Movie Review: Batman vs. Teenage Mutant Ninja Turtles (2019)

Yes. This is a real movie. And I watched it. And now I’m gonna talk about it.

Dudes and chicks… “Batman vs. Teenage Mutant Ninja Turtles”.

When Ra’s Al Ghul (Cas Anvar) teams up with the Shredder (Andrew Kishino), the Turtles (Eric Bauza, Darren Criss, Kyle Mooney, Baron Vaughn) find themselves following the villains to Gotham City, where they run into Batman (Troy Baker). Aaaand cue the crossover craziness. Is this a masterpiece of storytelling? No. Is this high art? No. But is it a well written and fun crossover that never takes itself too seriously? Yes. For the most part, the plot here is lighthearted comic book action. But there are also moments where it actually dares to go a little darker, but it never feels like it clashes with the more fun and ridiculous scenes. It balances its tone perfectly, giving us one of the most unique and enjoyable plots in recent DC animations.

The characters are colorful, fun, charming, memorable, and pretty interesting. Troy Baker plays Batman, and he’s the ever serious Batman… you know who Batman is, there’s nothing new done to him as a character. But Baker’s voice work is solid here. Then we have Eric Bauza, Darren Criss, Kyle Mooney, and Baron Vaughn as the four Ninja Turtles Leonardo, Raphael, Michelangelo, and Donatello. And they are exactly as one expects the frickin’ Turtles to be (if you’re familiar with them). And the four actors voicing them are great in their respective roles. While there isn’t much in terms of actual development here, what makes the characters stand out here is how well they play off of each other. It’s their chemistry that makes them so enjoyable to follow… good stuff. We also get supporting work from people like Cas Anvar, Carlos Alazraqui, Rachel Bloom, Andrew Kishino, Tara Strong, Ben Giroux, Brian George, and many more, all doing very well in their respective roles.

The score for the movie was composed by Kevin Riepl, and it was good. Some orchestrations, some synthesizers, some guitar, a lot of fun percussion, it’s the right kind of score to add an extra bit of fun to the insanity of the movie. I really enjoyed hearing it throughout the movie, and it worked well in the various scenes.

Based on a comic by James Tynion IV & Freddie Williams II (fancy lads and their numbered names), this movie was directed by Jake Castorena, and I think it is a well directed movie. The animation flows nicely and has a really good sense of energy to it. Some of the character designs could maybe be a little hit or miss (mainly Donatello for me), there was nothing I’d call bad here. Especially not the action scenes, which I found to be great. Brutal, fluent, and well directed, the various fight scenes throughout are an absolute joy to behold. There’s also a really fun chase here that was a blast to watch. So yeah, there’s a ton of well animated, absolutely ridiculous action scenes throughout the movie… which makes me very happy. There are also a lot of jokes in this movie, and they made me laugh very hard. Some really clever, some incredibly dumb, all funny.

This movie has been well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 7,2/10.

So “Batman vs. Teenage Mutant Ninja Turtles” is absolutely insane, and I loved every minute of it. It has a really fun plot, really good characters, great performances, good music, really good animation/direction/action, and hilarious humor. Time for my final score. *Ahem*. My final score for “Batman vs. Teenage Mutant Ninja Turtles” is a 9,84/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Batman vs. Teenage Mutant Ninja Turtles” is now completed.

That was… BATshit insane.

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Movie Review: The Last Castle (2001)

I don’t have much to say here. Not because the movie flabbergasted me or broke my soul in two. I just don’t have anything clever to say. So I guess we should just get into the review.

Ladies and gents… “The Last Castle”.

Eugene Irwin (Robert Redford) is an army general who has been court-martialed and sent to a military prison. But it doesn’t take long for him to notice how corrupt the entire place is. So he decides to rally the other inmates to rise up against the prison and its crooked warden (James Gandolfini). I like stories of revolutions. And setting one of those within a corrupt prison is an idea that I find pretty fucking clever. However, they only do the bare minimum with that idea, going for surface level ideas instead of giving us the kind of nuanced story one could expect from this kind of idea. That said, it’s not bad. Surface level isn’t exactly what I’d call a bad thing here. The story does entertain throughout the two hour runtime. I just wish it had a little bit more nuance to it.

The characters in this are… fine. Often they boil down to stereotypes we’ve seen before. Asshole, big dude, young/underestimated guy, etcetera. Robert Redford plays General Eugene Irwin, the highly regarded army man at the center of the story. He’s a good man, never bent, always doing what’s best for him and his men. He may not be the deepest character ever, but Redford’s performance really makes it feel a bit deeper than the writing would have you believe. James Gandolfini plays Winter, the colonel who’s in charge of the prison. He seems a half decent fellow at first glance, but it doesn’t take long for his crookedness to be clear. He’s a decent matchup for Irwin, and Gandolfini is really good in the role. We also get supporting work from people like Mark Ruffalo, Clifton Collins Jr, Delroy Lindo, Steve Burton, Brian Goodman, Michael Irby, Robin Wright, and more, all doing well in their respective roles.

The music was composed by Jerry Goldsmith, and it was good. Plenty of military-style trumpets, some emotional strings, and some heavy and dramatic percussion. It is a little bit generic at times, but overall it’s well composed and works quite well for the movie. There’s also one or two licensed tracks used in the movie, and that works pretty well too.

The movie was directed by Rod Lurie, who I think did a pretty good job here. There’s a surprising amount of fun camerawork throughout, and he does have a decent sense of dramatic flair. Whenever the writing is a little bland and uninspired, his direction sort of helps out in making it a bit more interesting.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 52% positive rating. On Metacritic it has a score of 43/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 6,9/10.

While not a perfect movie, “The Last Castle” is still a pretty entertaining prison drama. It has an okay plot, meh characters, really good performances, really good music, and really good directing. Time for my final score. *Ahem*. My final score for “The Last Castle” is a 7,23/10. So while flawed, I’d say it’s still worth renting.

My review of “The Last Castle” is now completed.

Do you think Ruffalo played a former pilot because helicopter blades go “Ruffa ruffa ruffa ruffa”?

Watch Dogs Legion E3 2019 Trailer

I promise, some day soon, I’ll stop writing E3 posts. But for now… MORE E3 BULLSHIT, WEEEEEE!

So through E3, legendary video game developer Ubisoft has revealed “Watch Dogs Legion”, which is the third game in the action franchise. The first one was about a lonely hacker seeking revenge. The second one I never played, but looks to be about some hackerific street gang. And this one is apparently about a near-future London that is under a totalitarian rule, and you have to use your hacking skills in combination with a sense of resistance to unfuck Great Britain. Two things:
1. I’m excited to see a major open world title set in a British environment for once… no reason, just fun to get away from the states or wastelands a bit.
2. Did Guy Ritchie write this fucking trailer? Because I’m getting very “Snatch”-seque vibes from it.
Either way, this looks to be interesting. I enjoyed the first “Watch Dogs”, even though I recognize that it has a fair bit of flaws. And people tell me that the sequel is even better. So who know, maybe third time’s the charm? “Watch Dogs Legion” is set to be released March 6th 2020.

What are your thoughts? Are you excited for “Watch Dogs Legion”? And fuck it… what’s your favorite Guy Ritchie movie? Leave any and all thoughts in the comments.
Have a good one and enjoy.

Marvel’s Avengers E3 2019 Trailer

Hello there. Time for more E3 stuff. So let’s… Assemble.

So thanks to E3, we finally have our first look/reveal of “Marvel’s Avengers”, an upcoming story-driven single player action game about… The fucking Avengers, I don’t need to explain who they are, their box office takings speak for themselves. So what’s happening here then? Well, shit goes awry, and the team has to save the world. And while I can’t say much, since there’s no real gameplay here, I do find this reveal a bit… bland, like they’re playing it safe. They lean into the aesthetics of the movies, and it all in general looks… meh. “Spider-Man”, the excellent Playstation 4 game released last year, shows that you can take established stuff and do something unique with it. And unless Square Enix and Crystal Dynamics gives us something more enticing in the near future, I will file this one under… meh. “Marvel’s Avengers” is set to be released on all major consoles on May 15th, 2020.

What are your thoughts? Are you excited for “Marvel’s Avengers”? And what’s your favorite movie based on a Marvel comic? Leave any and all thoughts in the comments.
Have a good one and enjoy.

Movie Review: John Wick: Chapter 3 – Parabellum (2019)

Keanu fucking Reeves. Started out promisingly in comedies, dramas, and various action flicks. Then around 2008 he kind of dropped off the mainstream map after a few… less than critically well received movies. Then in 2014 he starred in “John Wick”, which gave his career the adrenaline boost it needed. And now he seems to be back on top. And I say, good for him. So let’s talk about his latest flick. Oh, and spoilers for the end of “John Wick: Chapter 2”, because that ties into this… sorry.

Ladies and gentlemen… “John Wick: Chapter 3 – Parabellum”.

After killing a member of the High Table, the ever tenacious John Wick (Keanu Reeves) is rendered excommunicado, with a 14 million dollar bounty on his head, and must fight for survival as he encounters trouble at every corner. So now we have our constantly moving action story. From a storytelling perspective, these movies aren’t what you’d call “high art”. But I don’t need that. It’s just our hero being relentlessly pursued in an interesting, very comic book-esque world. And that makes for a fun bit of garnish in-between all the shooty-bang-bangs and fisticuffs. The story is present enough that it adds something to the experience, but not so up its own ass that it distracts from everything else. It’s fun.

The characters in this are colorful and pretty interesting. Just like I mentioned with the plot, they feel very much like they’re ripped right out of a comic book. Keanu Reeves of course returns as title character John Wick. A man who lost everything, then is given a new chance, and then shit hits the fan again. He’s endured a lot, and I find him to be a strong and engaging action protagonist that I care about a fair bit. He even gets some decent development here too. And Reeves is really good in the role. And the supporting cast, which includes people like Ian McShane, Lance Reddick, Laurence Fishburne, Mark Dacascos, Halle Berry, Anjelica Huston, Asia Kate Dillon, and many more, is pretty fucking good.

As with the previous two movies, the score for “Parabellum” was composed by Tyler Bates and Joel J. Richard. And like the previous two movies, this score is awesome. It once again takes the approach of mixing very electronic stuff with some sick rock beats and occasional guitar screeching to make a sound that is distinctly “John Wick”. And it’s just as tense, exciting, badass, and pleasing to my ears as the last two times.

Chad Stahelski returned to direct this third entry in the franchise he helped create. And dude’s direction just gets better with each iteration. A clear focus, wonderful long takes, and a great sense of energy. The cinematography by Dan Laustsen is absolutely breathtaking, with some beautiful use of colors. And let’s talk about the thing we all watch these movies for: The action. Fuck me, it is amazing. It’s real, it’s visceral, it’s fun, it’s violent, it’s clear… it just comes together beautifully. You can see everything that happens, which also let’s you see just how much work has gone into the fucking choreography. There are also some rather creative kills throughout the movie too, and they add even more to it. It’s very well crafted, this movie.

This movie has been very well received. On Rotten Tomatoes it has a 90% positive rating and a “Fresh” certification. On Metacritic it has a score of 73/100. And on imdb.com it has a score of 8,0/10.

“John Wick: Chapter 3 – Parabellum” is one of the most impressive action movies of this decade, and I absolutely loved it. It has a good plot, good characters, great performances, great music, and great directing/cinematography/action. Time for my final score. *Ahem*. My final score for “John Wick: Chapter 3 – Parabellum” is a 9,89/10. So it gets the “SEAL OF APPROVAL!”.

My review of “John Wick: Chapter 3 – Parabellum” is now completed.

You’d think the people constantly coming after John would take a hint that you don’t fuck with the Baba Yaga.

Movie Review: Godzilla: King of the Monsters (2019)

WE GOT A HOLLYWOOD BUDGET MONSTER MASH FEATURING CLASSIC KAIJU, HOW COULD ONE NOT BE EXCITED ABOUT IT. *Calms down*. So let’s talk about this movie.

Ladies and gents… “Godzilla: King of the Monsters”.

When multiple ancient beasts awake from their slumber, the crypto-zoological agency Monarch have to find a way to stop them. Be it on their own or with the help of the titanic lizard known as Godzilla. Let’s cut to the fucking chase, this plot isn’t deep or nuanced. In the moments where it tries developing the human element of the story, it’s kinda dull. But whenever it’s about these ancient creatures having it out for each other, it’s a fucking blast. So plot-wise it’s a bit of a mixed bag. I mean, no one comes to a monster movie for plot, but when there’s a lot of time spent trying to develop it, it can get a bit distracting. So overall… mixed bag.

The characters in this… yeah, I didn’t care. Again, they tried giving them some development, but in the end it’s kind of shallow and cliched. And the cast does a fine enough job with their performances. There isn’t anyone here that I’d say is bad, just some who are better than others. My favorite was probably Charles Dance, who always had a bit of a self-aware glint in his eye, which made him kinda fun to watch whenever he showed up. The rest of the cast, including people like Kyle Chandler, Ken Watanabe, Vera Farmiga, Millie Bobby Brown, Thomas Middleditch, Ziyi Zhang, Bradley Whitford, Sally Hawkins, and various other actors was good. They all played it very straight, but no one was bad.

The score for the movie was composed by Bear McCreary, and I loved it. A lot of big, bold brass, a lot of panicky strings, some chorals… it all fit incredibly well with the kaiju calamity going on throughout the movie. And while I won’t spoil which, some of the tracks are absolute treats for… various reasons. Damn good stuff.

The movie was directed and co-written by Michael Dougherty, who I think did a great job with it. He has a great sense of energy and pacing, which keeps the moving driving along, never really getting boring and too slow at any point. And like with Gareth Edwards before him, he knows how to convey the scale of all the shit that goes on. And credit to the visual effects team for really bringing these creatures to life. The detail, the movement, it all looks fantastic. And man, the cinematography by Lawrence Sher is breathtaking. Some truly awe-inspiring shots exist in this movie. And when it isn’t breathtaking, it still looks quite good. All the technical aspects really come together wonderfully. Especially during the monster action, which I had a ton of fun with.

The movie just came out, so this data will change a bit over time. But as of writing, the movie has gotten quite the mixed reception. On Rotten Tomatoes it has a 38% positive rating. On Metacritic it has a score of 47/100. And on imdb.com it has a score of 7,7/10.

Look, this isn’t one of the greatest movies ever made. But I still had a lot of fun with “Godzilla: King of the Monsters”. It has a mixed bag plot, meh characters, really good performances, fantastic music, and fantastic writing/directing/cinematography/visual effects/action. Time for my final score. *Ahem*. My final score for “Godzilla: King of the Monsters” is an 8,74/10. So while flawed, it’s still worth buying.

My review of “Godzilla: King of the Monsters” is completed.

Ooooooh no. They say he’s got to go, GO GO GODZILLA!

The Great Villain Blogathon 2019: Wafner from Overlord

Well hello there, people. Hope you’re doing well. Today I will be going out of my regular review wheelhouse a bit. When it was announced that the lovely ladies of Speakeasy, Silver Screenings, and Shadows & Satin were hosting a blogathon about movie villains, I of course had to sign up. I actually took part in another one of these about two years ago, so I’m happy to join another one! So let’s stop it with the introductions and get into my pick for The Great Villain Blogathon 2019!

Last time I took part in a villainous blogathon, I went back a handful of years and talked about the T-1000 from “Terminator 2”. So this time I went for a more recent thing. And to give you a fair warning: There will be spoilers for the entire movie. So if you haven’t seen this movie and want to remain unspoiled, maybe go and give it a rental, watch it, and then come back.

Meine Damen und Herren… This is Wafner from 2018’s “Overlord”.

“Overlord” is a 2018 world war 2 action-horror film directed by Julius Avery and starring Jovan Adepo, Wyatt Russell, and Pilou Asbæk. It’s about a group of American soldiers who crash behind enemy lines on the night of D-day to take out a nazi communications tower so that the landing on Normandy beach can happen. But as they make their way further into the compound, they find more than just nazi punks in there. To be exact, they find that the nazis are experimenting on the local population to try to create super zombie soldiers. Simple plot with a fun twist to it. Not revolutionary, but highly enjoyable. So how does Wafner (played by Pilou Asbæk) fit into this? Well, he’s a nazi captain that serves as the primary antagonist of the story. What’s interesting is that it takes about 20 minutes for us to even catch a glimpse of him, and even then it’s shrouded in darkness and at a distance. It’s not until the 33 minute mark that we finally get properly introduced to him, when he invades the private space of a French woman that helps to hide our heroes.

Wafner: “Do you hear zat?”. Chloe: “What?”. Wafner: “Sounds like our movie is failing at ze box office”.

Right in the first minute of his introduction he just gets under my skin. No, not because he’s a nazi, though that is certainly a turn-off. No, there’s just a certain creepiness to him. He’s not the over-the-top villain one might expect (yet), instead going for a more subtle and slimy creepiness, which is just perfectly delivered by Asbæk. And even though he does seem calm and composed, you can still sense that there’s a ruthlessness to him, which makes you not want to mess with him. Even when he’s captured later in the movie by our heroes, he has a way of getting under one’s skin.

Wafner: “Dood, you should totes inject me with zat”. Ford: “No nazi steroids for you”. Wafner: “Oh nein”.

What I like about Wafner is that he’s just a villain. So many movies these days try to give their villains actual depth, maybe even give them some qualities that we can sympathize with. And while I enjoy that to some extent, I prefer that they didn’t try that with Wafner here. He’s just a ruthless, smirking, villainous villain. He wants to create a super zombie army so the nazis can take over the world. As Wafner puts it “A thousand year reich requires a thousand year army”.

Eventually he manages to escape capture through cunning and deception. So he’s not just a ruthless nazi commander, but he’s also intelligent, which makes him an even more dangerous villain. But he doesn’t get away completely scot-free.

Gotta admire it when a guy can crack a smile even though half his fucking face has been blown off.

If he wasn’t dangerous enough already, he injects himself with the experimental super soldier serum, turning him borderline invincible. So you have an angry, ruthless, cunning, and creepy nazi captain that can’t be killed by conventional means. Makes for quite an intense finale. All boosted by Pilou Asbæk’s over-the-top yet excellent performance.

When asked what he likes to do during his spare time, an unusually reserved Wafner told us about his recent infatuation with making stop-motion films using the corpses of his enemies.

So that was a bit about Wafner from Overlord. He’s not particularly deep, but he’s quite intimidating and works incredibly well as a primary antagonist for this crazy genre hybrid. He’s an old school villain for the sake of having an old school villain, and I god damn salute that.
Once again I have to give a huge thanks to Speakeasy, Silver Screenings, and Shadows & Satin for letting me take part in this. I had fun. Plus, it gave me an excuse to rewatch one of my favorite movies of last year.
Have a good one.

Series Review: Barry – Season 2 (2019)

Reviewed season 1 a few weeks back (ahem ahem). So it’s reasonable to think that I should tackle the second season now that it too has come to a close. Well, here we go.

Ladies and gentlemen… “Barry” season 2.

Set a few weeks after the events of the first season, we follow Barry (Bill Hader) as he tries to get on with his life as an aspiring actor, while the consequences of his previous actions start creeping up to haunt him. Season 1 took a concept that I wasn’t entirely sure about and managed to make something great out of it. So how would they follow that up? By upping their game tenfold. That’s right, the second season of “Barry” manages to take the dark, yet somewhat quirky ideas of the first season and elevate them in ways I didn’t think possible. It manages to be fun, heartbreaking, suspenseful, exciting, and just overall a damn concise season of television. Great stuff.

The characters in this are layered, flawed, colorful, fun, and overall just really interesting. Bill Hader of course returns as the titular hitman-turned-actor. In this season we get to see a lot of his old demons come up. Combined with a lot of his more current issues, and it gives him a lot of really engaging character development. And Hader is fantastic in the role. Sarah Goldberg returns as Sally, Barry’s girlfriend and acting partner. She goes through a bit of personal conflict throughout the season, and it’s quite engaging. And Goldberg is great in the role. And we get supporting work from people like Henry Winkler, Stephen Root, Anthony Carrigan, John Pirrucello, Michael Irby, Patricia Fa’asua, Daniel Bernhardt, and more, all doing very well in their respective roles.

As with season 1, the music was composed by David Wingo, and it’s great. Suspense-building, emotional, dramatic, and just overall well composed, working well for the various scenes it’s found in. There’s also the occasional licensed track here and there, and they work alright in their respective scenes.

The show was created by Alec Berg and Bill Hader, with those two writing most of the episodes. And the craft here is pretty spectacular. Not only did they up their game in terms of storytelling, but they also went all in when it came to direction and cinematography as well. The first season wasn’t bad in that regard, but there’s a notable leap here, created a visually arresting show that also keeps the viewer on edge throughout most of the runtime.

This show/season has been well received. On Rotten Tomatoes it has a 100% positive rating and a “Fresh” certification. On Metacritic it has a score of 87/100. And on imdb.com it has a score of 8,2/10.

Season 1 of “Barry” was great. And somehow, season 2 is even better. It has a great plot, great characters, great performances, really good music, and great writing/directing/cinematography. Time for my final score. *Ahem*. My final score for season 2 of “Barry” is a 9,94/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Barry” season 2 is now completed.

Crazy motherfuckers somehow did it.

Movie Review: Danny the Dog (2005)

I just know that someone’s gonna see this and say “Hey wait a minute, isn’t this movie actually called Unleashed?”. And to that I say, you are not wrong. In some parts of the world, this movie is called “Unleashed”. And in others it’s “Danny the Dog”. The service I watched it on had it listed as the latter, so that’s what I’m using for this review.

Ladies and gentlemen… “Danny the Dog”.

Danny (Jet Li) is a man who has been an attack dog-like slave to a ruthless mobster (Bob Hoskins) for as long as he can remember. But when he meets a kind, blind man (Morgan Freeman), his life takes an interesting turn. Is this the greatest plot ever? No. But I do have to say that I was surprisingly invested in it. Now, I wasn’t ever deeply invested in it all, but I was invested enough to not get bored when the movie decided to slow down a bit. There are layers to the story here, giving us an interesting look at someone who’s never really felt love or compassion, only knowing abuse and violence, who finally gets a glimpse of something better. It’s a little bit ham-fisted in its storytelling at times, but overall it’s still an enjoyable tale.

The characters in this are entertaining and interesting. Firstly we have Jet Li as Danny, the titular character who’s been treated as a bit of an attack dog for most of his life. He is quite emotionally stunted, due to being a slave to a gangster for so long, so seeing him develop throughout the movie is actually pretty interesting. And Jet Li gives a pretty good performance here. Next we have Bob Hoskins as Bart, the gangster who’s been “taking care of” Danny for all these years. He’s a ruthless asshole who you kind of just want to punch in his face. And Hoskins gives a cartoonishly sneering performance here that I just loved watching. Next we have Morgan Freeman as Sam, a blind, elderly piano tuner that Danny meets, and is the first person to ever really show Danny any kind of kindness. And seeing how he affects Danny creates quite a fun dynamic between the two. And Freeman is really good in the role. We also get supporting work from people like Kerry Condon, Vincent Regan, Dylan Brown, Michael Jenn, and more, all doing well in their respective roles.

The score for the movie was composed by British trip hop band Massive Attack, and while I wouldn’t find myself listening to this music in my spare time, I do think it worked well for the movie. It is of course heavily based in the electronica/trip hop style that the group is known for while adjusting it to fit more as the score of a movie. And it helps add a little bit of fun to the movie.

The movie was written by Luc Besson and directed by Louis Leterrier, and I think that works as a fine double act. Besson’s quirks shine through pretty well, and blends wonderfully with Leterrier’s knack for creating a fast pace. The movie, even in its slower scenes, never really loses any of its energy. And seeing as this movie stars Jet Li, there’s bound to be some fight scenes in it too. And said fight scenes are fucking fantastic. Well shots, not too quickly edited, wonderfully choreographed, these fights really help add a lot to the movie.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 65% positive rating. On Metacritic it has a score of 58/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 7,0/10.

While not necessarily a great movie, “Danny the Dog” is a highly entertaining action-drama. It has a pretty good plot, okay characters, really good performances, good music, and great writing/direction/fighting. Time for my final score. *Ahem*. My final score for “Danny the Dog” is an 8,66/10. So while not perfect, it’s still definitely worth buying.

My review of “Danny the Dog” is now completed.

Woof woof, motherfucker.

Series Review: Barry – Season 1 (2018)

Don’t kill people. It’s bad. I mean, for most of us, that goes without saying, but some people don’t have that as their default setting. Killing, bad. Okay, let’s talk tv.

Ladies and gentlemen… “Barry” season 1.

Barry Berkman (Bill Hader) is a former Marine who’s been working as a hitman for years. However, while hired to do a job in Los Angeles, he finds himself drawn to a local acting class. And we follow him as he tries to lead this double life as both a hitman and a shitty actor. And I know what you’re thinking, because I too thought so when I heard about it. This sounds like something right out of a “Saturday Night Live” skit, and like it wouldn’t work as a full series. But god damn it, this show proved me fucking wrong. “Barry” is one of the most uniquely compelling shows in recent years. It’s a serious story within a comedic premise, deftly blending a dark crime-drama with its funny setup, surprising me at every turn with how good the storytelling is.

The characters in this show are unique, colorful, fun, layered, and really interesting. Bill Hader plays Barry, the titular hitman (hitular? titman?) who finds a new hobby in life. He’s a guy who’s been through a lot of shit, and seeing how that affects his actions throughout the show is really engaging. And Bill Hader is fantastic in the role, showing that he’s not only hilarious, but also an excellent dramatic performer. We also get supporting work from people like Stephen Root, Anthony Carrigan, Sarah Goldberg, Henry Winkler, John Pirrucello, Paula Newsome, D’Arcy Carden, Glenn Fleshler, and many more, all doing very well in their respective roles.

The score for the show was composed by David Wingo, and it’s pretty great. It’s sometimes droning, and sometimes on synths, it helps create an uneasy and emotionally investing mood that helps elevate the already excellent storytelling. And the occasional use of licensed music works quite well too.

“Barry” was created for HBO by Alec Berg and Bill Hader, with them handling writing for most of the episodes, with Hader even directing a few episodes. And the craft here is really solid. The camerawork is methodical, feeling more like a high-budget thriller than a comedy. And this does add a lot to the show, giving it a tension-filled edge that makes it stand out. And as this show is still technically a comedy, I should briefly talk about the humor, right? Well, here we go… it’s funny. Sometimes silly, sometimes dark, sometimes mildly satirical, I laughed at it all.

This show/season has been very well received. On Rotten Tomatoes it has a 99% positive rating and a “Fresh” certification. On Metacritic it has a score of 83/100. And on imdb.com it has a score of 8,1/10.

Season 1 of “Barry” took all my expectations, shot them in the head, and threw them in a ditch and showed just how fucking good it is. It has a great plot, really good characters, great performances, really good music, and great directing/writing. Time for my final score. *Ahem*. My final score for season 1 of “Barry” is a 9,91/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Barry” season 1 is now done.

If “Barry” is a taco, then the shell is made of comedy, and the filling is made out of drama. Shut up, my metaphors are great.