plot here is pretty good.

The characters here are fine, nothing special. Clint Eastwood of course plays everybody’s favorite San Francisco badass, Harry fucking Callahan. And yeah, he’s just as gruff and tough as in “Dirty Harry”, and Eastwood gives his typical Eastwood-y performance here (which I’m a fan of). Hal Holbrook plays the police lieutenant that Harry constantly butts heads with, and he’s great in the role. Felton Perry plays Harry’s partner, Earlington “Early” Smith, and he’s good in the role. Then we get supporting performances from people like Mitchell Ryan, Robert Urich, David Soul, Tim Matheson, and Kip Niven, all doing fine here.

The score for the movie was composed by Lalo Schifrin and it was good. It was very much a product of it’s era, but I do think it worked for the movie, being overall well composed and slightly elevating certain scenes. Though I do wonder about that theme song… I don’t have any specific questions, it’s just weird to me.

Unlike the first movie, “Magnum Force” wasn’t directed by Don Siegel. Directorial duties instead went over to Ted Post, who also directed Eastwood in the 1968 western “Hang ‘Em High”. And I think he did a really good job here. His directing is tight and pretty tense. The shots also look really good, with some fancy camera tricks being used at several points in the movie. The action scenes in this are also quite good. They’re fun, badass, and entertaining as hell. Sure, they’re not the most memorable, but they’re definitely fun to watch.

This movie has been pretty well received. On Rotten Tomatoes it has an 81% positive rating. On Metacritic it doesn’t even exist. And on imdb.com it has a score of 7,2/10.

“Magnum Force” is a solid follow-up to the awesome first movie. It has a good plot, okay characters, really good performances, good music, and really good directing. The main flaw with it is that the plot isn’t as engaging as it could be. Time for my final score. *Bang*. My final score for “Magnum Force” is an 8,88/10. So while the movie is flawed, I’d still say that it’s worth buying.

My review of “Magnum Force” is now completed.

A man’s got to know his limitations.

Movie Review: We Make Movies (2016)

Full disclosure: The people who made this film offered me a free copy of it in exchange for me reviewing it. And since I’m a greedy sucker that doesn’t say no to a free movie, accepted. I just wanted to let you know that. I’m not letting the kindness/generosity of the filmmakers cloud my judgment of the film, but I still felt like it would be best for you to know about this sponsorship (for lack of a better word). Alright, let’s review this thing.

Ladies and gentlemen… “We Make Movies”.

Stevphen (Matt Tory) is a young, ambitious, and kind of arrogant filmmaker who wants to make a movie that he can show at the local film festival. So he gathers a bunch of friends to make this “masterpiece”. And we then follow them through the ups and downs of this process. And this plot was handled quite well. I found it quite fun to follow these people go through all the steps of making an ambitious movie on a ham sandwich budget, with all the problems that comes with it. It’s quite entertaining following the “behind the scenes” antics of this crew. It even manages to be a bit inspiring with how they never give up despite clearly running into more problems than Wile E. Coyote. The plot here is simple, but good.

The characters here are all distinct, interesting, and quite entertaining. Matt Tory plays Stevphen (no, I didn’t have a stroke, that’s how it’s spelled), the determined yet arrogant and selfish director of this “masterpiece”. He’s a fun character even if he is a bit of a dick. And Tory is good in the role. Jordan Hopewell plays Donny, Stevphen’s nerdy friend that is helping him out on this movie, and while he is portrayed as the typical nerd character, they don’t overdo it and he never feels annoying… as a matter of fact, he’s quite fun. And Hopewell is good in the role. Jonathan Holmes plays Garth, another friend of Stevphen’s, a slightly more serious and logical man. And Holmes is good in the role. Zack Slort plays Leonard, a “method actor” that the crew brings in to play the main role in their film. He’s kind of pretentious, but that’s what makes him fun. And Slort is good in the role. Anne Crockett plays Jessica, a young woman that joins the production to be their film’s female lead. And Crockett is good in the role. We also have Matt Silver as Curtis, a dude that shows up every now and then throughout the movie. he’s very chill and Stevphen just doesn’t like him. And Silver is good in the role. Really, all actors in the movie do well for themselves.

When it comes to the music in the movie, there is no real original score, but they instead used music from various artists throughout. But there’s not too much music in the movie, it’s used pretty sparingly. And that is fine, too much music might not have worked with the movie’s overall style. But when music was used it was used well.

The movie was written and directed by the star, Matt Tory. And I think he did a really good job here. The movie is shot documentary style, with fake interviews and everything. I think this style really helps the movie out as a “normal” directing style wouldn’t have worked that well with the story they wanted to tell. And since this is a comedy we should talk about the jokes… and they’re funny. And while I admittedly never had a laugh out loud moment at any point, I still found myself laughing at most of the jokes. And the ones that didn’t get a laugh at least got a smile out of me. The humor (to me at least) was never boring or cringey, it was genuinely funny. It’s also a sense of humor that actually gets elevated by the mockumentary style.

This movie barely exists on the sites I usually refer to in this little “critical reception” section. At least it exists on imdb.com where it (as of writing this) has a score of 8,3/10.

“We Make Movies” is a fun little indie comedy that I really enjoyed. It has a good plot, good characters, good performances, good music, good directing, and really good comedy. Time for my final score. *ACTION!*. My final score for “We Make Movies” is a 9,57/10. So it gets the “SEAL OF APPROVAL!”.

My review of “We Make Movies” is now completed.

Once again, huge thanks to the filmmakers for giving me a free copy of the movie! Really appreciate it! Now, if any of you reading this wants to check it out, you can find it on Amazon.

Movie Review: Baby Driver (2017)

VROOM! VROOM VROOM! What? That’s what cars sound like… don’t fucking judge.

Thank you very much, ladies and gentlemen, right now I got to tell you about the fabulous, most groovy… “Baby Driver”!

Baby (Ansel Elgort) is a young man who also happens to be one hell of a getaway driver. And after being brought in by his boss (Kevin Spacey) he finds himself having to take part in a heist that is seemingly doomed to fail. So now we have our heist plot. And I thought it was pretty great. Now, it’s not just about this guy pulling heists with a couple other people. It’s really about this guy and how he deals with falling in love, while dealing with this dangerous situation. And it’s so well handled, because it’s presented both as a fun, fast-paced action flick and a tense thriller. There’s also a surprising amount of drama in here that works very well. And it’s just an incredibly well handled plot.

The characters here are fun, unique, and really interesting. Baby, like I said, is a young and highly skilled getaway driver. What I didn’t mention though is that he uses his personal playlists to keep him moving in life. He also has a lot of layers to him, with us getting to see most sides of him. The cold and calculating driver, the traumatized young man, the music loving fun dude… he’s just a really interesting character. And Ansel Elgort is great in the role. Lily James plays Debbie, a waitress that Baby meets and falls in love with. And Lily James is really good in the role. I also have to mention that I actually bought into their romance. It was cute. Kevin spacey plays Baby’s boss, Doc, and he’s great in the role… it’s Kevin fucking Spacey, what else did you expect? Jon Hamm (aside from being unnecessarily handsome) plays Buddy, one of Baby’s colleagues (for lack of a better word), and he’s a tough and charming man. And Hamm was great in the role. Eiza Gonzáles plays Darling, Buddy’s wife and partner in crime (HA!). A tough, fun, and sexy lady. And Gonzáles was really good in the role. Jamie Foxx plays Bats, another one of Baby’s colleagues. He’s kind of a psychotic asshole, and he was quite a cool character. And Jamie Foxx was great in the role. We also got to see Jon Bernthal, CJ Jones, Lanny Joon, and Flea in supporting roles in the movie, and they were all great. It’s overall a really well acted movie.

The score for the movie (yes, there was a score) was composed by Steven Price. It wasn’t too prominent in the movie (as we’ll talk about in a second), but when it was used it was used very well to build up tension and such. Now, onto the real meat of the music. And by that I mean, let’s talk about the soundtrack. ’cause this movie uses a lot of licensed tracks used throughout. Not only are most of those songs fucking great, but they also play very integral parts in the filmmaking itself. Really, they are used absolutely perfectly in the movie.

This movie was written and directed by Edgar Wright and I think he did a fantastic job here. His directing is slick, fast-paced, and really tense, perfectly suiting the plot he wanted to tell. Which brings us to the music. The directing and editing perfectly matches the music. It’s almost like a musical in how the music is used in combination with the directing and editing. I mean, the action scenes here are absolutely fantastic. Not only because they are like 99% practical, but because they are timed to the beats of the songs, which is really fun to see. Gunshots, cars drifting around, jumps, everything is choreographed to match the music. But the quieter moments too are often done to work with the music. The amount of love and care that went into the craft of this is astonishing and gives me hope for the movie industry. Must’ve been a pain if an actor or stunt person missed a beat and had to redo it.

This movie has been very well received. On Rotten Tomatoes it has a 94% positive rating and a “Fresh” certification. On Metacritic it has a score of 86/100. And on imdb.com it has a score of 8,2/10 and is ranked #183 on the “Top 250” list.

“Baby Driver” is one of the coolest and most exciting action movies to come out in recent years. It has a great plot, great characters, great performances, fantastic music, and fantastic directing/choreography/editing. Time for my final score. *Vroom*. My final score for “Baby Driver” is a 9,90/10. So it of course gets the “SEAL OF APPROVAL!”.

My review of “Baby Driver” is now completed.

Your move, action movies.

Series Review: Hap and Leonard – Season 1 (2016)

Adapting books to screen is really difficult. Doesn’t matter if it’s movies, TV, or video games… there’s nothing easy about adapting books. So I have some respect for the people atempting it even if it seems like something that would be impossible to translate to screen.

Ladies and gents… “Hap and Leonard” season 1.

Texas, late 1980s. We follow Hap (James Purefoy) and Leonard (Michael Kenneth Williams), two best friends. One day a woman named Trudy (Christina Hendricks), who turns out to be Hap’s old flame, shows up. The main reason why she’s there is because she wants their help (or at least Hap’s) to find some money that have been more or less lost for years. So now we have our caper. And it’s quite a good one. It has a very offbeat feel which makes it stand out compared to a lot of other crime shows of a similar nature. It’s also fairly unpredictable, suspenseful, and overall enjoyable. The only flaw I have is that the pacing in the first few episodes wavers a bit. It’s not a deal-breaker, but it’s definitely worth pointing out. So overall I’d say that the plot here is really good, with a few pacing issues mildly hurting it.

The characters here are fun, interesting, and very entertaining. Hap is this ex-con trying to live a quiet life, but his plans takes a bit of a turn when Trudy comes to town(?). And James Purefoy is really good in the role. Leonard is a black, openly gay, Vietnam vet, trying to life a quiet enough life, working, and hanging out with his best friend. And Michael Kenneth Williams is great in the role. Purefoy and Williams share a very likable chemistry, their banter and general dialog feels natural. Trudy, as previously mentioned, is an old girlfriend of Hap and it basically the reason for the plot happening. She’s sexy, smart, and pretty tough. And Christina Hendricks is really good in the role. Bill Sage plays a man named Howard, this hippie-esque character that is involved in finding this lost money. And Sage is really good in the role. We also have Jimmi Simpson and Pollyanna McIntosh as this crazy couple that shows up in town(?) and starts causing trouble. They’re a total wild card in this and they’re quite fun. Jimmi Simpson especialy, he totally stole every scene he was in. But both he and McIntosh were great in their roles. Really, this is overall a very well acted season of TV.

The score for the series was composed by Jeff Grace, and I think he did a great job here. This is another example of his versatility as a composer. He’s done the music for a couple movies that I’ve covered on this blog before, so I already knew that he could tackle several genres, making something that totally fits the piece of media he composes it for. And “Hap and Leonard” is no exception, he made a score that in some tracks works well for the rural Texas setting, and some tracks that fit the crime-drama side of things. And it all sounds great. There are also some licensed tracks use throughout the seaosn, and they’re used quite well. So yeah, this season has some great music.

This show is based on a series of novels by author Joe R. Lansdale, and was created by Jim Mickle & Nick Damici. Now, if those two names sound familiar, then you’ve been on my blog before. I’ve talked about movies they’ve been involved in (“Stake Land”, “Cold in July”, “Late Phases”) on this blog. Anyway, they also wrote the episodes, and Mickle directed a couple of episodes. And overall it is a very well directed show. The direction is tight and really helps make it feel fresh and tense. It’s also a good looking show. The show also has an element of dark humor to it that I think really helped it out quite a bit. Also, beware of bloody violence… just thought I’d mention that in case any reader out there is squeamish.

This show/season ha been pretty well received. On Rotten Tomatoes it has an 87% positive rating and a “Fresh” certification. On Metacritic it has a score of 73/100. And on imdb.com it has a score of 7,4/10.

“Hap and Leonard” season 1 is a fun bit of crime television. It has a really good plot, great characters, great performances, great music, and great directing. My only flaws with the season are those previously mentioned pacing issues, but even they aren’t too bad. Time for my final score. *Y’all*. My final score for “Hap and Leonard” season 1 is a 9,11/10. So while slightly flawed, I’d say that you should watch it!

My review of “Hap and Leonard” season 1 is now completed.

If you’re looking for a binge-worthy show, this is it. Not only is it good, but it’s only six episodes, so it’s easy to binge through!

Movie Review: Captain Phillips (2013)

Yo-ho yo-ho, a pirate’s life is not for me, that shit sounds fucking dangerous. Think I’ll stick to land… or at least stick to waters that don’t have pirates.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a movie… which it is. Disclaimer over.

Ladies and gentlemen… “Captain Phillips”.

Richard Phillips (Tom Hanks) is the captain of an American freighter ship going outside the coast of Africa. During one such trip the ship gets boarded and taken over by a group of Somali pirates. So now Phillips and his crew has to do everything they can to survive this horrible situation. So now we have our hostage-drama-thriller. And I must say that the plot here is pretty great. This is an incredibly tense plot. From the moment that Phillips sets his foot on the ship, a feeling of unease started to set in. Then when the pirates are put into the mix, getting close to the boat, that’s where the plot starts getting truly intense. And that tension never really lets up throughout the plot. It’s also handled pretty realistically, very little about this feels Hollywood-y. It brings the tension, it brings the drama, it’s just a damn good plot.

While the characters here aren’t the deepest out there, they’re still really interesting and I found myself caring about them. I think it’s safe to say that Tom Hanks is good in everything he does, and this is no exception. As a matter of fact, this might be one of his best (though “Philadelphia” is still his best in my opinion) performances ever. The character is likable, but he is also brave and clearly terrified for what might happen. And Hanks just portrays all that flawlessly. The men playing the pirates here are all terrific, which makes it extra interesting when you find out that none of them had really acted before. They really nailed the ruthless and intense pirate roles perfectly, with Barkhad Abdi being an absolute standout among them. Then you get various other actors in the movie all doing well for themselves, including Michael Chernus, David Warshofsky, Corey Johnson, Max Martini, Chris Mulkey, and a few more. So yeah, it’s a well acted movie.

The score for the movie was composed by Henry Jackman and it was great. His score is intense, dramatic, and just overall well composed. It often helped raise the tension throughout. It really added a lot to the movie.

The movie was directed by Paul Greengrass, and he brings his signature handheld style to this movie. And while handheld shaky-cam tends to be really annoying and awful, he knows how to do it right (though “Bourne Supremacy” had some problems with that). His directing here is intense, with the handheld shakiness actually adding to the overall intensity of the movie, really making me feel like I was there with them. And again, nothing about the directing here felt Hollywood-y, it felt pretty realistic.

This movie has been very well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 8,3/10. And on imdb.com it has a score of 7,8/10. The movie was also nominated for 6 Oscars in the categories of Best picture, Best supporting actor (Abdi), Best film editing, Best sound editing, Best sound mixing, and Best adapted screenplay. 

“Captain Phillips” is a great drama-thriller. It has a great plot, really good characters, fantastic performances, great music, and great directing. Time for my final score. *Ahem*. My final score for “Captain Phillips” is a 9,88/10. Which of course means that it gets the “SEAL OF APPROVAL!”.

My review of “Captain Phillips” is now completed.

Look at me… I’m the captain now.

Series Review: Comrade Detective – Season 1 (2017)

I don’t know what kind of intro to make for this. Just the idea and existence of this is a riddle to me. So let’s just get into the review and see if this is any good.

Comrades… “Comrade Detective” season 1.

“Comrade Detective” is set in 1983 and is about Romanian police detective Gregor Anghel (Channing Tatum/Florin Piersic Jr.), a man sworn to stop crime and uphold the communist way of life. But tragedy strikes as his partner one day gets killed during an operation to catch some bad dudes. So Anghel, together with a new partner named Iosif Bacio (Joseph Gordon-Levitt/Corneliu Ulici), starts investigating the case of his former partner’s murder. And as they keep investigating they stumble upon a conspiracy that could endanger not only them, but also their communist way of life. So now we have this weird thing. But it’s not just a cop show randomly set in 1980s Romania, as it’s actually kind of a metanarrative. The show is presented as this really old communist propaganda show that had seemingly been lost forever, until it was found and then dubbed by Americans. So we’re working with a metanarrative cop drama that is also a satire of society and capitalism/communism. Yeah, it’s weird. That said, I found it to quite an interesting narrative. The cop side of things, while not always the most engaging, is actually fairly solid, filled with twists and turns. Then you have the satirical elements of it which adds a bit of a fun edge to it. Then you also have the dubbed aspect of it which is just a fun idea to add to it. So yeah, the plot here is… good.

What is interesting about this whole thing is that on the screen we see some actors, but the voices that come out of their mouths are clearly dubbed over, like in ye olde foreign films. Poorly dubbed with no sync between voice and mouth, which is clearly deliberate and also quite fun. So when you have Florin Piersic Jr. moving around and “talking”, you hear the voice of Channing Tatum come out of him. It’s a little weird at first, but I quickly got used to it and thought it was fun. And Tatum delivered his lines very well, and Piersic Jr. did well with the physical parts. Joseph Gordon-Levitt voiced the partner, Baciu, and he did very well. And Corneliu Ulici was good in the physical role. I don’t have the patience to write down every pairing and giving comments here, so I will just list some of the voice actors you hear in the show, but I will list the physical actors in the tags so I don’t get shit on too much. *Inhale* Nick Offerman, Jenny Slate, Jason Mantzoukas, Chloë Sevigny, Jake Johnson, John DiMaggio, Bobby Cannavale, Beck Bennett, Daniel Craig. There are more, but again… I don’t have the time or patience to write every single one. That said, it’s a well acted show.

The score for the show was composed by Joe Kraemer and he did a pretty good job. Some of it is the typical cop drama stuff, which is fine because it works well within the show. There is also some synth pop in here too, because of course there will be synth pop in a show set in the 80s. And alls the music in this show works very well for it.

This show was created by Brian Gatewood & Alessandro Tanaka, with the directing being done by Rhys Thomas, who I think did a good job. Nothing feels overly flashy or too current (for lack of a better word). It feels like an 80s cop show, only shot with better cameras. The period detail and directing style is what makes it feels genuinely 1980s. It is a well directed show that flows pretty well. The action scenes especially, they’re quite fun.

This show has been pretty well received (based on few reviews). On Rotten Tomatoes it has a 73% positive rating. On Metacritic it has a score of 65/100. And on imdb.com it has a score of 6,8/10.

Amazon’s “Comrade Detective” is fucking weird, and I’m okay with that. It has a good plot, pretty good characters, really good performances, really good music, and really good directing. The only flaw I have with it is that the plot wasn’t always the most engaging. Time for my final score. *Comrades*. My final score for “Comrade Detective” is an 8,88/10. So while flawed, I’d say that it is worth watching.

My review of “Comrade Detective” is now completed.

I have questions… I don’t know what questions, but I have them.

Movie Review: The Mechanic (2011)

I love Jason Statham, you love Jason Statham, everybody loves Jason Statham. And if anyone says that he/she doesn’t like it, then he/she is either lying or has no soul. Dude’s awesome.

Ladies and gentlemen… “The Mechanic”.

Arthur Bishop (Jason Statham) is a mechanic. No, he doesn’t fix cars, he kills people for a living. Not sure why they couldn’t just call it a hitman, but that is a discussion for a different day. Anyhow, one day he is approached by a young man (Ben Foster) who wants to to what Bishop does. So Bishop takes this young man under his wing, teaching him the ways of the mechanic hitman. So now we have our plot. And is it any good? I wouldn’t call it bad, just really messy. My main problem with it is that it switches tones all over the place, making it feel very inconsistent. In one scene we have our fun Statham action-thriller, and in the next it has a more somber tone, and this tonal shift happens several times throughout the movie, making it feel very messy. The initial setup in the plot is actually quite interesting, and it does take a few interesting turns at times. So overall it is… fine, just really messy.

The characters in this range from interesting to meh. Jason Statham as Arthur Bishop is exactly how you’d imagine him, stoic and serious, but that is also what Statham does best, and he’s really good in the role. Ben Foster as Statham’s protégé, Steve, isn’t let loose as much as he usually is in movies. I’m not holding it against the movie, just saying it. His character is actually kind of interesting for reasons I will not get into here, but let’s just say that he has some okay motivation behind him. And Foster is really good in the role. Tony Goldwyn pops up a couple times in the movie as what I’d call Statham’s employer, and he’s good in the role… bland character, fine performance. Donald Sutherland shows up briefly too, and he’s good… he’s always good. So yeah, overall it’s a well acted movie.

The score for the movie was composed by Mark Isham and I think he did a good job with it. Sure, there’s nothing particularly original or memorable with what he composed, but it is overall well composed and it worked for the movie quite well. There are also a couple of licensed tracks used in throughout and they’re used pretty well.

This movie was directed by Simon West, a man who I know for two things: Dumb action and… no, wait, that’s about it. And I think he did a pretty good job here. His directing for the most part flows fine and and overall looks pretty good. In some of the action scenes there is a bit of shaky-cam, but not enough to completely ruin it for me. But for the most part the action works and is pretty enjoyable. And while not a major problem, I still have to mention that the blood effects at times looked really bad. It wasn’t often that I spotted it, but when I did… yikes.

This movie hasn’t been very well received. On Rotten Tomatoes it has a 52% positive rating. On Metacritic it has a score of 49/100. Roger Ebert gave it 2/4 stars. And on imdb.com it has a score of 6,6/10.

“The Mechanic” isn’t great, but it isn’t bad either. It has an okay plot, okay characters, really good performances, pretty good music, and good directing. However, it is of course brought down by the messy plot, lack of interesting characters, and occasional shaky-cam. Time for my final score. *Ahem*. My final score for “The Mechanic” is a 7,34/10. While flawed as hell, I’d still say that it’s worth renting.

My review of “The Mechanic” is now completed.

Well, at least we now know that Ben Foster can rock a flat cap…

Series Review: Peaky Blinders – Season 3 (2016)

As some of you might know, I reviewed season one and two a while back (*nudge nudge wink wink*). And if you have any memory of that happening, then you might remember that I pretty much loved those seasons. So I’m super excited to finally review the third season for you guys. So here we go!

Ladies and gents… “Peaky Blinders” season 3!

The year is 1924 and everything seems to be looking up for Thomas Shelby (Cillian Murphy). Business is going well and he’s finally getting married. However, he soon finds himself getting into the fray once again when he has to start dealing with Russians, Italians, and a priest (Paddy Considine) with powerful connections. And I thought the plot here this season was really good. And while not quite as tense and unpredictable as the previous seasons, it still retains most of the intrigue and dramatic heft that one can expect from the show at this point. The season does go to some really dark and slightly messed up places at times too which really helps keep the plot of “Peaky Blinders” well above most shows out there.

The characters have always been a highlight of the show, and this season is no exception. Cillian Murphy of course returns as Thomas Shelby, the head of the Shelby family/business, and he is still the damaged and layered man we’ve come to know. And Cillian Murphy is once again fantastic in the role. Helen McCrory returns as Aunt Polly, and she is still one of the best female characters out there. And McCrory is of course fantastic in the role. Paul Anderson returns as Arthur Shelby, the rough-around-the-edges brother of Thomas, this time getting some more development than in previous seasons. And Anderson is fantastic in the role. Joe Cole returns as John Shelby, Thomas’ younger brother, and he’s great in the role. Ned Dennehy, Ian Peck, Sophie Rundle, Annabelle Wallis, all return and they’re all great. Tom Hardy also makes a return as Alfie Solomons, and while he isn’t in this season a whole lot, he’s still one of the best parts of it. Now, let’s talk about the newcomer worth talking about: Paddy Considine. I’ve been a fan of him for a while now, and seeing him in here as a sneaky priest was interesting. His character is really interesting and Considine is great in the role. Really, the acting here is terrific.

Like in previous season, there is no real identifiable original score that we can properly talk about. But instead we once again get a soundtrack consisting mainly of rock songs from the past 20 – 25 years or so. There are also a couple newer songs too that are hard to pin a genre on, but still work really well in this show. That is something I want to mention: When imagining a gangster show set in 1920s Birmingham one woudln’t think a rock-based soundtrack would work, but it somehow does. Give the person responsible for picking the songs a fucking raise.

This show was created by Steven Knight, and all episodes this season were directed by Tim Mielants, who I think did a great job. His direction is very tight and helps create a tense and good mood that elevates the show quite a bit. It’s also a visually arresting show… just thought I’d mention that. Also, this show is bloody/violent and features nudity, so if you’re one of those wimps who can’t stomach that stuff in movies and TV, you have been warned.

This show has been very well received, but this season is fucking impossible to say with since it has no score on the sites I usually use. Sure, it exists on Rotten Tomatoes and Metacritic, but it has no score on there. And on imdb.com the show (no seasonal average) has a score of 8,8/10 and is ranked #66 on the “Top 250 TV” list.

“Peaky Blinders” season 3 is great… not much else I can say. It has a great plot, great characters, fantastic performances, great music, and great directing. Time for my final score. *Ahem*. My final score for “Peaky Blinders” season 3 is a 9,71/10. So yeah, it gets the “SEAL OF APPROVAL!”.

My review of “Peaky Blinders” season 3 is now completed.

Mumble mumble mumble mumble fuck mumble. That is how Tom Hardy sounds in this show and it’s so much fun.