Series Review: The Handmaid’s Tale – Season 1 (2017)

Shit. I thought tv was a form of escapism, not a look at how the world was, is, and will be at its most shit states.

Ladies and gentlemen… “The Handmaid’s Tale” season 1.

America has turned its back on human decency… oh sorry, I’m reading the news, not the show’s plot synopsis. *Gets slapped*. Okay fine, I’ll do it properly! Topical jokes aside, in the not too distant future, America has become a society where women are considered lesser creatures and then get forced into sexual slavery under high ranking commanders. Through the show we follow a young woman named June (Elisabeth Moss) as she on a day to day basis lives as a handmaid. So now we have our dystopian drama. And I must say that the plot here is incredibly compelling. We get good looks into both the show’s present time as well as flashbacks to what June’s life was like prior to everything going to shit. The drama is harrowing and disturbing, but there’s always also a sense of hope throughout, making it all a bit more watchable than if everything was just bleak and sad. That said, it’s not exactly a happy show. The plot is dramatic, compelling, well paced, and endlessly interesting.

The characters here are layered, compelling, and just overall very interesting. First up we have Elisabeth Moss as June (also known as Offred). She’s a determined a clever woman who falls in line with this horrible reality that she’s part of so she can survive. But we do also see her get some really solid character development throughout, and that’s where I’m leaving it as I don’t wanna ruin most of it for you. And Moss is fantastic in the role. Next up we have Joseph Fiennes as Fred Waterford, the commander that June slaves under. He’s quite the interesting figure, as he clearly is all in favor of this horrible world, but he also shows respect towards anyone under him. He’s a really intriguing character. And Fiennes is great in the role. Next we have Yvonne Strahovski as Serena, the wife of commander Waterford. She’s quite an ice cold bitch, but does show a more vulnerable side at times which makes her quite an interesting character. And Strahovski is great in the role. The final one I’ll go into some detail with is Nick, who’s played by Max Minghella. He’s basically a driver and such under Waterford, and becomes a bit of an ally of June’s over the show. He is quite the interesting guy. And Minghella is really good in the role. Through the show we also get supporting performances from people like Ann Dowd, Alexis Bledel, O-T Fagbenle, Amanda Brugel, Samira Wiley, Nina Kiri, and many more, all doing very well in their respective roles.

The score for the season was composed by Adam Taylor who I think did a great job. His music has a very eerie feel to it, highlighting just how disturbing and fucked up this world is. But it’s also emotional, suspenseful, and overall just well composed. There’s also a good amount of licensed tracks used throughout, and they all work quite well within their respective scenes.

Based on a novel by Margaret Atwood, the show was created by Bruce Miller, and written/directed by a whole bunch of people. And all this comes together to make one suspenseful and tightly directed show. And the cinematography by Colin Watkinson is absolutely stunning, some of the best I’ve ever seen in a tv show. What is also great about it is that none of the shots feel out of place. A lot of times pretty shots are added to a movie or show just to have a pretty shot with no actual purpose, but here all the gorgeous shots have a reason to be there.

This show/season has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 92/100. And on imdb.com it has a score of 8,6/10 and is ranked #148 on the “Top 250 TV” list.

“The Handmaid’s Tale” is a harrowing but also beautiful show. It has a great plot, really good characters, great performances, great music, and great directing/cinematography. Time for my final score. *Ahem*. My final score for “The Handmaid’s Tale” season 1 is a 9,80/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Handmaid’s Tale” season 1 is now completed.

I got nothing clever to put here. I used up my topical joke at the beginning.

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Series Review: Legion – Season 2 (2018)

Another year(ish) has passed, the season has wrapped up (in the US and here in Sweden at least), so now I can finally talk about the insanity that is “Legion” once again. If you haven’t seen the show or know nothing about it, go read my season 1 review, then go watch the show. This is not the jumping-on point.

Ladies and gents… “Legion” season 2.

Set a year after the first season, David (Dan Stevens) finds himself having to work with both his friends and an old foe to stop Farouk (Navid Negahban) from finding his old body, which would give him a lot of power. So the basic idea this season is a bit more straightforward compared to the first, since we know what the general goal of the characters is. Of course, “Legion” being “Legion”, its approach to telling this story isn’t as straightforward and normal as most shows. It’s still filled with weird, trippy shit that may just leave you confused at first, but will make a little bit more sense down the line. But through this strange journey we do get some solid drama, suspense, and intriguing storytelling. Is the narrative as strong as the first season? Not quite. It’s still damn good, but it’s not quite as tight as the first season since it’s trying to branch out into something bigger. The plot here is still damn good though.

The characters in this are weird, unique, colorful, and endlessly interesting. Dan Stevens returns as David, the trouble yet powerful young man at the center of the story. He already got some solid development over the first season’s run, and I’m happy to see that being a thing here as well. The journey we see David go through as a character is really fascinating and it really makes him such a deep and interesting character. And Stevens is once again fantastic in the role. Next we have Rachel Keller back as David’s girlfriend, Syd Barrett (*Insert Pink Floyd song here*). She has an interesting arc here that is based around David’s arc, with his affecting hers (keeping it vague is hard). And it’s interesting. We do also get some good backstory on her. And Keller is great in the role. Next we have Aubrey Plaza once again as Lenny, the mysterious old friend of David’s. Not gonna say anything else about her arc because it’s best left experienced. But it’s great. And Plaza is great. We also of course see the return of Bill Irwin, Amber Midthunder, Jean Smart, Jemaine Clement, Jeremie Harris, and Hamish Linklater, and all are still great in their respective roles. And newcomer Navid Negahban also holds his own as the smooth yet powerful and somewhat intimidating Farouk. Really, it’s a damn great cast.

Jeff Russo returned to do the score for this season, and he once again knocked it out of the park. His score is tense, trippy, surreal, emotional, and just overall works perfectly for the show. There’s also a ton of licensed music used throughout, and all the song work excellently in their respective scenes. The use of music in this show is just phenomenal.

Based on some Marvel comics from Bill Sienkiewicz and Chris Claremont, the show was created by Noah Hawley (who’s still the showrunner). And once again, the creative minds behind this show has crafted something truly unique. Let’s start with the visuals, because that’s what a lot of people will pick up on first. The way the show uses lighting, colors, creative camera angles, effects, and even aspect ratio to create a unique style helps make this show one of the most visually interesting I’ve ever seen. I thought season 1 had some great visuals, but this season brought that stuff to the next level. And the editing (which I almost never talk about) is also sublime. This show just has such a unique style that I’ve never really seen anywhere else.

This show/season has been well received. On Rotten Tomatoes it has a 91% positive rating and a “Fresh” certification. On Metacritic it has a score of 85/100. And on imdb.com it has a score of 8,4/10 and is ranked #225 on the “Top 250 TV” list.

While not quite as amazing as the first season, “Legion” season 2 is still a great season of television. It has a great plot, really good characters, fantastic performances, fantastic music, and great directing/cinematography/effects/other technical things. Time for my final score. *Ahem*. My final score for “Legion” season 2 is a 9,54/10. So it is still worthy of the “SEAL OF APPROVAL!”.

My review of “Legion” season 2 is now completed.

Even if “Legion” would drop a bit in quality, I’d rather take it and its strange and unique kind of storytelling over most shows.

Series Review: The Sinner – Season 1 (2017)

Murder. A horrible crime. Something that can be caused by many different reasons. If you ask me, it’s never okay… but it’s still important to look at all the details of the case.

Ladies and gentlemen… “The Sinner”.

Cora Tannetti (Jessica Biel) seems like your typical woman. She has a house, a husband (Christopher Abbott), a child, and a nice job. But one day while she’s enjoying a day at the beach with her family, she suddenly lashes out and stabs a guy to death. Her case is then given to Detective Harry Ambrose (Bill Pullman) who has to find out why Cora suddenly committed this horrible act. And the further Ambrose delves into this case, the more questions arise. So now we have our murder mystery. And already I like the different approach. It’s not a whodunnit like most other shows… but a whydunnit instead (doesn’t quite have the same ring to it, but you get the idea). It’s a really dark show filled with a lot of twists that kept me invested in everything that was going on. The plot here is quite unpredictable, because when you think you know where it’s going, it pulls the rug out from under you, giving the viewer a bit of an “Oh shit” feeling. The plot here is engaging, unpredictable, disturbing, and just overall great.

The characters here are all layered, flawed, and interesting. Jessica Biel plays Cora, the woman at the center of this story. While I won’t go too in-depth about her (since a lot of her character stuff is best left experienced), I will say that she’s a really compelling character who gets some really dark and interesting character development. And Biel is great in the role. Then we have Bill Pullman as Harry Ambrose, the Detective looking into Cora’s case. He is a highly determined policeman that is doing everything to find out what made Cora do this. He doesn’t look at the broad strokes as much as he aims to find out the details of the situation. He does also have some of his own drama to deal with that adds to his character. And Pullman is great in the role. Then we have Christopher Abbott as Cora’s husband Mason. A loving husband and hard worker, Mason’s world gets completely fucked after Cora commits the horrible crime. And seeing his journey after the event is insanely compelling. And Abbott is fantastic in the role. Then we get supporting performances from people like Dohn Norwood, Jacob Pitts, Abby Miller, Danielle Burgess, Enid Graham, Nadia Alexander, Merediths Holzman, and many more, all doing very well in their respective roles.

The score for the season was composed by Ronit Kirchman who I think did really good job. The score is heavily electronic and has a unique and eerie sound that helps add a sense of unease to the show. While I wouldn’t exactly find myself listening to the music from this show for fun, it’s definitely quality stuff that works very well within the show.

Based on a novel by Petra Hammesfahr, this show was created by Derek Simonds, with writing by Simonds and some other people, and direction by various people. And the work all these cool people put in is incredibly good, giving us some of the best craft in any recent show. The sense of dread and suspense throughout is thick enough to cut with a knife, and it helps create an engaging atmosphere that helps grip the viewer. And the cinematography by Radium Cheung and Jody Lee Lipes is pretty damn good.

This show/season has been very well received. On Rotten Tomatoes it has a 94% positive rating and a “Fresh” certification. On Metacritic it has a score of 71/100. And on imdb.com it has a score of 8,0/10.

Season 1 of “The Sinner” is a compelling and disturbing ride that I highly recommend. It has a great plot, really good characters, great performances, good music, and really good directing/cinematography. Time for my final score. *Ahem*. My final score for season 1 of “The Sinner” is a 9,81/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Sinner” season 1 is now completed.

Bill Pullman is such a likable actor.

Series Review: Hap and Leonard – Season 3 (2018)

Some of you may or may not remember that I started watching/reviewing this show in the second half of last year. And I quite liked those first two seasons. So now we’re here, season 3 all wrapped up. So let’s get into it.

Ladies and gentlemen… “Hap and Leonard: The Two Bear Mambo”.

When their friend/lawyer Florida (Tiffany Mack) goes missing, Hap (James Purefoy) and Leonard (Michael K. Williams) get sent to investigate what happened to her. Only problem is that to do this they have to travel to Grovetown, a tightly knit community that doesn’t take too kindly to people of color (and their sympathizers). So now we have our plot. And I think that it’s pretty damn good. What I like about “Hap and Leonard” as a show in general is that it can discuss serious and difficult subject matter, while still being able to have a fun and pulpy tone throughout, and this season is no exception. “The Two Bear Mambo” (this season’s subtitle) deals with a lot of heavy themes like racism and corruption, while still giving us the fun buddy crime-drama that one expects from the show. It’s a tense and layered plot that I really enjoyed following.

The characters in this are layered, unique, and quite interesting. James Purefoy returns as Hap Collins, the east Texas worker with a penchant for southern ladies. He’s not the sharpest knife in the drawer, but he’s a good man and quite an entertaining character. I also like how they explores his psyche throughout the season, with a lot of it dealing with his fear over maybe losing Florida. And Purefoy is great in the role. Then we have Michael K. Williams as Leonard Pine, the black, gay, Vietnam vet best friend of Hap. He’s tough, but he’s also charming, and has some demons of his own to battle, and I really like him as a character. And Williams is of course great in the role. I also feel like I once again have to compliment the chemistry between Purefoy and Williams, because it’s fantastic. Then we have Tiffany Mack as Florida Grange, lawyer and former love interest of Hap. While we get less of her this season than in the previous one, we do still get some solid stuff with her. She’s a badass. And Mack is really good in the role. Then we get supporting turns from people like Cranston Johnson, Andrew Dice Clay, Evan Gamble, Corbin Bernsen, Laura Allen, Jesse C. Boyd, Douglas M. Griffin, Sydney Wease, Louis Gossett Jr, Pat Healy, and more. All doing very well in their respective roles. ’tis a well acted season.

As with the previous two seasons, the score was composed by Jeff Grace, and once again he knocked it out of the park. His score helps build a lot of suspense, while also letting some tracks capture the fun, swamp-noir style of the show (thanks to some good guitar tracks). There’s also a good amount of licensed tracks used throughout, and they all work very well within their respective scenes. A lot of good music here.

Based on a series of novels by Joe R. Lansdale, the show was created by Jim Mickle & Nick Damici (and written/directed by them and a bunch of other cool people). And while I haven’t read the books, I still feel like this is a very well realized world that they’ve created here. And the directing is really good, with a lot of tightly directed scenes that build a decent amount of tension. There’s also a few action throughout the season, and they’re quite entertaining. The show’s signature dark humor also makes a welcome return, and it made me laugh.

This show/season has been well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it has a score of 79/100. And on imdb.com it has a score of 7,5/10.

“Hap and Leonard: The Two Bear Mambo” is another solid season of this quirky little show. It has a really good plot, great characters, great performances, great music, and great directing/writing. Time for my final score. *Ahem*. My final score for “Hap and Leonard: The Two Bear Mambo” is a 9,80/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Hap and Leonard: The Two Bear Mambo” is now completed.

Ass needs some kickin’.

Series Review: Angie Tribeca – Season 1 (2016)

Police work is serious business. Finding killers, stopping drug dealers, preventing further thefts. So it’s interesting when the profession is played around with in film and tv in a more comedic format. We’ve gotten quite a few variations on that throughout the years, and today’s review is of one such thing.

Ladies and gents… “Angie Tribeca” season 1.

Angie Tribeca (Rashida Jones) is a tough-as-nails, no nonsense, lone wolf of a police detective in an LAPD precinct. But her whole life will change when she’s assigned a new partner (Hayes MacArthur) who will help her solve some really horrible crimes, like the apparent suicide of several bakers, or the death of a beloved ventriloquist. So now we have our cop comedy (copedy?). And what I like about the plot(s) of this show is that it kind of follows the “Airplane!” mentality of storytelling, in that it doesn’t immediately feel like a comedy until they start involving the jokes and other silly things throughout. It gives it a fun and (in these modern times) refreshing feel that I always loved following. And each case that the team takes on is of course a fun spin on the typical cop formula as well. Good stuff.

The characters in this take some of the established characteristics of serious cop shows and turns them into sillier and slightly more incompetent versions of them. First up we have Rashida Jones as Angie Tribeca, who respresents the typical “I had a partner, and now I don’t want a partner” badass who might learn to warm up to a new partner. She’s a good cop, but can be a bit impulsive form time to time. And Jones is great in the role. Then we have Hayes MacArthur as Jay Geils, Angie’s new partner in crime-solving. He shows a decent amount of deductive reasoning, but he is also not the smartest tool in the shed. And MacArthur is great in the role. Next up we have Jere Burns as Chet Atkins, Angie’s and Jay’s lieutenant. He’s loud and a bit stuck up, but ultimately cares about his precinct and is often involved in operations. And Burns is great in the role. Then we have Andree Vermeulen as Monica, a medical examiner who works at the precinct. She’s smart and is probably the one who is the best at actually doing her job at this precinct. And Vermeulen is really good in the role. Then we have Deon Cole as Tanner, another detective from the precinct. He’s a little harder to pin down as a character, but he is an enjoyable character who gets some good moments throughout. And Cole is really good in the role. And finally we have detective David Hoffman, played by Jagger… a german shepherd. Yes. One of the main players is a dog. And there’s a really funny recurring joke about him throughout that I will not spoil. But I can safely say that Jagger is a good boy. Then you get tons of great supporting work throughout from people like Alfred Molina (who might be my favorite in the show), Lisa Kudrow, Gary Cole, John Michael Higgins, and so many more. A lot of talented people in this.

The score for “Angie Tribeca” was composed by Jim Latham, and I think it was really good. Kind of like I mentioned with the plot, the music takes a sort of “Airplane!” approach where it’s done like it’s not in on the joke, and has a fairly serious sound, which adds to the absurdity of the entire thing, which improves on a lot of scenes throughout.

The show was created by Steve Carell and his wife Nancy, and written/directed by them (and various other people). And they’ve created something really fun here. It’s mostly shot like a relatively serious show (again, kind of like “Airplane!”), but it’s filled with a lot of gags. Speaking of which, the comedy in this copedy (I am gonna start using that term from now on) is absolutely hilarious. I’d say that it’s a mix of “Naked Gun” and “Hot Fuzz”. It can be extremely silly (“Naked Gun”) and it can be snappy and self-award (“Hot Fuzz”), while still feeling like it’s own thing. I don’t think there’s any joke in this that I found bad. I always laughed, whether through a small chuckle or a gut-busting laughter. It’s so much fun.

This show/season has been well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 78/100. And on imdb.com it has a score of 7,0/10.

Season 1 of “Angie Tribeca” is the type of silliness that we don’t really get much of these days, so I find the show quite refreshing. It has a really good plot, great characters, great performances, good music, good directing, and fantastic comedy. Time for my final score. *FREEZE!*. My final score for season 1 of “Angie Tribeca” is a 9,84/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Angie Tribeca” season 1 is now completed.

Sometimes you just need a good laugh.

Series Review: Young Justice (2010 – 2013)

I wanna preface this review by saying, I’ve watched this show before. It’s just that after it was announced that it would finally get a third season, I really wanted to talk about this show before the third season was released. So now that I’ve gone through it again (slightly biased), I am ready to talk about it.

Ladies and gentlemen… “Young Justice”!

The story of the show follows the sidekicks of famous DC superheroes as they form their own team (creatively known as “The Team”), and have to learn to come into their own as they face major threats while also learning to work as a team. So now we have our superhero story. And as you probably sort of gathered from some mild clues in the intro, I think the plot here is fantastic. Yes, at first it’s more of a “villain of the week” type format, but there is also an overarching plot involving some shadowy organization that lurks in the background of it all. The story is compelling, because they take their time in setting things up, rather than rushing through them like some would. It’s a layered and nuanced story filled with twists and turns, as well as compelling drama, all without sacrificing the fun superhero part of the plot. It’s a highly creative and engaging plot that I loved following

Like the plot, the characters here have a surprising amount of depth to them. Across the show’s two seasons we see the characters go through some major development that gives them so many layers. In the cast we see characters like Robin (Jesse McCartney) , Kid Flash (Jason Spisak), Aqualad (Khary Payton), Superboy (Nolan North), Artemis (Stephanie Lemelin), and Miss Martian (Danica McKellar) go through a lot of things together, developing their relationships with each other while also growing as individuals. It also helps that the actors for each of the characters do very well in their respective roles, no one felt out of place). And yes, there are more characters in the show than those mentioned, but those are the central ones for the first season, and I don’t wanna say too much since a lot of characters are best left experienced. But I can say that there’s a lot of good main characters in this show, and a lot of great supporting characters and cameos. Great characters, great actors.

The score for the show was composed by DC regulars Kristopher Carter, Lolita Ritmanis, and Michael McCuistion. And I think it’s fantastic. Of course it contains a lot of big and epic tunes for the cool superhero fight scenes as expected, but it does also have some tunes for the quieter moments or when they need something a bit more emotional. All the tracks in this show are well composed, and they fit their respective scenes perfectly.

Based on a shit-ton of characters from DC comics history, this show was created by Greg Weisman & Brandon Vietti (and written by those two and a bunch of other talented people). And what they’ve done is take a lot of well known DC characters and tropes, and created their own, fully realized world, featuring some familiar characters. And the animation here is fantastic, with fluid movements, and plenty of detail throughout. This helps in getting the viewer invested… and also makes action scenes a lot more awesome. Seriously, they’re fantastic.

This show has been well received (though barely exists on my usual sites). On Rotten Tomatoes it exists, but has no rating. On Metacritic it doesn’t exist. And on imdb.com it has a score of 8,7/10 and is ranked #103 on the “Top 250 TV” list.

Did I make this review just so I could talk about “Young Justice”? Yes. But I feel like it’s also worth talking about since it’s such a great show. It has a great plot, great characters, great performances, great music, and great directing/writing/animation. Time for my final score. *Ahem*. My final score for “Young Justice” is a 9,94/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of the first two seasons of “Young Justice” is completed.

I am really excited for season 3, which should be released later this year.

Series Review: Sneaky Pete – Season 2 (2018)

In early 2017 we saw the premiere of “Sneaky Pete”, a new Amazon series. I watched it, and I gave it a very positive review. So now season 2 has been out for a few days and I’ve watched it all. So let’s talk about it and see if it’s any good.

Ladies and gents… “Sneaky Pete”.

When we last saw Marius (Giovanni Ribisi), he found himself in a bit of a pickle. Two intimidating enforcers (Desmond Harrington & Joseph Lyle Taylor) thinking he was another man asked where “his” mother was. Why would they care about someone’s mother? Because she had gotten hold of eleven million dollars that their boss wanted. So we follow Marius as he tries to find this woman and her supposed eleven million. But we also follow the family that he’s snuck his way into as their lives start spiraling out of control as well. So now we have our plot. And while I think the first season had a somewhat more engaging plot, I still think that this season has a really interesting, suspenseful, and fun plot. It has a lot of twists and turns, and they all work quite well for the plot, keeping it all fun, fresh, and fairly unpredictable.

The characters in this are all quite colorful, unique, and interesting. Giovanni Ribisi is back as Marius/Pete, the con man posing as his former cellmate to get in with the cellmate’s estranged family. He’s an incredibly clever, quick-thinking, man who always tries to be one step ahead of everyone. In season 1 he was more of a no-good shyster who was only out for himself, but here in season 2 we see that he’s evolved a bit, like he actually cares for this family. He’s quite an engaging character, and he has a really solid arc this season. And Ribisi is great in the role. Marin Ireland plays Julia, the “cousin” of our main character. She works in a bail bonds office, and has (much due to Marius) gotten herself into some shit. And it’s interesting to see her go through that stuff and see what she does about it. Ireland is damn good in the role. Then we have Margo Martindale as Audrey, the “grandmother” of our main character, and the matriarch of the Bernhardt family. She’s tough, but she’s also a nice old grandmother. And she has one of the most interesting character arcs this season. And Martindale is of course fantastic in the role. Then we have Peter Gerety, Libe Barer, and Shane McRae as three more members of the family. They’ve all great characters with good arcs, but I’m lumping them together because I don’t wanna make this part too long. But I can at least say that they’re all great in the role. We also get a lot more of Ethan Embry as the real Pete this season, and he’s a fun and interesting character to follow. And yeah, Embry is really good in the role. Then you get supporting performances from people like Jacob Pitts, Jay O. Sanders, Justine Cotsonas, Alison Wright, Jennifer Ferrin, Jospeh Lyle Taylor, Desmond Harrington, Jasmine Carmichael, Jane Adams, and many more. And they’re all great.

The score for the show was composed by Nathan Barr, and I think he did a good job. His score isn’t the most standout thing ever, but it gets the job done. It helps create tension, it adds a little extra emotion, and it’s just overall well composed. There are also a whole bunch of licensed tracks used throughout the season, and thye work very well within their respective scenes. And I just wanna add that the show’s theme song, “Harder Out Here” by The Bight Light Social Hour, is such an awesome song.

The show was created by David Shore & Bryan Cranston, but Graham Yost stands as the showrunner. And it was written/directed by a whole bunch of different people. And this is a very well directed show. The direction here is fast-paced and fun, but never to the point of losing and seriousness/tension, because when a scene has to be serious and suspenseful, it fucking nails it. And at times it also has some fun humor in it. It’s not a comedy, but it does implement humor at various points throughout, and it works quite well.

This season/show has been well received. On Rotten Tomatoes it has an 83% positive rating. On Metacritic it has a score of 72/100. And on imdb.com it has a score of 8,3/10.

While I still prefer the first season, season 2 of “Sneaky Pete” is still a great season of crime television. It has a great plot, great characters, great performances, really good music, and great directing. Time for my final score. *Ahem*. My final score for season 2 of “Sneaky Pete” is a 9,75/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Sneaky Pete” season 2 is now completed.

Trust in me…

Series Review: The Tick – Season 1 (2017 – 2018)

Whereas Netflix is currently known as the king of streaming these days, I feel like we should give some major cred to Amazon. Mainly because they’ve produced quite a diverse range of shows and movies, and a good amount of them I have enjoyed. So let’s talk about one such show today.

Ladies and gentlemen… “The Tick”.

Arthur Everest (Griffin Newman) is a very nervous young man with a tragic past. And one day his life changes when he meets a mysterious man in a blue suit, simply known as The Tick (Peter Serafinowicz). And soon the two find themselves teaming up to try to stop the evil villain known as The Terror (Jackie Earle Haley). So now we have our superhero story. And what I liked about it is that compared to a lot of other modern superhero stories, it isn’t concerned with being gritty or grounded or overly serious. Instead we have a more tongue-in-cheek superhero story that aims more to entertain and inspire. It’s almost like a parody of superheroes, while still indulging in a good amount of classic superhero clichés. And I found this plot to be pretty damn great.

The characters here are layered, unique, interesting, and endlessly entertaining. Peter Serafinowicz plays The Tick, the titular blue hero. He is a bit lost in life, because he has no memory of his life before meeting Arthur. All he really knows is that he’s a superhero and he’s called The Tick, and I think it works for his character, you don’t always need a definitive origin. He’s also a very fun hero, he’s a very aloof and optimistic man who always looks on the bright side of life. Inspiring with a side order of silly is how I’d describe it. And Serafinowicz is fantastic in the role. Griffin Newman plays Arthur, the neurotic young man at the center of this story. Due to something that happened to him during his childhood, he’s a very nervous person and a little bit of a conspiracy nut. But we see him go through an interesting arc in the show after he meets The Tick and starts investigating The Terror with him. And Newman is great in the role. Then we have Valorie Curry as Dot, Arthur’s sister. She’s may look small and frail, but she’s actually quite tough and is doing everything to help her brother lead a normal life. And Curry is really good in the role. Then we have Scott Speiser as Overkill, a very grim and violent mercenary that Tick and Arthur run into during their adventure. He makes for an interesting contrast within this generally silly story, making for some very enjoyable scenes. And Speiser is really good in the role. Then we have Jackie Earle Haley as The Terror, the main villain of this story. The best way I could describe him is that he’s a little bit like Aku from “Samurai Jack”. A menacing and capable villain that also has a fun and enjoyable personality, making him stand out among all the villains in movies and TV. And Haley is great in the role. The final person I’m going mildly in-depth with is Yara Martinez as Ms. Lint, the henchwoman of The Terror. She’s got lightning powers, and that’s all I’m gonna say because her story and other personality traits are better left experienced. And Martinez is really good in the role. We also get some supporting work from people like Devin Ratray, Alan Tudyk, Brendan Hines, François Chau, Townsend Coleman, Michael Cerveris, John Pirkis, and many more. All doing very well in their respective roles.

The score for the season was composed by Chris Bacon, and it was damn good. It’s fun and jazzy at times, but at other times it’s fairly serious and sounds more like something you’d hear in a typical superhero action movie. But I feel like all the music works quite well here, as it often elevates the show in certain ways. There are also a few licensed tracks used throughout and they work quite well too.

Based on a comic series by Ben Edlund, this show was created by… Ben Edlund? Yeah, he made a show out of his own comic… not gonna lie, I think that’s kinda cool. Anyway, he also got help with writing and directing from a whole bunch of people. And I have to say that it all works out marvelously. The direction is fun and fast-paced, which means there’s never a dull moment, even when they slow down for character stuff. And the action scenes are fun too. Sure, they’re not the most epic or overly choreographed things, but they’re pretty fun to watch. Admittedly there are some visual effects in this show that look a bit corny, but I think it kind of works for this since they’re not taking it as seriously as a lot of other superhero things. And since this is a comedy, let’s talk about the humor. It’s fucking hilarious, I laughed quite a lot throughout this. And I’m not just talking about simple chuckles, there were a lot of loud laughs coming from me throughout the season, which is rare for me to find these days.

This show/season has been well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 72/100. And on imdb.com it has a score of 7,4/10.

“The Tick” is a ton of fun and is also one of the best superhero shows available right now. It has a great plot, great characters, great performances, good music, and great directing/action/comedy. Time for my final score. *SPOON!*. My final score for “The Tick” season 1 is a 9,88/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “The Tick” season 1 is now completed.

This show is so refreshing.

Series Review: National Treasure (2016)

Sexual assault. A horrible thing that I wish never existed, but unfortunately is all too common in our world. It’s a very uncomfortable, but very important topic that needs to be discussed if we want change. On that note, here’s a show about being accused of such things.

Ladies and gentlemen… “National Treasure”.

Paul Finchley (Robbie Coltrane) is a comedian with a very long career, beloved by many people, a bona fide national treasure. But he soon finds himself in hot water when he’s accused of sexual assault. So we follow Paul as he tries to deal with these accusations and how they affect not only his life, but the lives of the people he loves. So now we have our drama. And I have to say that I found this plot quite compelling. Seeing Paul’s life go through change because of these accusations makes for some really solid drama. Another great element of the plot is that you never really know if Paul actually committed the acts or not, which makes you doubt everything, which adds a layer of tension to it all. I don’t wanna say too much because I don’t wanna ruin anything, but I’ll end this part by simply saying that this plot is great. Tense, emotional, and utterly compelling.

The characters in this are all layered, damaged, and really interesting. Robbie Coltrane plays Paul Finchley, the man at the center of this story who finds himself accused of sexual assault. As previously mentioned, Paul is a comedian with a very long and successful career, leading to him being loved by many people. So seeing that slowly peeled away because of these accusations leads to some great character stuff, especially as we learn more about his life and see how all these things affect his life. And Coltrane is fantastic in the role. Julie Walters plays Marie, Paul’s wife. She’s a tough, take no nonsense woman, but she does show a few more vulnerable sides to her as well throughout, which of course happens because of the accusations against her husband. And we do learn some things about her too throughout that adds to her character. And Walters is just absolutely fantastic in the role. Then we have Andrea Riseborough as Dee, Paul’s & Marie’s daughter. She’s a former addict now trying to get through the aftermath of that while also getting tested emotionally because of the accusations against her father. And Riseborough is fucking great in the role. Then we get some supporting performances from people like Babou Ceesay, Tim McInnerny, Mark Lewis Jones, Trystan Gravelle, Susan Lynch, and many more… all doing very well in their respective roles.

The score for the show was composed by Cristobal Tapia De Veer and it was good. While the style wasn’t my cup of tea, I can acknowledge that it was well composed and worked well within the show, using a very electronic style that often helped create an uneasy and emotional feel within the show. It’s not something I would find myself listening to during my spare time, but I think it works for the show.

The episodes were written by Jack Thorne, and directed by Marc Munden. And the combination of those two is quite good. The direction somehow manages to capture the feel of unease and confusion of the characters. Combine that with the writing and you get some compelling stuff. And the cinematography by Ole Bratt Birkeland is stunning, this is a great looking show. There are a few weird cuts throughout the episodes, but none of them makes me think less of the show… just confused why they were there.

This show has been well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it has a score of 83/100. And on imdb.com it has a score of 7,5/10.

“National Treasure” isn’t always an easy watch, but it’s a great and I’d even say important miniseries. It has a great plot, really good characters, fantastic performances, good music, and really good directing/writing/cinematography. Time for my final score. *Ahem*. My final score for “National Treasure” is a 9,71/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “National Treasure” is now completed.

This is not quite how I’d imagine the Hagrid’s and Mrs. Weasley’s reunion going…

Series Review: Altered Carbon – Season 1 (2018)

So it’s a new sci-fi series? From Netflix? Sign me up!

Ladies and gentlemen… “Altered Carbon” season 1.

In the future people have found a way to sort of cheat death by transferring their consciousness from one body to another. Takeshi Kovacs (Joel Kinnaman) is a man who gets to experience this as he’s brought back to life in a new body. And soon he’s hired to solve the murder of a very wealthy businessman (James Purefoy). And as Kovacs begins investigating this murder he soon notices just how deep and twisty this whole thing gets. So now we have our cyberpunk story. And is it any good? Yeah, it really is. Not only is it a complex whodunnit with plenty of twists and turns, but it’s also a journey of identity and life. I mean, with people more or less being able to cheat death, it’s got to lead to some interesting questions. And these explorations are quite interesting, and meshes quite well with this cerebral murder mystery. The only flaw I have with it is that it can get a little bit meander-y at times. For the most part it has a good focus on what the hell it’s doing, but there are times where the pacing meandered a bit too much. Luckily these meander-y bits aren’t too frequent, so it doesn’t kill it to much for me. So overall this is a really solid plot.

The characters here are layered, flawed, damaged, and just overall quite interesting. Joel Kinnaman plays Takeshi Kovacs, the cool guy at the center of this story. We learn quite a lot about Kovacs and his backstory throughout the season, and we see him get some decent development as it moves forward. And Kinnaman is great in the role. Martha Higareda plays Kristin Ortega, a cop that Kovacs runs into throughout the season. She’s a tough, take-no-nonsense kind of character that still shows a fair bit of vulnerability throughout, adding to her layers. And Higareda is really good in the role. Then we have James Purefoy as Laurens Bancroft, the very wealthy businessman whose murder Kovacs has to solve. And I hear you asking “How could Purefoy get any acting/character development if he’s dead?”. Simple: His consciousness got put in a new body. He is the one that hired Kovacs to solve his murder. This isn’t a spoiler, it’s something you learn very early in the first episode. Either way, his character is slightly weird and seems a bit shady and is just an interesting addition to the cast. And Purefoy is good in the role. Then we have Ato Essandoh as Vernon Elliot, a man that Kovacs runs into throughout the plot (and kind of starts working with). He’s damaged and has some things in his past that clearly trouble him, but he isn’t some broody and overly serious character, he feels fairly realistic. And Essandoh is great in the role. And the final one I want to go slightly in-depth with is Chris Conner as Poe. Poe is the manager of the hotel that Kovacs stays at throughout the season. While he is intended as a slightly less serious character than the others (often having a lot of funny moments), he still works well dramatically speaking. And Conner is really good in the role. As for the other characters in the show, they are interesting in some way, but I don’t wanna ruin it for you. But I can say that we get some really good supporting work from people like Kristin Lehman, Hiro Kanagawa, Antonio Marziale, Tamara Taylor, Adam Busch, Matt Frewer, Cliff Chamberlain, Will Yun Lee, and many more.

The score for “Altered Carbon” was composed by Jeff Russo, the man who also did the music for “Fargo” and “Legion” (two awesome shows). And once again he has killed it with the music. Sure, it clearly takes inspiration from “Blade Runner” (which we’ll get back to in a bit), but it still does enough differently to feel fresh. It’s tense, emotional, and just overall great. There are also a bunch of licensed tracks used throughout the season and they work quite well within their scenes, improving said scenes quite a bit. So yeah… this show has good music.

Based on a novel by Richard K. Morgan, this show was created by Laeta Kalogridis and written/directed by a whole bunch of people. And in terms of direction this show is excellent. The direction here is stylish and sweeping, but still tight and tense. And now we get to the bit that I alluded to before… visually speaking this has a lot of similarities to “Blade Runner”. At least when we see the skyline or follow the characters on the streets, it all looks a lot like Ridley Scott’s sci-fi classic. That said, I’m not bothered by it since that seems to be the general aesthetic of cyberpunk fiction. And I just generally like it… it shows that a lot of time and love went into crafting this show. That and an obvious fuckload of money. You can really tell that Netflix went balls out with the budget, wanting to make this as extravagant as possible. The props, sets, and CGI are all absolutely fantastic. My breath was taken away at a lot of the visuals here. And the action scenes in this are all really good. They’re tense, badass, and really well choreographed. From shootouts, to melee combat, to a chase or two… the action here is really good. Oh, and violent… really violent… many gallons of blood. So if you’re squeamish you might have have a hard time watching this. There’s also a lot of nudity. So if you hate naked people, don’t watch this. But yeah, this show has some good production value.

The show just came out, but it has already pretty good reception. On Rotten Tomatoes it has a 65% positive rating. On Metacritic it has a score of 65/100. And on imdb.com it has a score of 8,9/10.

“Altered Carbon” isn’t for everyone, but I sure as shit liked it. It has a really good plot, really good characters, great performances, great music, and great directing/cinematography/action/effects. Sure, the pace meanders a little bit at times, but it’s not too bad. Time for my final score. *Pew*. My final score for “Altered Carbon” season 1 is a 9,52/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Altered Carbon” season 1 is now completed.

“Blade Runner? Never heard of it!”