Series Review: Mindhunter – Season 1 (2017)

I know what you’re thinking. “Markus, you said that October was about spooky shit, and maybe some trailers and Thor!”, and that is true. However, sometimes an idiot like me has to make exceptions. Plus, this could technically count as Month of Spooks stuff… ’cause serial killers are scary.

Ladies and gentlemen… “Mindhunter” season 1.

Set in 1979, “Mindhunter” follows FBI agent Holden Ford (Jonathan Groff) as he investigates various murder cases while also developing a system for psychologically analyzing criminals. So now we have our drama plot. And is it any good? Yeah. Seeing the early stages of criminal psychology and how it develops is fascinating, and the way they use it to investigate these horrible crimes is quite riveting. The pace here is deliberately slow as a tortoise, which will turn some people off, but I thought it worked quite well for the show. But the plot isn’t just the development of the criminal profiling system, it is also an engaging character-drama. Seeing how these characters react to all the shit going on and how it affects their lives is quite riveting. So yeah, it’s a solid plot.

As you probably could understand from the end of the previous paragraph, the characters here are all quite interesting and engaging. It’s also pretty refreshing to have a cast where I didn’t know any of the main players. I recognized a couple of the supporting people, but for the most part I knew no one. Jonathan Groff plays Holden Ford, the young man who we follow for the majority of the show. He’s slightly naive, but means well and shows great intelligence. And Groff is really good in the role. Holt McCallany plays Bill Tench, Ford’s colleague/partner. A slightly stern family man, Tench often get slightly annoyed at Ford’s plans and action, but understands that they can be important. And McCallany is great in the role. Anna Torv plays Wendy Carr, a consultant who gets brought in to help Ford and Tench in their work. She’s determined to get shit done, and she’s an interesting part of the team. And Torv is great in the role. Hannah Gross plays Debbie, a woman that Ford meets and starts a relationship with. She’s sassy, she’s smart, and she’s a nice foil for Ford. And Gross is really good in the role. The entire cast does a solid job here.

The score for the show was composed by Jason Hill and it was great. It was dark and quite chilling, reminiscent of the movie scores by Trent Reznor & Atticus Ross. It often helped elevate certain scenes, making them feel a little eerie and slightly uncomfortable. There were also licensed tracks used throughout the show and they were used pretty well.

This show was created by Joe Penhall, and directed by three people. The directors are Asif Kapadia, Tobias Lindholm, Andrew Douglas, and David fucking Fincher. And yes, the only reason why I listed all of them was for that dramatic effect on Fincher. And even though he only helmed four of the ten episodes, all of them feel very Fincher-esque. Cinematic, cold, steady, confident, it just oozes of David Fincher. So yeah, it is incredibly well directed. This show is also R-rated. Cursing, nudity, sex, some violence. Sure, it’s not “Game of Thrones” levels of R-rated, but it still has some stuff that makes it inappropriate for younger audiences. Also, this show was produced by Charlize Theron… not trying to make a point, just think that’s pretty cool.

This show just came out but has already been well received. On Rotten Tomatoes it has a 96% positive rating. On Metacritic it has a score of 76/100. And on imdb.com it has a score of 9,2/10 (but will most likely drop in the near future).

“Mindhunter” is great… don’t know what else I can say. It has a great plot, great characters, great performances, great music, and great direction. Time for my final score. *Ahem*. My final score for “Mindhunter” season 1 is a 9,65/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Mindhunter” season 1 is now completed.

Month of Spooks, not Month of Spooks… Killers are scary, Month of Spooks.

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Series Review: The Frankenstein Chronicles – Season 1 (2015)

IT’S ALIVE, IT’S FUCKIN’ ALIVE! JEFF, GET THE CAMERA… ‘CAUSE IT’S ALIVE!

Ladies and gentlemen, these are… “The Frankenstein Chronicles”.

London, early 19th century. Inspector John Marlott (Sean Bean) discovers the body of a dead child washed up on a shore. Upon further investigation it is found out that this child is made up of body parts from a whole bunch of kids, all stitched together. So it’s up to Marlott and his partner Nightingale (Richie Campbell) to find whoever did this and bring him/her to justice. So now we have our 19th century crime-drama. And is it any good? Yeah, I’d definitely say so. Is it perfect? Not really. But damn, it sure did impress me quite a bit. They create an interesting enough plot here that kept me engaged all the way through, filled with twists and turns. And while it has “Frankenstein” in the title, it isn’t a strict “Frankenstein” story, but rather creating an entirely new thing relating in some way to Mary Shelley’s classic story. My only flaw with the plot is the finale. It isn’t bad by any stretch of the imagination, it even has some pretty damn cool things happening in it. But compared to the relatively slow burn of the rest of the episodes, it felt like it rushed a little bit. It’s a minor flaw, but I thought it would be worth noting. Overall the plot here is really good.

When it comes to the characters here, only three of the main players I found interesting. The rest I thought were a little bland and forgettable. Sean Bean plays John Marlott, the inspector leading this investigation into the stitched together child. He’s a deeply troubled man who has experienced some shit in his past, and Sean Bean is absolutely fantastic in the role, often acting the shit out of a scene with just his eyes, he really knows how to do troubled really well. Richie Campbell plays Joseph Nightingale, Marlott’s partner in this investigation. He’s a bit more of a lighthearted presence than Marlott, but he’s still a fairly serious and interesting character. And Campbell is great in the role. The final one I want to properly go through is Elosie Smyth as Flora, a young woman that Marlott meets during his investigation and makes an ally out of. She’s a damaged individual, but she does get a somewhat good arc here. And Eloise Smyth does a really good job here. And while I think pretty much all the other characters were kind of meh, they weren’t necessarily bad. Their writing is fine, and the actors do really well in their respective roles, but their characters weren’t really as memorable or interesting as those three I mentioned before. So this is overall well acted, with some flaws in the characters.

The score for the show was composed by Roger Goula and I think he did a really good job. His score is eerie and atmospheric, perfectly capturing the intended tone of the show. It also managed to give me some chills throughout, which helped elevate some already kind of chilling scenes.

This show was created by Benjamin Ross & Barry Langford, and written/directed by various people. And they manage to create some really interesting stuff here. Their directing looks really good and managed to create a feel of unease from the very first frame. There are also some scenes here that are pretty suspenseful, adding to the already good quality of the show. I also want to mention that the period detail here is amazing, they really made it feel like the early 19th century.

While there isn’t much on this show where I usually steal reception data from, it seems to have been pretty well received (as far as I can tell). On Rotten Tomatoes it does exist, but has no score on there. On Metacritic it doesn’t exist at all. And on imdb.com it has a score of 7,4/10.

“The Frankenstein Chronicles” is a pretty damn solid show. It has a really good plot, okay characters, great performances, really good music, and really good directing. My only flaws with it come from my minor problem with the finale, and most characters being pretty unmemorable. Time for my final score. *IT’S ALIVE!*. My final score for “The Frankenstein Chronicles” season 1 is an 8,98/10. While flawed, I’d say that it is definitely worth a watch.

My review of “The Frankenstein Chronicles” season 1 is now completed.

IT’S ALI- Okay, I’m gonna stop that now.

Series Review: Hap and Leonard – Season 2 (2017)

About a month ago I reviewed the first season of this show, and I thought it was quite good. Not perfect, but definitely a good season of television. And now I am finally reviewing season 2 (which aired in the spring on this year). So here we go.

Ladies and gents… “Hap and Leonard” season 2.

Hap (James Purefoy) and Leonard (Michael Kenneth Williams) are back, though this time they are not looking for money. This time they instead find the remains of a dead child underneath Leonard’s floorboards. The two then report this find to the police (as you should) only to find themselves under investigation for committing the crime, despite them being innocent. But hope is not completely gone as Florida Grange (Tiffany Mack), a lawyer, comes in to try to help ’em out. So then the plot follows our heroes as they try to find the actual culprit while also dealing with corrupt lawmen. And immediately we can see that this season goes for a more serious and less cartoonish plot compared to the first season. And the season we have here is more quiet and serious. It brilliantly manages to tackle dramatic topics like racism, corruption, and child murder without sacrificing the offbeat and unique feel that the first season set up. It perfectly manages to balance a serious drama with an entertaining and pulpy world. And the pacing is much better compared to the first season, moving at a much more steady and focused pace. So yeah, the plot here is pretty great.

The characters are unique, entertaining, colorful, and just really interesting. James Purefoy of course returns as Hap Collins, the well-meaning worker who sometimes takes a wrong step (which makes him a flawed and interesting character). And Purefoy is great in the role, getting to show a somewhat wider range of emotions this season… his southern accent is also a bit more consistent here, so that’s nice. Michael Kenneth Williams returns as Leonard Pine, the black, gay, Vietnam veteran. He’s a troubled man who gets to endure a whole bunch of various problems throughout the season. And Williams is of course great in the role. And the chemistry between our two leads? It’s great, it’s very entertaining and feels genuine. Tiffany Mack plays Florida Grange, the lawyer who comes to Hap and Leonard’s aid and becomes their most important ally this season. She’s tough, smart, sexy, and fun, making for a refreshing presence in this show. We also get Cranston Johnson as a police detective that is investigating this case that our dynamic duo have gotten themselves involved in, and he’s great in the role. I also have to mention Irma P. Hall as MeMaw, the elderly woman that Hap and Leonard find themselves with every now and then throughout the season. She’s so much fun and one of the best things about the season. Overall the season is filled with good performances.

Like the first season, the score here was composed by Jeff Grace, and it’s once again great. It often manages to add a lot of emotion, excitement, or tension to a scene, really showing Grace’s talent/versatility as a composer. It’s great and works very well for the season/show. There are also a couple of licensed tracks used throughout and they work quite well.

If you forgot or just didn’t read my season 1 review, “Hap and Leonard” was created by Jim Mickle & Nick Damici and is based on a series of novels by Joe R. Lansdale. And it was written/directed by a whole bunch of people (including Mickle/Damici/Lansdale). And in season 1 they made such a well defined world that felt lived in. And with this season they improved on it, deepening the stories of the area they’re in as well as the backstories/relationships of everyone there. The shots look good and the direction in this season just has a really nice flow to it, having some nice energy to it while still keeping it feel real and lived in. And even though there are some heavy dramatic moments this season, they don’t skimp on the black humor. There’s quite a bit of humor here and it made me laugh.

This show/season has been decently well received. On Rotten Tomatoes it exists but has no score. On Metacritic it has a score of 86/100. And on imdb.com it has a score of 7,5/10.

“Hap and Leonard” season 2 takes everything that was good about the first season and improving on it quite a bit. It has a great plot, great characters, great performances, great music, and great directing. Time for my final score. *Y’all*. My final score for “Hap and Leonard” season 2 is a 9,82/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Hap and Leonard” season 2 is now completed.

Mucho mojo.

Series Review: Preacher – Season 2 (2017)

Last year a little show called “Preacher” premiered on AMC. Critically speaking it did well, with audiences it did well, so of course a second season would get made. And now it has finally finished, which means that I can finally review it. So here we go.

Ladies and gents… “Preacher” season 2!

After the explosive end of season 1, we find Jesse (Dominic Cooper), Tulip (Ruth Negga), and Cassidy (Joseph Gilgun) on the road to try to find god… I’m not being metaphorical, they’re seriously trying to find the individual known as god. All while they’re trying to survive being chased by the Saint of Killers (Graham McTavish), who wants to kill Jesse. So now we have our plot for the season. And I’d say that it is quite good. It’s not flawless, but it’s strengths definitely outweigh it’s flaws. For the most part you have this weird, fun, and sometimes blasphemous adventure with plenty of fun mythology to it. And at times you get some pretty solid character drama. And it’s filled with a whole bunch of good twists and turns. Now, my only gripe with the plot here is that there are some mild pacing issues in maybe two episodes near the middle. But they’re not that bad… noticeable, but not deal-breaking. So overall I’d say that the plot is really good.

The characters in this are fun, colorful, and just incredibly interesting. But it’s not just the characters being the same throughout, you see them develop more and more over the season while still remaining true to what we were introduced to in season 1. Dominic Cooper returns as Jesse Custer, the troubled preacher with a special ability. Seeing him trying to find god while also dealing with his other demons is quite fascinating, and Cooper is great in the role. Ruth Negga returns as Tulip, Jesse’s girlfriend and partner in crime. She’s as badass as ever while still showing a relatable vulnerability, and Negga is great in the role. Joseph Gilgun is back as Cassidy, the Irish vampire… yeah, he’s as awesome as he was in season 1, still my favorite character in the show. He’s incredibly fun, but he’s also given some good dramatic depth this season which was fun to see. And Gilgun is of course awesome in the role. Graham McTavish returns to play the Saint of Killers, AKA the cowboy we saw every now and then in season 1. Though this time he has an arguably bigger role, and he’s honestly quite awesome. He’s a terrifying villain, an unstoppable badass who will kill Jesse Custer no matter what, and any scenes with him were quite tense. But he was also given some solid dramatic moments too, fleshing out his character a bit more. And McTavish is fantastic in the role. Ian Colletti returns as Eugene/Arseface, and he’s still great in the role. As for new people, there are a whole bunch, including Noah Taylor as… you know what, I’m not gonna spoil it if you haven’t seen it already, because it has to be seen to be believed. That said, he’s great in the role. Then in more supporting roles we have Pip Torrens, Julie Ann Emery, Ronald Guttman, Malcolm Barrett, and Amy Hill. There are more people in the show, but I’m not gonna write up every name that appears in this season. But with that said, every actor did very well in this season.

Like in the first season, the score was composed by Dave Porter, and once again he did a great job. The score is tense, dramatic, and just overall fits the show quite well and elevates a couple of moments throughout. There’s also plenty of licensed music throughout, not only being overall ear-pleasing, but also fitting the scenes they were used in very well.

The show was created by Sam Catlin, Seth Rogen, and Evan Goldberg and is based on a series of comics by Garth Ennis and Steve Dillon (R.I.P). And the show was written/directed by Rogen/Goldberg and a whole bunch of other people. And they all did very well in those departments. The show is directed with plenty of style and energy, making sure to keep most shots interesting. It’s also a visually appealing show. And the action scenes too are quite entertaining. Sure, a couple feel a little bit clunky, but most of them are quite solid… intense, fun, and badass. This show also has plenty of humor in it… admittedly quite dark humor, but humor nonetheless. And I laughed quite a lot throughout the show, both in small chuckles and in loud, gut-busting laughter. I also feel like I have to mention that if you have a problem with copious amounts of blood/gore, then this might not be for you because fucking hell, this is gory. But if you can stomach blood and gore then you might have some fun with it.

This show/season has been well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 76/100. And on imdb.com it has a score of 8,1/10.

“Preacher” season 2 is a fucking blast. It has a really good plot, great characters, great performances, great music, great directing, and great humor. My only issue with it was that an episode or two had some mild pacing issues, but it’s not horrible for me. Time for my final score. *Amen*. My final score for “Preacher” season 2 is a 9,52/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Preacher” season 2 is now completed.

By the way, my friends from the We Have a Hulk podcast interviewed Graham McTavish (The Saint of Killers) a handful of weeks back, and I highly recommend checking it out.

Series Review: The Defenders – Season 1 (2017)

At long last, it is here. The culmination of all the Marvel/Netflix shows. It’s a really exciting time to be alive. Four characters from four different shows (three great, one meh), coming together for one big event. Let’s get into it.

Ladies and gentlemen… “The Defenders” season 1!

When something threatens to destroy New York City, Matt Murdock (Charlie Cox), Jessica Jones (Krysten Ritter), Luke Cage (Mike Colter), and Danny Rand (Finn Jones) have to team up to try to stop this great threat. And from that we get a superhero plot filled with twists, turns, and drama. And I’d say that it’s quite the enjoyable plot. Sure, at times in certain episodes the pacing can drag a little bit, but for the most part it moves at a good pace and it’s just a fun plot to follow. Seeing these heroes we’ve come to know and (mostly) love band together to fight a common threat is just really exciting. And overall it is a solid plot, with a couple of (minor) pacing issues.

The characters here are fun, cool, interesting, and quite entertaining. And most of the characters get some really solid development throughout. Charlie Cox once again plays Matt Murdock/Daredevil, and once again he’s great in the role, giving us the blind(ish) catholic badass that we’ve gotten to know. Krysten Ritter once again plays Jessica Jones, the drunken, cynical bitch who has a heart hidden somewhere behind all the whiskey and trauma. And once again she’s great in the role. Mike Colter once again plays Luke Cage, the bulletproof badass with a heart of gold. He’s charming, he’s likable, and Colter is once again great in the role. Finn Jones once again plays Danny Rand/Iron Fist, and I wasn’t the biggest fan of him in his solo show. As a matter of fact, he kind of annoyed me. But here something happened… he’s fun, he’s interesting, and he’s not the worst thing ever. Sure, at times he has some of those whiny moments that can get on one’s nerves, but he’s much more likable/tolerable here than in his own show. And Jones is good in the role. Rosario Dawson once again plays Claire Temple, the Nick Fury of the Netflix shows. And once again she’s fun and cool. And Dawson is great in the role… she’s Rosario Awesome. Jessica Henwick from “Iron Fist” reprises her role as Colleen Wing in this, the interesting and badass love interest of Danny Rand. And once again she’s really good in the role. Elden Henson and Deborah Ann Woll reprises their roles as Foggy Nelson and Karen Page from “Daredevil” here, and while they don’t have the biggest roles in the show, they’re present, and they’re good in their roles. Simone Missick once again plays Misty Knight, her tough cop character from “Luke Cage”, and once again she’s really good in the role. Rachael Taylor once again plays Trish, Jessica’s best friend, and once again she’s great in the role. Wai Ching Ho once again plays Madame Gao, the mysterious lady from “Daredevil” and “Iron Fist”, and once again she’s great. Also, spoiler for “Daredevil” season 2 coming up here, but this is a character important to this show, so I have to mention her… sorry. Elodie Yung plays Elektra, the dead ex-girlfriend of Matt Murdock. But she’s back here, and she’s tough and interesting (more so than in “Daredevil”) and Yung is great in the role. Now, for the newcomer. We get Sigourney Weaver (oh hell yes!) here as Alexandra, the primary antagonist of this show. She’s interesting and I found myself caring about her. And as expected, Weaver is great in the role. Then we get plenty of supporting characters/performances throughout, and they all range from good to great.

The score for the show was composed by John Paesano, the man who handled the music for “Daredevil”. And once again he has succeeded in a score that works very well for the show. It’s big, epic, cool, dramatic, and even at times beautiful. It’s just overall great. There were also a couple of licensed tracks throughout and they were used well. This show has good music.

The show was created by Douglas Petrie & Marco Ramirez, and written/directed by a whole bunch of different people (and don’t get me started on all the producers). And overall this show is quite well crafted in terms of directing and such. The show looks good and feels tight in it’s directing. The action scenes too are quite fun. They’re well choreographed, and you get a clear sense of what is going on in each action scene. It’s just fun seeing all of these guys kick some ass… even Iron Fist. One little detail that I too liked that was noticeable in transitions and the opening credits is that each character gets a specific color to represent them in those situations. I won’t go through each of them as you’ll quickly pick up on them yourself. Just thought I’d quickly mention it.

This show just came out but has so far been well received. On Rotten Tomatoes it has a 79% positive rating and a “Fresh” certification. On Metacritic it has a score of 63/100. And on imdb.com it has a score of 9,0/10. (Keep in mind, these scores can and will change over time, but I will not edit this damn post for that, all these scores are at the time of writing).

Season 1 of “The Defenders” is one hell of an entertaining show. It has a really good plot, great characters, great performances, great music, and great directing. The only flaw I have with it is that in a couple moments throughout the pacing drags a little, but it’s not too deal-breaking for me. Time for my final score. *Ahem*. My final score for “The Defenders” season 1 is a 9,32/10. While mildly flawed, you should definitely watch it!

My review of “The Defenders” season 1 is now completed.

It looks unclear right now, but let’s face it… there will be a season 2 at some point.

Series Review: Hap and Leonard – Season 1 (2016)

Adapting books to screen is really difficult. Doesn’t matter if it’s movies, TV, or video games… there’s nothing easy about adapting books. So I have some respect for the people atempting it even if it seems like something that would be impossible to translate to screen.

Ladies and gents… “Hap and Leonard” season 1.

Texas, late 1980s. We follow Hap (James Purefoy) and Leonard (Michael Kenneth Williams), two best friends. One day a woman named Trudy (Christina Hendricks), who turns out to be Hap’s old flame, shows up. The main reason why she’s there is because she wants their help (or at least Hap’s) to find some money that have been more or less lost for years. So now we have our caper. And it’s quite a good one. It has a very offbeat feel which makes it stand out compared to a lot of other crime shows of a similar nature. It’s also fairly unpredictable, suspenseful, and overall enjoyable. The only flaw I have is that the pacing in the first few episodes wavers a bit. It’s not a deal-breaker, but it’s definitely worth pointing out. So overall I’d say that the plot here is really good, with a few pacing issues mildly hurting it.

The characters here are fun, interesting, and very entertaining. Hap is this ex-con trying to live a quiet life, but his plans takes a bit of a turn when Trudy comes to town(?). And James Purefoy is really good in the role. Leonard is a black, openly gay, Vietnam vet, trying to life a quiet enough life, working, and hanging out with his best friend. And Michael Kenneth Williams is great in the role. Purefoy and Williams share a very likable chemistry, their banter and general dialog feels natural. Trudy, as previously mentioned, is an old girlfriend of Hap and it basically the reason for the plot happening. She’s sexy, smart, and pretty tough. And Christina Hendricks is really good in the role. Bill Sage plays a man named Howard, this hippie-esque character that is involved in finding this lost money. And Sage is really good in the role. We also have Jimmi Simpson and Pollyanna McIntosh as this crazy couple that shows up in town(?) and starts causing trouble. They’re a total wild card in this and they’re quite fun. Jimmi Simpson especialy, he totally stole every scene he was in. But both he and McIntosh were great in their roles. Really, this is overall a very well acted season of TV.

The score for the series was composed by Jeff Grace, and I think he did a great job here. This is another example of his versatility as a composer. He’s done the music for a couple movies that I’ve covered on this blog before, so I already knew that he could tackle several genres, making something that totally fits the piece of media he composes it for. And “Hap and Leonard” is no exception, he made a score that in some tracks works well for the rural Texas setting, and some tracks that fit the crime-drama side of things. And it all sounds great. There are also some licensed tracks use throughout the seaosn, and they’re used quite well. So yeah, this season has some great music.

This show is based on a series of novels by author Joe R. Lansdale, and was created by Jim Mickle & Nick Damici. Now, if those two names sound familiar, then you’ve been on my blog before. I’ve talked about movies they’ve been involved in (“Stake Land”, “Cold in July”, “Late Phases”) on this blog. Anyway, they also wrote the episodes, and Mickle directed a couple of episodes. And overall it is a very well directed show. The direction is tight and really helps make it feel fresh and tense. It’s also a good looking show. The show also has an element of dark humor to it that I think really helped it out quite a bit. Also, beware of bloody violence… just thought I’d mention that in case any reader out there is squeamish.

This show/season ha been pretty well received. On Rotten Tomatoes it has an 87% positive rating and a “Fresh” certification. On Metacritic it has a score of 73/100. And on imdb.com it has a score of 7,4/10.

“Hap and Leonard” season 1 is a fun bit of crime television. It has a really good plot, great characters, great performances, great music, and great directing. My only flaws with the season are those previously mentioned pacing issues, but even they aren’t too bad. Time for my final score. *Y’all*. My final score for “Hap and Leonard” season 1 is a 9,11/10. So while slightly flawed, I’d say that you should watch it!

My review of “Hap and Leonard” season 1 is now completed.

If you’re looking for a binge-worthy show, this is it. Not only is it good, but it’s only six episodes, so it’s easy to binge through!

Series Review: Comrade Detective – Season 1 (2017)

I don’t know what kind of intro to make for this. Just the idea and existence of this is a riddle to me. So let’s just get into the review and see if this is any good.

Comrades… “Comrade Detective” season 1.

“Comrade Detective” is set in 1983 and is about Romanian police detective Gregor Anghel (Channing Tatum/Florin Piersic Jr.), a man sworn to stop crime and uphold the communist way of life. But tragedy strikes as his partner one day gets killed during an operation to catch some bad dudes. So Anghel, together with a new partner named Iosif Bacio (Joseph Gordon-Levitt/Corneliu Ulici), starts investigating the case of his former partner’s murder. And as they keep investigating they stumble upon a conspiracy that could endanger not only them, but also their communist way of life. So now we have this weird thing. But it’s not just a cop show randomly set in 1980s Romania, as it’s actually kind of a metanarrative. The show is presented as this really old communist propaganda show that had seemingly been lost forever, until it was found and then dubbed by Americans. So we’re working with a metanarrative cop drama that is also a satire of society and capitalism/communism. Yeah, it’s weird. That said, I found it to quite an interesting narrative. The cop side of things, while not always the most engaging, is actually fairly solid, filled with twists and turns. Then you have the satirical elements of it which adds a bit of a fun edge to it. Then you also have the dubbed aspect of it which is just a fun idea to add to it. So yeah, the plot here is… good.

What is interesting about this whole thing is that on the screen we see some actors, but the voices that come out of their mouths are clearly dubbed over, like in ye olde foreign films. Poorly dubbed with no sync between voice and mouth, which is clearly deliberate and also quite fun. So when you have Florin Piersic Jr. moving around and “talking”, you hear the voice of Channing Tatum come out of him. It’s a little weird at first, but I quickly got used to it and thought it was fun. And Tatum delivered his lines very well, and Piersic Jr. did well with the physical parts. Joseph Gordon-Levitt voiced the partner, Baciu, and he did very well. And Corneliu Ulici was good in the physical role. I don’t have the patience to write down every pairing and giving comments here, so I will just list some of the voice actors you hear in the show, but I will list the physical actors in the tags so I don’t get shit on too much. *Inhale* Nick Offerman, Jenny Slate, Jason Mantzoukas, Chloë Sevigny, Jake Johnson, John DiMaggio, Bobby Cannavale, Beck Bennett, Daniel Craig. There are more, but again… I don’t have the time or patience to write every single one. That said, it’s a well acted show.

The score for the show was composed by Joe Kraemer and he did a pretty good job. Some of it is the typical cop drama stuff, which is fine because it works well within the show. There is also some synth pop in here too, because of course there will be synth pop in a show set in the 80s. And alls the music in this show works very well for it.

This show was created by Brian Gatewood & Alessandro Tanaka, with the directing being done by Rhys Thomas, who I think did a good job. Nothing feels overly flashy or too current (for lack of a better word). It feels like an 80s cop show, only shot with better cameras. The period detail and directing style is what makes it feels genuinely 1980s. It is a well directed show that flows pretty well. The action scenes especially, they’re quite fun.

This show has been pretty well received (based on few reviews). On Rotten Tomatoes it has a 73% positive rating. On Metacritic it has a score of 65/100. And on imdb.com it has a score of 6,8/10.

Amazon’s “Comrade Detective” is fucking weird, and I’m okay with that. It has a good plot, pretty good characters, really good performances, really good music, and really good directing. The only flaw I have with it is that the plot wasn’t always the most engaging. Time for my final score. *Comrades*. My final score for “Comrade Detective” is an 8,88/10. So while flawed, I’d say that it is worth watching.

My review of “Comrade Detective” is now completed.

I have questions… I don’t know what questions, but I have them.

Series Review: Peaky Blinders – Season 3 (2016)

As some of you might know, I reviewed season one and two a while back (*nudge nudge wink wink*). And if you have any memory of that happening, then you might remember that I pretty much loved those seasons. So I’m super excited to finally review the third season for you guys. So here we go!

Ladies and gents… “Peaky Blinders” season 3!

The year is 1924 and everything seems to be looking up for Thomas Shelby (Cillian Murphy). Business is going well and he’s finally getting married. However, he soon finds himself getting into the fray once again when he has to start dealing with Russians, Italians, and a priest (Paddy Considine) with powerful connections. And I thought the plot here this season was really good. And while not quite as tense and unpredictable as the previous seasons, it still retains most of the intrigue and dramatic heft that one can expect from the show at this point. The season does go to some really dark and slightly messed up places at times too which really helps keep the plot of “Peaky Blinders” well above most shows out there.

The characters have always been a highlight of the show, and this season is no exception. Cillian Murphy of course returns as Thomas Shelby, the head of the Shelby family/business, and he is still the damaged and layered man we’ve come to know. And Cillian Murphy is once again fantastic in the role. Helen McCrory returns as Aunt Polly, and she is still one of the best female characters out there. And McCrory is of course fantastic in the role. Paul Anderson returns as Arthur Shelby, the rough-around-the-edges brother of Thomas, this time getting some more development than in previous seasons. And Anderson is fantastic in the role. Joe Cole returns as John Shelby, Thomas’ younger brother, and he’s great in the role. Ned Dennehy, Ian Peck, Sophie Rundle, Annabelle Wallis, all return and they’re all great. Tom Hardy also makes a return as Alfie Solomons, and while he isn’t in this season a whole lot, he’s still one of the best parts of it. Now, let’s talk about the newcomer worth talking about: Paddy Considine. I’ve been a fan of him for a while now, and seeing him in here as a sneaky priest was interesting. His character is really interesting and Considine is great in the role. Really, the acting here is terrific.

Like in previous season, there is no real identifiable original score that we can properly talk about. But instead we once again get a soundtrack consisting mainly of rock songs from the past 20 – 25 years or so. There are also a couple newer songs too that are hard to pin a genre on, but still work really well in this show. That is something I want to mention: When imagining a gangster show set in 1920s Birmingham one woudln’t think a rock-based soundtrack would work, but it somehow does. Give the person responsible for picking the songs a fucking raise.

This show was created by Steven Knight, and all episodes this season were directed by Tim Mielants, who I think did a great job. His direction is very tight and helps create a tense and good mood that elevates the show quite a bit. It’s also a visually arresting show… just thought I’d mention that. Also, this show is bloody/violent and features nudity, so if you’re one of those wimps who can’t stomach that stuff in movies and TV, you have been warned.

This show has been very well received, but this season is fucking impossible to say with since it has no score on the sites I usually use. Sure, it exists on Rotten Tomatoes and Metacritic, but it has no score on there. And on imdb.com the show (no seasonal average) has a score of 8,8/10 and is ranked #66 on the “Top 250 TV” list.

“Peaky Blinders” season 3 is great… not much else I can say. It has a great plot, great characters, fantastic performances, great music, and great directing. Time for my final score. *Ahem*. My final score for “Peaky Blinders” season 3 is a 9,71/10. So yeah, it gets the “SEAL OF APPROVAL!”.

My review of “Peaky Blinders” season 3 is now completed.

Mumble mumble mumble mumble fuck mumble. That is how Tom Hardy sounds in this show and it’s so much fun.

Series Review: Ozark – Season 1 (2017)

Netflix seems to be taking over the entertainment world. Sure, Amazon and Hulu aren’t doing too poorly either, and HBO gets all the viewers thanks to “Game of Thrones”, but it really feels like Netflix is the ruler of the watchable media.

Ladies and gents, welcome to… “Ozark”.

Marty Byrde (Jason Bateman) seems like your average man. He has a wife (Laura Linney), two kids (Sofia Hublitz & Skylar Gaertner), and a steady job as a financial advisor. However, he has secretly been laundering money for a Mexican drug cartel. And when his dealings with them goes to hell, Marty decides to quickly move him and his family out to the Missouri Ozarks to try to try to sort this shit out. So now we have our crime-drama plot. And is it any good? Yeah, I’d say so. It’s very serious and surprisingly deep. Not deep in a mindfuck kind of way, but it just has layers to it. My only problem with it is that the pacing at times can get a little too slow. I have no problem with a slow burn, and for the most part this show’s slow burn is just fine, but there are times where it drags it’s feet a little bit too much. Mainly in a couple of episodes near the middle of the season. But like I said, for the most part it’s fine. And the overall plot is solid enough that the occasional pacing problem doesn’t hurt it too much.

The characters here are all troubled, layered, and just overall interesting. Jason Bateman is great as Marty Byrde, this highly intelligent and cunning man who just wants to protect his family (and his life). He can at times seem like a dick, but then I remember “Oh yeah, Mexican gangsters might kill him and his family”, so it can be accepted. And like I said, Bateman is great in the role. Laura Linney plays Marty’s wife, Wendy, a woman who has secrets of her own as she’s trying to accept this situations with Marty and moving and all that. And Linney is great in the role. Sofia Hublitz and Skylar Gaertner as Marty’s kids are really good in the roles, going through some interesting situations/arcs of their own throughout the season. Julia Garner plays Ruth Langmore, a local girl who is clever and constantly conniving, and she was probably my favorite character in the show. And Garner was great in the role. We also get Jason Butler Harner as Roy Petty, an FBI agent investigating Marty’s activities. He’s quite the interesting dude, and Harner is great in the role. I also want to mention Esai Morales who shows up at a few points in the season as Del, the main gangster that wants Marty’s money. The dude is a great mix of charming and intimidating, with Morales giving a great performance. Every actor in this show does a good job.

The score for the show was composed by Danny Bensi & Saunder Jurriaans amd it was great. Dark, chilling, eerie, and overall well composed, it often helps elevate the suspense in a lot of scenes. There’s also a good amount of licensed tracks used throughout the show that help set certain moods too, which I liked.

This show was created by Bill Dubuque and Mark Williams (not the Mr. Weasley one, totally different Mark Williams). And it was directed by a whole bunch of other people, including Jason Bateman who did a few. And the show is tightly directed, with as muc hsuspense as possible being squeezed out of a lot of scenes. It’s also a good looking show, with an often cool blue hue that gives the show a cold and eerie feel. There’s also a little bit of dark humor to it which I thought added a little bit to it.

This show came out fairly recently, but it has still been pretty well received. On Rotten Tomatoes it has a 65% positive rating. On Metacritic it has a score of 68/100. And on imdb.com it has a score of 8,8/10 and is ranked #166 on the “Top 250 TV” list (as of writing this, as I refuse to update this in case of change).

“Ozark” is another solid show from Netflix. It has a really good plot, really good characters, great performances, great music, and great directing. The only problem is the previously mentioned pacing issues. Time for my final score. *Ahem*. My final score for “Ozark” season 1 is a 9,21/10. So while it has a few flaws, I’d say that you should still watch it!

Season 1 of “Ozark” is now completed.

If you’re still in denial about Jason Bateman’s dramatic talents, go watch “The Gift”. He’s great in that.

Series Review: Castlevania – Season 1 (2017)

I’ve been anticipating the release of this show for a while. From when the teaser poster and such was released, to when the first trailer dropped, it all seemed like it could be good. Could Netflix bring us a good video game adaptation? Well, let’s find out.

Ladies and gentlemen… “Castlevania” season 1!

After his wife gets burned at the stake, Dracula (Graham McTavish) unleashes an army of dark creatures upon the city of Gresit. So when Trevor (Richard Armitage), the last surviving member of the Belmont clan, shows up in town he has to try and save the city from this evil. So now we have our medieval fantasy. And while it’s only four episodes long, they manage to develop the story pretty damn well. They manage to establish backstories without getting too heavy with the exposition. And it actually creates some solid drama at times, giving the world and plot a little extra weight without sacrificing the fun and interesting fantasy elements of the plot. There’s also time dedicated to showing what a bunch of dicks members of the Christian church was at the time. Sure, there were no actual demons back then, but a lot of the bullshit they’re up to here actually happened in real life. So yeah, it’s a surprisingly layered story that stays true to the source material while still making it feel fresh and different.

The characters here are all pretty interesting. Trevor Belmont as a character is kind of an arrogant asshole, but he’s actually given a good reason in the show, so he’s not just an ass for the sake of being an ass. And you can tell that despite his arrogant façade, he is a good person (and badass warrior). And Richard Armitage is great as the character. Dracula doesn’t appear much in the show, but his presence is always felt. I also like that he’s not just a generic evil-doer that just wants to kill people because he’s the villain. They give him good motivation for doing it, making him a much more interesting antagonist. And Graham McTavish (again, despite not showing up a lot) kills it in the role. We also get Matt Frewer as a bishop who’s a huge dick, and Frewer is great in the role. We also get Tony Amendola as an elder that Trevor runs into/befriends, and Amndola is really good in the role. Really, every actor heard in this show does a good job.

The score for the show was composed by Trevor Morris, who also did the score for “Iron Fist” (*cough* read my review *cough*). And while that was good, I think this score is even better. The music in “Castlevania” is dark, eerie, epic, badass, cool, and just overall fits the dark and haunting atmosphere of the show. Morris composed some really solid stuff here.

“Castlevania” was produced by Adi Shankar, animated by Powerhouse animation & Frederator studios, directed by Sam Deats, and written by acclaimed comic book writer Warren Ellis. And it’s, as I’ve made pretty clear, an adaptation of the “Castlevania” video game franchise from Konami. And in terms of animation/direction, this show is very well handled. The animation is beautiful in a dark and haunting way, perfectly helping to create a dark and often eerie atmosphere for this show. The show shines especially in the action scenes which are badass, intense, and quite brutal. And I really mean it when I say brutal, there’s blood and dismemberment in this show. So yeah, this show has some fucked up visuals throughout, which I do think works for the show. Still… don’t bring grandma.

Seeing as this is a pretty niche show that just came out, there’s not much in terms of reception on the sites I tend to use. Keep in mind, i only report the reception as it is at the time of review… I refuse to edit. Anyhow, it does exist on Rotten Tomatoes and Metacritic, but it has no critic scores at the time of this review. But it does have a score on imdb.com (based on very few votes at the time), and it is an 8,7/10.

Season 1 of “Castlevania” is one of the best video game adaptations available out right now. It has a great plot, really good characters, great performances, great music, and great direction/animation. The only minor flaw I have is that it is so short (four episodes), but it’s not a deal breaker for me. Time for my final score. *Stabs demon*. My final score for “Castlevania” season 1 is a 9,65/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Castlevania” season 1 is now completed.

There is a season 2 planned… for 2018… fuck.