Memories. Images in our minds depicting things that have happened in our lives. They can be of happy moments; a birthday party, you playing with you pet, your first kiss, etc. But they can also show some of the worse moments in your life like the time you broke your arm, or the funeral of a loved one. Memories, good and bad.
Ladies and gentlemen… “Rememory”.
Before his untimely death, Gordon Dunn (Martin Donovan) invented a machine that let you record a person’s memories so they could be played back in full detail. The machine is soon found and used by Sam Bloom (Peter Dinklage) to try to find out how and why Dunn died. This leads him onto a trail that forces him to confront Dunn’s old patients, as well as his own troubled past. So now we have a plot with a really interesting concept and just average execution. We have a very strong concept here to explore humanity, to create something truly compelling, and at times they do get right to that edge, even reaching a little bit into it… but in the long run it isn’t as compelling as it should be. It has moments of really good drama that touch on the potential of the concept, but if we’re talking about the plot as a whole, then it’s just fine. They scratch the surface, and occasionally strike copper, but in the end… it’s all kind of forgettable (HA!).
The characters here range from pretty good to just bland and uninteresting. Peter Dinklage plays Sam Bloom, the guy looking into Dunn’s death. Something happened to him in the past that still haunts him to this day, and it’s interesting to see how it messes with his mind even though it’s been some time since that event. They don’t touch on it perfectly, but it’s actually decently handled. And Dinklage is really good in the role. Then we have Julia Ormond as Carolyn, the wife of the deceased Dunn. She’s vulnerable, but not weak. Sad, but not constantly crying. And Ormond is really good in the role. Then we have Martin Donovan as Gordon Dunn, who we see mostly in flashbacks. He’s a good-hearted guy who may have made a slight misstep or two in his life. And Donovan is really good in the role. Then the final one I want to talk about in more detail is Anton Yelchin (may he rest in peace) as Todd, one of Dunn’s patients that Sam has to talk to. He’s not in the movie much, but he leaves the biggest impression of all the characters/actors. He’s damaged and intense, you can clearly see that the memory experiments have taken a toll on him. And Yelchin (despite his brief appearance) is fantastic in the role. Then we get some great supporting performances from Henry Ian Cusick, Scott Hylands, Evelyne Brochu, Chad Krowchuk, and more.
The score for the movie was composed by Gregory Tripi and it was… a mixed bag. It’s heavily synthesized and electronic, which is no problem at all. Some tracks were pretty good and worked well for their scenes/moments. But a lot of it felt mediocrely composed and overall didn’t always fit with their scenes, and it distracted a bit from their respective scenes/moments. So the score here is… meh.
This movie was directed by Mark Palansky and I think he did an okay job. The camera is still and it’s shot smoothly, which makes it look pretty nice. There’s not really any tension in the direction here, which is a little sad when the movie is listed as a “thriller”. But there is at least enough energy and cool style to keep it from feeling boring.
“Rememory” is far from perfect, but it’s still an enjoyable little sci-fi movie with an interesting concept. It has a meh plot, okay characters, really good performances, meh music, and okay directing. As previously mentioned, the plot isn’t as great as the concept, several of the characters are uninteresting, the music isn’t great, and the directing lacks tension. Time for my final score. *Ahem*. My final score for “Rememory” is a 7,78/10. So while quite flawed, it is actually worth renting.
My review of “Rememory” is now completed.
Already forgetting it…