Guest Post: Women Led Horror

Hey there, hope you’re doing well. So once again, I will be taking a bit of a backseat on a post. Because for the second time ever, we have a special guest giving us a little treat. And wouldn’t you know, it’s none other than my good friend Mary, who recently wrote another great piece for us. So without further ado, let’s see what Mary has to say about female-driven horror movies. Take it away, Mary!

When it comes to horror movies, it’s fair to say that female characters often get the shite end of the stick. Paraded around in skimpy outfits; tripping over tree branches whilst being pursued by the movie monster; sexual activity rewarded with being the first to die … These movie tropes are deeply ingrained and highly condescending. And whilst they still haven’t completely disappeared, there are plenty of alternatives. Narratives where women are strong, logical protagonists or well fleshed out villains are becoming easier to find. They are there to do so much more than scream and flee.

So, who laid the groundwork and who is benefitting? Traces of which 60s and 70s classics can be found in which contemporary movies? Here are some of all the most iconic performances from women in horror movies.

Rosemary’s Boby (1968)

Carrie (1976)

The image of Sissy Spacek, drenched in blood has to be one of the most iconic of horror cinema. She gives a phenomenal performance here as the titular character – a social outcast and a victim of her mother’s religious fervour. It’s a performance that requires a lot of credibility – telekinesis has been used rather ropily before and since – but Spacek is commanding yet vulnerable.

Suspiria (1977)

Garishly nightmarish, the original Dario Argento movie is a giallo classic. Jessica Harper gives an impressive performance as the ballet dancer, Suzy Bannion, who quickly realises that all is not quite right with her new dance school. Despite disorientating colourscapes and the Goblin soundtrack, her performance does not get lost in amongst it all. She is determined to be believed …

Alien (1979)

It’s no secret that the character of Ripley was written as a man, which is perhaps why Sigourney Weaver’s take on the role is so important. She’s not softened or “feminised” in any way. Instead, she’s quietly commanding, physically capable and intellectually three steps ahead of her colleagues. She is perhaps the most memorable “last woman standing”.

Nightmare on Elm Street (1984)

Freddie Kruger – a horror icon himself – is busy invading the dreams of small town teenagers and picking them off, one by one, in this Halloween classic. However, he and his knives are no match for Nancy Thompson, played by Heather Langenkamp.  Director Wes Craven has acknowledged that he wanted a cliché-free, progressive female lead.

Misery (1990)

From hero to villain, now, as Kathy Bates takes on James Caan in this Stephen King adaptation. Despite presenting as a mousy, introverted middle aged woman, Annie Wilkes is one of the most terrifying female villains. Bates turns on the charm – and the scares – at the drop of a hat and it is this duality that makes her so scary.

The Silence of the Lambs (1991)

Yes, Anthony Hopkins is the consummate movie maniac here, but it is Jodie Foster as Clarice Starling who deserves all the plaudits here. A rookie FBI investigator, she holds her nerve when faced with Hannibal the Cannibal. It’s all about the power dynamic here and Foster gives a convincingly reassured performance.

Scream (1996)

Whilst everyone was talking about – and buying – those ghoulish white masks, it is Neve Campbell’s Sidney Prescott who stands out in Scream. She is another well-written, multi-dimensional female lead with vulnerabilities and strengths. She even mocks the masked killer with comments as to how scary movies are always about screaming women running the wrong way from their pursuers.

Audition (1999)

You could be forgiven – on first watch – for thinking that the villain of the piece was the sleazy Shigeharu Aoyama, the man who is literally auditioning girls to be his new wife. That is, until you see that garbage bag move … Eihi Shiina gives a truly fascinating performance as the seemingly sweet but ultimately twisted as fuck Asami Yamazaki.

A Girl Walks Home Alone at Night (2014)

This irresistibly shot Iranian movie centres around a female vampire, played by Sheila Vand, who is picking off deviant male victims one by one. So not only is this movie beautiful to look at, it also has a strong feminist message and female lead. Vand gives a thoroughly engaging performance, with so much being conveyed through a look or her physicality.

Midsommar (2019)

Florence Pugh’s Dani is both victim and victor in Ari Aster’s movie. She starts the film suffering emotional trauma and being gaslit by her douchebag boyfriend. Pugh really draws you in to her character – it’s an incredibly physical and demanding performance – so that by the time that enigmatic little smile crosses her face, you’ll be fully onside. But should you be?

Written by Mary Palmer

My Favorite Albums of 2020

Hello there. I hope you’re doing well (unless you’re a racist piece of shit, then off you fuck). We have reached that time of year again. The time where I share my terrible opinions on a bunch of music. That’s right, once again I will share my favorite albums of the year that just ended. But before we begin, let’s lay down some ground rules.

Rule number 1: Let’s all be kind here. This is my list, my opinions, and I hope you can respect them. If you don’t agree with any of them, that’s fine. Just don’t be a dick about it in the comments section.

Rule number 2: I will not be including any greatest hits albums, as that’d just be cheating for very obvious reasons. Only albums of previously unreleased material.

Rule number 3: No soundtracks/scores from movies/tv/games for similar reasons as rule number 2. This is strictly a list of regular albums released by bands/artists.

With all that out of the way, let’s get into my favorite albums of 2020!

Number 11: Gangstagrass – No Time For Enemies (Sample: Nickel And Dime Blues)

Kicking it off with number 11 we have the latest release from eclectic music project Gangstagrass. For the uninitiated, Gangstagrass is a group that mixes bluegrass with hiphop. I’ve been a fan of them for a few years, and I was super excited to see them release some new material. And it’s really solid. It’s fun, but it also has some deeper meaning with a few of its tracks. It’s just good stuff.

Number 10: Hayley Williams – Petals For Armor (Sample: Simmer)

At number 10 is the first ever solo release from Paramore vocalist Hayley Williams. It’s very clear from the offset that this is a very raw and personal project for Williams, which brings us an album that is manages to both entertain as a general music experience, while also giving off a bit of a somber, introspective vibe at times. And that makes for a really interesting listening experience that I’d certainly recommend.

Number 9: Neil Young – Homegrown (Sample: Separate Ways)

Next up on the list is the latest release form none other than Neil Young (more like Neil Old, am I right?). And much like “Hitchhiker” in 2017, this album was actually recorded way back in the 70s, but has remained in the archives since then… until 2020 that is. And while not as terrific as the aforementioned “Hitchhiker”, there is no denying just how good Young is as a songwriter. You can tell that he was going through some stuff at the time, which translated itself a little into the songs themselves. And it makes for a really solid album.

Number 8: Blue Öyster Cult – The Symbol Remains (Sample: That Was Me)

Speaking of old people releasing new albums, Blue Öyster Cult’s back. 19 years after their last studio release, the band has come out with “The Symbol Remains”. And despite that long time between albums, it’s clear that these gents have lost none of their skill. What you get here is a healthy mix of the Cult’s older style, with some more modern influences sown throughout, making for a sound that shows the band’s ability to evolve without sacrificing what makes them unique and interesting. And I love that.

Number 7: Tyler Bryant & The Shakedown – Pressure (Sample: Pressure)

Coming in at 7th place is “Pressure”, the latest release from American hard rock act Tyler Bryant & The Shakedown. Crunchy guitars, scratchy vocals, ear-meltingly good solos, and some nice, driving percussion. It’s everything you could ask for in a good hard rock release.

Number 6: Alastair Greene – The New World Blues (Sample: Lies and Fear)

Ending the back half of this list is American blues rocker Alastair Greene’s latest release. And let me tell you, if you love blues rock as much as I do, then you’re in for a treat with this. What you get are some fun and frankly interesting lyrics, sung by someone with a really good blues voice. And as the cherry on top you get some absolutely excellent guitar work that is an absolute joy to listen to. It’s a damn good album.

Number 5: Joe Bonamassa – Royal Tea (Sample: Royal Tea)

Speaking of feelin’ the blues… Smokin’ Joe is back with another album. And once again he has managed to make his way onto a best of the year list. Is it possible that I might be a bit of a Bonamassa fanboy? Yes. But that’s also the beauty of this blog… I can let my fanboyisms fly, and no one can stop me. But in all seriousness, Bonamassa is an excellent musician whose craft improves with every new album he releases. And “Royal Tea” is further proof of that, bringing us more of the uniquely interesting lyrics/vocals and ear-melting guitar work I’ve come to expect from him.

Number 4: Deep Purple – Whoosh! (Sample: The Power of the Moon)

I’ll be honest, after 2017’s “Infinite”, I wasn’t sure if Deep Purple would make another album. But 2020 proved me fucking wrong with the release of “Whoosh!” (that’s a fun title). Do you like Deep Purple? Then you’re gonna fucking like “Whoosh!”. It has a lot of the staples we’ve come to expect from them in terms of style, just done to absolute perfection. Ian Gillan’s vocals are still top notch, there’s still good guitar work, and the heavy synth is still as fun as ever. Will this album be listed as a classic along “Machine Head” or “In Rock”? Only time will tell. But in this moment I can at least say without a doubt that it’s a fucking great album. A fucking great album called “Whoosh!”.

Number 3: Run the Jewels – RTJ4 (Sample: Ooh LA LA)

Taking the bronze on this list is the latest album from rap duo Run the Jewels. What’s extra fascinating about it is that they released the album for free on their website before the actual release date, as a gift in the harsh times of 2020. And that’s a cool fucking gesture on their part. And the album itself is great (its inclusion here shoulda been a dead giveaway), featuring plenty of great flows, lyrics with plenty of meaning, and a lot of fun beats. There’s also plenty of interesting guest appearances throughout that adds a lot to it. It’s just a top tier rap album, man.

Number 2: Sepultura – Quadra (Sample: Isolation)

I’ll be honest, for years I couldn’t get into Sepultura. I don’t know why, but for some reason I had a hard time seeing the appeal. But in recent years I have started coming around to them. And the latest album from the Brazilian metal band is some excellent stuff. It hearkens back to a lot of mid to late 80s thrash, while also featuring elements of death metal and even some traditional Brazilian music. And it makes for one of the most electrifying listening experiences I had in 2020.

NUMBER 1: Blues Pills – Holy Moly! (Sample: Kiss My Past Goodbye)

Here we are, friends. The final one. The gold medalist. El queso grande. My favorite album of 2020 is “Holy Moly!”, the latest release from Swedish psychdelic blues rock band Blues Pills. I stumbled upon one of their songs around two years ago, loving it. So I checked out a few more songs, loving those. Which had me eagerly anticipating whatever they’d release next. Cut to 2020 and “Holy Moly!” hits stores and streaming and wherever else their music can be found. And right from that first listen, I fell in love. This album is fun, funky, and absolutely electrifying. It’s simply fantastic.

So those were my favorite albums of 2020. And whether you agree with my picks or not, I hope you enjoyed reading through that. Maybe you even discovered a new favorite? Anyhow, if you have any favorite album from 2020, feel free to mention it in the comments.

Have a good one.

My Favorite Albums of 2019

Well howdy there, ladies and gents, I hope you’re all doing great. It’s that time of year again. That time when I go over my favorite albums from the year that’s recently passed. It’s a yearly tradition on this blog, and I have no intention of stopping it yet. So, let’s go over some rules first.

Rule 1: Please keep it civil. These are my picks. If you don’t agree with them, that’s fine. If you want to have a discussion about good music from last year, then I’m very much open to it. All I ask is that you keep it civil. Be kind and respectful.

Rule 2: No movie soundtracks/scores. I love listen to movie music, but if I included any of those albums, this list would go on for days, and no one has time or patience for that.

Rule 3: No “Greatest Hits” albums. I think that explains itself, no compilations of a band’s best songs. That’d be cheating.

That should about cover it. Now, without further ado.. my favorite albums of 2019!

Number 15: Rival Sons – Feral Roots (Sample: Do Your Worst)

Kicking off the bottom of the list (bottom does not equal bad, just means least awesome) is the latest release from Californian rock band Rival Sons. These dudes have a very old school approach to their style that I appreciate, since good ol’ fashioned hard rock doesn’t dominate the airwaves as much as it once did. So it’s good to hear a band keeping that sound alive. It’s a fun album.

Number 14: Dream Theater – Distance Over Time (Sample: Untethered Angel)

At number 14 we got the latest release from long running  prog-metal band Dream Theater. It’s a slightly more stripped back and focused affair than some of DT’s other releases… but that doesn’t stop it from being a fun, epic, and frankly fun album to listen to. It doesn’t really do much to seem like something new in the band’s discography, but it also doesn’t need to, because it’s still a badass album.

Number 13: Whiskey Myers – Whiskey Myers (Sample: Die Rockin’)

At number 13 we find the latest release from Whiskey Myers, an American country/southern rock band from Texas. I actually discovered them earlier in 2019 when I heard two of their older songs in an episode of “Yellowstone”. Obviously liking what I heard, I of course started checking out the band more (like their previous album/social media). And that’s when I found out they were releasing a new album, which had me interested. And when I listened to it… well, the inclusion of it on this list should be a dead giveaway as to my feelings on it. The band is like a heavier version of Lynyrd Skynyrd, and I really like that sound, which is why this is on the list.

Number 12: Beth Hart – War in My Mind (Sample: Bad Woman Blues)

Next up we have the new release from American blues singer Beth Hart. In this release, Beth strikes a nice balance between blues, funk, and soul to create a sound that is simply magical. I’ve enjoyed Hart’s music for a few years, and this album doesn’t disappoint at all, it is a blast to listen to.

Number 11: Phil Campbell – Old Lions Still Roar (Sample: Rocking Chair)

Coming in at number 11 we have the solo album debut of former Motörhead guitarist Phil Campbell. Even with the experience as guitarist in one of the greatest metal bands of all time, you never know how well your solo stuff might turn out. But Campbell (along with his many guest acts) really knocked it out of the park. Some are more stripped back affairs like “Rocking Chair”, but then you also got tracks like “Faith in Fire”. But one thing one notices throughout it all is that Campbell is quite contemplative in his tunes, which makes for a rock album that pleases both poetically and in terms of being fun to listen to.

Number 10: Nick Cave & The Bad Seeds – Ghosteen (Sample: Bright Horses)

Now we’re getting into the meat and p’taters of this list, the top ten. And kicking off this section is “Ghosteen”, the new release from Australian artist Nick Cave, and his band, The Bad Seeds. It’s a direct follow-up to their previous album, “Skeleton Tree” (which also made it to my best of the year list when it came out). In that album, there were moments where Cave was dealing with the recent death of his son, and Ghosteen is him fully embracing that dark and contemplative process, making for a beautiful and haunting album that, while not something I’d put on at any time, still had a lasting effect on me thanks to its beautiful production, and Cave’s soulful and pained vocals.

Number 9: Tyler Bryant & The Shakedown – Truth and Lies (Sample: Shock & Awe)

At number 9 we have “Truth and Lies”, the new album from blues-inspired hard rock act Tyler Bryant & The Shakedown. If you like heavy blues-rock, then this should be right up your alley. I certainly like that sound, and I really like this album, it’s cool.

Number 8: Lana Del Rey – Norman Fucking Rockwell! (Sample: Norman fucking Rockwell)

Every year there’s usually at least one album that sneaks onto my list that I didn’t expect in the fucking slightest. And this time, it’s the latest release from American pop singer Lana Del Rey. It’s a soulful and cleverly written album which features Lana discussing some interesting stuff, all while a beautiful strings and piano-based production backs her up. And it’s all great, making for an enjoyable trip that I wouldn’t mind listening to again.

Number 7: Neil Young with Crazy Horse – Colorado (Sample: Olden Days)

More like Neil Old, am I right? Joking aside, how the fuck is Neil Young still releasing good music. Sure, his voice isn’t quite what it once was. But the fact that the songwriting still hits me and his voice still conveying every emotion perfectly is testament to his skill. Combine that with his first teamup with Crazy Horse since 2012, and we got a really well produced album that finds Young still knows how to reach into my heart and make me think.

Number 6: Bruce Springsteen – Western Stars (Sample: Western Stars)

From one old legend to another, at number 6 we have the latest release from The Boss himself, Bruce god damn Springsteen. And he hasn’t lost his touch yet, “Western Stars” is a beautiful country/soft rock album that shows Springsteen at his strongest once again. I don’t know what else to say here, Bruce Springsteen making good music shouldn’t really be much of a surprise to anyone.

Number 5: Airbourne – Boneshaker (Sample: Burnout the Nitro)

From nice and soulful, to high octane rock n roll. This was seriously one of, if not my most anticipated album of the year. I am a huge fan of this band and their AC/DC-esque sound. A new Airbourne release is always fun to listen to, because they just make some badass rock n roll. When I first listened to it, I wasn’t the biggest fan of this one. I thought it was fine, not making much of an impact. But further listens have made me appreciate it more. It’s not groundbreaking, but it’s certainly… a boneshaker.

Number 4: The Highwomen – The Highwomen (Sample: Redesigning Women)

At number 4 we have a self-titled album from all-lady country band The Highwomen. Sound-wise, it’s a classic country sound, showing that “if it ain’t broke, don’t fix it”. Where it stands out however is in the lyrical department, making some interesting commentary on society and women’s role in it, which I find quite fascinating and engaging, especially when paired with the beautiful country composition.

Number 3: Leonard Cohen – Thanks for the Dance (Sample: Thanks for the Dance)

We’re getting into the nitty-gritty now, y’all. In the bronze position, we find the new release from the late, great Leonard Cohen, which he of course recorded before his passing in 2016. Produced by Cohen’s son, Adam, this is a beautiful, emotionally charged, and soulful experience that sees Cohen at his finest. It’s a nice posthumous send-off for one of the greatest songwriters ever.

Number 2: King Gizzard & The Lizard Wizard – Infest the Rat’s Nest (Sample: Planet B)

Well, this is certainly a leap in genres. In second place is the newest release from Australian rock band King Gizzard & The Lizard Wizard (possibly the greatest band name ever). And it’s an old school thrash metal album, hearkening back to mid-80s Metallica or Slayer, while still putting in some minor flourishes of their own to make it stand out. And good god damn, I am in love with this album. I only heard it for the first time very recently, and yet it has made quite an impact for me. Partly because of the interesting storytelling concepts throughout the songs, but mainly because I am a big fan of old school thrash metal, and this is one of the finest takes on that genre.

NUMBER 1: Gangstagrass – Pocket Full of Fire (Sample: You Can Never Go Home Again)

In previous years, I’ve had a rule against including live concert albums. But I decided to loosen that rule this year because 1, this my blog (so I can do whatever I want). And 2, I really really really wanted to mention this. What we have here is American hip-hop/bluegrass band (yes, that mix does work) Gangstagrass at various live venues, playing their songs, and making it all sound fantastic. Seriously, these are some of the best and most head-bobbing recordings I’ve heard of these songs. So yeah, my number 1 is technically cheating my own rules, but I also don’t care, because great music transcends everything.

So those were my favorite albums of 2019. But now I’d love to hear from your guys, what are some of your favorites? Let me know in the comments.
Have a good one.

My Most Anticipated Movies of 2020

Well hello there, friends! Hope you’ve all had a great christmas or hanukkah or whatever the fuck you’ve been celebrating. And if you haven’t been celebrating anything, I hope you’ve at least had a good few days. After the nearly non-stop blogging I did with my 12 Films of Christmas series, I decided to take a few days off, rest up my old joints. But you’re only 22. Yes, but I have the ligaments of a geriatric refrigerator. Anyway, so now that we’ve got the holidays over with, let’s look to the future. Specifically, I want to look forward to 2020, and have a look at what movies will be coming out at the start of the new decade. And despite the title, this list isn’t strictly about movies I’m super hyped for. Some are, but for the most part it’s more just “Movies I’m kind of interested in”. But that wouldn’t be as catchy, you know.

But before we get into the meat of the post, let’s set up a few ground rules.

Rule 1: You know those movies that get a somewhat limited release first, and then get more international coverage after the new year? Yeah, we’re not including those. So stuff like “Jojo Rabbit”, “The Farewell”, “Little Women”, etc. won’t be featured on this list. Only movies whose official first release happen in 2020.

Rule 2: Please don’t be an asshole in the comments. This is my list, with my opinions. If you don’t agree with any of my choices, and look forward to other movies, then that’s great… but don’t call me names or be a cunt about it. Be cool, yeah? Feel free to make your own list, let’s have a friendly discussion.

Rule 3: Don’t feed the animals.

So, with that stuff said… here’s a list of 2020 movies I’m looking forward to.

The Gentlemen

First up is “The Gentlemen”, an upcoming crime-comedy-action-thriller from Guy Ritchie. And that’s seriously all you’d need to tell me to get me excited. Ritchie has been in a weird spot for the past decade, doing various weird movies. But now it seems like he’s going back to his crime movie roots, which has me quite excited. Combine that with a stacked cast featuring people like Matthew McConaughey, Hugh Grant, Colin Farrell, Charlie Hunnam, and so many more… and you have my money like *that*.

Wonder Woman 1984

Next up, a superhero movie. Yeah yeah, some of you are probably tired of superhero stuff and people talking about them, but cut me some slack, I like fun adventure movies, and this’ll probably be such a thing. I was a big fan of the 2017 “Wonder Woman” movie, and since this has the same creative team behind it, I am sure it’ll be at least a good time.

The Invisible Man

A reboot of a classic franchise… and also a horror movie? Two things that usually don’t grab my interest that much. But in recent years I have become more of a horror fan, and I was a fan of the director’s previous movie, “Upgrade”, so I’m interested to see where this goes.

Black Widow

Yes, more superhero stuff. I like superhero stuff. And with Marvel Studios’ track record, I’m expecting this to be a competently made action movie. And this looks like it’ll be a pretty badass spy-thriller/action movie. Plus, it’s nice to finally see this character getting her own movie after being a supporting player in others for so many years.

Last Night in Soho

Two words: Edgar Wright. Seriously, that is all it took to sell me on this movie. I’m a big fan of that director, so I’m gonna be excited for whatever he does. And with this being described as a psychological thriller, I’m extra intrigued to see what the final product could end up being.

Dune

This is one of those I am interested in, while also having my reservations. Yes, the cast is amazing. Yes, the director is amazing. Yes, the source material is really good. But it’s that last part that is what has me a bit careful. “Dune” is such a dense and unique book, which makes me worried how the hell someone go about adapting it. But I guess we’ll see late 2020. Again, still interested thanks to the cast and director.

The King’s Man

I am a big fan of “Kingsman: The Secret Service”, and I don’t mind “Kingsman: The Golden Circle”. So it shouldn’t come as a surprise that I’d be excited for the next entry, which apparently is set in World War 1. A fun action movie set during the most depressing war in recent history? Matthew Vaughn, you’re mad, and I love you for it.

Godzilla vs. Kong

Look, I get that the critical reception for “Godzilla: King of the Monsters” wasn’t great. But I also don’t care, because I like seeing giant monsters kicking the shit out of each other. And with two of history’s most popular movie monsters going at it for the first time since 1962, it’s quite an exciting time to be a kaiju fan.

Top Gun: Maverick

I’m gonna say it, I’m not a huge fan of the original “Top Gun”. It’s… fine. So why am I excited for its sequel, which inexplicably is coming out 34 years later? Honestly, ’cause it looks kinda badass, and because I want to see Tom “Batshit Crazy” Cruise fly a jet. Yes, he really did that. Fucking madman.

Tenet

And the last one we’re gonna mention in this post is “Tenet”, the new movie from Christopher Nolan. And it seems like it’s gonna be a bit of a mindbending spy-thriller. I will be excited for whatever Nolan does, but the fact that the sentence I just said before got said has me even more hyped. This is my most anticipated movie of 2020.

So that’s a few movies I’m excited for in 2020. Feel free to mention some of yours, I’d love to hear from you.
Have a good one.

Month of Spooks 2019 Roundup

Hiya. It’s November. Take down the fucking christmas decorations, ya dingus. Also, the Month of Spooks ended not too long ago. So let’s talk about the stuff that was posted during it by me and my little spookers.

Let’s start with my stuff since that’s the least interesting.
Shelley Review
Candyman Review
Mulberry Street Review
It Review
The Invitation Review
Evil Dead 2 Review
The Strain Season 1 Review
From Dusk Till Dawn Review
Mimic Review
Dawn of the Dead Review
Vampire Hunter D: Bloodlust Review
Constantine: City of Demons Review
Cabin in the Woods Review
Case 39 Review
Fortitude Season 2 Review

And now it’s time for the post of my spookers.

The Craggus

First up on the list is The Craggus. This is the fourth year in a row he’s taken part in the Month of Spooks, which makes him the most frequent collaborator of mine. He is also responsible for any and all Month of Spooks graphics you’ve seen used here (like the three at the top of this post). And he has written a few different posts under the Month of Spooks banner this year. From a review on the recently released Countdownto 80s slasher Sleepaway Camp, to Robert Kurtzman’s Wishmaster. The Cragmeister has given us a whole load of posts, and I’d recommend clicking over to his site to check them out.

Gavin

Next up is Gavin, from filmnstuff. This is his third year doing Month of Spooks. And he’s been able to talk about… films and stuff. And he placed this under his 31 Days of Horror tag, where you can read all his wonderful posts from this year.

Maddy

The third and final spooker I collaborated with this year was the wonderful Maddy, who runs the blog fivethreeninety. And she made two posts that I could class under the Month of Spooks banner. One is a review of the recently released Zombieland: Double TapAnd the other is of romantic spook movie Ghost.

And that’s the Month of Spooks 2019. Huge thanks to the three people who decided to take part in this silly little thing of mine. And huge thanks to anyone who’s read and/or interacted with any posts. The support people show is what keeps me going, and what makes this so much fun. Thank you.
Have a good one.

Quentin Rankantino

Howdy, motherfuckers. Today we’re doing something a little bit differently. Instead of reviewing something, we’re ranking stuff. And by we, I mean me. With the impending release of “Once Upon a Time in Hollywood”, I have been rewatching all of Quentin Tarantino’s movies. So now that I got that task done, I have decided to rank them, from least favorite, to my top pick. So get your buckets of blood and Samuel L. Jacksons ready as we rank the movies of Quentin Tarantino, in a special post we call… Quentin Rankantino!

Number 9: Death Proof.

Coming in at the bottom is Tarantino’s grindhouse homage, “Death Proof” (fittingly used within the “Grindhouse” double feature). It’s not awful per se, but it’s Tarantula’s weakest movie by a mile. The pacing is wonky, and I don’t exactly find any of the characters particularly interesting. What gives it some points are the action scenes, which are a hard-hitting bit of fun. Also, Kurt fucking Russell… I don’t have much to say there, I just like Kurt Russell.

Number 8: Jackie Brown.

For our number 8 slot we make a huge god damn leap from “not that good” to “that’s really good”. In Toronto’s third movie, based on “Rum Punch” by Elmore Leonard, a stewardess (Pam Grier) gets drawn into a complex crime plot by the ATF. It can feel a bit cluttered at times, affecting the pacing a bit, which is why it finds itself so low on the list. But with that said, thanks to the stellar cast and one hell of a funky soundtrack it still stands out as a damn solid movie in this director’s filmography.

Number 7: Kill Bill Volume 1

Now, I know that Turntable considers “Kill Bill” one movie, but they were released as two, so I rank them as two. Now, I find the story and characterization a bit weak in this one… but it’s still a damn good movie, filled with stylish, batshit insane action and some fun performances.

Number 6: Kill Bill Volume 2

While I’d put both “Assassinate William” movies on the same level in terms of various technicalities, I still do prefer the second one, due to its slower, more character-driven journey. Yes, we do still get some crazy, well handled action, but it’s not quite as much as in the first movie… and that’s okay.

Number 5: The Hateful Eight

Tabernacle’s second western is quite the interesting tale of assholes trying to not kill each other… which is technically how one could describe all his movies to some extent. Hmm. Either way, this 2015 western-drama-thriller may be very slow, but it’s quite the electrifying experience, thanks in large part to the absolutely mesmerizing performances from its core cast. Plus, having a score from maestro Ennio Morricone certainly doesn’t hurt.

Number 4: Pulp Fiction

Oh how many watches am I gonna get shoved up my ass for this placement? That’s right, the fourth place winner is Tacheometer’s sophomore outing, “Pulp Fiction”. Often considered one of the greatest movies ever made (and I can see why), it tells the tale of many assholes and their overlapping stories. And it’s that story that brings it down a bit for me (*”Ironside” siren blares*). It’s fun to watch, but the jumping back and forth, especially between so many stories can make it feel a little, well, jumpy at times, which can every so lightly fuck with the pacing a times. But with the help from an amazing cast, great music, and the ever so fiery dialogue, it manages to still hold up quite well.

Number 3: Django Unchained

A mostly straightforward revenge tale, Tartarology’s “Django Unchained” still manages to entertain across its nearly three hour runtime thanks to a colorful cast, an amazing soundtrack, and some of the most blood-soaked shootouts I have ever fucking seen. It’s a bit of slavery drama mixed with a popcorn bloodbath. What’s not to love?

Number 2: Reservoir Dogs

At the number two slot is where we find Tatterdemalion’s cinematic debut, “Reservoir Dogs”, a heist movie that isn’t really a heist movie. Showing the before and after of a botched diamond robbery, the movie jumps back and forth as we get to know the various characters as they deal with this entire situation. It’s fun, it’s suspenseful, and it’s one of the most impressive debuts I have ever seen.

NUMBER 1: Inglourious Basterds

And we’re finally at the number 1 slot. Numero uno. Top of the pops. My favorite of Tangoreceptor’s movies. “Inglourious Basterds” is a clever piece of historical fiction, showing the stories of various people trying to kill nazis. From a group of Jewish-American guerrilla soldiers, to the British government, to a young woman seeking revenge… everyone is out for nazi blood, and it is one hell of a good time. Dramatic, funny, suspenseful, exciting, it’s everything one could want in a movie from this director. There’s a ton of great stuff within this movie that I don’t have the time (or current willingness) to write about, but all of it comes together wonderfully to make my favorite movie from this director.

So what do you think? What’s your favorite movie from Quantum Turnbuckle? Please tell me, I’d love to hear from y’all.
Have a good one.

While You Wait: Game of Thrones

Hello there, and welcome to a new thing. Not sure it it’ll be a recurring series, but if this gets a good response, then it might. Any way, hello everyone. With the final season of HBO megahit “Game of Thrones” arriving in less than two weeks, fan are eagerly anticipating it. But until then, some might be asking themselves what they could watch to tide them over until then. Well, I’m here to perhaps help with that in some regard, by giving you some personal recommendations for things that could maybe fill that void in some respect. And if you don’t give a shit about “Game of Thrones”, then you’ll at least have a few recommendations for things to experience. So let’s go.

This is While You Wait: Game of Thrones edition.

The Lord of the Rings trilogy (New Line Cinema, 2001 – 2003)

This entry should come as no surprise in the slightest. Big, epic fantasy with a grandiose story, a stellar cast, and tons of detail in props and filmmaking. Look, I am aware that this and “Game of Thrones” are very different in tone… style… language… amount of tits, but still, can’t talk about relevant recommendations for a major fantasy thing without mentioning another one.

Westworld (HBO Entertainment, Warner Bros. Television, 2016 – now)

While we’re talking about one major HBO series, we might as well talk about another one. “Westworld”, based on the 1973 film by Michael Crichton, is a series created by Jonathan Nolan and Lisa Joy, and follows a theme park that is built up like a giant wild west world (Hence, “Westworld”). But as expected, things may or may not go awry (wouldn’t be a show otherwise). Let’s see, big sweeping story (check), A-list cast (check), Ramin Djawadi making music (check), budget higher than what any of us make in a year (check), violence (check), naked people (super check)… yeah, this has a shitload in common with “GoT”, so that’s why I recommend it.

The Elder Scrolls V: Skyrim (Bethesda Softworks, 2011)

That’s right, there be video games on this list too. Released in 2011, “Skyrim” was the fifth mainline game in the “Elder Scrolls” series. In times of great political turmoil, you play as a character that almost gets executed, but gets “saved” by a giant dragon attacking the city that you’re in. And it doesn’t take long for you to find out that you’re Dragonborn, a mighty warrior destined to slay dragons and steal their souls. Political tensions, various factions doing their own shit within the kingdoms, epic fantasy, DRAGONS. Need I say more as to why a “Thrones” fan might want to play this? It’s not one of my favorites, but I still feel like it’s a good recommendation for fans of “GoT” who might want to get some game time in.

Berserk (OLM Inc, 1997 – 1998)

And now we move into something a bit older, but is a bit more of a recent watch for me. “Berserk” is a 1997 anime series based on a manga series of the same name by Kentaro Miura. It follows a highly capable swordsman named Guts as he joins a mercenary group called the Band of the Hawk, after its leader, Griffith, defeats Guts in combat. And so Guts, along with Griffith, and the other members of the group fight their way through the kingdom of Midland. And we do also get to see how Guts and Griffith’s actions affects the political climate in the kingdom, as well as how their bond evolves over the series. So it has both the big battles and political element of “GoT”, and it has the brutality of it… come to think of it, “Berserk” is probably even more brutal (and the series is allegedly very toned down compared to the original manga). Just a few details first… Skip episode one. I’m not kidding, skip it. It’s not even related to anything going on in the show, as it’s set after everything that happens. Maybe come back to it after finishing the other 24 episodes. And secondly, the ending (which I won’t fully spoil) has been a bit polarizing for people… and that’s all. Other than that, “Berserk” is great.

The Expanse (Alcon entertainment, 2016 – now)

So how do we go from high fantasy to sci-fi? Well, like in “Game of Thrones”, you can find a lot of political tension and character development in “The Expanse”. Set hundreds of years into the future, we follow various characters as they try to deal with their various situations while navigating the very dangerous political tensions between Earth and Mars. Need even more proof that this show is the “Game of Thrones” of sci-fi? It has been called the “Game of Thrones” of sci-fi by a fair amount of people. And I thank Amazon for picking it up after SyFy cancelled it.

Gladiator (Scott Free Productions, Univeral Pictures, 2000)

Epic battles, political intrigue (again), charismatic cast, big budget… do I really need to explain why Ridley Scott’s epic Oscar winner is one of the recommendations on this list? You all know why it is here.

The Dark Souls trilogy (FromSoftware, 2011 – 2016)

More video game goodness, and oh god, the traumatic flashbacks are rolling in. Admittedly I’ve only played the third game in the series, but based on my “enjoyment” of that, and the critical acclaim of the rest of the series, I feel confident in recommending them all. You play as a silent (not counting offs and ahs) protagonist who goes on quests that lead you across dark world where you’ll encounter strange creatures, interesting people, and pain… lots and lots of pain. It’s dark fantasy at it’s most bird-flipping. People love these games for their difficulty, and I do kind of appreciate the challenge from my playthrough(s) of the third game. Funnily enough, as I recommend this for “Thrones” reasons, these games take heavy inspiration from another thing on this list… that thing being “Berserk”.

The Revenant (Regency Enterprises, 21st Century Fox, 2015)

Ah yes, the 2015 movie that finally gave Leo his Oscar… and all it took was dragging himself through the dirt after getting his shit kicked in by a bear. Betrayal, brutality, cold, stellar acting, a gritty tone, these are things that make this movie good and also help make some of the “GoT” comparison a bit more valid.

The Godfather trilogy (Paramount Pictures, 1972 – 1990)

Now, how can I compare possible the most prolific gangster series of all time to one of the biggest tv shows of all time? Well, both are grand, sweeping, epic stories about family, legacy, and ruling over a kingdom of sorts. Some from an uncomfortable and pointy chair, and some in dark rooms in the mid-century United States. And yes, I am recommending all of them. The third movie is a huge step down from the first two, but it still has its moments.

Castlevania (Powerhouse Animation, Netflix, 2017 – now)

And for our final entry, let’s go a bit lighter. Don’t get me wrong, this show is dark, but at least it is allowed to get a bit over the top with its action. Based on the hit video game series, “Castlevania” follows Trevor Belmont (Richard Armitage), the last member of a long line of vampire hunters, as he reluctantly has to try to kill the king of all vampires… Dracula (Graham McTavish). Start with an epic fantasy, end with another. The animation is stellar, the plot engaging, and the characters very well realized. And to any stubborn people out there: This is a cartoon, not an anime. It may have some anime stylings, but it was entirely produced in the United States… so it’s a cartoon. But for those not stubborn: Watch this show, it’s great.

So those were some of my personal recommendations for those “Game of Thrones” fans wanting something to tide them over until April 14th, or maybe if something’s needed to fill the gap after the show ends. But I also ask of all of you, what other recommendations do you have that could fit this thing? Movie, show, book, game… any of them, I’m all ears.
Have a good one.

Academy Award 2019: Music Nominees

Well hello there. Around this time last year, I teamed up with some really cool people to cover that year’s Academy Award nominees. And we decided to do it again, splitting the nominees between us and discussing it on our blogs. And just like last year, I am covering the music nominees, because I’ve barely seen anything nominated for an Oscar this year, and these categories are the only ones I can do from my room for free in a perfectly legal manner. So without further ado, let’s get into it.

Best Original Score
Let’s start with the scores first. No real reason, just seems reasonable. But before we get into that, we have a comment here from the lovely Maddy of FiveThreeNinety regarding what she considers a major snub:

HOW First Man was not even nominated baffles to me the point of not being able to see the actual contenders. I was convinced that was a sure win.
Thank you, Maddy. Your thoughts are much appreciated. Now, on with the nominees!

Black Panther – Ludwid Göransson

First up we have the score for Marvel superhero movie “Black Panther”, which I haven’t seen yet. I know, weird. Still, any thoughts on the movie itself do not matter, it’s what the music is like that matters. And not gonna lie, from what I’ve heard, the score by Ludwig Göransson is pretty stellar, mixing the typical superhero brass with a lot of African percussion and woodwind, and even a little bit of interesting electronica to create one of the more unique scores within the Marvel Cinematic Universe.

BlackkKlansman – Terence Blanchard

Next up is the score from the latest Spike Lee joint, “BlacKkKlansman” (that stylization really fucks up my flow). A true story about a black police detective infiltrating the KKK. So what does Blanchard bring in for the music? Well, he gives us a score that mixes somber string work, march percussion, and even a little bit of blues guitar, creating an absolutely stunning sound that seeps into the soul and just creates a sense of dread. Yeah, it’s a good one.

Mary Poppins Returns – Marc Shaiman

From composer Marc Shaiman we have the score for “Mary Poppins Returns”, the sequel to the 1964 musical classic. And it’s a fairly standard score here. Not bad in the slightest, it’s just that we’ve heard this kind of stuff before in Disney movies for god knows how long. The sung songs are a lot of fun, and the main score is easy on the ears, so the music here is just a bit of good ol’ crowd pleasing.

Isle of Dogs – Alexandre Desplat

Next up, we have the score for Wes Anderson stop motion film “Isle of Dogs”, composed by one of my favorites, Alexandre Desplat. Mixing in a lot of Asian percussion and chorals mixed in with the occasional regular brass, strings, and piano, it makes for a fun and quirky sound that also has a nice emotional undertone.

If Beale Street Could Talk – Nicholas Britell

Next up we have Nicholas Britell’s score for “If Beale Street Could Talk”, Barry Jenkins’ movie based on the James Baldwin novel of the same name. And holy fuck, this score hits hard. Somber strings, emotional piano pieces, and a general sense of sadness makes it a stunning feast for the ears. But you know what it reminds me of at times? Nick Cave’s score for “The Assassination of Jesse James by the Coward Robert Ford” (still a mouthful), which has a similar sound. That’s not saying that “Beale Street” doesn’t stand out musically, because it really does.

And here’s a comment from Martin of Through the Silver Screen:

“Re-teaming with Barry Jenkins after his Oscar nominated work in Moonlight, Nicholas Britell did it again creating a score that was both beautiful and melancholic, capturing the joy and despair of the main characters beautifully. But by far one of the biggest snubs here was for Justin Hurwitz’s First Man score, which had it been nominated would surely have come back down to earth to win the statue. Ludwig Göransson’s wonderful work for Black Panther is also very much worthy of the gong, as it was grounded in the beauty of the continent of Africa.”

And here’s one from Nathan:

Best Original Score’s real winner (Justin Hurwitz’s First Man) inexplicably missed an Oscar nomination but Nicholas Britell’s If Beale Street Could Talk is a gorgeous, brooding composition that enriches the film’s tenderly melancholic exploration and portrait of love. It should, and probably will, win but faces stiff competition from Black Panther.

Biggest chance of winning: Isle of Dogs.
My pick: BlacKkKlansman.

Best Original Song
And now we move on to the second half of this post, the part where we talk about the best original song nominees. So let’s do it.

All the Stars – Kendrick Lamar/Sza – Black Panther

Man, “Black Panther”, raking in the nominations. So here we have “All the Stars” by Kendrick Lamar and SZA (apparently pronounced Sizza). I’m not the biggest fan of the style of music that this is, but I do also think that this sounds quite good and I can see why it was nominated. So yeah, it’s pretty good.

The Place Where Lost Things Go – Emily Blunt – Mary Poppins Returns

Remember how I said that the sung songs were the better part of the “Mary Poppins Returns” music? This still applies, because this is beautiful. The minimalist composition gives it a nice emotional tone, the lyrics are beautiful, and Emily Blunt’s singing is stunning and it really reaches into my heart. So yeah, this song is very good.

I’ll Fight – Jennifer Hudson – RBG

Not every day a documentary has a best original song. But “RBG”, a documentary about supreme court justice Ruth Bader Ginsburg, had it, and it’s the kind of grand, sweeping, soulful pop tune that you’d hear everywhere a few years ago. And I like thos kinds of tunes, so this kind of appeals to me. Is it the best example of this kind of song? No. But is it still a strong contender? Hell yeah.

When a Cowboy Trades His Spurs for Wings – Tim Blake Nelson/Willie Watson – The Ballad of Buster Scruggs

In 2018, the Coen brothers gave us anthology western “The Ballad of Buster Scruggs”, and that movie gave us this song. The singing for Nelson and Watson is stunning and just fits the whole quirky western singing. The small amount of instruments also gives it a small intimate feeling that just works so well for the story told in the song. It’s a charming little song that I kinda love.

Shallow – Lady Gaga/Bradley Cooper – A Star is Born

How many versions of “A Star is Born” do we have now? 46? What, only five? Okay. Anyway, this version stars Bradley Cooper and Lady Gaga, and people apparently like it a lot. And this song, “Shallow” is the song from it that got an Oscar nomination. So is it good? Very. I like this sort of ballad bordering a little on rock, pop, and country, as it makes it stand out with this nice blend of the three. And “Shallow” is a damn good example of it. And now, a comment from Maddy again:

If a Star is Born doesn’t win, I will shave my head. It is one of the best original songs for film in years, and that’s saying something looking at the past few winners.

We also just got in another comment, this from Martin of Through the Silver Screen:

“Though I love “All the Stars”, nothing is stopping Lady Gaga here. Given that the Best Actress statue will likely be out of her reach, this is one award Gaga will be deservedly holding at the end of the night. The moment in ASIB when she sings “Shallow” with Cooper in the film, just sends chills down my spine. Incredible.”

And here’s a comment from Nathan:

We’re not far from the Shallow now, where Lady Gaga will ascend to the stage to collect the award for A Star Is Born. You can’t really argue against it – it’s a fantastic, stadium-worthy song – despite my personal belief that Always Remember Us This Way is the movie’s crowning achievement. I’d be equally happy for Mary Poppins Returns’ The Place Where Lost Things Go to take it on the night, although A Cover Is Not The Book or Can You Imagine That? would have taken its place on my personal ballot.

Biggest chance of winning: Shallow.
My pick: When a Cowboy Trades His Spurs For Wings.

So now we’ve gotten through all the music nominations, and I gave some of my thoughts on them. But I’d also love to hear from you guys. What are your thoughts on the music nominees for the Academy Award of 2019? Leave any and all thoughts in the comments.

The cool people I collaborated with:

Plain, Simple Tom

Through the Silver Screen

FiveThreeNinety

Perks of Being Nath (who also hosted our friend Ryan, because Ryan doesn’t do his own blogging anymore).

And that’s it. Have a good one.

My Favorite Albums of 2018

Hello there, ladies and gentlemen, it’s that time of year again. The time when I share with you some of my favorite albums of the year that recently ended. Took a little longer than usually this time, as I slacked a bit throughout 2018 in listening to a lot of new albums. But now we’re here. And I’m excited to start writing, this is one of my favorite things to do each year. Just a few stipulations between us.

Rule number 1: Please be nice. If you don’t agree with my picks, that is fine, I encourage discussion. Just don’t be a dick about it.

Rule number 2: I am not including any film scores/soundtracks, as that would make this list go on for way too long. Also, this is just to celebrate the music in its own right, and not have it clouded by any positive cinematic experiences.

Rule number 3: I don’t do EPs or singles. This is for those fully referred to as ALBUMS. So if there’s an EP that you liked that isn’t here, now you know why.

That should be it. Though I will also give an honorable mention to “Campfire” by Kasey Chambers and The Fireside Disciples. The few tracks I’ve heard from that album are incredible, but due to some licensing bullshit, I can’t listen to the full album since I’m not in Australia… and importing is too pricey, so I’m not gonna hear it anytime soon. But I guess an honorable mention is fine.

Anyway, with all that out of the way, now is the time for me to share my favorite albums of 2018!

Number 13: Luke Westaway – Short Songs With Long Titles (Sample: I Took a Week Off Work and My Brain Didn’t Know What to Do With That, Clearly).

Kicking off this list is an album with a very self-explanatory title. From Luke Westaway, most known for his hosting gig on the OutsideXtra youtube channel, comes “Short Songs With Long Titles” an album all about short songs with long titles. It’s a charming little thing that just puts a smile on my face. It’s not musically complex, it’s not emotionally charged… it’s just a guy having a bit of fun, and that is quite infectious, for me at least.

Number 12: Ry Cooder – The Prodigal Son (Sample: The Prodigal Son).

Next up is “The Prodigal Son”, the latest album from musician Ry Cooder. It has an interesting sound in how it blends a bit of rock and folk and blues and a tiny bit of country. And it blends together to make something really cool that I enjoy listening to.

Number 11: Kacey Musgraves – Golder Hour (Sample: Slow Burn).

At number 11 we have the latest release from pop/country artist Kacey Musgraves. When I first heard of Musgraves I dismissed her as another pop artist (like an asshole). But then later I started hearing murmurs of her actually being a country artist, which had me intrigued. And I decided to give her newest release a chance. And I’m glad I did, because it’s pretty damn good (evidenced by its inclusion here).

Number 10: Buddy Guy – The Blues is Alive and Well (Sample: A Few Good Years).

I think I’ve made it clear on this blog a few times that I’m a fan of blues. So the fact that such an old school blues album can be released in 2018 just makes me happy. Hell, that album title just summarizes my thoughts perfectly. The blues is indeed alive and well.

Number 9: Florence + The Machine – High as Hope (Sample: 100 Years)

First single digit entry is the latest from alt-rock/pop outfit Florence and The Machine (that “and” often stylized as a +). And with this, Florence Welch (who fronts the band) lays herself bare, talking about pain, suffering, sadness, and other such fun subjects. I already enjoyed the band to a certain extent, and this album is another reason for me to do so.

Number 8: Greta Van Fleet – Anthem of the Peaceful Army (Sample: Lover, Leaver).

At number 8 we have the latest release from legendary rock band Led Zeppelin. *Smack* Ouch, okay, fine, I’ll be serious… dick. So yeah, it’s impossible to talk about Greta Van Fleet without mentioning their similarity to Led Zep. I mean, Josh Kiszka’s voice is a dead ringer for a young Robert Plant. Anyway, similarities to Markus’ favorite bands aside, how does it stack up on its own as a rock album? It’s great (the inclusion on the list should’ve been a dead giveaway). It’s great to hear this kind of old school rock still being played in our current days. And who can complain about hearing a bit of new Led Zep material in 2018/2019? *Smack*.

Number 7: Shemekia Copeland – American’s Child (Sample: Ain’t Got Time For Hate).

Buddy Guy said it. Blues is alive and well. Copeland comments on a lot of current issues within the United States, and her message comes through beautifully through her strong vocals, and use of the blues genre. Blues is great for telling genres, so using it to send a message about some of the fucked up stuff going on in the world is a brilliant idea. Plus, it’s just a damn solid listen overall.

Number 6: Beth Hart & Joe Bonamassa – Black Coffee (Sample: Give it Everything You Got).

Man, 2018 was one hell of a year for blues. Even better is that this is a collab by one of the best duo’s in the genre. Hart and Bonamassa have done a couple albums before that I really liked, so I was already excited to hear another one from them… and man, it did not disappoint. Hard-hitting instruments, Hart’s fierce voice, and an overall sense of the various crew members’ skill makes this one hell of a good time.

Number 5: Steve Perry – Traces (Sample: No Erasin’).

Man, was this the biggest surprise release of 2018. I was just chilling out and browsing twitter a bit, and suddenly I just see “Journey’s Steve Perry to release new album in a couple days”, which of course had me reacting like “Fucking what?”. Perry’s been relatively quiet on the musical front since leaving Journey in 1998. Then suddenly 20 years later he releases a new solo album… and it’s great? Talk about one of the most pleasant surprises in recent years. But yeah, if you like a lot of his old Journey stuff, you’ll most likely enjoy “Traces” too.

Number 4: Father John Misty – God’s Favorite Customer (Sample: Hangout at the Gallows). 

“If Radiohead had sex with The Beatles” a youtube comment described this song. It’s not entirely wrong. I can certainly hear a little bit of that in Misty’s sound, though I also think he’s still created something entirely his own within the sort of indie/folk/alt-rock sounds that he clearly resides within. His voice, the instrumentals, and the lyrics all make for one really great album.

Number 3: Joe Satriani – What Happens Next (Sample: Energy).

Rock and motherfucking roll. Coming in with a bronze medal, we have the latest release from acclaimed rock guitarist Joe Satriani. I’ve been a fan of his for years, so I was of course excited for his new album which was an early 2018 release, and I was listening on day 1. And man, it was so badass. Badass solos, slick licks, and and Satriani’s overall sense of how to keep purely instrumental songs fresh and unique makes it one of the best of the year. Plus, the background work by Chad Smith and Glenn Hughes gives it an extra edge too.

Number 2: Judas Priest – Firepower (Sample: Firepower).

Wow, was the inclusion of this quite surprising. Bands that have been working for as long as Judas Priest shouldn’t sound so good so far into their lifetime. And when I first heard the album, I kinda dismissed it as another half-decent, fairly catchy, pretty well done metal album. But since then it’s really grown on me, and I have realized just how good it is. “Firepower” is as old school as metal gets, and I’d say that it might be the band’s best since “Painkiller”, maybe even since “British Steel”. Like, what the fuck, this is way better than it has any right to be. Oh well, I’m not gonna complain about a bit of awesome music.

Number 1: Joe Bonamassa – Redemption (Sample: Redemption).

Anybody who knows me should not be surprised by this. I’ve said so many times on this blog, on twitter, and in real life how much I adore Bonamassa’s music. And with “Redemption” he has once again given us a musically impressive, catchy, and overall solid blues-rock album. His vocals are the best we’ve heard from him, and the guitar work is still absolutely stunning. Bonamassa is one of the most hard working musicians out there, constantly touring and putting out content and just overall kicking musical ass. “Redemption” is my favorite album of 2018.

So those were my favorite albums of 2018. But now I wanna hear from you guys, what have been some of your favorite albums of last year? Either leave a comment or make a blog post of your own as a response to this, I’d love to hear your thoughts.

Have a good one.

My most anticipated movies of 2019

Hello and happy new year, guys! I’m back from my… two day break. Okay, I wasn’t gone for long, but I’m excited to be writing again. New year, new opportunities, new movies! And it’s that last one that we’re talking about today, which shouldn’t come as a surprise to you guys, since this blog is mostly built on movie stuff. So since the year just started, I think it’s only appropriate to talk about some movies that I’m excited for this year. Will all of them be amazing? Probably not. But I’m just looking forward to watching them all, and I thought I’d share some of them here with you today. A few stipulations for both of us here.

Number 1: Please be respectful. I’m asking you to have the exact same opinions as me, I’m fine with disagreement. Just don’t be a dick about it. I’m all for friendly discussion, please feel free to share your thoughts in the comments. Just be nice. This is a friendly space, yo.

Number 2: I’m not gonna talk about movies that had limited releases in 2018 that then get worldwide releases in early 2019. This is for those that have their first release in 2019. Understood? Cool.

Number 3: These are not ranked. These are just a bunch of movies I’m looking forward to a fair bit.

That should be it. Let’s get into the movies.

Glass.

First movie on the list is the first one I’ll probably see in the cinema this year… which would be pretty much unlikely a few years ago. A January movie by M. Night Shyamalan? Ew. But this is something I am genuinely excited about. So spoilers for previous Shyamalan movies, I guess. In 2000, he gave us “Unbreakable”, and it was amazing. In 2017, he gave us “Split”, and it was really good. And at the end of “Split”, it was revealed that it was a secret sequel to “Unbreakable”, which blew my fucking mind. And now we get the culmination of those two movies with “Glass”, and I am really hyped.

Avengers: Endgame

Yes, I talk about a lot of superhero movies. And yes, I am aware that a lot of people are either sick of or just don’t care about them. But you can’t deny that what Marvel has done with their cinematic universe is really impressive. And now we get the ending to it… sort of. It’s the sequel to 2018’s “Infinity War”, and it will be the end for a lot of these actors in this universe. It’s kind of bittersweet. Bring on the endgame.

Captain Marvel

Another superhero origin. This one starring Brie Larson. She’s a good actor. This looks pretty good. Has a stellar cast. It’ll be fun.

Godzilla: King of the Monsters

I am a fan of the 2014 “Godzilla” movie, so I was already excited for a sequel. Then it was revealed that some classic monsters would be involved in it, which got me even more excited. Then this trailer came out and showcased some gorgeous imagery, and it got me even more hyped. So yeah, this is one of the biggest ones for me this year.

Star Wars Episode IX
It’s “Star Wars”. The end of this new trilogy. It’s “Star Wars”. How could I not be excited? “STAR WARS”.

Spider-Man: Far From Home
I am a huge Spidey-fan, been for most of my life. And this is a sequel to “Spider-Man: Homecoming”, which I liked a lot. Tom Holland is a fantastic Spider-Man. So I’m excited. Plus, Jake Gyllenhaal.

John Wick: Chapter 3

“John Wick” was one of the biggest surprises of 2014. “John Wick: Chapter 2” was a great sequel. And in 2019 we’ll get the third part in this series. The hype for this one is real.

Knives Out
No footage. No on-set images. All we have is a good director, a star-studded cast, and the vague premise of a murder mystery. And that is enough to intrigue me. Let’s go.

In the Shadow of the Moon
Like with “Knives Out”, we know practically nothing about this. But at least “Knives Out” has a vague premise of what it could be… this one on the other hand doesn’t even have that. So how could I be excited? Well, it has several good actors involved, and it’s directed by Jim Mickle, who I’m a big fan of. I’ll be supporting him any way I can.

Once Upon a Time in Hollywood

What do you get if you take one of the most star-studded casts even assembled and combine it with the mind of Quentin Tarantino? You get “Once Upon a Time in Hollywood”. Anything that Tarantino makes, I’m already excited for. But add all those cast members and an interesting setting, and you most likely have my money as well.

Lucy in the Sky
*Starts humming The Beatles*. Oh shit, you’re still here. Right, so what’s this? It’s a sci-fi movie, starring the likes of Natalie Portman, Dan Stevens, Jon Hamm, and Zazie Beets, and it’s written/directed by Noah Hawley, who brought us two of my favorite shows; “Fargo” and “Legion”. That’s all I need. Bring on the weirdness.

The Irishman
Martin Scorsese. Robert De Niro. Joe Pesci. Al Pacino. Bobby Cannavale. Harvey Keitel. Jesse Plemons. Excited yet?

Jojo Rabbit

A World War 2 satire from Taika Waititi? With said Kiwi playing Adolf Hitler? And a good cast surrounding him? Yes please, hell yeah, this is interesting.

So those were a bunch of movies I’m looking forward to. I’m sure more will be revealed throughout the year, but these are my current picks. But I also wanna hear from you guys. What movies are you excited for? Leave any and all answers in the comments!
Have a good one!