Movie Review: The Fate of the Furious (2017)

Well this review was a long time coming. If you’ve followed my blog for an extended amount of time, you’re probably aware that I spent a decent chunk of 2015 reviewing every “Fast & Furious” movie leading up to the seventh installment. Then later that year I did that one. So this franchise has become a bit of a staple for this blog. So let’s talk about the eighth installment.

Family… “The Fate of the Furious”.

After our beloved gang pulls another job for the government, their leader Dom Toretto (Vin Diesel) betrays them and starts working for a shady hacker/terrorist known as Cipher (Charlize Theron). So we follow the crew as they do everything in their power to stop Cipher and get Dom back. Not gonna lie, I found myself surprisingly engaged by the narrative here. Maybe I’m biased because I’ve grown attached to this world and these characters, but I felt like there was a lot of effort put into making the story here as dramatically engaging as possible without sacrificing the fast and furious thrills of the franchise. This does bring down the pace ever so slightly, but never to the point of ruining the movie. It’s still generally a fast-paced action fest, and I do appreciate some of the slower moments as they add a surprising amount of nuance and genuinely interesting conflict to the story. So yeah, not perfect, but still very good.

The characters in this are just as colorful, charming, and entertaining as ever, but now also have added character conflict due to the aforementioned part of Dom going bad. Speaking of which, let’s start with Dom, once again played by mumblegrumble master Vin Diesel. Dom is usually the same ol’ guy in every movie, so it’s nice to see him get a little extra character development for a change. And I must say, this is the best I’ve seen Diesel in this franchise, the dude shows that he can do more than just his signature mumblegrumble. Charlize Theron as newcomer villain Cipher is really good in that role, playing her with a generally quiet menace right out of a 90s movie (which I love). Next we have Dwayne Johnson and Jason Stathamas Hobbs and Shaw, both returning characters, mortal enemies forced to work together to stop Cipher. Their banter here is amazing, their chemistry is amazing, they are amazing. Michelle Rodriguez, Ludacris, Tyrese Gibson, Nathalie Emmanuel, and Kurt Russell all return in their roles, and they are all very good in their roles. And in a few other supporting roles we have Scott Eastwood, Patrick St. Esprit, Kristofer Hivju, and Celestino Cornielle. So overall it’s quite a well rounded cast.

The score for the movie was composed by franchise mainstay (bar the sixth one) Brian Tyler. And it’s another good score. Big bold brass and the occasional soft string and piano. It’s not exactly the most original or unpredictable score, but it serves the movie just fine. There’s also a handful of licensed songs used throughout, all hip hop, all fitting really well in their scenes. So yeah, the movie has good music.

“The Fate of the Furious” was directed by F. Gary Gray, and I think he did a good job with that. He shows with his direction that he knows how to make actions feel like they have weight. So when things happen, they feel like they happen and really hurt, even when it’s clearly done mainly in a computer. Which brings us to the action scenes, which are the dumbest, silliest, most insane set pieces this franchise has seen so far… and I love all of them. I love heavy dramas, I love being intellectually challenged… but sometimes I just need something ridiculously stupid to put a big smile on my face. And the action in this movie did just that. The action in this is an absolute blast to watch.

This movie has been decently well received. On Rotten Tomatoes it has a 67% positive rating. On Metacritic it has a score of 56/100. And on imdb.com it has a score of 6.7/10.

“The Fate of the Furious” is an absolutely bonkers action movie with a lot of heart, and while that might not be everyone’s cup of tea, I absolutely loved it. It has a really good story, really good characters, great performances, good music, and great directing/action. Time for my final score. *Ahem*. My final score for “The Fate of the Furious” is a 9,56/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Fate of the Furious” is now completed.

Sometimes you just need something stupid.

Series Review: Buffy the Vampire Slayer – Season 3 (1998 – 1999)

Yes, that’s right, still rewatching and reviewing all seasons of this show… mom and I just forget to keep watching every now and then, which is why it’s been so long between the previous “Buffy” review and this one. So let’s get into it.

Ladies and gentlemen… “Buffy the Vampire Slayer” season 3.

After disappearing during the summer post season 2, Buffy (Sarah Michelle Gellar) returns once again to her loved ones in Sunnydale, all of them of course a bit peeved that she bolted without much of a word. And as we follow Buffy trying to get back in to the swing of slayer things AND earn back the trust of those she loves, a new slayer named Faith (Eliza Dushku) arrives in town and ends up stirring some stuff up. All the while the city’s affable mayor (Harry Groener) plots sinister things in the shadows. As with the previous seasons, the episodes here are a mix of one-off monster plots, main story, and whatever else the writers came up with. And the blend of these elements feels stronger than ever. Yes, there are moments and episodes that are somewhat weaker than others, as with any 20+ episode series, but compared to the first two seasons, there’s fewer of those dud moments in my opinion. The storyline here is more ambitious, the schlock a bit more fun, the consequences of characters’ actions a bit more impactful. It’s just overall the strongest in terms of storytelling (so far).

The characters are just as well written, nuanced, flawed, colorful, and interesting as they’ve always been, with their various dynamics being tested at every turn to great effect, creating engaging drama and character development. The returning main cast of Sarah Michelle Gellar, Anthony Head, Alyson Hannigan, Nicholas Brendon, Charisma Carpenter, David Boreanaz, Seth Green, and Kristine Sutherland are all terrific and all get moments to shine. Newcomer Eliza Dushku kills it as Faith, this new slayer in town who is a bit of a wild card, helping create some wonderful tension in the show. Harry Groener is wonderful as the town’s mayor/season’s main antagonist, playing him as this super friendly and clean (both literally and metaphorically) guy who also happens to be involved in some shady shit. And all other actors that appear this season are all great too.

As with season 2, the score for season 3 was composed by Christophe Beck, who in his previous outing already gave us a huge step up in the show’s background music. And yet the crazy motherfucker stepped it up even further this time around. The instrumentation is crisper and more playful, giving us a lot of interesting melodies and a unique soundscape that is perfectly fitting for this show. There’s also a bunch of licensed tracks used throughout, and they all work well in their respective scenes.

Season 3 of “Buffy” was written and directed by a whole bunch of talented people, all doing (for the most part) great work in their departments. Effects (for the most part) are improved, pacing holds up way better, and the cinematography generally is quite pleasing. The crew knew how to keep things exciting, intimate, or suspenseful in any given scene, showing how they’ve evolved since that rocky first season.

This show/season has been quite well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it has a user score of 7.6/10. And on imdb.com it has a score of 8.2/10.

Season 3 of “Buffy the Vampire Slayer” is another step up for the show, giving us another stellar set of episodes. The story is great, the characters are great, the performances are fantastic, the music’s great, and the directing/cinematography is great. Time for my final score. *Bleh, I am vampire*. My final score for “Buffy the Vampire Slayer” season 3 is a 9.94/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Buffy the Vampire Slayer” season 3 is now completed.

Just kidding, by the way, I’m not actually a vampire… too much of a recluse to be bitten.

Series Review: Doom Patrol – Season 2 (2020)

Last year I watched (and reviewed, nudge nudge wink wink) the first season of this show. I absolutely loved it. So now that I finally finished season 2, the question becomes “Is the show able to follow up on such a strong first outing?”. Well, today we’re gonna find that out.

Ladies and gents… “Doom Patrol” season 2!

We once again follow the dysfunctional adoptive “family” of mad scientist Niles Caulder (Timothy Dalton), now recently having added Caulder’s real, estranged daughter Dorothy (Abigail Shapiro) to their mix. All the while they deal with their own personal demons in the chaotic and often destructive ways we’ve come to know from them. As with the first season, the sophomore outing of “Doom Patrol” isn’t afraid of exploring the stranger sides of the DC Universe, giving us some of the strangest and most insane characters from the comics. And while this helps create some absurd hilarity throughout, the writers still take the time to really take us into the characters’ heads and dramas, creating a strong emotional bond that keeps the viewer invested in everything going on, even when things get absolutely fucking bonkers. It’s a damn good mix of strange, hilarious weirdness, and genuinely emotional drama.

The characters in this are flawed, extremely nuanced, colorful, fun, engaging, and overall just insanely interesting. I won’t go into detail with each character as that would take all month, but let it be known that they all have really fascinating arcs this season that add upon developments from the first season quite well. I can at least say that the returning core cast, including people like Diane Guerrero, April Bowlby, Matt Bomer, Brendan Fraser, Joivan Wade, Timothy Dalton, Matthew Zuk, and Riley Shanahan all give excellent performances in their respective roles. And newcomer Abigail Shapiro (in her first on screen role no less) holds her own excellently against these more established performers, playing the inexperienced and naive Dorothy beautifully. And some of the supporting and guest actors are great too. It’s just an overall great cast.

As with season 1, the music for season 2 was done mainly by Kevin Kiner, with some assistance by Clint Mansell. And good god damn, the score here is excellent. It’s mostly based around synths, but it helps create a sound that is a little weird and otherworldly, perfectly befitting of this show’s overall tone, fitting both the insane and emotional sides of the narrative. There’s also a bunch of licensed songs used throughout, and they work quite well in their respective scenes.

The episodes of “Doom Patrol” season 2 were written and directed by a whole bunch of people, and the craft on display here is superb. The shot composition is great, the pacing is great, the cinematography is beautiful, everything just together perfectly. Even the special effects have had a bit of a step up in quality, from being very hit and miss in the first season to all looking pretty damn good here. And as implied earlier, this show has a fair bit of comedy to it. And I felt like it all landed, creating many loud, belly laughs.

This show/season has been very well received. On Rotten Tomatoes it has a 96% positive rating. On Metacritic it has no score. And on imdb.com it has a score of 8.0/10.

Season 2 of “Doom Patrol” is another excellent batch of insane, emotionally resonant stories. It has a great story, great characters, fantastic performances, great music, great directing/cinematography, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Doom Patrol” season 2 is a 9,94/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Doom Patrol” season 2 is now completed.

Long live weirdness.

Series Review: Transformers Prime – Season 2 (2012)

There are probably those in the world who would say “You’re 23, stop watching cartoons!”. And to that I say “Be quiet, fool, I’m trying to watch a cartoon”. Oh, and there will be spoilers for the end of season 1, just so you don’t say I didn’t warn you.

Ladies and gents… “Transformers Prime” season 2.

At the end of the previous season, we saw Optimus (Peter Cullen) defeat the mighty Unicron. But that doesn’t mean him and his fellow Autobots get any time to rest, since they find themselves in a race against Megatron (Frank Welker) and his Decepticons to find and gather up mighty Cybertronian artifacts, all scattered across Earth. Yes, most of this season is a MacGuffin hunt, but so are all the “Indiana Jones” movies, and those are great. And “Transformers Prime” does it really well too by throwing in a lot of enjoyable character development, some clever twists, and genuinely fun sci-fi concepts. It also continues the show’s exploration of “Transformers” lore in really nuanced ways. The narrative manages to be a lot more compelling than a lot of contemporary cartoons… and a lot more compelling than the live action movies… what I’m saying is that the story here is great.

The characters here are flawed, layered, colorful, and just in general great. In season 1, they kinda started out one way, kind of being a cliche. But by the end of it, they had developed further. And they kept that going here in season 2. A lot of cartoons return to the status quo every now and then, just to make syndication easier. But none of that’s here. Character development sticks, and even gets furthered throughout the season. And the voice cast is great too. Peter Cullen, Frank Welker, Kevin Michael Richardson, Jeffrey Combs, Sumalee Montano, Josh Keaton, Tania Gunadi, Steve Blum, Ernie Hudson, and a few more all return from the previous season, all delivering damn good voice performances. And some of the newer additions, including the likes of Tony Todd, David Kaye, and Nolan North, are also great great.

As with the previous outing, the music for season 2 was composed by Brian Tyler, and he once again did a good job with it. It’s a big, bold, badass, brass-based score that fits the tone of the show really well while adding an extra layer of emotion to certain scenes throughout.

In my review of season 1, I praised the show’s animation for being fluid and dynamic without sacrificing much in terms of detail. Well, I can happily say that it’s still the case here. The animation is beautiful. Sure, the human characters look a bit like putty, but that’s an acceptable compromise for the titular robots. My god, they look amazing. The amount of detail on them, from parts, to shine, to wear and tear in their paint… you can tell that the crew really cared to make them look amazing. And the good animation carries over to the action too, which has plenty of exciting fights, shootouts, and chases. It’s all fluid and super fun, without compromising on any of the detail.

On imdb.com the show has a score of 7,8/10.

The crazy bastards did it. They somehow managed to give “Transformers Prime” another terrific season. It has a great plot, really good characters, great performances, really good music, and excellent animation/direction. Time for my final score. *Ahem*. My final score for “Transformers Prime” season 2 is a 9,82/10. Which does mean that it gets the “SEAL OF APPROVAL!”.

My review of “Transformers Prime” season 2 is now completed.

Roll out…

Movie Review: Reign of the Supermen (2019)

As has been made clear many times on this here blog, I like watching animated adaptations of DC Comics properties. Yes, there’s been a few less than stellar ones through the years, but I always root for them, because of my nearly lifelong love of these characters. So with this said, let’s talk about one.

Ladies and gentlemen… “Reign of the Supermen”.

Set six months after “The Death of Superman“, the world is still trying to recover after one of its biggest heroes died at the hands of the monster known as Doomsday. And in the wake of the Man of Steel’s demise, several new and mysterious Supermen start revealing themselves, all trying to be the new hero of Metropolis. While the movie at times suffers from trying to cram a lot of plot into 80 minutes, I still found myself enjoying the hell out of proceedings. The creative team really know how to squeeze genuine emotion and clever storytelling out of this admittedly silly premise. There were times where I really felt something more than just “Yay, superheroes!”. Again, it’s not perfect as it has a lot of plot to dish out in a very short runtime, but for the most part the story holds up, even providing a surprising amount of nuance.

Like with the story, the crew managed to give a surprising amount of nuance to the characters in here, giving them interesting motivations and entertaining arcs. I won’t go too much into details about them, as it would risk spoiling stuff, so I’ll just leave it on all characters having something interesting to them. Also, holy crap this cast. Rebecca Romijn, Cameron Monaghan, Cress Williams, Jerry O’Connell, Rainn Wilson, Charles Halford, Rosario Dawson, and so many more… it’s an incredible cast, with everyone giving their A-game.

As with a lot of these DC animations, the score for “Reign of the Supermen” was composed by Frederik Wiedmann, and as per usual, it is terrific. This man brings us terrific tunes every time he composes the score for one of these movies. It’s big and epic, but also low-key and intimate. My man brought his A-game once again.

Based on the 90s comic storyline of the same name, “Reign of the Supermen” was directed by DC animation regular Sam Liu. And if you’re somewhat unfamiliar with that name, let’s just say that he’s one of the most reliable hands in the DC/WB animation department. The man knows how to infuse properties with a certain energy that is quite engaging to experience. When scenes need to slow down and be more emotional, his direction is great. And when action happens, his direction is great. The man knows how to deliver on animated comic book goodness. Speaking of which, the animation here is great. It has a decent amount of detail, and it has a nice fluidity to it that really shines during action scenes.

This has been pretty well received. On Rotten Tomatoes it has a 93% positive rating. And on imdb.com it has a score of 6,8/10.

“Reign of the Supermen” may buckle slightly under the weight of too much plot in too little time, but it still manages to be a damn fine animated feature. It has engaging plot, it has really good characters, great performances, great music, and really good animation/direction. Time for my final score. *Ahem*. My final score for “Reign of the Supermen” is an 8,87/10. So while flawed, it’s still definitely worth buying.

My review of “Reign of the Supermen” is now completed.

Fun fact: As I was writing this, I put on some music. And one of the songs that came on was “Land of Confusion” by Genesis, which has the oddly fitting lyric “Oh Superman, where are you now?

Series Review: Buffy the Vampire Slayer – Season 2 (1997 – 1998)

As some of you may know, earlier this year my mother and I started our rewatch of this show. And I promised to document said journey. Episode-by-episode thoughts will be posted to my twitter as soon as an episode is watched. And as each season gets finished, I will (as seen here) write a review of them all. Enough dawdling, review time!

Ladies and gentlemen… “Buffy the Vampire Slayer” season 2!

Summer holiday is over, which means Buffy (Sarah Michelle Gellar) makes her return to Sunnydale after spending some time with her dad in L.A. Which means it’s back to business as usual: Trying to get good grades in school while also working to save the people of Sunnydale from various supernatural threats, including the newly arrived vampires Spike (James Marsters) and Drusilla (Juliet Landau). Season 2 takes the basic setup of the first season, and improves upon it tenfold thanks to increased budget and confidence in the writing. The main arc(s) in this season mesmerizes, creating an emotionally resonant experience that leaves a unique emotionally visceral impact by the end of it all. The highs of this season are even higher than the first one. Yes, there are still a dud or two, such as the much maligned “Go Fish” or the messy “Bad Eggs”. But then you get some truly awesome experiences in exchange, such as the wonderful “Halloween” or the spectacular and gut-wrenching “Passion”. So while there are a few less than stellar episodes, the overall package is a huge leap in quality from the first season, making for a fucking terrific batch of stories.

The characters in the show are still very colorful, fun, and entertaining, but also get a shitload of development, deepening our bond to them even further. Sarah Michelle Gellar of course returns as the titular vampire slayer. She gets to go through a loooot of stuff this season, and whoa, by the end she has developed so much as a character, which is truly compelling. And Gellar is great in the role, really getting to flex her acting muscles even more than in the first season. David Boreanaz returns as Angel, the vampire with a soul… that means he’s not a bitey bastard anymore, for you uninitiated folks out there. And like Buffy, he goes through a lot of stuff this season that is really interesting to see, both in how it affects him as a character, and how it affects his relationship with Buffy. And Boreanaz is great in the role. Alyson Hannigan, Nicholas Brendon, and Charisma Carpenter return as Buffy’s friends, and they’re all great, both on the character and acting front. Anthony Head is still wonderful as Buffy’s Watcher/mentor Giles. Now let’s talk about some newcomers… namely Spike and Drusilla, the newly arrived vampires. Spike is an anarchic punk, an absolute dick who likes to cause chaos and fear where he goes… and that kind of makes him the best character, because he’s just a blast to watch, especially since James Marsters clearly has a blast with the role. Next is Drusilla, Spike’s girlfriend, and resident crazy person. I don’t wanna say much more, since I find her personality and arc to be more fascinating to experience rather than told. But I’ll say that she’s interesting and Juliet Landau does a good job in the role. And with people like Robia LaMorte, Kristine Sutherland, Armin Shimerman, Seth Green, Danny Strong, and many more filling out the supporting cast, you get a lot of solid performances.

Season 1 composer Walter Murphy did not return for this second go-around, with compsing duties being handed over to Christophe Beck. And just like with the storytelling and character arcs, the music of season 2 is a vast improvement on the first season. Way fewer synthesizers to emulate orchestras are used, with real instruments getting to take center stage. And while there are some big, bombastic pieces for action set pieces, the overall vibe of the score this season is somber, giving off an understated feeling of sadness that still manages to have some hope behind it. Of course this is best shown in the track “Close Your Eyes”, but it does show in a few other pieces too. Beck really brought his A-game here. There’s a few licensed tracks used throughout too, and they’re fine.

As with season 1, Joss Whedon and a bunch of other cool people handled writing and directing for the season, and generally it is all really well handled (yes, even in bad episodes). It’s well shot, fight choreography ranges from alright to really good, the craft is just generally improved from the first time around (wow, saying that is really getting old). You can tell that the creatives behind the show really cared, trying to bring it to 110% each time (with varying results). Even the effects are improved… even though that doesn’t say much, because we’re talking about late 90s tv budget CGI for certain effects. The practical stuff looks fantastic, but hooooo boy, some of them there fancy computer effects aren’t so fancy anymore. It doesn’t ruin the experience for me, but it’s worth pointing out. Generally the craft here is terrific.

The show/season has been well received. On Rotten Tomatoes it has a 92% positive rating. On Metacritic it exists, but with no critics rating. And on imdb.com it has a score of 8,2/10.

While it does have one or two low points, season 2 of “Buffy the Vampire Slayer” is still a great sophomore outing that takes its simple premise and elevates it to something really special. It has a great story, great characters, great performances, great music, and great writing/directing/action/effects. Time for my final score. *Ahem*. My final score for “Buffy the Vampire Slayer” season 2 is a 9,78/10. So yes, that is correct, it does indeed get the “SEAL OF APPROVAL!”.

Season 2 of “Buffy the Vampire Slayer” is now completed.

“Go Fish”, more like “Go Fuck Itself”.

Movie Review: Dunkirk (2017)

As a self-proclaimed fan of this director, you’d have thought I’d gotten to this movie sooner. But sometimes life is a bit more unpredictable than that, Skipper.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a movie… which it is. Disclaimer over.

Ladies and gentlemen… “Dunkirk”.

1940, World War 2 is going on. British, French, and Belgian forces have been surrounded by the Germans, stuck on the beaches of Dunkirk. And we follow people on the various fronts as they try to sort this situation out or simply survive. Simple setup, good setup… but there’s something about the overall narrative that just didn’t fully click for me. I wasn’t ever bored, and I was invested in what was going on… so why didn’t it ever click fully for me? It’s so close to reaching the greatness status, and yet something feels like it’s missing. There are some fucking terrific moments of tension and drama throughout, and they are really effective. But there’s something about the connecting thread that just never crossed that final line for me. Again, the plot here is pretty good, if not quite on the level it could be.

This movie doesn’t exactly have the deepest characters ever, but I still knew enough about them that I could at least somewhat care about them as chaos happened around them. Sure, I couldn’t really tell you anything about them, but I could still see them, recognize them, and know who they were in relation to the narrative (the soldier boy, the boatman, the pilot, etc.). But what I can say is that all the actors are terrific in their respective roles. Fionn Whitehead, Aneurin Barnard, Tom Hardy, James Bloor, Mark Rylance, Barry Koeghan, Jack Lowden, Harry Styles, Kenneth Branagh, Cillian Murphy, and many more, they all did a great job.

The score for the movie was composed by Hans Zimmer, and mother of god, this man can do no wrong. His score has a way of generating genuine suspense, blending ear-grinding strings, heavy brass, ominous synthesizers, and even a ticking clock. The score maintains a rising sense tension throughout, and it’s simply spectacular.

“Dunkirk” was written and directed by Christopher Nolan, one of my favorite directors. And he did a damn job with it all. While Zimmer’s score carried a lot of weight in terms of building suspense, Nolan of course brought a lot to that too, with a lot of clever camerawork that really made the soldier just feel small, like they’re just a minor cog in the machinery of war… like they could be taken out all of a sudden, which creates some really good tension. And when combined with Hoyte van Hoytema’s amazing cinematography, you get some truly breathtaking sequences.

This movie has been really well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 94/100. And on imdb.com it has a score of 7,9/10. The movie won 3 Oscars in the categories of Best film editing, Best sound editing, and Best sound mixing. It was also nominated for an additional 5 Oscars in the categories of Best picture, Best director, Best cinematography, Best original score, and Best production design.

While I don’t really love it as much as a lot of people, I still think “Dunkirk” is a damn fine movie. It has a pretty good plot, okay characters, great performances, fantastic music, and fantastic directing/cinematography. Time for my final score. *Ahem*. My final score for “Dunkirk” is an 8,62/10. So while flawed, it’s still worth buying.

My review of “Dunkirk” is now completed.

Am I gonna get in trouble for not giving this movie a perfect score? Should I barricade my house?

Series Review: Transformers Prime – Season 1 (2010 – 2011)

Hello. My name is Markus. I’m 22 (soon 23) years old, and I watch kids cartoons. And you can’t fucking stop me.

Ladies and gents… “Transformers Prime” season 1.

A heroic group of alien robots known as the Autobots secretly reside on planet Earth as they try to fight off the villainous Decepticons. The setup is basically the same as any other “Transformers” adaptation, Autobots fighting Decepticons, Autobots having some human friends, yada yada yada. No need to dwell on the setup stuff, as it’s basically the same in most shows. However, “Transformers Prime” transcends its well-trodden premise in its execution, which is pretty damn good. While it’s still a kid-friendly action cartoon, it sports a fairly serious tone that isn’t afraid to go to some surprisingly dark places at times, making for a show that can give kids the colorful action fix they might want, while also featuring some surprising nuance for any potential adults (AKA me) watching. Even the filler episodes help further develop the world and characters, while still retaining a relatively closed off plot for those specific episodes. Am I saying this is the deepest plot for a show ever? Of course not. But it’s still way more compelling than I actually expected, leading me to be genuinely invested in what was going on without solely relying on my nostalgia for this franchise.

The characters in this are colorful, fun, and surprisingly nuanced (kinda like the plot). The cast is a bit too big to go into detail for, so here’s just a quick rundown (starting with the core Autobot team). You got Peter Cullen back as the ever inspiring Optimus Prime, you got Kevin Michael Richardson as the strong but not too smart Bulkhead, you got Sumalee Montano as the fierce and loyal Arcee, and you got Jeffrey Combs as the ever cranky but lovable Ratchet. Among the bad guys you got Frank Welker (fuck yeah) back as the menacing Megatron, you got Steve Blum as the ever scheming Starscream, you got Daran Norris (who possibly gives my favorite performance in the show) as the sassy and clever Knock Out, and you got Gina Torres as the sinister Airachnid. As for human characters, you got Josh Keaton as aspiring cool guy Jack, you got Tania Gunadi as the almost annoying, but luckily endearing Miko, you get Andy Pessoa as the young but bright Rafael, and you get Ernie god damn Hudson as Special Agent Fowler. Sorry I won’t go into more detail on each character, but I don’t have the time or willingness to ruin some interesting developments that occur.

The score for the season was composed by Brian Tyler and Matthew Margeson, and I think they did a good job with it. For the most part it is of course the cool action brass one might expect, but it does get a little more somber when needed. There is also frequent use of the main theme as well, but I’m fine with that, because it’s great. Really, this score is solid.

“Transformers Prime” was developed for the Hub Network by Alex Kurtzman, Roberto Orci, Duane Capizzi, and Jeff Kline, with writing/directing by a whole load of cool people. And I have to say, this show is way more well crafted than I expected… those last three words seem to be coming up a lot in this review. The first time I saw the art style, I wasn’t really a fan. But when I watched it in action, I grew to really like it, with only a few minor niggles regarding some of the human designs. But the overall animation here is great, showing plenty of detail without sacrificing good movements and such. Usually I tend to lean towards preferring drawn 2D animation, but here I think the animation team made great use of 3D animation to create a lot of fun angles and camera movements, making for some spectacular action scenes.

The show doesn’t really exist on my sites I use for this “other ratings” section. But on imdb.com it has a score of 7,8/10.

Season 1 of “Transformers Prime” surprised the hell out of me, it’s one of the best action cartoons I’ve seen in recent years. It has a really good plot, really good characters, great performances, really good music, and great directing/animation. Time for my final score. *Ahem*. My final score for season 1 of “Transformers Prime” is a 9,62/10. So it does get the “SEAL OF APPROVAL!”.

My review of “Transformers Prime” season 1 is now completed.

Roll out…

Series Review: Buffy the Vampire Slayer – Season 1 (1997)

Oh hello there. So you’re probably wondering why I’m talking about this show. Well, frankly, it’s because I’ve been a fan of it for quite a while, but it’s been years since I actually properly watched it. So my mother and I recently sat ourselves down with the DVD box set and started a rewatch. And that made me think “Hey, maybe I could talk about each season on my blog as we get through them”. So that’s what we’re gonna do for however many months this’ll take. I’ve been looking for a long-term thing to do on this blog (like the Mangoldathon I did in 2017), so this might be a decent one for now. Anyhow, let’s get on with it.

Ladies and gentlemen… “Buffy the Vampire Slayer” season 1.

After she gets kicked out of her old school, Buffy Summers (Sarah Michelle Gellar) moves to a small town called Sunnydale to start over. However, things aren’t just classes, boys, and parties, as the town lies upon an ancient secret called the Hellmouth, which brings all kinds of demonic bullshit to the area. And since Buffy is the Slayer, a young woman chosen to fight off demons, it is up to her, with the help of her new mentor (Anthony Head) and friends (Nichols Brendon, Alyson Hannigan) to deal with any demonic threats terrorizing Sunnydale, including the sinister vampire lord known as the Master (Mark Metcalf). The story here is a weird roller coaster. When it focuses on main stuff regarding Buffy’s development as a Slayer, and the Master’s plan to take over the world, it can be quite interesting, as the creators put their own unique spin on vampire mythology that still honors the traditions set by older adaptations. But then there’s also a fair bit of filler throughout, which is very hit-and-miss. From the really dumb “I, Robot, You, Jane” to the surprisingly high concept “Nightmares”, you can feel that they hadn’t quite found their footing/voice yet. This does not dismiss the entire season as outright bad though, despite its tonal and stylistic inconsistencies. It just means the road is rocky, but is filled with enjoyable and sometimes even compelling highlights (see the aforementioned “Nightmares”). So overall the story stuff here is… fine.

Where the plot may falter at times, the characters make up for it thanks to being interesting and entertaining. Sarah Michelle Gellar plays Buffy, the titular teenage vampire slayer. Like every girl her age, she doesn’t want all this responsibility of having to save the world, but is of course begrudgingly drawn into it because it’s the right thing to do, and she’s a good person and all that. And seeing her duty vs. desire sides clash creates some interesting dynamics for her. And Gellar is really good in the role. Nicholas Brendon plays Xander, one of Buffy’s new friends. He’s a bit of a dork, but also knows when to stand up for those that need it. He gets a tiny bit of development this season, but not enough to make him as good as he could be, though he is still an enjoyable presence who I wouldn’t trade for anything. And Brendon is really good in the role. Next we have Alyson Hannigan as Willow, Buffy’s other friend. A shy, slightly timid nerd, she’s the brains of the main trio, but it’s also clear that she has a tougher side to her somewhere deep down. And Hannigan is really good in the role. Anthony Head as Giles, the mentor/Watcher is great, bringing a sort of father figure presence to the group. Charisma Carpenter plays a mean girl at the school, and she kills it in that role. Mark Metcalf is deliciously villainous and campy as the evil Master. And there’s a lot of other supporting characters/actors I could talk about, but I won’t, but they’re all good.

The score for the season was composed by Walter Murphy, and I know the show at this point ran on a ham sandwich budget, but jeez Louise, it sounds bad. Not like “Resident Evil” director’s cut bad, but it’s not great. They have fun ideas for some action/horror tunes throughout, but due to its weird synth-pretending-to-be-orchestra sound, it often falters. But then we also get a few piano-based pieces throughout, and those sound great. So I’m weirdly split on it, because parts sound less than stellar, and others sound really good. Oh, and the main theme by rock band Nerf Herder is pretty good too.

Based on the movie of the same name, “Buffy the Vampire Slayer” was created for the WB network by Joss Whedon, who also wrote and directed some of the episodes, with some help on other episodes by other cool people. And here’s where I have a lot of praise for the show. It’s pretty well known that season 1 of “Buffy” was running on a ham sandwich budget, which can often break a lot of shows. But the crew really push every penny to its absolute god damn limit. Yes, some of the effects look a bit… not great, but for the most part the crew does wonders with the few means they have of creating monsters, eerie sets, and vampire slaying tools. There’s even some decent shot composition every now and then.

The show/season has been well received. On Rotten Tomatoes it has a 92% positive rating and a “Fresh” certification. On Metacritic it has a score of 80/100. And on imdb.com it has a score of 8,2/10.

While it’s a little rocky throughout, season 1 of “Buffy the Vampire Slayer” is still a solid start to the show. It has an okay plot, really good characters, great performances, meh music, and good writing/directing. Time for my final score. *Ahem*. My final score for season 1 of “Buffy the Vampire Slayer” is a 7,80/10. So while flawed, I’d still say that it’s worth watching.

My review of “Buffy the Vampire Slayer” season 1 is now completed.

Nice to have another blog series going.

My Favorite Scenes: Doom Patrol – People Like Us

Holy shit, ain’t this a corpse. When was the last time we did a My Favorite Scenes post? February 2017? Okay, not quite as far back as I thought, but still… that’s nearly three years. Well, for any newer readers, this series is all about me explaining why I like certain scenes in movies and tv. A blogger friend of mine had a similar series and I nicked the idea from him. As you can probably imagine, this involves some spoilers for any particular movie or series that the scene is featured in. So be warned. Anyway, let’s talk about “Doom Patrol”!

Based on the DC comic book team of the same name, “Doom Patrol” is about a group of misfits who have all been brought together by Doctor Niles Caulder (Timothy Dalton), since they really have nowhere else to go. And in the show, Niles goes missing, which leads to various adventures where the team tries to find clues to his whereabouts, while also dealing with their own personal demons. I actually reviewed the first season of the show in 2019 (*cough* shameless plug *cough*), and mentioned in that show that I absolutely adored its mix of relatively unknown superheroes, compelling character drama, and hilariously crude humor. And today we’re talking about a scene that kind of encapsulates some of that. So it goes without saying, spoilers for “Doom Patrol”, and in particular its 8th episode, “Danny Patrol”.

So in episode 8, “Danny Patrol”, two of the team’s members, Larry Trainor/Negative Man (Matt Bomer/Matthew Zuk) and Cliff Steele/Robotman (Brendan Fraser/Riley Shanahan) get transported to Danny, a sentient, teleporting, gender-queer street (yes, you read that right), when it needs help from Doctor Caulder (who is still missing at this point). While here, Larry and Cliff make acquaintances with Maura Lee Karupt (Alan Mingo Jr.), a sort of front person for Danny, the sentient, teleporting, gender-queer street (god, I love saying that). And during a scene in the episode, Larry gets invited up to sing some karaoke, in which he does and begins covering “People Like Us” by Kelly Clarkson. And during this musical number, you see Larry open up, show some actual joy. His entire life, he’s been a bit of an outsider, starting as a closeted gay man in the 1960s U.S. Army, and then later being a bit of a radioactive freak with a strange alien being living inside of him, which of course kinda prevented him from bonding with people. But finally it seems like he has found some people who just accept him for who he is. Freaks, outcasts… “People like us, we gotta stick together”. And then when the ending of the scene revealed itself, it was a bit of a gut punch to me. In lesser hands, this could’ve just been a goofy scene of a mummy-man singing a song from an American Idol winner while visiting a sentient, teleporting, gender-queer street. But thanks to the wonderful writing and world-building of “Doom Patrol”, it became one of the most uniquely compelling scenes I’ve experienced in any recent tv show, even making me tear up when I first saw it.

Scenes like this is why I adored season 1 of “Doom Patrol”, and is why I am really looking forward to whatever madness they’ll be concocting for season 2.

Have a good one, and show some love to people around you, even when you’re not standing near a sentient, teleporting, gender-queer street.