My Favorite Albums of 2019

Well howdy there, ladies and gents, I hope you’re all doing great. It’s that time of year again. That time when I go over my favorite albums from the year that’s recently passed. It’s a yearly tradition on this blog, and I have no intention of stopping it yet. So, let’s go over some rules first.

Rule 1: Please keep it civil. These are my picks. If you don’t agree with them, that’s fine. If you want to have a discussion about good music from last year, then I’m very much open to it. All I ask is that you keep it civil. Be kind and respectful.

Rule 2: No movie soundtracks/scores. I love listen to movie music, but if I included any of those albums, this list would go on for days, and no one has time or patience for that.

Rule 3: No “Greatest Hits” albums. I think that explains itself, no compilations of a band’s best songs. That’d be cheating.

That should about cover it. Now, without further ado.. my favorite albums of 2019!

Number 15: Rival Sons – Feral Roots (Sample: Do Your Worst)

Kicking off the bottom of the list (bottom does not equal bad, just means least awesome) is the latest release from Californian rock band Rival Sons. These dudes have a very old school approach to their style that I appreciate, since good ol’ fashioned hard rock doesn’t dominate the airwaves as much as it once did. So it’s good to hear a band keeping that sound alive. It’s a fun album.

Number 14: Dream Theater – Distance Over Time (Sample: Untethered Angel)

At number 14 we got the latest release from long running  prog-metal band Dream Theater. It’s a slightly more stripped back and focused affair than some of DT’s other releases… but that doesn’t stop it from being a fun, epic, and frankly fun album to listen to. It doesn’t really do much to seem like something new in the band’s discography, but it also doesn’t need to, because it’s still a badass album.

Number 13: Whiskey Myers – Whiskey Myers (Sample: Die Rockin’)

At number 13 we find the latest release from Whiskey Myers, an American country/southern rock band from Texas. I actually discovered them earlier in 2019 when I heard two of their older songs in an episode of “Yellowstone”. Obviously liking what I heard, I of course started checking out the band more (like their previous album/social media). And that’s when I found out they were releasing a new album, which had me interested. And when I listened to it… well, the inclusion of it on this list should be a dead giveaway as to my feelings on it. The band is like a heavier version of Lynyrd Skynyrd, and I really like that sound, which is why this is on the list.

Number 12: Beth Hart – War in My Mind (Sample: Bad Woman Blues)

Next up we have the new release from American blues singer Beth Hart. In this release, Beth strikes a nice balance between blues, funk, and soul to create a sound that is simply magical. I’ve enjoyed Hart’s music for a few years, and this album doesn’t disappoint at all, it is a blast to listen to.

Number 11: Phil Campbell – Old Lions Still Roar (Sample: Rocking Chair)

Coming in at number 11 we have the solo album debut of former Motörhead guitarist Phil Campbell. Even with the experience as guitarist in one of the greatest metal bands of all time, you never know how well your solo stuff might turn out. But Campbell (along with his many guest acts) really knocked it out of the park. Some are more stripped back affairs like “Rocking Chair”, but then you also got tracks like “Faith in Fire”. But one thing one notices throughout it all is that Campbell is quite contemplative in his tunes, which makes for a rock album that pleases both poetically and in terms of being fun to listen to.

Number 10: Nick Cave & The Bad Seeds – Ghosteen (Sample: Bright Horses)

Now we’re getting into the meat and p’taters of this list, the top ten. And kicking off this section is “Ghosteen”, the new release from Australian artist Nick Cave, and his band, The Bad Seeds. It’s a direct follow-up to their previous album, “Skeleton Tree” (which also made it to my best of the year list when it came out). In that album, there were moments where Cave was dealing with the recent death of his son, and Ghosteen is him fully embracing that dark and contemplative process, making for a beautiful and haunting album that, while not something I’d put on at any time, still had a lasting effect on me thanks to its beautiful production, and Cave’s soulful and pained vocals.

Number 9: Tyler Bryant & The Shakedown – Truth and Lies (Sample: Shock & Awe)

At number 9 we have “Truth and Lies”, the new album from blues-inspired hard rock act Tyler Bryant & The Shakedown. If you like heavy blues-rock, then this should be right up your alley. I certainly like that sound, and I really like this album, it’s cool.

Number 8: Lana Del Rey – Norman Fucking Rockwell! (Sample: Norman fucking Rockwell)

Every year there’s usually at least one album that sneaks onto my list that I didn’t expect in the fucking slightest. And this time, it’s the latest release from American pop singer Lana Del Rey. It’s a soulful and cleverly written album which features Lana discussing some interesting stuff, all while a beautiful strings and piano-based production backs her up. And it’s all great, making for an enjoyable trip that I wouldn’t mind listening to again.

Number 7: Neil Young with Crazy Horse – Colorado (Sample: Olden Days)

More like Neil Old, am I right? Joking aside, how the fuck is Neil Young still releasing good music. Sure, his voice isn’t quite what it once was. But the fact that the songwriting still hits me and his voice still conveying every emotion perfectly is testament to his skill. Combine that with his first teamup with Crazy Horse since 2012, and we got a really well produced album that finds Young still knows how to reach into my heart and make me think.

Number 6: Bruce Springsteen – Western Stars (Sample: Western Stars)

From one old legend to another, at number 6 we have the latest release from The Boss himself, Bruce god damn Springsteen. And he hasn’t lost his touch yet, “Western Stars” is a beautiful country/soft rock album that shows Springsteen at his strongest once again. I don’t know what else to say here, Bruce Springsteen making good music shouldn’t really be much of a surprise to anyone.

Number 5: Airbourne – Boneshaker (Sample: Burnout the Nitro)

From nice and soulful, to high octane rock n roll. This was seriously one of, if not my most anticipated album of the year. I am a huge fan of this band and their AC/DC-esque sound. A new Airbourne release is always fun to listen to, because they just make some badass rock n roll. When I first listened to it, I wasn’t the biggest fan of this one. I thought it was fine, not making much of an impact. But further listens have made me appreciate it more. It’s not groundbreaking, but it’s certainly… a boneshaker.

Number 4: The Highwomen – The Highwomen (Sample: Redesigning Women)

At number 4 we have a self-titled album from all-lady country band The Highwomen. Sound-wise, it’s a classic country sound, showing that “if it ain’t broke, don’t fix it”. Where it stands out however is in the lyrical department, making some interesting commentary on society and women’s role in it, which I find quite fascinating and engaging, especially when paired with the beautiful country composition.

Number 3: Leonard Cohen – Thanks for the Dance (Sample: Thanks for the Dance)

We’re getting into the nitty-gritty now, y’all. In the bronze position, we find the new release from the late, great Leonard Cohen, which he of course recorded before his passing in 2016. Produced by Cohen’s son, Adam, this is a beautiful, emotionally charged, and soulful experience that sees Cohen at his finest. It’s a nice posthumous send-off for one of the greatest songwriters ever.

Number 2: King Gizzard & The Lizard Wizard – Infest the Rat’s Nest (Sample: Planet B)

Well, this is certainly a leap in genres. In second place is the newest release from Australian rock band King Gizzard & The Lizard Wizard (possibly the greatest band name ever). And it’s an old school thrash metal album, hearkening back to mid-80s Metallica or Slayer, while still putting in some minor flourishes of their own to make it stand out. And good god damn, I am in love with this album. I only heard it for the first time very recently, and yet it has made quite an impact for me. Partly because of the interesting storytelling concepts throughout the songs, but mainly because I am a big fan of old school thrash metal, and this is one of the finest takes on that genre.

NUMBER 1: Gangstagrass – Pocket Full of Fire (Sample: You Can Never Go Home Again)

In previous years, I’ve had a rule against including live concert albums. But I decided to loosen that rule this year because 1, this my blog (so I can do whatever I want). And 2, I really really really wanted to mention this. What we have here is American hip-hop/bluegrass band (yes, that mix does work) Gangstagrass at various live venues, playing their songs, and making it all sound fantastic. Seriously, these are some of the best and most head-bobbing recordings I’ve heard of these songs. So yeah, my number 1 is technically cheating my own rules, but I also don’t care, because great music transcends everything.

So those were my favorite albums of 2019. But now I’d love to hear from your guys, what are some of your favorites? Let me know in the comments.
Have a good one.

Movie Review: BlacKkKlansman (2018)

Good grief, that title stylization is such a double-edged sword. Looks neat, and is a great piece of wordplay… but god damn, it is a pain to keep in mind when writing it out. Oh well, that’s all the time we’re spending on that, let’s get into the review.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a movie… which it is. Disclaimer over.

Ladies and gentlemen… “BlacKkKlansman”!

Ron Stallworth (John David Washington) is a young, black police officer in the 70s. He’s an ambitious young man, looking to make a real difference. And one way he intends to do this is by starting an undercover operations to infiltrate the Ku Klux Klan with the help of one of his colleagues (Adam Driver). So now we have our quite unique story setup… and good god damn, I loved seeing how it unfolded. What makes it work so well is how impressively they balance tones. On one hand, it’s an undercover cop movie featuring one of the most horrible organizations in the worlds, which is very serious. But then they also acknowledge the bizarreness of a black man making an attempt to enter the Ku Klux Kunts, and have a bit of fun with that idea. So it manages to both put me on the edge of my seat with some of the darker aspects, and have me smiling at some of the more lighthearted and fun moments. It’s also remarkably fast-paced. The movie has a 135 minute runtime, but I never felt that, it moved at a brisk pace that kept it from getting dull. It doesn’t rush through things though, when it needs to slow down and soak in a moment, it does that. But yeah, it’s well paced and well written and highly entertaining.

The characters here are flawed, nuanced, colorful, and overall just quite interesting. John David Washington plays Ron Stallworth, the young cop at the center of this story. He’s smart, highly determined, but also a bit of an underdog considering he’s like the only black officer in the department. And he’s one of the more uniquely compelling protagonists of recent years. And Washington is fantastic in the role. We then have Adam Driver as Flip Zimmerman, Stallworth’s colleague who joins in on this batshit undercover operation. He’s a bit torn between some various things we learn about him throughout the movie, and it makes him quite fascinating to follow. And Driver is fantastic in the role. We also get supporting work from people like Laura Harrier, Robert John Burke, Michael Buscemi, Ryan Eggold, Jasper Pääkkönen, Paul Walter Hauser, Topher Grace, and many more, all doing very well in their respective roles.

The score for “BlacKkKlansman” was composed by Terence Blanchard, and it was great. There’s a consistent theme that gets woven throughout various tracks, making for a consistent emotional quality while still giving it a few different spins. There are of course a few unique tracks as well, and they are very good too. There’s also a few licensed tracks used throughout, and those work quite well in their respective scenes. So yeah, this movie has good music.

Based on a book by Ron Stallworth, “BlacKkKlansman” was directed by Spike Lee. And he did a great job, he really brought his A-game here, giving it a fierce energy that makes it stand out among so many movies in recent years. His direction manages to capture the broadness of this whole operation while never sacrificing the intimacy with the characters. And this makes it absolutely electrifying. And Chayse Irvin’s cinematography is stunning, complementing the storytelling wonderfully. There’s also a surprising amount of comedy throughout the movie, and it’s very funny. It helps to digest some of the bizarre and darkly uncomfortable aspects of this story.

This movie has been very well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 83/100. And on imdb.com it has a score of 7,5/10. The movie won 1 Oscar in the category of Best adapted screenplay. It was also nominated for an additional 5 Oscars in the categories of Best picture, Best original score, Best director, Best supporting actor (Driver), and Best film editing.

Despite it’s annoying-to-write title, “BlacKkKlansman” is a fantastic and highly unique bio-pic. It has a great plot, great characters, fantastic performances, great music, great directing/cinematography, and funny comedy. Time for my final score. *Ahem*. My final score for “BlacKkKlansman” is a 9,90/10. So it gets the “SEAL OF APPROVAL!”.

My review of “BlacKkKlansman” is now completed.

This kind of stuff is why I love movies.

My Favorite Scenes: Doom Patrol – People Like Us

Holy shit, ain’t this a corpse. When was the last time we did a My Favorite Scenes post? February 2017? Okay, not quite as far back as I thought, but still… that’s nearly three years. Well, for any newer readers, this series is all about me explaining why I like certain scenes in movies and tv. A blogger friend of mine had a similar series and I nicked the idea from him. As you can probably imagine, this involves some spoilers for any particular movie or series that the scene is featured in. So be warned. Anyway, let’s talk about “Doom Patrol”!

Based on the DC comic book team of the same name, “Doom Patrol” is about a group of misfits who have all been brought together by Doctor Niles Caulder (Timothy Dalton), since they really have nowhere else to go. And in the show, Niles goes missing, which leads to various adventures where the team tries to find clues to his whereabouts, while also dealing with their own personal demons. I actually reviewed the first season of the show in 2019 (*cough* shameless plug *cough*), and mentioned in that show that I absolutely adored its mix of relatively unknown superheroes, compelling character drama, and hilariously crude humor. And today we’re talking about a scene that kind of encapsulates some of that. So it goes without saying, spoilers for “Doom Patrol”, and in particular its 8th episode, “Danny Patrol”.

So in episode 8, “Danny Patrol”, two of the team’s members, Larry Trainor/Negative Man (Matt Bomer/Matthew Zuk) and Cliff Steele/Robotman (Brendan Fraser/Riley Shanahan) get transported to Danny, a sentient, teleporting, gender-queer street (yes, you read that right), when it needs help from Doctor Caulder (who is still missing at this point). While here, Larry and Cliff make acquaintances with Maura Lee Karupt (Alan Mingo Jr.), a sort of front person for Danny, the sentient, teleporting, gender-queer street (god, I love saying that). And during a scene in the episode, Larry gets invited up to sing some karaoke, in which he does and begins covering “People Like Us” by Kelly Clarkson. And during this musical number, you see Larry open up, show some actual joy. His entire life, he’s been a bit of an outsider, starting as a closeted gay man in the 1960s U.S. Army, and then later being a bit of a radioactive freak with a strange alien being living inside of him, which of course kinda prevented him from bonding with people. But finally it seems like he has found some people who just accept him for who he is. Freaks, outcasts… “People like us, we gotta stick together”. And then when the ending of the scene revealed itself, it was a bit of a gut punch to me. In lesser hands, this could’ve just been a goofy scene of a mummy-man singing a song from an American Idol winner while visiting a sentient, teleporting, gender-queer street. But thanks to the wonderful writing and world-building of “Doom Patrol”, it became one of the most uniquely compelling scenes I’ve experienced in any recent tv show, even making me tear up when I first saw it.

Scenes like this is why I adored season 1 of “Doom Patrol”, and is why I am really looking forward to whatever madness they’ll be concocting for season 2.

Have a good one, and show some love to people around you, even when you’re not standing near a sentient, teleporting, gender-queer street.

12 Films of Christmas 2019 (Part 8)

Just as a heads up, I missed yesterday’s post, so you’re gonna get two of these today. Apologies for this fuck up if you somehow were looking forward to it yesterday, but didn’t see one. It’s all on me. So let’s not dilly dally, time for the first 12 Contrivances of Christmas post for the day.

So for this post I decided to go with a movie that I actually covered on the blog earlier this year (shameless plug, I know). It is 1987’s “Wings of Desire”, directed by Wim Wenders. It is a slow burn meditative fantasy drama about Damiel (Bruno Ganz, R.I.P), an angel watching over the humans of Berlin, and how he’s going through a bit of an existential crisis. So how am I going to cover a German art drama for this silly series of mine, you ask? Well, just sit back and relax as I contrive a reason.

Now, the first thing some of you might point to might be “Ah, it’s about angels, angels mean christianity, christianity means Jesus, Jesus means christmas!”. Firstly, don’t try to beat me to the punch. And secondly, that’s wrong. I ain’t forcing some christian crap here, it would be a bit disingenuous of an agnostic such as myself. No, I have something else planned.
Despite not exactly being the cheeriest movie around, “Wings of Desire” does tout a certain theme throughout… you know, when not focusing on people going through a personal crisis or two. That theme? Love. As Damiel goes through his crisis, he falls in love with a human woman. You know why the angels exist? To make sure nothing bad happens to the humans they watch over, which is an act of love. And you know what should be spread on christmas? Love! So “Wings of Desire” is a christmas movie because, just like the holiday, it’s all about that love (or that sweet, sweet existential crisis if that’s more your cup of tea).

And even if you don’t want to take it as a holiday feature, “Wings of Desire” is a wonderful drama that, despite its divine protagonist, shows so much humanity. It’s absolutely fantastic.

Have a good one.

12 Films of Christmas 2019 (Part 7)

That’s right, this series is still going. I am not giving up on it, even remembering to do a post each day is a surprisingly stressful act. Anyway, here’s today’s post.

Based on a book by Ron Hansen, “The Assassination of Jesse James by the Coward Robert Ford” was released in 2007, and directed by Andrew Dominik. It follows a young man named Robert Ford (Casey Affleck) who has idolized legendary American outlaw Jesse James (Brad Pitt) for many years, and then finally gets the chance to join his gang at the age of 19. The movie is a character-driven psychological drama all about demythologizing Jesse James while also deconstructing its central protagonist, Robert Ford. So now you’re probably wondering how I’m gonna contrive this to be a christmas movie? Well, watch and learn, my friends. This is how the pros (read: idiots) do it.

Now, one or two of you might assume I’m gonna use the scenes set in snowy landscapes for this. Well, as I’ve probably established earlier in this series, I’m not that fucking shallow. That’s not contrived enough. No, I got something else.
What we see in the movie after Bob joins Jesse’s gang is how much he notices what a psychotic, paranoid disappointment Jesse actually might’ve been, and not this awesome cowboy legend you might read about and enjoy following in a dime novel. So one of the basic messages one can sort of get out of this movie is “Don’t meet your heroes, because you’re just gonna be disappointed”. And that works as our christmas analogy, because as a kid you might be celebrating the holiday with your family, both immediate and extended. And all of a sudden Santa Claus shows up, lets kids sit on his lap, and give them presents. But then one of your dumbass cousins decides to tug at Santa’s beard and find out that it’s just your uncle in a cheap costume, and it turns out there is no actual magical lobster man. Bob getting to know Jesse is kind of the same thing. Instead of this magically awesome being he thought he knew, it turned out to be something a bit more disappointing. So “The Assassination of Jesse James” is a christmas movie in the sense that the truth about the legend is a fucking disappointment, just like Santa Claus.

The movie on the other hand isn’t a disappointment, it’s fucking fantastic. One of my favorites.

Have a good one.

12 Films of Christmas 2019 (Part 6)

Holy shit, we’re already halfway through this silly series of mine. Time sure flies when things happen. So let’s get into it.

Some of you might recognize the movie from the image up above. Today we’re talking about “Overlord”, a 2018 action-horror movie directed by Julius Avery, and produced by J.J. Abrams. It’s about a group of American soldiers who fall behind enemy lines during World War 2, in an attempt to make a difference in the tides of war. This might sound familiar to some of you, as I have talked about this movie on the blog before… twice, as a matter of fact (and about a kajillion other times on twitter). So now I hear you groaning “Markus, how can a grim World War 2 horror movie possibly be associated with christmas?”. Well, strap in and make yourself ready for my reasoning.

What’s one of the most important parts of christmas? Bringing joy, right? Well, you know what brings me a whole lot of joy? Seeing nazi punks get blown the fuck up, shot to shit, absolutely annihilated, and other delightful synonyms for that situation. Sure, there are parts where our heroes are stuck or pinned down, struggling with their mission. But that just makes it even more satisfying and joyous to see them destroy god damn nazi assholes. Call me a sick son of a bitch if you want, but with our world being what it currently is, this kind of violent escapism is important, especially during the season of joy.

Have a good one.

Series Review: Watchmen – Season 1 (2019)

That’s right, it’s not just christmas contrivances you’ll get. Regular reviews will show up too, I ain’t forgettin’ my roots. So, let’s talk about a comic book thing.

Ladies and gentlemen… “Watchmen” season 1!

Set in an alternate version of 2019, “Watchmen” follows a whole bunch of people, as they try to navigate the strange and intense happenings of this world they live in. And that’s pretty much all I’ll say in regards to explaining the core plot, because it’s such a weird and unique experience that if explained further, it would risk kinda ruining it. But I’ll say that the ways it ties into the classic comic book are really neat, and even looking at it without really knowing much (if anything) about the comic, it’s still a highly entertaining and unique journey that has a satisfying beginning, middle, and end.

The characters in this are flawed, layered, colorful, and just really interesting. Regina King plays Angela Abar, an undercover police officer who more or less serves as the main protagonist of the story. She’s tough, but she does also have a vulnerable side that makes her feel more human and relatable. And King is great in the role. And that’s all the cast I’ll go into, as some reveals are better left experienced (kinda like the plot). But I can say that the cast is filled out with people like Jean Smart, Tim Blake Nelson, Sara Vickers, Jeremy Irons, Don Johnson, Louis Gossett Jr, Yahya Abdul-Mateen II, Tom Mison, James Wolk, and many more, all doing very well in their respective roles.

The score for the show was composed by Trent Reznor & Atticus Ross, and good god damn, they did a phenomenal job with it. They do some tracks that are quite exciting and cool-sounding, while also providing some tracks that are a bit more dramatic and emotional. They have created a score that not only covers every emotion one needs created for a show like this, but also fits the weird and unique style of everything else in the show. There’s also some licensed tracks used throughout, and they work quite well in their respective scenes too. So yeah, this show has good music.

Based on the classic DC Comic by Dave Gibbons and Alan Moore, “Watchmen” was developed for HBO by Damon Lindelof, who also served as lead writer, while giving directing duties to a whole bunch of other people. And the craft on display here is absolutely superb, creating a world that is familiar (thanks to it technically still being earth), and yet a bit alien, thanks to its awesomely off-kilter tone. The directing is energetic, but also suspenseful, fun, and engaging. The cinematography too is stunning, giving us some great lighting and framing. And with all this said, episode 6… some of the best craft in a tv episode this year, from the shots, to the editing, to the directing… it’s fucking spectacular.

This show has been well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 85/100. And on imdb.com it has a score of 7,8/10.

“Watchmen” is one of the best new shows of 2019. It has a great plot, great characters, fantastic performances, great music, and great writing, directing, cinematography, and editing. Time for my final score. *Ahem*. My final score for “Watchmen” is a 9,90/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Watchmen” season 1 is now completed.

I know I called this season 1, but I sincerely hope there are no more seasons. This is a perfectly contained package.

12 Films of Christmas 2019 (Part 4)

Howdy. 12 Films of Christmas, contrivance edition. The fourth part. Y’all ready?

So today’s pick is an interesting one. Today we’re chatting about “Deadwood: The Movie”, a 2019 made-for-tv film based on the hit tv show that ran from 2004 to 2006. Set ten years after the season 3 finale, we return to the South Dakota camp, now a small town. And we follow Bullock (Timothy Olyphant), Swearengen (Ian McShane), and all the other cocksuckers of Deadwood as old wounds get opened up in the midst of Dakota becoming a state. I got to the show far after everyone else, only really starting it in late April/early May of this year, and was done at the end of May, right around the time the movie was released. So I didn’t have the same distance of time/nostalgia that a lot of other people did. But I still watched it. So how is “Deadwood: The Movie” a christmas film? Well tag along with me.

Imagine: The year is 2006. You’ve been watching this show, “Deadwood”. You’ve endured the drama, you’ve fallen in love with the characters, you are so excited about a fourth season… but then the show gets cancelled. You’re distraught. Plot threads dangling loosely, no real resolution, your tenure with these characters gets abruptly cut off. Then, 13 years later, you get to see them again, thanks to this movie. It’s a christmas fucking miracle, a god damn gift! And you know who delivers gifts? Santa Claus.

If you are a fan of “Deadwood” and haven’t checked out the movie yet, I highly recommend doing so. It’s a wonderfully acted and written sendoff for these characters we love. I may have been late to the “Deadwood” party, but that didn’t stop it from having a big impact on me. The show is fantastic, and the movie is one of my favorites of the year.

Have a good one.

12 Films of Christmas 2019 (Part 3)

Good evening, ladies and gents. Christmas is almost upon us, and we are counting down towards that. Your mission, should you choose to accept it, is to read today’s post and hopefully tolerate the contrivance I give for choosing to talk about this movie today. This message would self destruct in five seconds, but we couldn’t figure out how to burn out your device, so when you’re done, just exit the post really abruptly like it’s destroying itself.

“Mission Impossible: Fallout”. The sixth entry in the film franchise based on the old tv show, was written and directed by Christopher McQuarrie, and once again starring stunt-performing madman Tom Cruise as he and his team has to stop some nuclear devices from being unleashed upon the world. It was released in the summer of 2018, to critical and commercial acclaim. You all probably think that I’m using the same excuse as with “Sunshine” yesterday, where it’s all about “If the world isn’t saved, then there’ll be no more christmas”. And you’d be partially right… but I’m not just rehashing old explanations/contrivances. I got something new too.

In this movie, Tom Cruise has to go across the world to stop this nuclear threat from an evil shadow organization. So it’s a globetrotting adventure. And at a point in the movie, we also see good ol’ Tommy boy run across some rooftops. So he sprints across rooftops, while traveling the world. You know who else does that? Santa Claus. Or should I say… SANTA CRUISE!?

So there, Tom Cruise, much like Santa Claus, hops around rooftops all over the world. And even if we discount this clear holiday implication, “Mission Impossible: Fallout” is still an absolutely fantastic action movie that, in my opinion, gets better with every watch. Great chases, great fights, some great shooty-bang-bang, some great acting… it’s just great.

Have a good one.

12 Films of Christmas 2019 (Part 2)

Well hey there, everyone. Welcome back to the second part in this series that I really should’ve called “12 Contrivances of Christmas”. Ah, fuck it, too late now. So let’s get into it.

So if you’re a bit of a sci-fi buff, or you just watch a ton of movies, you probably figured out from the top image that we’re talking about “Sunshine” today. Released in 2007, the movie was directed by Danny Boyle, written by Alex Garland, and starring a whole bunch of recognizable people. And it’s about the crew of a spaceship set to deliver a big bomb to space in an attempt to try to reignite our dying sun. So you’re probably wondering how I’m gonna contrive my reasoning for this one. Well, buckle up, because I am ready to deliver my reasoning.

Imagine. The sun is about to die. No sun, no warmth. No warmth, no life. No life, no christmas. So really, this non-christmas movie is all about saving christmas! Easy peasy, lemon contrivanceasy! But yeah, that’s my reasoning. Also, there’s a bit in the movie where you see a photo of the ship’s crew, wearing santa hats, clearly celebrating christmas. Double reason, double christmas contrivance! HAHA.
All joking aside, I love “Sunshine”, it’s one of my favorite sci-fi movies. It’s tense, emotional, exciting, visually stunning, and a feast for the ears.

Have a good one.