Series Review: Yellowstone – Season 2 (2019)

Earlier this year, I reviewed the first season of this show. And now the second one has come to an end over here. So I guess that means I should talk about it. So here we go.

Ladies and gents… “Yellowstone” season 2.

We once again follow rancher John Dutton (Kevin Costner) as he tries to protect his land from opposing forces, new and old. All the while his three kids (Luke Grimes, Kelly Reilly, Wes Bentley) deal with a lot of personal issues of their own, while there’s also stuff going on with the people working for John. So now we have a more “Yellowstone”… in all the ways that entails. On one hand you do get a lot of that epic crime-drama that the show mostly sells itself on, and that shit is insanely compelling, always riding a line of grey morality perfectly, giving us some truly great tv at times. Buuuuuut then it also wallows a bit in family melodrama. At times that stuff doesn’t bother me, as there are points when it’s decently well handled. But then there are times when it sort of just drags the show down, and makes it kinda boring at times. I don’t need the crime-drama stuff all the time, but the family drama here isn’t always that great. So overall the story is pretty good. Flawed, but solid.

The characters here are flawed, layered, and quite interesting. Kevin Costner returns as John Dutton, the aging patriarch of this family. He has to come to terms with his own age a bit this season, at the same time as all this crazy shit happens around him, and it’s pretty interesting. And Costner is once again really good in the role. Luke Grimes returns as John’s son Kayce, a father who has to deal with some issues with his wife and son, while also having to manage his new role at his father’s ranch. And while I had slightly mixed feelings about him last season, he kinda grew to become my favorite this time around. And Grimes is really good in the role. Kelly Reilly returns as Beth, John’s take-no-nonsense daughter who often acts as a bit of a wild card, even if she is a bit more restrained this time around due to development from last season. And once again, she’s an interesting character, with Reilly giving a great performance. Wes Bentley plays Jamie, John’s lawyer son, and holy shit, he gets some actual development this season. They made Jamie interesting! And Bentley is great in the role, even if he still constantly scowls like someone shat in his backyard. Cole Hauser returns as Rip, the ranch hand/resident tough guy, and he’s once again great in the role. The stuff with returning antagonists Danny Huston and Gil Birminham is still solid. And new antagonist Neal McDonough, he’s pretty good. We of course also get supporting performances from people like Kelsey Asbille, Brecken Merrill, Jefferson White, Forrie J. Smith, Hugh Dillon, Ryan Bingham, and more, all doing very well in their respective roles.

As with season 1, the score for season 2 of “Yellowstone” was composed by Brian Tyler. And it was once again good. Tense, emotional, and fitting of the semi-western tone that the show goes for. It’s solid stuff that fits the various scenes it’s used in.  There’s of course also a lot of licensed music used throughout (especially from the band Whiskey Myers). And that music works well enough for the respective scenes they get used in.

The show was created by Taylor Sheridan and John Linson, with Sheridan staying on as writer for all the episodes, but let a bunch of other cool people handle directing. And the craft on display here is generally good. A lot of nice looking shots of the sweeping vistas, some decent looking shots for smaller moments. The directing often elevates the material here, which is what makes some of those melodramatic scenes I mentioned earlier a bit more tolerable. And the direction also helps make some scenes quite suspenseful when needed. ’tis a solidly crafted show.

This show/season has been decently well received. On Rotten Tomatoes it has an 88% positive rating. On Metacritic it exists, but has no overall score. And on imdb.com it has a score of 8,4/10.

Season 2 of “Yellowstone” reaches some great heights, but wallows enough in some melodramatic lows to still bring it down overall. It has a pretty good plot, really good characters, great performances, good music, and really good writing/directing. Time for my final score. *Ahem*. My final score for season 2 of “Yellowstone” is an 8,52/10. So while not perfect, it’s still certainly worth a watch.

My review of “Yellowstone” season 2 is now completed.

Cooooooostneeeeeer.

Series Review: Swamp Thing (2019)

I’ve been waiting for this show to be made available over here for quite a while. And finally, Friday the 8th, we got it. And now that I have finished it, I can finally give my thoughts. So here we go.

Ladies and gentlemen… “Swamp Thing”.

CDC doctor Abby Arcane (Crystal Reed) finds herself traveling back to her old hometown of Marais, Louisiana when some strange viral shit is found coming out of the swamps of that area. And as she continues her investigation of it, she soon finds out that there’s more to these swamps than meets the eye. Secrets, tragic backstories, the horror of the unknown, these are some of the things that are explored throughout the 10 episodes of “Swamp Thing”. I point out the episode count because this show was meant to be 13, but after the very sudden cancellation of the show, they had to reduce it to 10. And while the finished package holds up very well, I could still sense some of those cuts here and there. But the story we get here is still pretty great, creating a surprisingly nuanced journey that scares and emotionally invests in equal measure.

The characters in this are flawed, damaged, layered, and very interesting. Crystal Reed plays Abby Arcane, a CDC doctor with a tragic past, returning to her old home town. She’s determined, good at heart, but is also sometimes haunted by things that happened to her once, and she’s a great protagonist that I loved following. And Reed is great in the role. Next we have Derek Mears as the titular creature. I won’t say much more than saying that he’s an interesting character, and Mears’ performance is really good. Then we have Andy Bean as Alec Holland, a scientist Abby meets when she returns to Marais. He’s a bit eccentric, but a good dude who is pretty interesting. And Bean is really good in the role. Next we have Will Patton as Avery Sunderson, a beloved businessman in Marais… however there’s a bit more to him than meets the eye. And Patton is great in the role. We also get supporting work from people like Virginia Madsen, Henderson Wade, Maria Sten, Kevin Durand, Ian Ziering, Jennifer Beals, Jeryl Prescott, and many more, all doing very well in their respective roles.

The score for the show was composed by Brian Tyler, and it was great. It’s sometimes loud and intimidating, and sometimes more quiet and emotional. There’s also plenty of low, droning BWOOOMs. And while those could be obnoxious in lesser hands, the way they’re used here works quite well, and adds to the uneasy vibe the show clearly wants to go for.

Based on the iconic DC Comics character created by Len Wein, Alan Moore, and Bernie Wrightson, “Swamp Thing” was developed by Gary Dauberman and Mark Verheiden, with writing and directing by them and a whole bunch of other cool people. And I think the craft here is superb. The amount of suspense built is insane, which makes for a horror show that ends up being genuinely scary. I also have to praise the effects in this show, because they’re spectacular. What we get here is a healthy blend of practical effects and CGI. For example, the Swamp Thing suit is completely practical, and looks amazing. The swamps, completely practical (with some possible CG enhancements). Now, with this being both an effects-heavy show and a horror series, that means that there’s plenty of gore throughout. And I mean plenty. And not just gore for the sake of gore, but gore to disturb and shock the viewer. And I mean, it certainly got some “OH MY GOD!” and “HOLY SHIT” out of me as I watched it all unfold. So if you have trouble with insanely violent media… consider yourself warned.

This show has been very well received. On Rotten Tomatoes it has a 94% positive rating. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 7,8/10.

Despite some of the cut corners made from the episode reduction, “Swamp Thing” is still a damn fine horror-drama. It has a really good plot, great characters, great performances, great music, fantastic effects, and great directing/writing. Time for my final score. *Ahem*. My final score for “Swamp Thing” is a 9,61/10. So yes, you got that right, it does actually get the “SEAL OF APPROVAL!”.

My review of “Swamp Thing” is now completed.

Can someone please uncancel this?

Series Review: Mayans M.C. – Season 2 (2019)

That’s right, two posts in one day. A rare occurrence here. But today it happens. Now either this is a blessing or a pain, depending on your point of view. Either way, let’s talk about Hispanic bikers.

Ladies and gentlemen… “Mayans M.C.” season 2.

Set several months after the first season, as EZ Reyes (JD Pardo) has a lot of problems to balance. From familial tensions, to problems hitting the club, to the constant antagonistic pressure from federal prosecutor Lincoln Potter (Ray McKinnon). Secrets are discovered, drama occurs, it’s more “Mayans”. And I thought the plot here was great. There’s a lot of threads going on here, but they never feel like a fucking mess. And seeing it all unfold is quite engaging. Sure, some of its social commentary (while being shit I agree with) can be a bit on the ham-fisted side at times, but it never full on detracts from the overall storytelling of the show.

The characters here are flawed, layered, and overall quite interesting. JD Pardo returns as EZ Reyes, prospect within the Mayans M.C. He deals with a lot of personal shit this season around, after a revelation at the end of the first season. And combining that with some of the stuff happening this season makes for a compelling arc. And Pardo is once really good in the role. Clayton Cardenas returns as his brother, Angel, and he also has a great arc here, with Cardenas giving a great performance. Sarah Bolger returns as Emily, former love of EZ, current love of gangster Miguel Galindo. She’s got a lot going on too. And Bolger is really good in the role. And with supporting work from people like Ray McKinnon, Michael Irby, Danny Pino, Edward James Olmos, Carla Baratta, Richard Cabral, Emilio Rivera, Ada Maris, and many more, you get some damn fine performances rounding out the cast.

Just like with season 1, the score for season 2 was composed by Bob Thiele Jr, and once again it’s great. A lot of guitars, some others strings, overall it manages to create a sound that honor some of the Mexican culture, while also capturing the feel of a gritty biker drama. There’s also plenty of licensed music used throughout, and it all fits very well, while also just in general being pleasing to my ear.

The show was created by Elgin James and Kurt Sutter, with writing and directing by both of them, along with a bunch of other cool people. And the craft here is top notch. There’s a strong vision for how they want the episodes to flow, which comes through both in writing and in camerawork. Season 1 was a strong, decently confident start. Here in season 2, their confidence is clearly a lot higher, which makes their craft feel even stronger. These guys know what the fuck they’re doing, and the way it comes through in the show makes it such a standout in today’s tv.

This season/has show has been well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it exists, but has no score. And on imdb.com it has a score of 7,5/10.

Season 2 of “Mayans M.C.” improves on what was set up in the first season, even if some of its social commentary can be slightly clumsy at times. It has a great plot, really good characters, great performances, great music, and great writing/directing. Time for my final score. *Ahem*. My final score for “Mayans M.C.” season 2 is a 9,50/10. So while it borders on a lower rating, it still gets the “SEAL OF APPROVAL!”.

My review of “Mayans M.C.” season is now completed.

’cause a beaten dog never forgets.

Series Review: Fortitude – Season 2 (2017)

And so we’re here, the final post for the Month of Spooks. And it’s a follow-up to a post I did last year, where I talked about the first season of this show. So here we go.

Ladies and gentlemen… “Fortitude” season 2.

Set some time after the events of season 1, we return to the remote Scandinavian town of Fortitude. And once again, strange things start happening after a body is discovered. So now we have our Arctic antics. And I like the plot here, probably more than the first season. It’s a slow burn mystery-thriller that dips its toe into some macabre themes and scenarios, while still taking the time to make me care about most of the characters, really adding layers to it all that maybe weren’t as strong the first time around. Though while it is an overall stronger story for me with a bit more intrigue and experimentation, it does still have some flaws. While I do love a slow burn, there are some moments here where the pacing outright drags, which of course makes it a little more of a pain to watch. And the ending is a bit… flaccid. Yes, I know there’s a third season, but I feel like the ending here is a bit too sequel-baity, for lack of a better word. But despite these flaws, I still found the story here to be pretty damn solid.

The characters in this are flawed, layered, and overall quite engaging. Most of the cast from season 1, including Richard Dormer, Sienna Guillory, Luke Treadaway, Björn Hlynur Haraldsson, , Mia Jexen, Sofie Gråbøl, Alexandra Moen, and more, with their characters getting extra depth, will all those actors firing on all cylinders. Now, for newcomer we have Dennis Quaid (pictured at the top), who plays Michael Lennox, a fisherman who gets involved in the strange shit going on in and around Fortitude. The character is given decent depth, as we learn some interesting stuff about his home life, at the same time as he evolves from the events in the story. And Quaid is pretty good in the role. ’tis a solid cast.

Ben Frost, who did the score for season, returned to do the music this time around too, and I think he really outdid himself. His score here is fucking spectacular, managing to perfectly capture every emotion possible, while still being an overall fitting score for the frozen shithole that is Fortitude. Yes, there are moments where the score lowers itself to some generic horror stings. But when it’s not doing that, it is absolutely fantastic. And the occasional licensed tracks used throughout work pretty well too.

The show was created by Simon Donald, who along with a bunch of other people, wrote the episodes this season, with some other cool people directing. And the craft behind this season is fucking emaculate. The direction manages to create an interesting sense of unease throughout that really makes it a bit more unsettling. And my god, the cinematography this season is absolutely amazing. And I don’t just mean the shots of the frozen vistas around Fortitude, but even a lot of shots indoors look great too. And the effects here are great too, featuring some really impressive practical gore effects, which kinda got under my skin.

This show/season has been pretty well received. On Rotten Tomatoes it has a 91% positive rating. On Metacritic it exists without a score. And on imdb.com it has a score of 7,4/10.

Season 2 of “Fortitude” takes what was good about the first season and takes it up to 11, though it is brought down by some pacing issues and a less than satisfying ending. It has a really good plot, good characters, fantastic performances, fantastic music, and fantastic directing/cinematography/effects. Time for my final score. *Ahem*. My final score for season 2 of “Fortitude” is an 8,96/10. So while flawed, it’s definitely still worth a watch.

My review of “Fortitude” season 2 is now completed.

So this is it, huh? Well, it’s been a blast doing Month of Spooks.

Series Review: The Strain – Season 1 (2014)

Hey, finally a tv show in the Month of Spooks.

Ladies and gentlemen… “The Strain” season 1.

After a plane filled with dead people lands in New York, a mysterious viral outbreak begins, turning people into savage, vampiric creatures. And it’s up to Doctor Ephraim Goodweather (Corey Stoll) to find out what the hell is going on. So now we have our horror story. And it’s a good one. Sure, it does lean into some classic vampire tropes, but it also plays around with others to create something that feels fresh and unique in television. Admittedly the first few episodes are a bit on the slow side. They’re not bad, they carry a fair bit of intrigue, but they feel a bit like a drag at times. But when you get past them, and the plot truly gets going, it is an utterly compelling and quite entertaining vampire thriller.

The characters in this are flawed, layered, and quite interesting. Corey Stoll plays Ephraim Goodweather, a CDC scientist who has to investigate this mysterious viral outbreak. Eph (as he’s called by so many) has a lot of personal flaws and demons in his past, and seeing him have to deal with those in tandem with this intense outbreak makes him an interesting character. And Stoll is great in the roll. Yes, pun intended. Next we have David Bradly as Abraham Setrakian, a mysterious old man who seems to know a lot about what’s going on with this whole situation. We learn a lot about him as the show goes along, and I don’t wanna ruin it (’cause it’s good and should be experienced rather than told). And Bradley is great in the role. We also get supporting work from people like Mia Maestro, Kevin Durand, Miguel Gomez, Richard Sammel, Sean Astin, Jonathan Hyde, Ben Hyland, Ruta Gedmintas, Robin Atkin Downes, and more, all doing well in their respective roles.

The score for the show/season was composed by Ramin Djawadi (oh sweet), and it’s pretty good (what do you mean “pretty”?). It’s not among Djawadi’s best work, but he still did a really solid job, giving us some decently tense pieces when needed, and some more emotional tracks in others. It’s pretty good.

Based on a series of novels by Guillermo Del Toro and Chuck Hogan, the show was created by Guillermo Del Toro and Chuck Hogan, with writing and directing by them and some other cool people. And the craft in this show is pretty spectacular. The direction creates a fair bit of tension, while still making us feel intimate with the characters. And fuck me sideways, the use of colored lighting in this show is fucking magnificent. Reds, greens, blues, yellows, it is stunning to look at. And the visual effects are pretty great too. Since it is a Del Toro production, there’s a lot of disgusting-looking practical creature effects, with some CG mixed in at times. And god damn, it is so cool to see that here, since it makes everything going on feel more real. It also kind of adds to the horror, as it doesn’t make the scary creatures look all shiny and fake. It’s some creepy stuff.

This show/season has been decently well received. On Rotten Tomatoes it has an 86% positive rating and a “Fresh” certification. On Metacritic it has a score of 72/100. And on imdb.com it has a score of 7,3/10.

Season 1 of “The Strain” may drag a bit at the start, but it ultimately ends up being an effective and highly entertaining vampire thriller. It has a good plot, good characters, great performances, good music, and great writing/directing/effects/cinematography. Time for my final score. *Ahem*. My final score for season 1 of “The Strain” is an 8,67/10. So while flawed, I still think it’s definitely worth watching.

My review of “The Strain” season 1 is now completed.

David Bradley’s a bit of a badass. Honestly never expected that.

Series Review: Line of Duty – Season 5 (2019)

During the first quarter of this year, I started getting into this show thanks to recommendations from friends (some of you might remember all the reviews I posted). And now the fifth season has come to a close, after finally premiering a few weeks ago. So let’s talk about it.

Ladies and gentlemen… “Line of Duty” season 5!

After a secret police transport carrying very valuable amounts of contraband is hijacked, it is suspected that the capers had help from the inside. So it’s up to Arnott (Martin Compston), Fleming (Vicky McClure), and the rest of AC-12 to investigate this case, leading them down one of their most complicated and dangerous cases yet. So now we have our “Line of Duty” continuation. As per usual, it gives us a new situation to follow while also building on the overall mythos of the show. And like with previous seasons, this makes for some truly anxiety-inducing television that electrifies from start to finish. I’d even argue that this is the most suspenseful and unpredictable of the seasons, especially since it really starts toying with our beloved leads in ways that we haven’t really seen before. And while the show has put me on the edge of my seat before, it’s never made me feel this glued to the proceedings. So I’d argue the story/events of this season is some of the best yet.

The characters here are nuanced, flawed, unique, and just overall incredibly interesting. Martin Compston and Vicky McClure returns as Steve Arnott and Kate Fleming, our two main leads for the show, and they’re just as interesting as ever, both in investigating the case and also in some of their personal stuff. And both actors are once again great. Adrian Dunbar returns as Ted Hastings, head of AC-12, who deals with a lot more personal turmoil than usual, which really gives him a lot of new and intriguing development that we only caught glimpses of before, making him a real standout this season. And Dunbar is great in the role. New to the show this season is Stephen Graham, who plays John, the apparent leader of the gang that stole the contraband. He’s tough, ruthless, but there’s also a humanity behind his eyes that makes him a bit more compelling than your common thug. And the stuff they do with him this season is great. And Graham is fantastic in the role. We also get supporting work from people like Taj Atwal, Tomi May, Rochenda Sandall, Anna Maxwell Martin, Polly Walker, and more, all doing very well in their respective roles.

As with previous season, the music here was composed by Carly Paradis, who absolutely outdid herself. She’s come a long way from the slightly overbearing tunes of the first season, to the stuff we got here. There are layers, to her music, and it’s often subtly helping build the emotion of the scenes, making for a really nuanced and kinda beautiful score. It’s the best music we’ve gotten out of the show.

As with the previous seasons, all episodes this season were written by series creator Jed Mercurio, and directing by John Strickland (episodes 1 – 4) and Susan Tully (episode 5 & 6). And the craft on display is as tight as one expects from “Line of Duty” at this point. This show is no stranger to suspense, but the way it managed to make me clench every part of my body this season is quite unparalleled. Even in some of the more “quiet” conversation or interrogation scenes it is some of the most electrifying direction I’ve seen in a tv show.

This show/season has been very well received. On Rotten Tomatoes it has a 91% positive rating and a “Fresh” certification. On Metacritic it has a score of 85/100. And on imdb.com it has a score of 8,6/10 and is ranked #137 on the “Top 250 TV” list.

I’m gonna be honest, season 5 of “Line of Duty” is my favorite season of the show so far, it’s fucking perfect. It has a fantastic plot, great characters, fantastic performances, great music, and fantastic writing/directing. Time for my final score. *AHEM*. My final score for “Line of Duty” season 5 is a 10/10. So it of course gets a “SEAL OF APPROVAL!”.

My review of “Line of Duty” season 5 is now completed.

God damn, I adore this show.

Series Review: Twin Peaks – Season 1 (1990)

Time to finally start clearing this thing from the watchlist.

Ladies and gentlemen… “Twin Peaks” season 1!

When a young woman is found murdered in the quiet mountain town of Twin Peaks, an FBI agent (Kyle MacLachlan) is called in to try to find out what happened. And as we follow Agent Cooper’s investigation, we find out about the cheating, double-crossing, and other idiosyncrasies going on in the town.  So now we have our little crime series. Now, at first it seems like a relatively average crime story, if a bit quirky. But it doesn’t take long for “Twin Peaks” to show that it doesn’t play by the book too much, blending a whole bunch of genres at once. Now, in a lot of cases (pun intended), switching between different genres like this show does can end up quite poorly. But thanks to the unique atmosphere and writing style of the show, the blend of crime, melodrama, comedy, and mild psychedelia works quite well to give us one of the most uniquely enjoyable plots in a season of television.

The characters in this are quirky, fun, colorful, nuanced, and overall quite interesting. Kyle MacLachlan plays Dale Cooper, the FBI agent brought in to help investigate the murder of Laura Palmer (Sheryl Lee). He’s a highly skilled agent, being able to figure things out about people by simple body language. He’s also quite a charming dude, being one of the most instantly likable characters I’ve had the pleasure of seeing. And MacLachlan is great in the role. I would describe more characters, but with their unique nature, I’d rather not, as they’re all best left experienced. But the supporting cast does include people like Michael Ontkean, Mädchen Amick, Dana Ashbrook, Richard Beymer, Lara Flynn Boyle, Ray Wise, Sherilyn Fenn, Peggy Lipton, Joan Chen, Michael Horse, and more, all doing very well in their respective roles.

The score for the series was composed by Angelo Badalamenti, and I think he did a really good job with it. It’s moody, suspenseful, emotional, a little meldoramatic, and even at times kinda fucking groovy. Most tracks get reused quite often, which could get old after a while, but the way these tracks are implemented throughout the show makes the recycling work quite well.

“Twin Peaks” was created by Mark Frost and David Lynch, with writing and directing by them and a bunch of other cool people. And they manage to create such a unique vibe for the show through these elements. Eerie, warm, fascinating, and even mildly surreal, there’s something about the style that makes it stand out, turning it into quite the intoxicating experience.

This show/season has been well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 96/100.  And on imdb.com it has a score of 8.8/10 and is ranked #54 on the “Top 250 TV” list.

Season 1 of “Twin Peaks” is pretty fucking good. It has a really good plot, great characters, great performances, really good music, and great writing/directing. Time for my final score. *AHEM*. My final score for “Twin Peaks” season is a 9,82/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Twin Peaks” season 1 is now completed.

Agent Cooper, a man after my own heart.

Series Review: Mayans M.C. – Season 1 (2018)

In 2008, a show called “Sons of Anarchy” started airing. It was created by Kurt Sutter, and ran for seven seasons, ending in 2014. I loved that show. And in 2018 we got a spin-off. And in 2019 I finally watched it. So let’s talk about it.

Damas y caballeros… “Mayans M.C.” season 1.

Set a few years after “Sons of Anarchy” ended, we follow EZ Reyes (J.D. Pardo), a prospect within the Mayans motorcycle club. And throughout the show we get to see him take part in the club’s various dealings with various criminal elements, as well as the law. So now we have our biker crime-drama. Early on it’s easy to tell that it’s a bit more focused than it’s big brother, “Sons of Anarchy”, at least in terms of first season stuff. There is more of a central through-line here that makes it a bit more compelling in parts. But it’s not free of faults, as there’s a lot going on here. They set up a few face-to-face conflicts early on (cool), but they also then have a lot of sneaking around going on, making it a little convoluted at first. I did settle into it after a few episodes, but I feel like dumping that many separate plot threads early on is a bit much at the start, ease people into your world, then expand. Though like I said, I did settle into it soon enough, and I did find the overall plot quite compelling, especially when things started ramping up towards the end of the season.

The characters in this are layered, flawed, colorful, and overall quite interesting. J.D. Pardo plays Ezekiel “EZ” Reyes, the show’s main protagonist. A smart young man acting as a prospect for the Mayans M.C. He’s a good guy involved in some complicated, sometimes illegal shit, which makes it interesting to see his inner turmoil throughout the season. And Pardo is really good in the role. We then get Sarah Bolger as Emily Galindo, a woman EZ once had a relationship with, but is now married to a cartel boss. She has an interesting arc throughout the season that I won’t spoil, but it does make her quite a fascinating character. And Bolger is great in the role. We then get Danny Pino as Miguel Galindo, the cartel boss that Emily married. He’s ruthless when people make him angry, but can be a reasonable man when shit isn’t hitting the fan too hard. He has a few more sides than other, similar kinds of characters, which makes him quite interesting. And Pino is great in the role. We also get supporting work from people like Clayton Cardenas, Michael Irby, Edward James Olmos, Carla Baratta, Richard Cabral, Maurice Compte, and many more, all doing very well in their respective roles.

The score for the show/season was composed by Bob Thiele Jr. And I think he did a good job with it, using a fair bit of acoustic guitars that helps brings the biker side and the drama side into one. There are also a good amount of licensed tracks used throughout, and they work quite well in their respective scenes. So yeah, this show has some damn good music.

“Mayans M.C.” was created by Kurt Sutter & Elgin James, with writing and directing by them and a whole bunch of other cool people. And the craft here is pretty tight, building decent suspense when needed, and having a good flow between the various storylines going on in each episode. They also find a way to really get intimate with the characters through the direction, really making me feel like I’m there with them. As for the few action scenes throughout the show, they’re pretty good. Kinda standard, but still serviceable enough.

This show/season has been pretty well received. On Rotten Tomatoes it has a 72% positive rating. On Metacritic it has a score of 57/100. And on imdb.com it has a score of 7,5/10.

While starting off with a few too many balls in the air, season 1 of “Mayans M.C.” is still a highly compelling biker drama. It has a good plot, really good characters, great performances, great music, and really good writing/directing. Time for my final score. *Ahem*. My final score for “Mayans M.C.” season 1 is an 8,99/10. So I’d say that it’s definitely worth a watch.

My review of “Mayans M.C.” season 1 is now completed.

At first I was worried about a “Sons of Anarchy” spin-off. But you guys proved me wrong. Bien hecho. 

Series Review: City on a Hill – Season 1 (2019)

Crime. Don’t do it. It’s bad. I was gonna do a more clever intro, but couldn’t come up with one. So I guess we should just jump into the review.

Ladies and gentlemen, let’s discuss the first season of… “City on a Hill”.

Boston, the 1990s. A group of criminals commit a big robbery. So an attorney (Aldis Hodge) has to team up with a crooked FBI agent (Kevin Bacon) to try to solve this case, which leads them down a spiral that shows us the depths of Boston’s corruption. So now we have our crime-drama. And it’s a good one. The core plot is interesting, even if the writing can be a tiny bit sloppy at times. There are also a few plot threads that, while somewhat interesting, don’t serve a bigger purpose in the story than to fill out the runtime. But when it focuses on the main story, “City on a Hill” is a compelling crime drama that entertains and intrigues.

The characters here are layered, flawed, and overall pretty interesting. Kevin Bacon plays Jackie Rohr, a crooked FBI agent that works to solve the case at the center of the story, while also trying to serve his own ego. He’s an absolute scumbag, but you can also tell that there’s some goodness left in him, somewhere, hidden beneath the booze, coke, and jackassery.  And Kevin Bacon chews the scenery quite hard, which makes for a really enjoyable performance. Aldis Hodge plays Decourcy Ward, the assistant district attorney that Rohr works with to try to solve the core case. Unlike Rohr, Decourcy is straight as an arrow, wanting to do things by the book… but starts showing cracks the more he works with Rohr. So it’s interesting to see him work the case. And while Hodge sometimes seems like he’s half asleep, Hodge generally does a good job in the role. Next we have Jonathan Tucker as Frankie Ryan, one of the people involved in the robbery that helps spark the main plot. He’s a family man, trying to steer clear of trouble, but often gets dragged into shit partly due to previous action or because of his fuck-up of a brother (Mark O’Brien). And he’s certainly one of the more compelling characters in the main cast. And Tucker is great in the role. We also get supporting work from people like Mark O’Brien, Lauren E. Banks, Amanda Clayton, Jill Hennessy, Jere Shea, Kevin Chapman, Kevin Dunn, Sarah Shahi, Rory Culkin, and more, all doing well in their respective roles.

The score for the series was composed by Kevin Kiner, and I think he did an okay job with it. It’s a bit bland, fitting snuggly in with most crime dramas, but with enough little Celtic elements to make it fit into the Boston setting a bit more. It’s not bad, and it works well enough in the various scenes it can be heard. There are also a fair bit of licensed songs used throughout the season, and they work decently in their respective scenes.

The show was created by Chuck MacLean, with writing by a whole bunch of different people (MacLean included) and direction by other people. And overall I’d say the show is well crafted, creating some decent tension throughout, while also keeping the viewer engaged with some pretty good camerawork. And I rarely mention this, but I have to kind of mention the dialogue, because it sometimes sounds like someone on the crew read a bunch of Dennis Lehane novels and thought “I’ll make my own version of this… ON TV!”. Not complaining, it’s just something I picked up on.

This show/season has been decently well received. On Rotten Tomatoes it has a 74% positive rating. On Metacritic it has a score of 64/100. And on imdb.com it has a score of 7,6/10.

While not perfect, the first season of “City on a Hill” is still a really solid crime-drama. It has a good plot, good characters, great performances, okay music, and really good directing/writing. Time for my final score. *Ahem*. My final score for “City on a Hill” season 1 is an 8,66/10. So while flawed, it’s still worth watching.

My review of “City on a Hill” season 1 is now completed.

Boston might have one of the funniest accents around.

Series Review: Doom Patrol – Season 1 (2019)

We’re getting a lot of superhero stuff these days. But what I do like about it is that we’re at a point where we’re getting more experimental things, not just typical “Colorful hero saves day” thing. Don’t get me wrong, I like those… but I appreciate the lean towards a lot more weird things. So let’s discuss such a thing.

Ladies and gentlemen… “Doom Patrol” season 1!

The story follows a group of outcasts who have been brought together by a scientist (Timothy Dalton) as they have to reluctantly band together to stop the villainous Mr. Nobody (Alan Tudyk)… at least that’s the initial setup. It sets itself up with a bit of a typical superhero idea, but then decides to shove that to the side a bit to explore the stranger side of the DC universe. While there are overarching themes and ideas, each episode is generally a self-contained adventure where the team encounter a new strange thing and have to deal with that while also having to try to handle their personal demons. So the show balances a lot of ideas and tones, which can often be a movie or show’s downfall. But “Doom Patrol” balances it all wonderfully to create a unique superhero show that for the most part just subverts most superhero tropes, all while giving us some of the most surprisingly compelling character drama that I have seen in quite a while. It’s a strange, fun, emotional, and overall well-realized story that I loved following from start to end.

The characters are flawed, layered, colorful, and just overall really interesting. They’re all damaged in some way, which makes them quite dysfunctional, leading to a lot of interesting character dynamics. And with the core cast of Diane Guerrero, Brendan Fraser, April Bowlby, Matt Bomer, Joivan Wade, and Timothy Dalton, you get some truly great performances to go along with these vividly written characters.

The score for the show was composed by Clint Mansell and Kevin Kiner. And man, it is pretty great. A lot of synth is used throughout, which gives the show an almost otherworldly feeling that helps sell the unique vibe of the show. It’s suspense-building, it’s emotionally charged, it’s exciting, it’s fun… it’s just a perfect match for the show. There are also a handful of licensed tracks used throughout the season, and they work quite well in their respective scenes. So yeah, this show has great music.

Based on the comic books from DC, the show was created by Jeremy Carver, and written/directed by a whole bunch of cool people. And as mentioned in some of the previous sections, the writing is some of the most uniquely compelling stuff I’ve experienced in quite some time. And the directing is pretty stellar too, featuring some really fun camerawork that adds a lot to the show in terms of visual storytelling. I should probably also mention that the show in large part is a comedy. So is it funny? Yes, very, it’s one of the funniest shows I’ve watched in a while. The humor can often be quite crude and weird, but I do think it works to the show’s advantage in giving it a distinct feel.

This show/season has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 70/100. And on imdb.com it has a score of 8,2/10.

“Doom Patrol” is one of the weirdest shows I’ve seen in quite a while… but it’s also absolutely fantastic. It has a great plot, great characters, great performances, great music, great writing/directing, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Doom Patrol” season 1 is a 9,92/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Doom Patrol” season 1 is now completed.

That was a bit insane.