Series Review: The Looming Tower (2018)

I don’t have anything clever to say here. Usually I do, but there’s nothing I can think of here. This show deals with some sensitive stuff, so it’s hard to make up an intro that is fun. So let’s just get into it, I guess.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a show… which it is. Disclaimer over.

Ladies and gentlemen… “The Looming Tower”.

Set in the late 90s, we follow people from both the FBI and the CIA as they both try to stop the rising threat that is the Al-Qaeda. But their inability to cooperate makes the process a lot more troublesome than it could be. So now we have our historical counter-terrorism drama. And let’s make it clear right now, this isn’t counter-terrorism in the Jack Ryan sense where there’s a bunch of thrilling action scenes. This is a slow burning drama all about investigating and bureaucracy and arguing and such. And I found it all utterly compelling, thanks to calculated writing that prefers to take the realistic and relatively mundane path to its goal, compared to so many counter-terrorism stories, which tend to go for the thrilling sensationalist route. But yeah, I really liked the plot here.

The characters in this are flawed, nuanced, interesting, and fairly realistic. First up we have Jeff Daniels as John O’Neill, an FBI agent keen on stopping Al-Qaeda the right way (arrest, court, all that jazz). And while he generally tries to be a good guy, he does have some skeletons in his closet shown throughout that make him quite compelling. And Daniels is fantastic in the role. Next we have Tahar Rahim as Ali Soufan, a new agent within the FBI who gets assigned to work with O’Neill in finding and stopping the various Al-Qaeda members who may exist. And he has some god development throughout that makes him quite interesting. And Rahim is great in the role. And we get supporting performances from people like Wrenn Schmidt, Bill Camp, Peter Sarsgaard, Michael Stuhlbarg, Alec Baldwin, Ella Rae Peck, Jamie Neumann, Louis Cancelmi, and many more, all doing very well in their respective roles.

The score for the show was composed by Will Bates, who I think did a damn solid job. It goes for a relatively downplayed and somber style. You won’t hear big, tense brass in this to highten the tension of a scene, instead the pieces are smaller, more intimate, almost droning at times to sort of help capture that realistic/slow burning counter-terrorism style that the show’s going for. There are also a few licensed tracks used throughout that work in their respective scenes. So yeah, this show has good music.

Based on a book by Lawrence Wright, the show was created by Dan Futterman, Alex Gibney, and Lawrence Wright himself, with writing and directing by a whole bunch of people. And the craft here is really tight, giving us close and intimate examinations of all the various situations while also giving us the sweeping storytelling of everything leading up to 9/11. The directing gets in close with the characters and really made me feel like a fly on the wall in these situations, I was fully immersed thanks to the tight work of the crew. And the way the show occasionally splices in real life news footage is pretty damn good.

This show has been well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 74/100. And on imdb.com it has a score of 8,0/10.

“The Looming Tower” is a compelling counter-terrorism drama. It has a really good plot, good characters, great performances, really good music, and great writing/directing. Time for my final score. *Ahem*. My final score for “The Looming Tower” is a 9,62/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Looming Tower” is now completed.

You know what’s a little funny? I made a comment about this not being Jack Ryan-esque in style, but Alec Baldwin (who once played Jack Ryan) is in the show.

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Series Review: A Very English Scandal (2018)

What? You thought I was taking a break from blogging just because it’s christmas? Pffft. Don’t be silly.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a show… which it is. Disclaimer over.

Ladies and gentlemen… “A Very English Scandal”.

We follow Jeremy Thorpe (Hugh Grant), a British politician who’s beloved by many. But that could change if the people found out that he’d had a sexual relationship with a young man named Norman (Ben Whishaw). So really this is all about how Thorpe tries to cover up this part of his life, for fear of Norman exposing him. And I really liked the plot here. It not only gives us an engaging personal journey for both Thorpe and Norman, but we also get a fascinating look at how British politics and such worked in the 1960s and 1970s. It’s mainly steeped in drama, which it already handles very well, but what really gives it an edge is a sort of sly wit that makes it a lot more watchable. So yeah, the plot here is layered, fun, and overall quite engaging.

The characters here are layered, colorful, and just overall interesting. Hugh Grant plays Jeremy Thorpe, a highly charismatic British politician (paradoxical description, I know) who, as I already mentioned, has a secret… a secret that back in those days could be devastating if it would be brought into the light. So seeing him develop throughout the show as he deals with trying to hide his “shameful sins” is quite fascinating. And Hugh Grant is Hugh Great in the role. Ben Whishaw plays Norman Josiffe, the young man that Thorpe has his affair with. After they have a bit of a falling out, Norman kind of tries to expose this affair to the world. And seeing him go through all his struggles in the series is quite interesting. And Whishaw is great in the role. We also get supporting performances from people like Alex Jennings, Patricia Hodge, Paul Hilton, Blake Harrison, and many more, all doing very well in their respective roles.

The score for the show was composed by Murray Gold, and I think he did a great job with it. Remember how I said the storytelling here has kind of a sly wit to it? That often reflects in the score as well, as it both through its excellent main theme and a few other pieces carries an almost bouncy feel to it that captures the witty style quite well. That’s not to say that it’s all fun, as Gold also knows when to pull it back a bit and create some really good dramatic pieces.

Based on a book by John Preston, the show was written by Russell T. Davies and directed by Stephen Frears, and I think their teamwork here paid off quite well, as I think the craft on display here is really solid. There’s an energy to it all that makes it quite entertaining to follow, Frears (who is a generally a good director) really brought his A-game here. And Davies’ writing here presents all characters here in a way that doesn’t take much of an actual stance. Positives, negatives, both are shown here. The writing here is also surprisingly funny. Not in a straight-up comedy kind of way, but (again) in a sort of sly way.

This show has been very well received. On Rotten Tomatoes it has a 97% positive rating and a “Fresh” certification. On Metacritic it has a score of 84/100. And on imdb.com it has a score of 7,9/10.

“A Very English Scandal” is a surprisingly entertaining political drama filled with great acting. It has a really good plot, good characters, great performances, great music, and great writing/directing. Time for my final score. *Ahem*. My final score for “A Very English Scandal” is a 9,61/10. So it gets the “SEAL OF APPROVAL!”.

My review of “A Very English Scandal” is now completed.

Maybe Hugh Grant is more of a character actor than a proper leading man…

Series Review: Castlevania – Season 2 (2018)

I am so excited to write about this. Partly because it’s another Month of Spooks review, and partly because I’ve been looking forward to season 2 of this show for over a year. And now we’re here, ready to talk about it.

Ladies and gentlemen… “Castlevania” season 2!

Picking up very shortly after the end of season 1, we once again follow Trevor Belmont (Richard Armitage) on his quest to find and take down Dracula (Graham McTavish). But this time he’s not alone, as he’s joined on this quest by sorceress Sypha Belnades (Alejandra Reynoso), as well as Dracula’s own son, Alucard (James Callis). So now we have our vampiric plot. And I thought the plot here was great. The first season already set up a good enough plot/foundation, but it was a bit on the short side with only four episodes. This time we have eight episodes, which means you can let things develop a bit more, which works very well for the show as I found this plot entertaining, compelling, exciting, and just overall really well told. It even managed to tug at my heartstrings a bit. Great stuff.

The characters in this are flawed, layered, really interesting, and also pretty entertaining. First up we have Richard Armitage returning as Trevor Belmont, the last member of the legendary Belmont clan. He’s kind of a sarcastic asshole, but not to a degree where I utterly dislike him, as you can tell that a lot of this comes from his broken life. Also, it’s just entertaining to see him play off of the other characters a bit. And Armitage does a great job with the role. Alejandra Reynoso returns as Sypha, a scholar and sorceress that has joined Trevor on his quest. She’s a tough-as-nails lady that is also smart, charming, and just generally interesting. And despite an accent that is weird and inconsistent, Reynoso does a really good job in the role. Next we have James Callis as Alucard, the half-vampire son of Dracula. He had a good life that then turned to shit after something happened that, and now years later he of course wants to take down his own father. Alucard is a clever, badass, fun, and just overall interesting character that I love seeing at the forefront like this. And Callis is great in the role. And finally have Graham McTavish returning as Dracula, this time having a much more prominent role than in season 1. He’s a tragic figure who has understandable motivations, but extreme methods, and I think he’s one of the most interesting villains in recent years. And McTavish is fantastic in the role. We also get some supporting performances from people like Theo James, Peter Stormare, Adetokumboh M’Cormack, Emily Swallow, Matt Frewer, Jaime Murray, and more, all doing very well in their respective roles.

As with season 1, the score here was composed by Trevor Morris, and it is utterly fantastic. It’s big and bombastic, but it’s also subtle and contemplative. Badass, but also emotional. His score, which utilizes brass, strings, choirs, and sometimes even synth, perfectly fits into each scene and elevates it all to a whole different level.

Based on the classic video game franchise of the same name, and written by Warren Ellis, this might be the most well crafted video game adaptation of all time. It has a lot of fun nods to the games, while still working on its own if you haven’t played them. The animation here is great. The designs look great, and everything just has a crisp quality to them that I like.  And holy shit, the action scenes in this are utterly fantastic, being fast-paced, fun, badass, and brutal as all hell… so much blood. What I was a bit surprised by this season is just how funny it was. Don’t get me wrong, this is not a comedy series in the slightest, but there’s a fair bit of humor spread throughout the season, and I found it all to be really funny without taking away from the darker and more dramatic parts of the show.

The season just came out, and doesn’t have so much data on my usual sites. It exists on both Rotten Tomatoes and Metacritic, but has no score as of writing this review. But on imdb.com it has a score of 8,0/10.

Season 2 of “Castlevania” takes what was good about the first season and ramps it up to fucking 11. It has a great plot, really good characters, great performances, fantastic music, and fantastic writing/directing/animation. Time for my final score. *Ahem*. My final score for “Castlevania” season 2 is a 9,90/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Castlevania” season 2 is now completed.

Best video game adaptation ever? Damn right, it is.

Series Review: Fortitude – Season 1 (2015)

I am aware that I’m kind of stretching it a bit here in terms of the Month of Spooks, but there are aspects of this show that kind of work for it. Also, I kind of cheated with “Mindhunter” last year, so I think I’m allowed this one this year.

Ladies and gentlemen, I welcome you to… “Fortitude”.

On the edge of the arctic circle lies the town of Fortitude, a frozen place with a small population. A town that has been safe for as long as it’s existed. But the peace of Fortitude is disturbed when a violent crime occurs. So now we have our cold as hell thriller. And it’s good. It has an eerie feel to it that makes it stand out from other crime-thrillers out there, and the mysteries it sets up throughout the season are quite intriguing. I was sometimes taken out of the show a bit though. While it is fairly grounded most of the time, there are occasions when it suddenly requires a lot of suspension of disbelief. Now, aside from some of those moments, this is an engaging, chilling (HA!), and overall intriguing story.

The characters in this are layered, flawed, interesting, and mostly all feel pretty realistic. I will however not go in-depth about them because the cast here is so big that we’d be here all god damn day, and none of us want that. But I can say that the cast is pretty impressive. Including people like Richard Dormer, Nicholas Pinnock, Alexandra Moen, Luke Treadaway, Stanley Tucci, Michael Gambon, Sofia Gråbøl, Elizabeth Dormer-Phillips, Darren Boyd, Mia Jexen, Christopher Eccleston, and many more, all doing very well in their respective roles.

The score for the season was composed by Ben Frost, and I think he did a really good job with it. His music has a way of capturing the feel of this frozen and remote location. It’s eerie, it’s suspense-building, it’s emotional, it just works incredibly well for the show. There are also a few licensed tracks used throughout, and they work pretty well in their respective scenes too.

“Fortitude” was created by Simon Donald, and written/directed by a whole bunch of people, and I think what they created here is really interesting. For one, it’s a pretty unique location for a show. A remote town in one of the coldest parts of the world, perfect setting for this kind of show. And thanks to the directing and some frankly gorgeous cinematography, they really capture the feel of the location perfectly. They also build a lot of suspense with it, and even capture some imagery that is kind of horror-esque in how graphic and disturbing it is.

This show/season has been pretty well received. On Rotten Tomatoes it has an 86% positive rating and a “Fresh” certification. On Metacritic it has a score of 75/100. And on imdb.com it has a score of 7,4/10.

While not perfect, “Fortitude” still serves up a nice, cold mystery. It has a really good plot, really good characters, great performances, really good music, and great directing/cinematography. Though as previously mentioned, the score if brought down a bit by the show expecting you to really bend your suspension of disbelief. Time for my final score. *Ahem*. My final score for “Fortitude” season 1 is an 8,91/10. So while flawed, I’d say that it’s definitely still worth watching.

My review of “Fortitude” season 1 is now completed.

It still kind of works as horror.

Series Review: The Handmaid’s Tale – Season 1 (2017)

Shit. I thought tv was a form of escapism, not a look at how the world was, is, and will be at its most shit states.

Ladies and gentlemen… “The Handmaid’s Tale” season 1.

America has turned its back on human decency… oh sorry, I’m reading the news, not the show’s plot synopsis. *Gets slapped*. Okay fine, I’ll do it properly! Topical jokes aside, in the not too distant future, America has become a society where women are considered lesser creatures and then get forced into sexual slavery under high ranking commanders. Through the show we follow a young woman named June (Elisabeth Moss) as she on a day to day basis lives as a handmaid. So now we have our dystopian drama. And I must say that the plot here is incredibly compelling. We get good looks into both the show’s present time as well as flashbacks to what June’s life was like prior to everything going to shit. The drama is harrowing and disturbing, but there’s always also a sense of hope throughout, making it all a bit more watchable than if everything was just bleak and sad. That said, it’s not exactly a happy show. The plot is dramatic, compelling, well paced, and endlessly interesting.

The characters here are layered, compelling, and just overall very interesting. First up we have Elisabeth Moss as June (also known as Offred). She’s a determined a clever woman who falls in line with this horrible reality that she’s part of so she can survive. But we do also see her get some really solid character development throughout, and that’s where I’m leaving it as I don’t wanna ruin most of it for you. And Moss is fantastic in the role. Next up we have Joseph Fiennes as Fred Waterford, the commander that June slaves under. He’s quite the interesting figure, as he clearly is all in favor of this horrible world, but he also shows respect towards anyone under him. He’s a really intriguing character. And Fiennes is great in the role. Next we have Yvonne Strahovski as Serena, the wife of commander Waterford. She’s quite an ice cold bitch, but does show a more vulnerable side at times which makes her quite an interesting character. And Strahovski is great in the role. The final one I’ll go into some detail with is Nick, who’s played by Max Minghella. He’s basically a driver and such under Waterford, and becomes a bit of an ally of June’s over the show. He is quite the interesting guy. And Minghella is really good in the role. Through the show we also get supporting performances from people like Ann Dowd, Alexis Bledel, O-T Fagbenle, Amanda Brugel, Samira Wiley, Nina Kiri, and many more, all doing very well in their respective roles.

The score for the season was composed by Adam Taylor who I think did a great job. His music has a very eerie feel to it, highlighting just how disturbing and fucked up this world is. But it’s also emotional, suspenseful, and overall just well composed. There’s also a good amount of licensed tracks used throughout, and they all work quite well within their respective scenes.

Based on a novel by Margaret Atwood, the show was created by Bruce Miller, and written/directed by a whole bunch of people. And all this comes together to make one suspenseful and tightly directed show. And the cinematography by Colin Watkinson is absolutely stunning, some of the best I’ve ever seen in a tv show. What is also great about it is that none of the shots feel out of place. A lot of times pretty shots are added to a movie or show just to have a pretty shot with no actual purpose, but here all the gorgeous shots have a reason to be there.

This show/season has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 92/100. And on imdb.com it has a score of 8,6/10 and is ranked #148 on the “Top 250 TV” list.

“The Handmaid’s Tale” is a harrowing but also beautiful show. It has a great plot, really good characters, great performances, great music, and great directing/cinematography. Time for my final score. *Ahem*. My final score for “The Handmaid’s Tale” season 1 is a 9,80/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Handmaid’s Tale” season 1 is now completed.

I got nothing clever to put here. I used up my topical joke at the beginning.

Series Review: Legion – Season 2 (2018)

Another year(ish) has passed, the season has wrapped up (in the US and here in Sweden at least), so now I can finally talk about the insanity that is “Legion” once again. If you haven’t seen the show or know nothing about it, go read my season 1 review, then go watch the show. This is not the jumping-on point.

Ladies and gents… “Legion” season 2.

Set a year after the first season, David (Dan Stevens) finds himself having to work with both his friends and an old foe to stop Farouk (Navid Negahban) from finding his old body, which would give him a lot of power. So the basic idea this season is a bit more straightforward compared to the first, since we know what the general goal of the characters is. Of course, “Legion” being “Legion”, its approach to telling this story isn’t as straightforward and normal as most shows. It’s still filled with weird, trippy shit that may just leave you confused at first, but will make a little bit more sense down the line. But through this strange journey we do get some solid drama, suspense, and intriguing storytelling. Is the narrative as strong as the first season? Not quite. It’s still damn good, but it’s not quite as tight as the first season since it’s trying to branch out into something bigger. The plot here is still damn good though.

The characters in this are weird, unique, colorful, and endlessly interesting. Dan Stevens returns as David, the trouble yet powerful young man at the center of the story. He already got some solid development over the first season’s run, and I’m happy to see that being a thing here as well. The journey we see David go through as a character is really fascinating and it really makes him such a deep and interesting character. And Stevens is once again fantastic in the role. Next we have Rachel Keller back as David’s girlfriend, Syd Barrett (*Insert Pink Floyd song here*). She has an interesting arc here that is based around David’s arc, with his affecting hers (keeping it vague is hard). And it’s interesting. We do also get some good backstory on her. And Keller is great in the role. Next we have Aubrey Plaza once again as Lenny, the mysterious old friend of David’s. Not gonna say anything else about her arc because it’s best left experienced. But it’s great. And Plaza is great. We also of course see the return of Bill Irwin, Amber Midthunder, Jean Smart, Jemaine Clement, Jeremie Harris, and Hamish Linklater, and all are still great in their respective roles. And newcomer Navid Negahban also holds his own as the smooth yet powerful and somewhat intimidating Farouk. Really, it’s a damn great cast.

Jeff Russo returned to do the score for this season, and he once again knocked it out of the park. His score is tense, trippy, surreal, emotional, and just overall works perfectly for the show. There’s also a ton of licensed music used throughout, and all the song work excellently in their respective scenes. The use of music in this show is just phenomenal.

Based on some Marvel comics from Bill Sienkiewicz and Chris Claremont, the show was created by Noah Hawley (who’s still the showrunner). And once again, the creative minds behind this show has crafted something truly unique. Let’s start with the visuals, because that’s what a lot of people will pick up on first. The way the show uses lighting, colors, creative camera angles, effects, and even aspect ratio to create a unique style helps make this show one of the most visually interesting I’ve ever seen. I thought season 1 had some great visuals, but this season brought that stuff to the next level. And the editing (which I almost never talk about) is also sublime. This show just has such a unique style that I’ve never really seen anywhere else.

This show/season has been well received. On Rotten Tomatoes it has a 91% positive rating and a “Fresh” certification. On Metacritic it has a score of 85/100. And on imdb.com it has a score of 8,4/10 and is ranked #225 on the “Top 250 TV” list.

While not quite as amazing as the first season, “Legion” season 2 is still a great season of television. It has a great plot, really good characters, fantastic performances, fantastic music, and great directing/cinematography/effects/other technical things. Time for my final score. *Ahem*. My final score for “Legion” season 2 is a 9,54/10. So it is still worthy of the “SEAL OF APPROVAL!”.

My review of “Legion” season 2 is now completed.

Even if “Legion” would drop a bit in quality, I’d rather take it and its strange and unique kind of storytelling over most shows.

Series Review: The Sinner – Season 1 (2017)

Murder. A horrible crime. Something that can be caused by many different reasons. If you ask me, it’s never okay… but it’s still important to look at all the details of the case.

Ladies and gentlemen… “The Sinner”.

Cora Tannetti (Jessica Biel) seems like your typical woman. She has a house, a husband (Christopher Abbott), a child, and a nice job. But one day while she’s enjoying a day at the beach with her family, she suddenly lashes out and stabs a guy to death. Her case is then given to Detective Harry Ambrose (Bill Pullman) who has to find out why Cora suddenly committed this horrible act. And the further Ambrose delves into this case, the more questions arise. So now we have our murder mystery. And already I like the different approach. It’s not a whodunnit like most other shows… but a whydunnit instead (doesn’t quite have the same ring to it, but you get the idea). It’s a really dark show filled with a lot of twists that kept me invested in everything that was going on. The plot here is quite unpredictable, because when you think you know where it’s going, it pulls the rug out from under you, giving the viewer a bit of an “Oh shit” feeling. The plot here is engaging, unpredictable, disturbing, and just overall great.

The characters here are all layered, flawed, and interesting. Jessica Biel plays Cora, the woman at the center of this story. While I won’t go too in-depth about her (since a lot of her character stuff is best left experienced), I will say that she’s a really compelling character who gets some really dark and interesting character development. And Biel is great in the role. Then we have Bill Pullman as Harry Ambrose, the Detective looking into Cora’s case. He is a highly determined policeman that is doing everything to find out what made Cora do this. He doesn’t look at the broad strokes as much as he aims to find out the details of the situation. He does also have some of his own drama to deal with that adds to his character. And Pullman is great in the role. Then we have Christopher Abbott as Cora’s husband Mason. A loving husband and hard worker, Mason’s world gets completely fucked after Cora commits the horrible crime. And seeing his journey after the event is insanely compelling. And Abbott is fantastic in the role. Then we get supporting performances from people like Dohn Norwood, Jacob Pitts, Abby Miller, Danielle Burgess, Enid Graham, Nadia Alexander, Merediths Holzman, and many more, all doing very well in their respective roles.

The score for the season was composed by Ronit Kirchman who I think did really good job. The score is heavily electronic and has a unique and eerie sound that helps add a sense of unease to the show. While I wouldn’t exactly find myself listening to the music from this show for fun, it’s definitely quality stuff that works very well within the show.

Based on a novel by Petra Hammesfahr, this show was created by Derek Simonds, with writing by Simonds and some other people, and direction by various people. And the work all these cool people put in is incredibly good, giving us some of the best craft in any recent show. The sense of dread and suspense throughout is thick enough to cut with a knife, and it helps create an engaging atmosphere that helps grip the viewer. And the cinematography by Radium Cheung and Jody Lee Lipes is pretty damn good.

This show/season has been very well received. On Rotten Tomatoes it has a 94% positive rating and a “Fresh” certification. On Metacritic it has a score of 71/100. And on imdb.com it has a score of 8,0/10.

Season 1 of “The Sinner” is a compelling and disturbing ride that I highly recommend. It has a great plot, really good characters, great performances, good music, and really good directing/cinematography. Time for my final score. *Ahem*. My final score for season 1 of “The Sinner” is a 9,81/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Sinner” season 1 is now completed.

Bill Pullman is such a likable actor.

Series Review: Hap and Leonard – Season 3 (2018)

Some of you may or may not remember that I started watching/reviewing this show in the second half of last year. And I quite liked those first two seasons. So now we’re here, season 3 all wrapped up. So let’s get into it.

Ladies and gentlemen… “Hap and Leonard: The Two Bear Mambo”.

When their friend/lawyer Florida (Tiffany Mack) goes missing, Hap (James Purefoy) and Leonard (Michael K. Williams) get sent to investigate what happened to her. Only problem is that to do this they have to travel to Grovetown, a tightly knit community that doesn’t take too kindly to people of color (and their sympathizers). So now we have our plot. And I think that it’s pretty damn good. What I like about “Hap and Leonard” as a show in general is that it can discuss serious and difficult subject matter, while still being able to have a fun and pulpy tone throughout, and this season is no exception. “The Two Bear Mambo” (this season’s subtitle) deals with a lot of heavy themes like racism and corruption, while still giving us the fun buddy crime-drama that one expects from the show. It’s a tense and layered plot that I really enjoyed following.

The characters in this are layered, unique, and quite interesting. James Purefoy returns as Hap Collins, the east Texas worker with a penchant for southern ladies. He’s not the sharpest knife in the drawer, but he’s a good man and quite an entertaining character. I also like how they explores his psyche throughout the season, with a lot of it dealing with his fear over maybe losing Florida. And Purefoy is great in the role. Then we have Michael K. Williams as Leonard Pine, the black, gay, Vietnam vet best friend of Hap. He’s tough, but he’s also charming, and has some demons of his own to battle, and I really like him as a character. And Williams is of course great in the role. I also feel like I once again have to compliment the chemistry between Purefoy and Williams, because it’s fantastic. Then we have Tiffany Mack as Florida Grange, lawyer and former love interest of Hap. While we get less of her this season than in the previous one, we do still get some solid stuff with her. She’s a badass. And Mack is really good in the role. Then we get supporting turns from people like Cranston Johnson, Andrew Dice Clay, Evan Gamble, Corbin Bernsen, Laura Allen, Jesse C. Boyd, Douglas M. Griffin, Sydney Wease, Louis Gossett Jr, Pat Healy, and more. All doing very well in their respective roles. ’tis a well acted season.

As with the previous two seasons, the score was composed by Jeff Grace, and once again he knocked it out of the park. His score helps build a lot of suspense, while also letting some tracks capture the fun, swamp-noir style of the show (thanks to some good guitar tracks). There’s also a good amount of licensed tracks used throughout, and they all work very well within their respective scenes. A lot of good music here.

Based on a series of novels by Joe R. Lansdale, the show was created by Jim Mickle & Nick Damici (and written/directed by them and a bunch of other cool people). And while I haven’t read the books, I still feel like this is a very well realized world that they’ve created here. And the directing is really good, with a lot of tightly directed scenes that build a decent amount of tension. There’s also a few action throughout the season, and they’re quite entertaining. The show’s signature dark humor also makes a welcome return, and it made me laugh.

This show/season has been well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it has a score of 79/100. And on imdb.com it has a score of 7,5/10.

“Hap and Leonard: The Two Bear Mambo” is another solid season of this quirky little show. It has a really good plot, great characters, great performances, great music, and great directing/writing. Time for my final score. *Ahem*. My final score for “Hap and Leonard: The Two Bear Mambo” is a 9,80/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Hap and Leonard: The Two Bear Mambo” is now completed.

Ass needs some kickin’.

Series Review: Angie Tribeca – Season 1 (2016)

Police work is serious business. Finding killers, stopping drug dealers, preventing further thefts. So it’s interesting when the profession is played around with in film and tv in a more comedic format. We’ve gotten quite a few variations on that throughout the years, and today’s review is of one such thing.

Ladies and gents… “Angie Tribeca” season 1.

Angie Tribeca (Rashida Jones) is a tough-as-nails, no nonsense, lone wolf of a police detective in an LAPD precinct. But her whole life will change when she’s assigned a new partner (Hayes MacArthur) who will help her solve some really horrible crimes, like the apparent suicide of several bakers, or the death of a beloved ventriloquist. So now we have our cop comedy (copedy?). And what I like about the plot(s) of this show is that it kind of follows the “Airplane!” mentality of storytelling, in that it doesn’t immediately feel like a comedy until they start involving the jokes and other silly things throughout. It gives it a fun and (in these modern times) refreshing feel that I always loved following. And each case that the team takes on is of course a fun spin on the typical cop formula as well. Good stuff.

The characters in this take some of the established characteristics of serious cop shows and turns them into sillier and slightly more incompetent versions of them. First up we have Rashida Jones as Angie Tribeca, who respresents the typical “I had a partner, and now I don’t want a partner” badass who might learn to warm up to a new partner. She’s a good cop, but can be a bit impulsive form time to time. And Jones is great in the role. Then we have Hayes MacArthur as Jay Geils, Angie’s new partner in crime-solving. He shows a decent amount of deductive reasoning, but he is also not the smartest tool in the shed. And MacArthur is great in the role. Next up we have Jere Burns as Chet Atkins, Angie’s and Jay’s lieutenant. He’s loud and a bit stuck up, but ultimately cares about his precinct and is often involved in operations. And Burns is great in the role. Then we have Andree Vermeulen as Monica, a medical examiner who works at the precinct. She’s smart and is probably the one who is the best at actually doing her job at this precinct. And Vermeulen is really good in the role. Then we have Deon Cole as Tanner, another detective from the precinct. He’s a little harder to pin down as a character, but he is an enjoyable character who gets some good moments throughout. And Cole is really good in the role. And finally we have detective David Hoffman, played by Jagger… a german shepherd. Yes. One of the main players is a dog. And there’s a really funny recurring joke about him throughout that I will not spoil. But I can safely say that Jagger is a good boy. Then you get tons of great supporting work throughout from people like Alfred Molina (who might be my favorite in the show), Lisa Kudrow, Gary Cole, John Michael Higgins, and so many more. A lot of talented people in this.

The score for “Angie Tribeca” was composed by Jim Latham, and I think it was really good. Kind of like I mentioned with the plot, the music takes a sort of “Airplane!” approach where it’s done like it’s not in on the joke, and has a fairly serious sound, which adds to the absurdity of the entire thing, which improves on a lot of scenes throughout.

The show was created by Steve Carell and his wife Nancy, and written/directed by them (and various other people). And they’ve created something really fun here. It’s mostly shot like a relatively serious show (again, kind of like “Airplane!”), but it’s filled with a lot of gags. Speaking of which, the comedy in this copedy (I am gonna start using that term from now on) is absolutely hilarious. I’d say that it’s a mix of “Naked Gun” and “Hot Fuzz”. It can be extremely silly (“Naked Gun”) and it can be snappy and self-award (“Hot Fuzz”), while still feeling like it’s own thing. I don’t think there’s any joke in this that I found bad. I always laughed, whether through a small chuckle or a gut-busting laughter. It’s so much fun.

This show/season has been well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 78/100. And on imdb.com it has a score of 7,0/10.

Season 1 of “Angie Tribeca” is the type of silliness that we don’t really get much of these days, so I find the show quite refreshing. It has a really good plot, great characters, great performances, good music, good directing, and fantastic comedy. Time for my final score. *FREEZE!*. My final score for season 1 of “Angie Tribeca” is a 9,84/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Angie Tribeca” season 1 is now completed.

Sometimes you just need a good laugh.

Series Review: Young Justice (2010 – 2013)

I wanna preface this review by saying, I’ve watched this show before. It’s just that after it was announced that it would finally get a third season, I really wanted to talk about this show before the third season was released. So now that I’ve gone through it again (slightly biased), I am ready to talk about it.

Ladies and gentlemen… “Young Justice”!

The story of the show follows the sidekicks of famous DC superheroes as they form their own team (creatively known as “The Team”), and have to learn to come into their own as they face major threats while also learning to work as a team. So now we have our superhero story. And as you probably sort of gathered from some mild clues in the intro, I think the plot here is fantastic. Yes, at first it’s more of a “villain of the week” type format, but there is also an overarching plot involving some shadowy organization that lurks in the background of it all. The story is compelling, because they take their time in setting things up, rather than rushing through them like some would. It’s a layered and nuanced story filled with twists and turns, as well as compelling drama, all without sacrificing the fun superhero part of the plot. It’s a highly creative and engaging plot that I loved following

Like the plot, the characters here have a surprising amount of depth to them. Across the show’s two seasons we see the characters go through some major development that gives them so many layers. In the cast we see characters like Robin (Jesse McCartney) , Kid Flash (Jason Spisak), Aqualad (Khary Payton), Superboy (Nolan North), Artemis (Stephanie Lemelin), and Miss Martian (Danica McKellar) go through a lot of things together, developing their relationships with each other while also growing as individuals. It also helps that the actors for each of the characters do very well in their respective roles, no one felt out of place). And yes, there are more characters in the show than those mentioned, but those are the central ones for the first season, and I don’t wanna say too much since a lot of characters are best left experienced. But I can say that there’s a lot of good main characters in this show, and a lot of great supporting characters and cameos. Great characters, great actors.

The score for the show was composed by DC regulars Kristopher Carter, Lolita Ritmanis, and Michael McCuistion. And I think it’s fantastic. Of course it contains a lot of big and epic tunes for the cool superhero fight scenes as expected, but it does also have some tunes for the quieter moments or when they need something a bit more emotional. All the tracks in this show are well composed, and they fit their respective scenes perfectly.

Based on a shit-ton of characters from DC comics history, this show was created by Greg Weisman & Brandon Vietti (and written by those two and a bunch of other talented people). And what they’ve done is take a lot of well known DC characters and tropes, and created their own, fully realized world, featuring some familiar characters. And the animation here is fantastic, with fluid movements, and plenty of detail throughout. This helps in getting the viewer invested… and also makes action scenes a lot more awesome. Seriously, they’re fantastic.

This show has been well received (though barely exists on my usual sites). On Rotten Tomatoes it exists, but has no rating. On Metacritic it doesn’t exist. And on imdb.com it has a score of 8,7/10 and is ranked #103 on the “Top 250 TV” list.

Did I make this review just so I could talk about “Young Justice”? Yes. But I feel like it’s also worth talking about since it’s such a great show. It has a great plot, great characters, great performances, great music, and great directing/writing/animation. Time for my final score. *Ahem*. My final score for “Young Justice” is a 9,94/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of the first two seasons of “Young Justice” is completed.

I am really excited for season 3, which should be released later this year.