Marvel’s Avengers E3 2019 Trailer

Hello there. Time for more E3 stuff. So let’s… Assemble.

So thanks to E3, we finally have our first look/reveal of “Marvel’s Avengers”, an upcoming story-driven single player action game about… The fucking Avengers, I don’t need to explain who they are, their box office takings speak for themselves. So what’s happening here then? Well, shit goes awry, and the team has to save the world. And while I can’t say much, since there’s no real gameplay here, I do find this reveal a bit… bland, like they’re playing it safe. They lean into the aesthetics of the movies, and it all in general looks… meh. “Spider-Man”, the excellent Playstation 4 game released last year, shows that you can take established stuff and do something unique with it. And unless Square Enix and Crystal Dynamics gives us something more enticing in the near future, I will file this one under… meh. “Marvel’s Avengers” is set to be released on all major consoles on May 15th, 2020.

What are your thoughts? Are you excited for “Marvel’s Avengers”? And what’s your favorite movie based on a Marvel comic? Leave any and all thoughts in the comments.
Have a good one and enjoy.

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Movie Review: Godzilla: King of the Monsters (2019)

WE GOT A HOLLYWOOD BUDGET MONSTER MASH FEATURING CLASSIC KAIJU, HOW COULD ONE NOT BE EXCITED ABOUT IT. *Calms down*. So let’s talk about this movie.

Ladies and gents… “Godzilla: King of the Monsters”.

When multiple ancient beasts awake from their slumber, the crypto-zoological agency Monarch have to find a way to stop them. Be it on their own or with the help of the titanic lizard known as Godzilla. Let’s cut to the fucking chase, this plot isn’t deep or nuanced. In the moments where it tries developing the human element of the story, it’s kinda dull. But whenever it’s about these ancient creatures having it out for each other, it’s a fucking blast. So plot-wise it’s a bit of a mixed bag. I mean, no one comes to a monster movie for plot, but when there’s a lot of time spent trying to develop it, it can get a bit distracting. So overall… mixed bag.

The characters in this… yeah, I didn’t care. Again, they tried giving them some development, but in the end it’s kind of shallow and cliched. And the cast does a fine enough job with their performances. There isn’t anyone here that I’d say is bad, just some who are better than others. My favorite was probably Charles Dance, who always had a bit of a self-aware glint in his eye, which made him kinda fun to watch whenever he showed up. The rest of the cast, including people like Kyle Chandler, Ken Watanabe, Vera Farmiga, Millie Bobby Brown, Thomas Middleditch, Ziyi Zhang, Bradley Whitford, Sally Hawkins, and various other actors was good. They all played it very straight, but no one was bad.

The score for the movie was composed by Bear McCreary, and I loved it. A lot of big, bold brass, a lot of panicky strings, some chorals… it all fit incredibly well with the kaiju calamity going on throughout the movie. And while I won’t spoil which, some of the tracks are absolute treats for… various reasons. Damn good stuff.

The movie was directed and co-written by Michael Dougherty, who I think did a great job with it. He has a great sense of energy and pacing, which keeps the moving driving along, never really getting boring and too slow at any point. And like with Gareth Edwards before him, he knows how to convey the scale of all the shit that goes on. And credit to the visual effects team for really bringing these creatures to life. The detail, the movement, it all looks fantastic. And man, the cinematography by Lawrence Sher is breathtaking. Some truly awe-inspiring shots exist in this movie. And when it isn’t breathtaking, it still looks quite good. All the technical aspects really come together wonderfully. Especially during the monster action, which I had a ton of fun with.

The movie just came out, so this data will change a bit over time. But as of writing, the movie has gotten quite the mixed reception. On Rotten Tomatoes it has a 38% positive rating. On Metacritic it has a score of 47/100. And on imdb.com it has a score of 7,7/10.

Look, this isn’t one of the greatest movies ever made. But I still had a lot of fun with “Godzilla: King of the Monsters”. It has a mixed bag plot, meh characters, really good performances, fantastic music, and fantastic writing/directing/cinematography/visual effects/action. Time for my final score. *Ahem*. My final score for “Godzilla: King of the Monsters” is an 8,74/10. So while flawed, it’s still worth buying.

My review of “Godzilla: King of the Monsters” is completed.

Ooooooh no. They say he’s got to go, GO GO GODZILLA!

Movie Review: Avengers: Endgame (2019)

Can you guys believe it? 11 years and 22 movies. The Marvel Cinematic Universe’s ultimate culmination is finally here. It’s kind of mindblowing and impressive, regardless of one’s opinion on the movies themselves. So let’s get into it.

Ladies and gentlemen… “Avengers: Endgame”.

After the horrifying events in “Avengers: Infinity War”, the team feels somewhat defeated. But they still rise up to the occasion to find a way to fix what has been caused by Thanos (Josh Brolin). And I was scared going into this. Would they stick the landing? Well, guess what, they fucking did. It’s dramatic, tense, fun, emotional, and a perfect sendoff for this entire cinematic universe. And that is all I’m saying about that. I guess you could nitpick stuff, but I don’t want to. This is great. #DontSpoilTheEndgame

A shitload of characters return. Most of their development came from the other movies, but they did also get a little from this, and it just works really well. These are fully developed characters that I love. And the performances are great. Not gonna say all who are in this because there’s far too many. But holy fucking shit, there is not a weak link in this cast. All the actors do wonder with the great material they’re given.

As with “Infinity War”, the score was composed by Alan Silvestri. And in my review of that movie, I didn’t give the score enough credit. Yes, I had positive comments about it, but on subsequent rewatches of that movie, I’ve grown to love it a lot more. And the man somehow managed to fucking top himself with “Endgame”. The score manages to encapsulate all the epicness, emotion, and energy that the story needed flawlessly. Silvestri, I salute you.

They started with “The Winter Soldier”. They came back for “Civil War”. They took over the main mantle for “Avengers: Infinity War”. And they came to tie the bow on the gift that is “Endgame”. So yeah, their direction was great here too. These dudes know how to do big, epic action in a very human way, and it feels so great that they got the task to wrap this entire shebang up for now. Trent Opaloch’s cinematography is also absolutely amazing. And it goes without saying that the visual effects in this are absolutely spectacular. Hell, let’s give the visual effects crew some extra credit here for giving us some of the most impressive effects in movie history. The package is incredibly well put together.

This movie just came out, but it has already been incredibly well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 77/100. And on imdb.com it has a score of 9,1/10 and is ranked #5 on the “Top 250” list.

Yes I’m keeping it vague and brief here, but that’s what I have to do to not accidentally spoil it. Still, with that said, “Avengers: Endgame” is an absolutely marvelous movie and a perfect way to end the Marvel Cinematic Universe as we know it. It has a great plot, great characters, great performances, great music, and fantastic direction/writing/cinematography. Time for my final score. *Ahem*. My final score for “Avengers: Endgame” is a 9,90/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Avengers: Endgame” is now completed.

I’m not saying that I cried, but I cried.

Movie Review: Spider-Man: Into the Spider-Verse (2018)

What really is there to say about Spider-Man at this point? He’s one of the most well known, beloved, and profitable superheroes of all time. You all know who he is, so nothing really has to be said, I am excited to talk about this different take on the franchise.

Ladies and gentlemen… “Spider-Man: Into the Spider-Verse”.

Miles Morales (Shameik Moore) is just your average guy, except for the fact that he’s been bitten by a strange spider and has received Spider-Man-ish powers. And at the same time as he’s trying to get the hang of these new abilities, he discovers that Spider-people from other dimensions have shown up. So now Miles has to team up with his inter-dimensional namesakes to save the multiverse. And I absolutely loved the story here. It’s a fast-paced and fun comic book adventure that flies by fast than you can say “thwip”. It manages to be a good origin for this character that a lot of mainstream audience members might not know anything about, while also presenting a big multiverse adventure that should please a lot of comic book fans. But even amidst the fast-paced insanity, it knows when to slow down a bit and let the dramatic moments simmer a bit, making this whole ordeal a bit more engaging. So yeah, this is a great plot.

The characters in this are colorful, unique, fun, and just really interesting. Shameik Moore plays Miles Morales, this average guy who has a bit of trouble fitting into his current life. And when the Spider stuff comes into his life it forces him to evolve a bit as a person, and the development Miles gets is quite interesting. And Moore does a really good job voicing him. Jake Johnson plays Peter Parker, a cynical slob who’s also god damn Spider-Man. Not gonna say how he got there, but it’s funny and interesting, and he too gets some good development here. And Johnson does a really good job in the role. Next we have Hailee Steinfeld as Gwen Stacy, another interesting character who gets some decent development. And Steinfeld does a great job voicing the character. We also get supporting performances from people like Brian Tyree Henry, Mahershala Ali, Nicolas Cage, John Mulaney, LIev Schreiber, Lily Tomlin, Luna Lauren Velez, Kimiko Glenn, Kathryn Hahn, Chris Pine, and MANY more, all doing very well in their respective roles.

The score was composed by Daniel Pemberton, and I think he did a great job. While there of course is a lot of the heroic orchestral stuff throughout, Pemberton also mixed in stuff from hiphop, electronica, jazz, and even rock to create a sound that is both familiar and unique, which gives the movie its own sound. There’s also a fair bit of licensed tracks used throughout, and while I personally wouldn’t find myself listening to them on my own time, I thought they worked very well within the movie.

So this is an animated movie, and I seriously loved the animation here. At first some of it might look like it’s missing frames, but it didn’t take too long for me to get over that. And from that point on I got to experience one of the most visually stunning things ever. I don’t even know how to fully explain it, it’s just like someone put a fucking comic into a machine that would make the panels fully animated. It’s colorful, it’s fluid, it’s stylish, it’s unique, and it’s just some of the coolest stuff I’ve ever had the pleasure of looking at. Which also makes for some truly amazing action scenes. The movie also has a lot of comedy throughout, and all of it made me laugh, this is absolutely hilarious. Some of it subtle dialog, some of it broad slapstick, and some in-between stuff.

This movie just came out, but it has already been very well received. On Rotten Tomatoes it has a 97% positive rating and a “Fresh” certification. On Metacritic it has a score of 87/100. And on imdb.com it has a score of 8.8/10 and is ranked #30 on the “Top 250” list.

“Spider-Man: Into the Spider-Verse” is an absolutely magical movie, filled with great stuff for both comic book fans and casual movie goers. It has a great plot, great characters, great performances, really good music, amazing animation/action, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Spider-Man: Into the Spider-Verse” is a 9,90/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Spider-Man: Into the Spider-Verse” is now completed.

2018 is a great year to be a Spidey-fan.

12 Films of Christmas 2018 (Final Part)

It’s time, ladies and gentlemen. The final part in this year’s 12 Days of Christmas series. It’s been fun, but it’s time for it to come to an end. So let’s go out on a note.

I was considering going with “Jingle All the Way” for this last one, as it was on tv earlier. But then I decided against it because I’d prefer to not get annoyed by a movie on christmas fucking eve. So instead I went with a different thing that was on tv, something that airs every year, same Bat-time, same Bat-channe- damn it, wrong old thing. This is “From All of Us, to All of You”. In this interesting piece of Disney animation, Mickey Mouse and Jiminy Cricket host a sort of christmas show in which they give us some “christmas cards” from various characters. These “cards” are short films, some actually christmas related, and some just clips from movies like “Cinderella” and “The Jungle Book”. And for some unknown reason, it has aired on Swedish television every year since 1960. So yeah, living here in Sweden all my life, I’m kind of familiar with this. I feel nostalgic about seeing it, but at the same time it almost gets a bit same-y, since nothing new is added. Okay, I lied, at the end they show clips from new/upcoming Disney movies, but other than that, it’s the same thing as always, with only minor edits throughout the years. That said, there’s something a bit nice and warm about it, and it brings a nice sense of joy every time I see it. “From All of Us, To All of You” is a charming little compilation with a fascinating legacy.

On the last of christmas’ days, Markus wishes your ass, happy holidays, and a merry fucking christmas.

Movie Review: Solo – A Star Wars Story (2018)

Hey, finally a non-christmas movie. Nice to have a bit of variation. Anyway, let’s go on a space adventure, you scruffy looking nerf herders.

Ladies and gentlemen… “Solo – A Star Wars Story”.

The story follows Han (Alden Ehrenreich), a young and determined guy who wants nothing but to get out of the shitty slum life he’s been part of his entire life. And such an opportunity presents itself when he joins a crew of space scoundrels who have been tasked with delivering a very valuable fuel resource to a notorious gangster. So now we have our “Star Wars” prequel. And while the plot here isn’t anything special, I found it to be a bit of fun. As a big fan of “Firefly” and “Cowboy Bebop”, I have a soft spot for these kind of ragtag space misfit stories. In it’s entirety, the plot is just fine, not something I’d put among the all-time greats. But it’s a fun and fast-paced space adventure, and I don’t mind that.

The characters in this are likable, somewhat interesting, and quite entertaining. Alden Ehrenreich plays the young version of Han Solo. In this, Han isn’t quite the jaded smuggler that we know him as in the older movies, but we see hints of that here as he enters the scoundrel life. He’s quite a fun protagonist. And I thought Ehrenreich was really good in the role, he definitely had a lot of that sly charm one would expect from the character. Next we have Woody Harrelson as Beckett, the guy that Han starts working with who sort of becomes his mentor. A hardened badass with a lot of charisma, he’s quite an enjoyable character. And Harrelson is great in the role. Next we have Emilia Clarke as Qi’ra, childhood friend and love interest of Han. And that’s all I’m gonna say, because any further details would technically be spoilers. But she’s an okay character. And Clarke is pretty good in the role. Donald Glover plays the young version of Lando Calrissian, the smoothest son of a bitch in the galaxy. Not much else to say, he’s a smooth-talking, tricky, and clever guy who could charm his way into the heart of a mountain. And Glover is really good in the role. We also get supporting performances from people like Joonas Suotamo, Thandie Newton, Paul Bettany, Phoebe Waller-Bridge, Jon Favreau, and more, all doing well in their respective roles (even if one or two of the characters is less than well-realized).

The score for this movie was not composed by the one and only John Williams. Instead it was done by John Powell. And while there are some familiar themes used throughout, he still brought a lot of his own stuff to it to create one of the best scores of the year. I’m not just saying that because of my love for any piece of “Star Wars” music, he brought his fucking A-game on a fair bit of the tracks here. Yeah, the music here is great.

This movie was directed by Ron Howard, and I think he did a really good job with it. He manages to work with a lot of the typical “Star Wars” visual stylings, while also bringing in some stuff of his own, and even a little bit of old school western. The movie is just well shot and has a nice overall flow here that makes it a joy to watch. And the action here too is a lot of fun. Some good shootouts, a nice fight or two… there’s just a lot of fun to be had with the action here. And I don’t think I need to say anything about the visual effects at this point… it’s fuckin’ “Star Wars”, y’all know that stuff is gonna look great.

This movie has been pretty well received. On Rotten Tomatoes it has a 70% positive rating. On Metacritic it has a score of 62/100. And on imdb.com it has a score of 7,0/10.

While not anything special, “Solo – A Star Wars Story” is a damn fine space adventure full of charisma and fun. It has a pretty good plot, good characters, great performances, great music, and really good directing/action/visual effects. Time for my final score. *Ahem*. My final score for “Solo – A Star Wars Story” is an 8,86/10. So I’d definitely say that it’s worth buying.

My review of “Solo – A Star Wars Story” is now completed.

You know what another title for this movie could be? Dirty Rotten Scoundrels. *Ba-dum-tss*.

12 Films of Christmas 2018 (Part 8)

BAH, HUMBUG. There, I did the thing. Can we get on with the talks about the christmas-y thing now?

There are many adaptations of Charles Dickens’ “A Christmas Carol”. There’s the Patrick Stewart one, there’s the Muppet one, there’s the Bill Murray one, there’s the creepy CGI Robert Zemeckis one… so picking one wasn’t easy. But I finally decided to settle on the first version I ever saw. This is “Mickey’s Christmas Carol”. You all know the story, cranky cheapskate Ebenezer Scrooge (Scrooge McDuck/Alan Young) is a dick (or duck, ba-dum-tss) to everyone around him. So when he goes to bed he is visited by the three ghosts of christmas, and they show him how he’s a giant fuck-up, and like I said, you know what happens. Everybody knows this story. The only real difference here is the use of beloved Disney characters instead of actor/humans. But I like it, adds quite a bit of charm. Plus, Scrooge as Scrooge is a match made in obvious. But the animation is good, the story is timeless, the voice cast is stellar… plus, it’s only like 25 minutes, so it won’t consume much of your day. “Mickey’s Christmas Carol” still holds up 35 years later.

On the eighth day of christmas, Markus gives y’all a hug, because he doesn’t wanna tell you “Bah, humbug!”.

12 Films of Christmas 2018 (Part 7)

Good day to you all! Hope all of you are doing well! Man, I’m in a good mood today, let’s do this!

I was considering doing “Alvin and the Chipmunks” for today’s thing, but then I decided to not be cruel to myself like that. So instead I went with something that I hadn’t seen, but was based on something that always brings a smile. It’s “A Muppet Family Christmas”. So what’s it about? Simple, Kermit, Animal, and the rest of the gang travel to Fozzie’s mother’s home to celebrate the holidays. Cue the singing, heartwarming talks, and funny hijinks that one expects from these lovable cloth creatures. And that’s really it. The only real twist here is that characters from both “Sesame Street” and “Fraggle Rock” show up to join in the fun. Not much that can be said, I love Muppets, and they use them to great effect here, giving me a nice, cozy feeling. It’s the frickin’ Muppets… how could one not get all warm inside? “A Muppet Family Christmas” brings much joy for the holidays.

On the seventh day of christmas, Markus brings to you, the Swedish Chef once again speaking gobbledygoo. 

12 Films of Christmas 2018 (Part 5)

Well hello there! Thanks for coming. Sit down and relax while I jabber on about today’s film.

Earlier today I was thinking, “What should I do today?”, as I wanted to be slightly more creative with today’s pick. Then I thought “I should do a Harry Potter movie!”, as most of those flicks have a part set around the holiday. Then it came down to which one I would do. And in the end I decided to pick my favorite out of the bunch, “Harry Potter and the Prisoner of Azkaban”. It’s time for Harry (Daniel Radcliffe) to do his third year at Hogwarts school for witchcraft and wizardry. But of course he can’t just have a “normal” school year for once, as he has to look out for Sirius Black (Gary Oldman), a killer who has escaped from Azkaban prison. And you know the usual shenanigans that happen, Harry questions things, Snape (Alan Rickman) looks angry, Dumbledore (Michael Gambon) is secretly a dick, and Harry and his friends end up in some dangerous situations. But they put some nice twists on these things here with the inclusion of certain revelations regarding the past of Harry’s parents, as well as the looming horror of the Dementors. It stands out thanks to one of the more engaging plots in the series, combined with the confident and stunning direction of Alfonso Cuarón. And while this movie doesn’t go “Happy Christmas” as blatantly as some of the other ones, it does have a bit set in a very snowy Hogsmeade, and it all just gives me a very christmas-y vibe. “Harry Potter and the Prisoner of Azkaban” works both for christmas-y and casual viewing.

On the fifth day of christmas, Markus brings to you, an actual good film, woohoo!

Movie Review: Sweet Country (2018)

Australia. Beautiful scenery, deliverer of my favorite band, origin of so many great actors… there’s a lot to appreciate, but there’s also things that one won’t appreciate. Like snakes… and spiders… and the fact that not even the country at the end of the world has been free of racism. Oh well, let’s go down and under and back in time a bit.

Ladies and gentlemen… “Sweet Country”.

Australia, the 1920s. We follow an Aboriginal farmhand (Hamilton Morris) who has to go on the run after he shoots a white man in self defense. So now we have our historical Aussie western. And I thought the plot here was good. It has an interesting premise, the events unfolding are somewhat engaging, and the entire story is pretty well told. It gives an interesting glimpse into what it was like in the outback during those times… but despite all this, it never really grabbed me. It was interesting enough for me to follow along, but there was never any point where the story had me in its grasp. I don’t know how to properly explain it. Yes, the story is good, but it’s not one of those that really dug itself into my mind.

The characters in this are decent, not ones I’ll be remembering, but they worked well enough in the movie. Explaining their arcs like I usually do is hard as to not get into some spoilers, so I’ll just skip that and list the actors (who are all really good). Hamilton Morris, Bryan Brown, Tremayne Doolan, Sam Neill Ewen Leslie, Matt Day, and many more.

The score was composed by… no one? Yeah, there’s no music here except for the end credits and like one really high pitched note at one point. But other than those… no music. Hmm…

The movie was shot and directed by Warwick Thornton, and I think he did a really good job with it. He has a way of keeping you engaged through his tight and often kinda tense directing, while also giving us some great shots of the Australian outback. It’s well shot and well directed. Not much else that can be said on that front.

This movie has been well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 87/100. And on imdb.com it has a score of 6,8/10.

While “Sweet Country” didn’t enamor me like it has the critics, I still think it’s an incredibly well made historical western-drama. It has a good plot, okay characters, great performances, no music(?), and great directing/cinematography. Though as previously mentioned, despite the plot in itself being really good, I wasn’t that engaged by it. Time for my final score. *Ahem*. My final score for “Sweet Country” is an 8,51/10. So while flawed, I’d say that it’s worth buying.

My review of “Sweet Country” is now completed.

G’day.