Movie Review: Hotel Artemis (2018)

At last, first review of the year not featuring a movie starring Ghostface. Don’t get me wrong, I loved going through the “Scream” movies, but a bit of variety doesn’t hurt, you know. So with that out of the way, let’s do this.

Ladies, gents, and non-binaries, let’s check in at… “Hotel Artemis”.

Los Angeles, 2028. The city has been torn to shreds by constant riots. In the middle of this chaos is Artemis, a hotel/hospital dedicated to treating criminals, run by a woman known as The Nurse (Jodie Foster). And we follow her on what might be the most hectic night in the establishment’s history. I mostly enjoyed the story here. When it focuses on the lean, colorful contained thriller aspect, it’s a lot of fun. Where it does falter though is when it tries to go for a more serious tone, developing the backstories of the characters. Wanting to add more nuance and emotional depth to the narrative isn’t an inherently bad thing, but the writing isn’t really strong enough for it to feel successful, which does make those sections feel like a bit of a drag. Luckily, those parts aren’t the main focus of the movie, so for the most part it’s an enjoyable story… bar those select few sections, I mean.

The characters in this are decent, all stand out enough from each other, and work well for the story. But what does elevate them beyond just being passable are the actors. Jodie Foster, Sterling K. Brown, Sophia Boutella, Dave Bautista, Charlie Day, Jeff Goldblum, Brian Tyree Henry, Zachary Quinto, and more appear in this movie, and there’s not a weak link within the cast.

The score for the movie was composed by Cliff Martinez, and I think he did an okay job with it. As with most of his work, it’s based heavily in synths, and I think it fits with the neon-soaked, dingy style of the movie. It’s not Martinez’s best or most memorable score, but it worked fine for the movie. There’s also a few licensed songs used throughout, and they work well in their respective scenes.

“Hotel Artemis” was written and directed by Drew Pearce, and I think he did a pretty good job. His style does have this fun, almost comic book-ish charm that really keeps each scene feeling fun and charming. His action scenes are also pretty well handled. Not perfect, but they’re generally well made and fun. What also adds to the overall quality of the craft is the cinematography by Chung-hoon Chung, which is beautiful and really adds to the feel of the movie, making each scene even more engaging.

This movie’s not been super well received. On Rotten Tomatoes it has a 58% positive rating. On Metacritic it has a score of 58/100. And on imdb.com it has a score of 6.1/10.

While it does falter a bit when trying to be more serious, “Hotel Artemis” is an enjoyable contained thriller. It has a pretty good story, okay characters, great performances, okay music, good directing, and great cinematography. Time for my final score. *Ahem*. My final score for “Hotel Artemis” is a 7.23/10. So while it is flawed, I’d still say that it’s worth renting.

My review of “Hotel Artemis” is now completed.

Welcome to the Hotel Artemis, such a dingy place, such a dingy place…

Series Review: Demon Slayer – Season 1 (2019)

I really don’t talk enough about anime on this blog, which is kinda funny, because some of my first (and worst) reviews I did way back in 2014 were anime-related. But since then I haven’t really done much in that realm of entertainment. So maybe it’s time to try to remedy that.

Ladies, gents, and non-binaries… “Demon Slayer” season 1.

After most of his family gets killed by demons, Tanjiro Kamado (Natsuki Hanae) vows to become a demon slayer in order to avenge his dead family, while also trying to cure his sister (Akari Kito) who’s been turned into a demon. And thus we follow Tanjiro as he goes on this journey, training to get stronger, attempting to save people, and meeting all sorts of colorful characters along the way. At first glance, it may seem like typical action-fantasy anime fare, and in a lot of ways, that is what it is. But then we also get a lot of moments that show something deeper, something… humane. For all the magic and monsters and over the top comedy, the show’s story grounds itself by often taking the time to let dramatic beats breathe and simmer, giving a very humane and emotionally charged perspective to the predicaments and stories that Tanjiro finds himself involved in throughout the 26 episode season. And this gives the show a weight that really makes the story of “Demon Slayer” something special. Admittedly I wouldn’t call myself “hooked” by the first few episodes. They’re still quite entertaining, but since they consist of a lot of setup, they do suffer from a tiny bit of good ol’ premiere sickness. Again, they’re still really solid, so it’s not a dealbreaker, just a slight hiccup in what is otherwise a great story.

The characters in this are all fun, colorful, entertaining, and overall just insanely compelling. Much like the story, at first glance they might all cover the typical archetypes found within this kind of anime, but given a bit of time, they start to show more depth, while still being able to embrace some of those classic tropes when needed. I also think the performances in here are spectacular. The cast consists of people like Natsuki Hanae, Akari Kito, Hiro Shimono, Yoshitsugu Matsuoka (who plays my favorite character), Takahiro Sakurai, Takumi Yamazaki, and many more, all doing amazingly well in their respective roles.

The score for the show was composed by Yuki Kajiura and Go Shiina, and my god, they did an amazing job with it. Sweeping orchestrations, moody strings and pianos, some horror stings, even a bit of rock and techno-infused stuff slips in, and it’s all terrific, adding so much to the show. The opening and ending themes by LiSA (god, that stage name really hates SEO) are also really solid. The music in this show’s just all round great.

Based on the hit manga by Koyoharu Gotouge, “Demon Slayer” was brought to us by the studio Ufotable, and they just knocked it out of the fucking park here. The art pops beautifully, the movement is smooth, the colors look super crisp, and everything just has an insane level of polish that is an absolute joy to behold from start to end. The animation especially comes alive during the action scenes, all of which are dynamic, breathtaking, and very creative. Long story short: This show looks fucking amazing.

This show/season’s been well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 8.7/10, and is ranked #128 on the “Top 250 TV” list.

Season 1 of “Demon Slayer” is a wonderful fantasy-action anime with plenty of heart. It has a great story, great characters, great performances, great music, and amazing animation. Time for my final score. *Ahem*. My final score for season 1 of “Demon Slayer” is a 9.65/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Demon Slayer” season 1 is now completed.

I should try to cover more anime in the future. Get the original intentions back on track… albeit with less terrible writing.

Movie Review: The Amazing Spider-Man 2 (2014)

Hello there, hope you’re having a good weekend. Only a few days until “Spider-Man: No Way Home” is released, which means it’s time for me to cover the second (and final) movie in the previous reboot. So let’s go!

Ladies, gents, and non-binaries… “The Amazing Spider-Man 2”.

Peter Parker’s (Andrew Garfield) life is a bit of a hectic one, trying to balance being Spider-Man with being a regular New York teenager. But this is going to get way tougher when a series of new villains emerge and start causing chaos. “The Amazing Spider-Man 2” is a curious case of occasional good ideas getting absolutely crushed by the overabundance of superfluous plot threads. First is the Peter/Gwen Stacy (Emma Stone) romance, fine. Then there’s the introduction of Electro (Jamie Foxx), fine. But then there’s also the backstory involving Peter’s parents. And a plot involving Harry Osborn (Dane Dehaan). And then there’s a few more threads throughout. There’s so much shit going on that it really messes with the pacing. First act is fine, and even has some great shit going on. But as the film goes on, it just becomes an overstuffed, underdeveloped, sluggish mess that is hard to engage with. There are moments of quality in the storytelling, but the overall narrative is just… ugh.

The characters in this are a mixed bag. Our two leads, Peter Parker and Gwen Stacy, they’re both charming, fun, engaging, and just overall a great pair, with Andrew Garfield and Emma Stone both delivering top notch performances. Next we have Max Dillon/Electro, who is at first set up as our main villain. His characterization is bizarre, and I don’t completely get why they wrote him the way they did. And Jamie Foxx… it’s a mixed bag of a performance. On occasion I do enjoy it, but it often just didn’t click with me. Dane Dehaan as Harry Osborn? Decent performance, undercooked writing. Paul Giamatti as Aleksei Sytsevich? Unnecessary, but very amusing. I’ll at least say that the rest of the supporting cast is solid, featuring people like Sally Field, Colme Feore, Marton Csokas, Felicity Jones, Campbell Scott, Embeth Davidtz, and more.

The score for the movie was composed by Hans Zimmer, Pharrell Williams, Junkie XL, Johnny Marr, Steve Mazzaro, and Andrew Kawczynski… FUCK, that’s a lot of composers. But they acted as sort of a supergroup to make the music for this, and I think it mostly paid off. It’s an interesting mix of styles and genres, making for a unique and slightly eclectic score that I thoroughly enjoyed hearing throughout the movie. There’s also a handful of licensed songs used throughout, and they are a bit of a mixed bag. Some work pretty well, some less so.

As with the first one, “Amazing Spider-Man 2” was directed by Marc Webb (HA!), and I think he did a solid job. Despite the script being a complete mess, Webb’s direction is sound, flowing beautifully and bringing some nice energy to proceedings. It especially shines in action scenes, which are all generally quite enjoyable. And that’s something I can say, on the technical side of things, this movie is solid.

This movie has gotten some very mixed reception. On Rotten Tomatoes it has a 52% positive rating. On Metacritic it has a score of 53/100. And on imdb.com it has a score of 6.5/10.

Despite a lackluster and overly messy script, “The Amazing Spider-Man 2” still has enough bright spots in it to keep it from total failure. It has some good story moments, it has a few good characters, the performances are (mostly) great, the music is really good, and the direction is really solid. Time for my final score. *Ahem*. My final score for “The Amazing Spider-Man 2” is a 6.23/10. So while flawed, it’s still worth a rental.

My review of “The Amazing Spider-Man 2” is now completed.

*thwip*

Movie Review: The Amazing Spider-Man (2012)

If you’ve been following me for a few years, you might remember that back when “Spider-Man: Far From Home” came out in 2019, I reviewed all of the Sam Raimi-directed webhead movies. Well, now that we’re getting “Spider-Man: No Way Home” in a few weeks I thought it was a good time to finally talk about the two “Amazing” movies. So today I’ll be reviewing the first one, and then the sequel in like a week. Sound good? Then let’s get into it!

Ladies, gents, and non-binaries… “The Amazing Spider-Man”.

After he gets bitten by a genetically modified spider, high school student Peter Parker (Andrew Garfield) starts developing spider-like powers… wait a minute, this is how I kicked off my review of the 2002 “Spider-Man” (absolute hack). But yeah, since this is a reboot, it kind of does have a similar setup to what has come before. But despite this, “Amazing Spider-Man” manages to still stand on its own two feet, largely thanks to a slightly more serious and subdued tone. For the first two acts, I genuinely found myself really invested in the storytelling , it’s an enjoyable and emotionally resonant take on a very familiar setup. It does start stumbling towards the last act however, largely due to the villain of this. Again, early scenes of the character getting introduced are really strong… but the further we go on, the more he loses the compelling drama and just sort of devolves into generic villain, which does affect the drama of the narrative a bit. There are still some really good moments in this final act, and even the weaker elements aren’t outright terrible, but it is enough to bring the overall product down for me a little. Again, on the whole it’s a strong story, even though it does stumble a little towards the end.

The characters in this are all pretty solid, generally I find most of them quite compelling. Peter Parker in this isn’t the überdork he’s been in a few other adaptations, but he still carries some of that awkward charm that the character needs, and it’s all beautifully brought to life by Andrew Garfield giving a fantastic performance. Then we have Gwen Stacy, a smart, clever, and fun young woman who also acts as a love interest for Peter, and she’s great, with Emma Stone killing it in the role. We also get supporting work from people like Rhys Ifans, Irrfan Khan, Martin Sheen, Sally Field, Denis Leary, and more, all delivering really solid performances.

The score for the movie was composed by James Horner, and it was great. Some nicely inspiring and heroic brass, some more somber and emotional pieces, some tense bits involving strings, synths, and some other goodies… it’s just a damn solid score. Horner never missed when he was still around, and this is just further proof of it.

Based on various Marvel Comics, “The Amazing Spider-Man” was directed by Marc Webb, who I swear was chosen for the pun alone. Joking aside (for now), I think he did a damn good job. The direction of this movie has this way of feeling very grounded while still bringing some of the energy of superhero comics to life. But there are also a select few bits that are directed and edited with a bit of a horror vibe, and I really dig it. So on the whole, it’s just a really well crafted film.

This movie has gotten mixed to positive reception. On Rotten Tomatoes it has a 72% positive rating and a “Fresh” certification. On Metacritic it has a score of 66/100. And on imdb.com it has a score of 6.9/10.

While it does stumble in parts, “The Amazing Spider-Man” is still a damn good retelling of the wall-crawler’s origin. It has a really good story, really good characters, great performances, great music, and really solid direction. Time for my final score. *Ahem*. My final score for “The Amazing Spider-Man” is an 8.45/10. So while flawed, I’d still say that it’s worth buying.

My review of “The Amazing Spider-Man” is now completed.

Well, that’s that for today. *Thwip*.

Movie Review: Shang-Chi and the Legend of the Ten Rings (2021)

Been quite a while since I talked about a Marvel movie on here… yeah, 2019, blimey. And before we move on, I know these movies aren’t everyone’s cup of tea, and that’s fine. I just like watching them and I’m gonna keep talking about them as long as they’re made. So yeah… on with the review.

Ladies, gents, and non-binaries… “Shang-Chi and the Legend of the Ten Rings”.

After having lived a quiet life in San Francisco for years, Shang-Chi (Simu Liu) must come out of hiding when his father (Tony Leung) begins stirring to enact a mysterious and potentially dangerous plan. The story in “Shang-Chi” is interesting to me, because it takes some of the familiar themes and structural pillars of other MCU movies, but makes them feel fresh by implementing elements usually seen more in wuxia stories and kung fu movies in general. But it also weaves in a pretty nuanced and surprisingly complex family drama throughout, which really makes the story feel more tangible and emotionally resonant. So when you blend all of these together, you get a narrative that feels familiar yet also fresh and unique for this franchise. And I loved it.

The characters in this are colorful, fun, pretty layered, and overall just quite interesting. Simu Liu plays Shang-Chi, our protagonist. He’s a man who’s gone through a lot of things in life, and it does create an interesting conflict with his more lighthearted side and the good stuff he’s experienced since moving to America. And I find him to be an interesting lead, with Simu Liu giving a damn good performance. Tony Leung plays Shang-Chi’s dad, Xu Wenwu, a mighty leader of the shady organization The Ten Rings. He’s a complex and interesting character that makes for a really compelling antagonist, and Leung is great in the role. We also get supporting work from people like Awkwafina, Meng’er Zhang, Fala Chen, Michelle Yeoh, Florian Munteanu, and many more, all giving great performances in their respective roles.

The score for the movie was composed by Joel P. West, and I think he did a great job with it. It’s big and epic, but it can also be quiet and emotional. And it creates this really cool vibe for the movie by blending elements of typical western action movie music with traditional Chinese music, and it makes for a really engaging soundscape that worked insanely well for the movie. There are also a few licensed tracks used throughout, and they’re fine. They’re not something I’d really find myself listening to in my spare time, but they worked well enough within their respective scenes.

Based on various Marvel comics, “Shang-Chi” was directed and co-written by Destin Daniel Cretton, and I think he did a great job with it. He has this really fun, yet grounded energy to his style that melds really well with a lot of the big budget comic book stuff. And it does help give the movie a nice vibe and flow that I highly enjoyed. I especially think his direction shines in the action scenes that are spread throughout this movie. There’s some nice, decently long takes, and we always get a good view of the action going on. But what I appreciate most about it is the focus on martial arts. Don’t get me wrong, I love the big, pew pew action of the other MCU movies, but there’s something so refreshing when instead of Iron Man flying around blowing shit up, it’s a dude using kung fu to fend off an opponent. And even when the action got way bigger in scale and effects budget, it was really fun and well handled. It’s just really well made and comes together so well.

This movie has been well received. On Rotten Tomatoes it has a 92% positive rating and a “Fresh” certification. On Metacritic it has a score of 71/100. And on imdb.com it has a score of 7.6/10.

“Shang-Chi and the Legend of the Ten Rings” is a fun and absolutely wonderful action movie with some well written and nuanced character drama. The story’s great, the characters are great, the performances are great, the music is great, and the direction is great too. Time for my final score. *Ahem*. My final score for “Shang-Chi” is a 9.90/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Shang-Chi and the Legend of the Ten Rings” is now completed.

I really need to watch more Tony Leung movies.

Movie Review: The Trip (2021)

Marriage. Should be all about love and support. But sometimes it doesn’t quite go so smoothly. I mean, I’ve never been married, so I wouldn’t know, but I am a very observant man, so I know that not all marriages are perfect. In fact, few are… fuck, got a bit real there… let’s talk about a movie.

Ladies, gents, and non-binaries… “The Trip”.

While going through a bit of a spat, married couple Lars (Aksel Hennie) and Lisa (Noomi Rapace) decide to take a nice little trip to their cabin for the weekend, both unaware that they both have violent, sinister plans for the other one. In a way it is “Mr. and Mrs. Smith” via “Gerald’s Game”, and I found that to be a really fun premise. It alternates between pitch black comedy and surprisingly tense and uncomfortable thriller quite well, handling both tones quite well and making it all feel like a solid, cohesive whole, while also managing to be quite unpredictable. I do think however that the movie might be slightly longer than it needs to be. If you shaved off five to ten minutes, the pacing would feel way better. As the final product stands, it doesn’t ruin the entire thing, but it does bring it down a little bit. So overall, a solid story, if a little poorly paced at points.

The characters in this are weird, colorful, flawed, unique, and quite entertaining. It’s hard describing them without getting too much into it, but I will say that all of the characters play off of each other well and have some interesting role within the story. And the entire cast is great, in particular our two leads Aksel Hennie and Noomi Rapace. But the supporting cast is rock solid too, containing people like Atle Antonsen, Christian Rubeck, André Eriksen, Stig Frode Henriksen, and more.

The score for the movie was composed by Christian Wibe, and it was okay. Pretty standard thriller stuff, nothing that really sticks out in my mind. Worked well in the moment, but won’t be remembered afterward. There’s also a handful of licensed songs used throughout, and they are all full and help add to the mood of their respective scenes in really fun ways. So yeah, the music overall is pretty good.

“The Trip” (original title: I Onde Dager) was directed and co-written by Tommy Wirkola, and I think he did a great job here. He has this fun, snappy, off-kilter energy that really kept my eyes stuck to the screen, even when the movie dragged its feet a little. You can just tell that he has a lot of fun while crafting a scene, and that really helps keep it fun for the audience. But his style especially shines through in the more action-packed moments, as they are intense, fast, fun, and violent as all hell. If you’re in the mood for some really brutal and well made gore, it can be found here.

This movie has been pretty well received. On Rotten Tomatoes it has a 91% positive rating. And on imdb.com it has a score of 6.9/10.

While its occasionally weird pacing does bring it down a little, “The Trip” is a highly entertaining thriller-comedy that I do recommend. It has a solid story, good characters, fantastic performances, pretty good music, and great directing. Time for my final score. *Ahem*. My final score for “The Trip” is an 8.01/10. So while it is flawed, I would definitely say it’s worth watching.

My review of “The Trip” is now completed.

And remember, kids: Don’t go on a weekend trip with your significant other if you’re going through something.

Movie Review: The Harder They Fall (2021)

Hello there! Now that we’re out of October and I’ve had a few days of rest, I can go back to talking about non-horror stuff for a bit. So let’s gooooo!

Ladies, gents, and non-binaries. The bigger they are… “The Harder They Fall”.

When outlaw Nat Love (Jonathan Majors) finds out that the man (Idris Elba) responsible for once causing him great trauma is getting released from prison, he unites with his old gang to track down and get revenge on this nemesis. “The Harder They Fall” is interesting in its storytelling due to how formulaic yet fresh it feels. I know, that’s a bit of a paradox, but hear me out. At the core is a very typical revenge western, something we’ve seen god knows how many times before, but then there’s a lot of times where there’s an interesting and unique spin put on one of the tropes, which keeps it feeling fresh and a little unpredictable. But then there are also other tropes that the story embraces with such gusto that those moments never feel dull or uninteresting. It manages to ride that balance between familiar and fresh beautifully, giving us a fun and engaging narrative that both entertains and engages.

The characters in this are colorful, fun, nuanced, and quite interesting. They’re all based on real people, but this isn’t adhering to any biopic format, so these real people can be used to dramatize in all kinds of interesting ways. And I found them all really engaging, with each actor firing on all cylinders. Jonathan Majors, Idris Elba, Zazie Beetz, Regina King, Lakeith Standfield, Edi Gathegi, Damon Wayans Jr, Deon Cole, Danielle Deadwyler, Delroy Lindo, they’re all fantastic, as are every other actor appearing in this.

The score for the movie was composed by Jeymes Samuel, and I really liked it. It creates a very fun and unique vibe by mixing traditional western strings and brass with elements of hip hop, funk, a little bit of jazz, and some other elements I can’t quite pinpoint. But it’s an interesting blend that may seem a little anachronistic on paper, but works insanely well within the film itself.

“The Harder They Fall” was directed and co-written by Jeymes Samuel  for Netflix, and I think he did a great job with it. Samuel has this really fun and electrifying energy to his direction, making each scene crackle in a way that keeps each moment highly engaging, while still allowing for more dramatic scenes to breathe and take their time. His style and energy especially comes alive during the action scenes, which are all kinetic, bold, and and absolute blast to watch. Adding further to the enjoyment of the movie is the editing by Tom Eagles, which maintains this snappy and fun kineticism that you don’t necessarily see in many films nowadays. It’s just an insanely well crafted film

This movie has been pretty well received. On Rotten Tomatoes it has an 86% positive rating and a “Fresh” certification. On Metacritic it has a score of 68/100. And on imdb.com it has a score of 6.3/10.

“The Harder They Fall” is an absolute treat, serving as both a send-up and subversion of the western genre. It has a really good story, great characters, fantastic performances, really good music, and great directing and editing. Time for my final score. *Ahem*. My review of “The Harder They Fall” is a 9.67/10. Which does mean that it gets the “SEAL OF APPROVAL!”.

My review of “The Harder They Fall” is now completed.

A rootin’ tootin’ good time

Movie Review: I Saw the Devil (2010)

Hello there, my friends, I hope you’re having a most spooktacular day. Anyhow, what’s on the Month of Spooks menu today then? Korean stuff? Haven’t done that for MoS yet… how exciting!

Ladies, gents, and non-binaries… “I Saw the Devil”.

When his fiancée is brutally killed by a vicious and perverted killer (Min-sik Choi), special agent Soo-hyeon Kim will go on a crusade to get revenge. “I Saw the Devil” is an almost non-stop ride of darkness, depravity, and turning my stomach inside out. It’s a morally grey revenge story where you understand why the protagonist does what he does, even if you find yourself questioning his methods. It’s an interesting spin on the familiar serial killer/cat and mouse game stuff that balances dark, morally grey, and disturbing drama with unflinching and brutal violence. It’s hard to describe the narrative without giving stuff away, so I’ll just end this section by saying that I thought the story here was great.

The characters in this are all fucked in the head in one way or another. I know that sounds like a weird generalization in some way, but it’s true. They are all messed up in some way, and the movie explores that in really fascinating ways, which makes all of them quite interesting. What also helps make them compelling are the performances, in particular from our two leads. Byung-hun Lee is brilliant as our protagonist, and Min-sik Choi is delightfully icky as the serial killer. They make for a great pairing in this. We also get some really solid supporting work from people like Gook-hwan Jeon, Ho-jin Chun, In-seo Kim, and more.

The score for the movie was composed by a man known as Mowg, and I think he did a great job with it. Most of it is used to help build this kinetic intensity, which really helps add to the frenetic pace of the movie. But there are also slower, more moody track that build ambiance and emotion when the movie does decide to slow down a little. It’s a solid score that works really well for the movie.

“I Saw the Devil” was directed by Jee-woon Kim, and I think he did a great job. His direction is intense and unflinching, never shying away from showing brutal, bloody, or outright disgusting things… but rarely does it feel gratuitous in that sense. I don’t know how to explain it, but it handles all this stuff in a way where you do see a lot, but it never goes overboard. Anyhow, I especially think his direction shines in the more action-heavy scenes, with the intensity and energy of those bits crackling in a way I don’t see much of in a lot of other movies. And on one final note, you’ve probably figured it out already if you’ve read this, but there’s quite a lot of disturbing content in this. So if you have a weak stomach or you’re in general just very squeamish and easily triggered by graphic content… you’ve been warned.

This movie has been well received. On Rotten Tomatoes it has an 81% positive rating and a “Fresh” certification. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 7.8/10.

“I Saw the Devil” is a brutal and unflinching thriller that I highly recommend. It has a great plot, really interesting characters, great performances, really good music, and fantastic direction. Time for my final score. *Ahem*. My final score for “I Saw the Devil” is a 9.67/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “I Saw the Devil” is now completed.

See no devil, hear no devil, speak no… devil? No, that doesn’t work…

Movie Review: Army of the Dead (2021)

Hello there, my friends, I hope you’re doing well. So now we’re moving onto the final stretch of the Month of Spooks. Only seven days left. So how are we kicking off this last week then? More zombies? Okie doke, let’s go!

Ladies, gents, and non-binaries… “Army of the Dead”.

The world has gone to shi- actually, most of the world’s fine for once. Really, Las Vegas is the only place that’s gotten fucked by a zombie outbreak. Anyhow, an enigmatic businessman (Hiroyuki Sanada) has decided to hire a group of mercenaries from all walks of life to bust into the outbreak zone and pull off a daring heist. So yeah, part heist flick, part zombie flick… and I had quite a bit of fun with it. The narrative doesn’t ever really do anything we haven’t seen in either of those sub-genres, but it instead just chooses to do them in a gleeful, bombastic, and sometimes insane way that I had a lot of fun with. Now, I’m not saying that the enjoyment was absolute, because there were a few things holding it back a little. First off, this movie is two and a half hours long, and while it for the most part moves at a clip, there are times where it drags a little. And that dragging comes from the second issue, and that’s some of the more serious drama spread throughout. I don’t mind having serious character drama in my goofy action movies, that can be surprisingly effective, but I just didn’t think it quite worked here. Had they given the script another pass and tried to iron it out more, then maybe. But as it stands, the drama just bogs it down for me a bit. Otherwise, I had fun with this apocalyptic heist story.

The characters in this are… fine? I didn’t necessarily mind them, and a few I did actually kinda like. But on the whole they all feel a little underdeveloped and like they could’ve been a little more fleshed out. But what I can happily say is that the cast itself is great. Dave Bautista is great as the tough yet kind leader, Matthias Schweighöfer is great as the comic relief safe expert, and Hiroyuki Sanada (despite very limited screen time) is as cool as always. The rest of the cast, containing people like Ella Purnell, Omari Hardwicke, Nora Arnezeder, Garret Dillahunt, Raúl Castillo, Tig Notaro, Athena Perample, and more are all great too.

The score for the movie was composed by Tom Holkenborg (AKA Junkie XL), and I enjoyed it. Nice mix of brass and electronics to create a score that hearkens back to more old school films, while still feeling quite contemporary. It’s solid stuff. There’s also a handful of licensed songs used throughout, and I have slightly mixed feelings. Some work well enough and can add a nice bit of fun, but one or two didn’t fully click for me, with one specific track eliciting the biggest eyebrow raise I’ve given in a while. So yeah, the music in this is mostly good.

“Army of the Dead” was shot, directed, produced and co-written by Zack Snyder for Netflix. Aaaaand I think he did a really solid job here. The dude knows how to craft some bombastic, fun action set pieces, and he delivered on that front here. When zombie carnage is going down, Snyder cranks it up to 11. It’s generally well shot, insane, intense, and insanely gory. Speaking of which, I love the gore in this movie, as it’s not only well crafted, but also plentiful and quite creative, making for one hell of a fun time. The only thing I didn’t necessarily enjoy about Snyder’s ways here is his frequent use of shallow focus. I don’t mind shallow focus at all, and there were times where it helped create a nice shot in this movie. But he uses it a bit more than maybe needs to be done, which can be a little distracting at times. For the most part I like what Snyder does with his directing and such here, but that part was a little iffy at times.

This movie’s gotten some mixed reception. On Rotten Tomatoes it has a 67% positive rating. On Metacritic it has a score of 57/100. And on imdb.com it has a score of 5.8/10.

While it does have its fair share of flaws, I still had a really fun time with “Army of the Dead”. It has a fun plot, okay characters, great performances, good music, and great directing/action/effects. Time for my final score. *Ahem*. My final score for “Army of the Dead” is a 7.99/10. So while flawed, it’s still certainly worth watching.

My review of “Army of the Dead” is now completed.

Viva Las Veg- AH, IT’S BITING MY LEG!!!

Movie Review: Blood Red Sky (2021)

Welcome back. Time for more Month of Spooks content. So let’s just get into it.

Ladies, gents, and non-binaries… “Blood Red Sky”.

When a group of terrorists hijack a transatlantic flight, Nadja (Peri Baumester) does everything she can to make sure she and her son make it through the night, even if it means embracing a dark secret she’s been harboring for years. So it’s basically “Die Hard”, on a plane, but with a supernatural twist. And for a lot of the runtime they play around with that in a fun way, finding interesting ways of constantly escalating the predicaments of the characters. But I will say that I didn’t fully love it, and one of the reasons for that is pacing. This movie, despite having a fair few set pieces, feels really slow, really dragging its ass at times. And while a slow pace, if done well, can lead to a creeping tension, that’s not what happens here. When shit’s going down, it’s fun, but otherwise this is a bit of a slog.

The characters in this are fine. I enjoyed some of them, and others were just… meh. They try to give a little depth to a few of them, and those characters are probably the most enjoyable.  At least the cast is consistently solid, featuring people like Peri Baumeister, Carl Anton Koch, Graham McTavish, Kais Setti, Alexander Scheer, Dominic Purcell, Roland Møller, and many more.

The score for the movie was composed by Dascha Dauenhauer, and I thought it was good. Some sad strings, some heavy horror hits, the usual fair for a lot of spooky movies like this. I don’t know what else to say, it’s a perfectly passable score that works for the movie, even if it doesn’t stand out in any real way.

“Blood Red Sky” was directed and co-written by Peter Thorwarth for Netflix, and I think he did a solid job with it. The man has a good eye for composition, and his action scenes are well put together. I even think that when things are properly going down, he has a great sense of energy and momentum. If only the script or final edit was tighter, then we’d have a cracking thrill ride on our hands. But as it stands, this is still solidly put together, with some really good action. There’s even a bunch of really solid practical gore and makeup effects, so that’s nice.

This movie’s gotten some mixed reception. On Rotten Tomatoes it has an 80% positive rating. On Metacritic it has a score of 43/100. And on imdb.com it has a score of 6.1/10.

While it does feel a bit too long and slow at times, “Blood Red Sky” is a perfectly enjoyable little horror flick. It has an alright story, okay characters, really good performances, okay music, and really solid directing/effects. Time for my final score. *Ahem*. My final score for “Blood Red Sky” is a 6.78/10. So while flawed, I’d still say it’s worth a watch.

My review of “Blood Red Sky” is now completed.

Ich bin ein flugzeug