Series Review: Castlevania – Season 4 (2021)

This review is a bit of a bittersweet one. On one hand, I get to talk about this show once again (yay!)… but this has also been confirmed to be the final season (boo). I’ve loved every season that’s come before, so I was of course excited. But then we get to the question: Did they stick the landing? Let’s find out.

Ladies, gents, and non-binaries… the final season of “Castlevania”!

We once again find ourselves within the region of Wallachia as Trevor (Richard Armitage), Sypha (Alejandra Reynoso), and Alucard (James Callis) once again must go on quests to save the people, and possibly also the world as we know it, from powerful forces. All the while Carmilla (Jaime Murray) and her vampire sisters scheme to try and take over the world, with Isaac (Adetokumboh M’Cormack) working to find a way to kill her. As you can read, a lot of shit is going on here, and even then I left out A LOT of stuff as I don’t want to spoil it for anyone. But what’s my verdict on the story here? It’s great. They manage to make everything feel like it truly matters, like there are actual stakes, and they manage to keep it consistently engaging. Whether it’s through a big, over the top action scene or a slower, more conversational part, the writers manage to keep it really engaging throughout the entire 10 episode run. And when it’s all said and done, it wraps up in an emotionally satisfying way that works really well for the story and world that they’ve developed.

The characters of this show, be they new or old, remain some of the most colorful, layered, fun, and overall interesting ones in recent memory. Most of them get a good arc here, and I think it makes for some great dynamics between them, as well as just making them highly engaging on their own. And the cast is just as stellar as ever, with both returning cast members and newcomers giving it their fucking all. And within said cast we find people like Richard Armitage, Alejandra Reynoso, James Callis, Adetokumboh M’Cormack, Jessica Brown Findlay, Theo James, Jaime Murray, Yasmine Al Massri, Ivana Milisevic, Malcolm McDowell, Toks Olagundoye, Titus Welliver, and many other very talented actors.

As with the previous seasons, Trevor Morris stood for the music, and once again he’s killed it. Big, epic orchestral pieces, smaller and more somber pieces, even a little bit of synth, the man mixes a few different styles that fit beautifully into creating a highly engaging soundscape for the show.

As with its previous seasons, “Castlevania” season 4 was written by Warren Ellis, with the Deats brothers handling the directing. And once again, the craft on display here is out of this world good. And where that shines the most is of course the animation, which is utterly breathtaking, especially during action scenes. Sure, it looks really good during slower, talky scenes too, but it’s during action that it really comes alive, giving us some breathtakingly dynamic, gruesome, and utterly badass fights that I will not forget any time soon. Powerhouse Animation, man, they never slip up.

This show/season just came out, so it currently doesn’t have much data on my usual sites. But here is still the link for the Metacritic page. On Rotten Tomatoes it currently has a 100% audience rating. And on imdb.com it has a score of 8.2/10.

So yeah, the final season of “Castlevania” completely sticks the landing, making for an emotionally satisfying and highly entertaining end to this series that I love. The story is great, the characters are great, the performances are fantastic, the music is great, and the directing/animation is fantastic. Time for my final score. *Ahem*. My final score for the final season of “Castlevania” is a 9.97/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Castlevania” season 4 is now completed.

It’s… it’s over… *sad sniff*.

Series Review: Castlevania – Season 3 (2020)

Took me a bit longer to get around to this than I originally wanted. But now we’re finally here. So let’s talk about this show for a bit. Oh, and there will be some spoilers for season 2… so you have been warned.

Ladies and gentlemen… “Castlevania” season 3!

A few months have passed since Dracula’s demise, and everyone’s kind of gone their separate ways. The peace isn’t kept for long however, as the various characters all run into their own share of problems. Trying to break down the narrative of this season in a well-written and concise way without getting into too many spoilers is difficult, as there are about as many threads as a season of “Game of Thrones”. But I’ll do my best. First off we have Trevor (Richard Armitage) and Sypha (Alejandra Reynoso) who find themselves visiting a mysterious village that seemingly holds more secrets than they at first let on. Then you have Alucard (James Callis) adjusting to the solitude of living in Dracula’s castle. Then there’s Carmilla (Jaime Murray) and her fellow vampires scheming to take over the world. And then there’s Isaac (Adetokumboh M’Cormack), building his army of night creatures and traveling across the world. But then there’s also the mysterious newcomer Saint Germain (Bill Nighy) and his schemes. Like I said, there’s a lot, and I didn’t even touch on all of them, either due to spoilers or fear of overextending this section. But believe me when I say that the ten episodes of this season cover A LOT of shit. But despite covering so much, it never gets confusing. This doesn’t mean that all aspects get treated with an equal amount of care and devotion, which at times can make this feel like a little bit of a middle chapter, but I do still find the narrative very engrossing. You get this epic fantasy tale, which also mixes in clever mystery, some gruesomely dark horror, a lot of heart and humor, and even a bit of enjoyable human drama. It’s great stuff, yo.

The characters in this, both old and new are colorful, flawed, layered, fascinating, and highly entertaining. The older ones get a little development, and newer ones do too. All of them are highly interesting and I loved seeing them. And the voice cast is fucking phenomenal, featuring such talented folks as Richard Armitage, Alejandra Reynoso, James Callis, Jaime Murray, Adetokumboh M’Cormack, Theo James, Jessica Brown Findlay, Jason Isaacs, Navid Negahban, Ivana Milisevic, Rila Fukushima, Toro Uchikado, Bill god damn Nighy, and more.

As with the previous two seasons, the score here was composed by Trevor Morris. And he absolutely knocked it out of the god damn park. He manages to cover so much ground with the various tracks in the show. From big bombastic brass, to more subtle strings, to even a bit of really intense synth, the dude did a fantastic job.

All episodes of “Castlevania” season 3 were written by Warren Ellis, with direction being handled by brother Sam and Adam Deats. And not that previous seasons were slouches in the animation department, but fuckin’ hell, the animation this season is the best it’s ever been. In quieter moments it looks really good, but it’s really in action scenes where it shines. Really captures the intensity and insanity that would happen from these battles. The final two episodes especially show this, as they have some of the best battles I’ve seen in animation. It’s one of the most well animated shows I’ve ever watched.

This show/season has been well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it has an audience score of 7.2/10. And on imdb.com it has a score of 8.2/10.

Season 3 is another winning batch of episodes for “Castlevania”, giving us more of what I’ve come to love from the show. It has a great story, great characters, great performances, fantastic music, and fantastic directing/animation. Time for my final score. *Ahem*. My final score for “Castlevania” season 3 is a 9.92/10. Which does mean that it gets the “SEAL OF APPROVAL!”.

My review of “Castlevania” season 3 is now completed

This remains the best video game adaptation.

Series Review: Blood of Zeus – Season 1 (2020)

I love Greek mythology, have been since I was a kid. Okay, I love mythology in general, but Greek has always been at the top of the list for me. And now we have an animated Greek mythology series from the studio who gave us “Castlevania”? Sign me up!

Ladies and gents… “Blood of Zeus” season 1.

Ancient Greece. A young man named Heron (Derek Phillips) lives a fairly mundane life as a peasant. This however gets turned on its head when he learns that he is in fact the spawn of Zeus himself (Jason O’Mara), and that he now has a duty to stop a demon (Elias Toufexis) from taking over the world. So yeah, for as colorful and weird as Greek myths can be, this is a fairly standard narrative. If you can predict a part of Heron’s arc, it most definitely happens. That said, it’s still a fun story, with decent stakes and plenty of spectacle. A big, epic tale of betrayal, family, finding oneself, and ol’ thundercrack not being able to keep it in his toga. They don’t try to do anything too weird or unique with the narrative, but what we do get here is still an enjoyable, if slightly shallow, piece of Greek spectacle.

The characters in this range widely in terms of how interesting they are. Let’s start with Heron, our protagonist, a kind, heroic young man whose world gets changed after learning about his heritage as another bastard son of King Lightning dick. And I found Heron to be fairly bland. If you’ve seen a kind, heroic, skilled protagonist in a thing before, then you know what you’re getting, especially if those previous ones had some sort of destiny they weren’t too sure of at first. Anyhow, I guess he works fine, even though he’s not the most engaging character. At least Derek Phillips does a solid job with his voice work. Next, let’s talk about Electric dong himself, Zeus. A father figure who loves his son and wants him to fulfill his destiny, even if he’s not always the best at expressing some of that. He makes for an interesting character here, and Jason O’Mara is great in the role. And then we have Seraphim, our main villain for the show. He actually has kind of a fascinating arc that I don’t wanna spoil here, but I do think he is quite an interesting and compelling character. And Elias Toufexis is great in that role. We also get performances from people like Jessica Henwick, Claudia Christian, Chris Diamantopoulos, Adetokumboh M’Cormack, Matthew Mercer, Adam Croasdell, and more, all doing very well in their respective roles.

The score for the show was composed by Paul Edward-Francis (triple first name, hell yeah), and I think he did a great job. His score is big, bombastic, dramatic, and badass. If you’ve played a “God of War” game, you know exactly what kind of sound we’ve got in this score. And if not, you can probably figure it out if you’ve seen some big, epic movies with heavy brass and epic choirs and such. But just because it’s familiar doesn’t mean it’s bad, because like I said up front, it’s great!

“Blood of Zeus” was written and created for Netflix by Vlas and Charley Parlapanides, with Shaunt Nigoghossian handling all the directing. And I think they, along with everyone at Powerhouse Animation did an excellent job crafting this show. This show is incredibly well animated, giving us some beautifully handled action scenes that flow marvelously well. And even in slower, less action-packed scenes it looks beautiful. The eyes of the characters took a little getting used to, but overall I have no complaints about the visual style of the show.

This show/season has been quite well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 8.0/10.

Season 1 of “Blood of Zeus” may be a little generic in some of its characterization and drama, but overall it’s still a highly entertaining show that I recommend. It has a pretty good story, good characters, great performances, great music, and fantastic directing/animation. Time for my final score. *Ahem*. My final score for season 1 of “Blood of Zeus” is an 8.65/10. So while flawed, it’s still definitely worth watching.

My review of “Blood of Zeus” season 1 is now completed.

FYI, Norse is a close second in terms of the mythology rankings.

Series Review: Castlevania – Season 2 (2018)

I am so excited to write about this. Partly because it’s another Month of Spooks review, and partly because I’ve been looking forward to season 2 of this show for over a year. And now we’re here, ready to talk about it.

Ladies and gentlemen… “Castlevania” season 2!

Picking up very shortly after the end of season 1, we once again follow Trevor Belmont (Richard Armitage) on his quest to find and take down Dracula (Graham McTavish). But this time he’s not alone, as he’s joined on this quest by sorceress Sypha Belnades (Alejandra Reynoso), as well as Dracula’s own son, Alucard (James Callis). So now we have our vampiric plot. And I thought the plot here was great. The first season already set up a good enough plot/foundation, but it was a bit on the short side with only four episodes. This time we have eight episodes, which means you can let things develop a bit more, which works very well for the show as I found this plot entertaining, compelling, exciting, and just overall really well told. It even managed to tug at my heartstrings a bit. Great stuff.

The characters in this are flawed, layered, really interesting, and also pretty entertaining. First up we have Richard Armitage returning as Trevor Belmont, the last member of the legendary Belmont clan. He’s kind of a sarcastic asshole, but not to a degree where I utterly dislike him, as you can tell that a lot of this comes from his broken life. Also, it’s just entertaining to see him play off of the other characters a bit. And Armitage does a great job with the role. Alejandra Reynoso returns as Sypha, a scholar and sorceress that has joined Trevor on his quest. She’s a tough-as-nails lady that is also smart, charming, and just generally interesting. And despite an accent that is weird and inconsistent, Reynoso does a really good job in the role. Next we have James Callis as Alucard, the half-vampire son of Dracula. He had a good life that then turned to shit after something happened that, and now years later he of course wants to take down his own father. Alucard is a clever, badass, fun, and just overall interesting character that I love seeing at the forefront like this. And Callis is great in the role. And finally have Graham McTavish returning as Dracula, this time having a much more prominent role than in season 1. He’s a tragic figure who has understandable motivations, but extreme methods, and I think he’s one of the most interesting villains in recent years. And McTavish is fantastic in the role. We also get some supporting performances from people like Theo James, Peter Stormare, Adetokumboh M’Cormack, Emily Swallow, Matt Frewer, Jaime Murray, and more, all doing very well in their respective roles.

As with season 1, the score here was composed by Trevor Morris, and it is utterly fantastic. It’s big and bombastic, but it’s also subtle and contemplative. Badass, but also emotional. His score, which utilizes brass, strings, choirs, and sometimes even synth, perfectly fits into each scene and elevates it all to a whole different level.

Based on the classic video game franchise of the same name, and written by Warren Ellis, this might be the most well crafted video game adaptation of all time. It has a lot of fun nods to the games, while still working on its own if you haven’t played them. The animation here is great. The designs look great, and everything just has a crisp quality to them that I like.  And holy shit, the action scenes in this are utterly fantastic, being fast-paced, fun, badass, and brutal as all hell… so much blood. What I was a bit surprised by this season is just how funny it was. Don’t get me wrong, this is not a comedy series in the slightest, but there’s a fair bit of humor spread throughout the season, and I found it all to be really funny without taking away from the darker and more dramatic parts of the show.

The season just came out, and doesn’t have so much data on my usual sites. It exists on both Rotten Tomatoes and Metacritic, but has no score as of writing this review. But on imdb.com it has a score of 8,0/10.

Season 2 of “Castlevania” takes what was good about the first season and ramps it up to fucking 11. It has a great plot, really good characters, great performances, fantastic music, and fantastic writing/directing/animation. Time for my final score. *Ahem*. My final score for “Castlevania” season 2 is a 9,90/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Castlevania” season 2 is now completed.

Best video game adaptation ever? Damn right, it is.