Movie Review: Ready or Not (2019)

ReadyOrSpooks

Mawwiage. Mawwiage is what bwings us togevah today. Alright, enough of that. Time for Month of Spooks content.

Ladies and gentlemen… “Ready or Not”!

Grace (Samara Weaving) is a lovely young woman who’s going through the happiest day of her life, finally getting married to her beloved Alex (Mark O’Brien). And after the main wedding it is time to take part in Alex’s family’s wedding tradition of playing a game. The game chosen is hide or seek. What Grace doesn’t know however as she goes to hide is that the family will hunt her down using lethal weapons… ain’t that fuckin’ lovely? And I’ll just come right out and say it, I fucking loved the story in this movie. It may not be that deep or heartwrenching, but it’s insanely entertaining. It’s a fast-paced thriller with a dark sense of humor, never leaving me bored at any point. And even though it has a lot of humor to it, the story still manages to create a suspenseful and sinister vibe that keeps it from just feeling silly. It rides the line between thriller and pitch black comedy beautifully. And it’s a complete blast to follow.

The characters in this are colorful, fun, entertaining, and pretty interesting. Samara Weaving is excellent as Grace, a kind, sassy woman whose life gets flipped turned upside down. Seeing her development over the runtime is interesting, and Weaving’s performance really sells it all amazingly. Mark O’Brien plays Alex, Grace’s new husband, a man in conflict with his two sides. One side just wants to save his wife, and the other understands that this is some sick, fucked up tradition that has to happen, and that conflict is pretty cool, with O’Brien giving a great performance. The last one we’ll go slightly in depth with is Adam Brody as Daniel, Alex’s brother. He’s taking part in this weird tradition, but you can always tell that he’d so jaded because of it. He’s not enthusiastic, but he’s also not strictly for it… it has just worn him down, which makes him an interesting wild card in the story. And Brody is fantastic in that role. We also get some supporting work from Andie MacDowell, Henry Czerny, Nicky Guadagni, John Ralston, and more, all doing great in their respective roles.

The score for the movie was composed by Brian Tyler, and I think he did a damn good job with it. It’s not exactly the most original score I’ve heard, but it is a solid enough thriller score with enough bombast and subtle creepiness to make it an enjoyable addition to this movie.

“Ready or Not” was directed by Matt Bettinelli-Olpin and Tyler Gillett, and I must say that I’m really impressed by their work here. They know how to keep ratcheting up the intensity in scenes, always keeping me on edge with what was going on. Sometimes they succeed with this through fast-paced chases, and sometimes it’s achieved through slower points that focus more on a creeping suspense. And holy fuck, some of the violence in this is really nasty. I know horror has a penchant for brutality, but it’s worth noting that it’s rare for it to get to me like it did here. It’s brutal in a way that makes me squirm, without completely sacrificing the overall fun factor of the entire thing. Still… yikes.

This movie has been pretty well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 64/100. And on imdb.com it has a score of 6.8/10.

I absolutely fucking loved “Ready or Not”, it’s one hell of a good time. It has a great story, great characters fantastic performances, good music, and great directing. Time for my final score. *Ahem*. My final score for “Ready or Not” is a 9,90/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Ready or Not” is now completed.

Can someone please make a video game out of this? Like, can we task Creative Assembly to do that?

Movie Review: Sex, Lies, and Videotape (1989)

Between this and “Sexy Beast”, I seem to be finding myself reviewing a bunch of movies with at-first-glance strange titles that implies something… not very family-friendly (avert thine eyes and minds, nuns and children). But I promise, there’s an actual movie here.

Ladies and gentlemen… “Sex, Lies, and Videotape”.

Ann (Andie MacDowell) and John (Peter Gallagher) live a quiet and seemingly decent life. However, due to Ann’s disinterest in sex, John has resorted to cheating on Ann with her sister (Laura San Giacomo), which has become an unfortunate status quo. But one day when John’s old friend Graham (James Spader) shows up in town, things start to change. “Sex, Lies, and Videotape” deals with sexuality (well, duh), both active and repressed, and how that affects the relationships between the characters. And I must say, I thought it was very well handled here. It’s a slowly burning, mature, and nuanced take on those themes that mesmerizes from start to end thanks to the strong writing (and a few other elements, which we’ll get to later, but I digress).

The characters in this are flawed, unique, and overall quite fascinating. Andie MacDowell plays Ann, a sexually repressed, slightly neurotic woman. She is a pretty layered character unlike any I’ve followed before, and MacDowell was great in the role. Peter Gallagher is really good as the charismatic, yet slimy John. Laura San Giacomo was great as Ann’s sister, Cynthia. And then we have James Spader as the somewhat mysterious Graham. I won’t go too deep on him, because I think some of his quirks and such are better left experienced rather than told. But I can say that he’s quite fascinating, and Spader is great in the role.

The score for the movie was composed by Cliff Martinez, and it was great. Generally it wasn’t very melodic, going for a more atmospheric, droning sound. But it worked fantastically within the movie, adding another layer of emotion to proceedings, making for a much more engrossing experience.

“Sex, Lies, and Videotape” was the feature film debut of American filmmaker Steven Soderbergh. He both wrote and directed the movie, and I think he did a phenomenal job. And I’m not just saying this in comparison to other debuts, but also as a comparison to filmmakers with more experience. The amount of clever camerawork and directing techniques here is insane, and all of them serve the storytelling beautifully. The dude showed skill beyond his years with this.

This movie has been very well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 86/100. Roger Ebert gave it 3,5/4 stars. And on imdb.com it has a score of 7,2/10. The movie was nominated for 1 Oscar in the category of Best original screenplay.

“Sex, Lies, and Videotape” is an excellent little drama that wonderfully explores the lives of our characters. It has a great plot, good characters, great performances, great music, and great writing/directing. Time for my final score. *Ahem*. My final score for “Sex, Lies, and Videotape” is a 9,87/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Sex, Lies, and Videotape” is now completed.

How in the hell is this a debut? Did Soderbergh sell his soul to the devil or something?