Series Review: Seis Manos – Season 1 (2019)

Is it time to talk about animation? I believe it’s time to talk about some animation. Hell, I’d say it definitely is time to do that. That’s the perk of running your own blog. No editor who can say “No, you can’t talk about animation now”.

Dames y hombres… “Seis Manos” season 1.

1970s Mexico. When a vicious gangster (Danny Trejo) starts unleashing hell upon the world, a group of varying people get brought together to try to stop him. This motley crew includes some martial artists (Aislinn Derbez and Johnny Cruz), a local cop (Angélica Vale), and an American DEA agent (Mike Colter). “Seis Manos” is fascinating in the sense that it’s a pretty eclectic mix of ideas, inspirations, and styles. On the surface it seems be a mix of crime-drama and martial arts action, but then you also start mixing in stuff like grindhouse, comedy, fantasy, body horror, eastern philosophy, and even elements of Blaxploitation. And then you of course also take the Mexican setting into account, which means a lot of that culture gets mixed into proceedings. So you’d think the storytelling of this show would be an absolute clusterfuck… but no, the crazy songs of bitches pulled it off. While it does lose a little bit of focus towards the end, I do still feel that there’s some really solid storytelling going on here. Yes, it’s eclectic, but that also adds a lot of personality to it, while still being a generally entertaining narrative to follow. It does have a fair bit of emotionally resonant drama, but it also generally serves as a fun and unusual tale that is just plain fun to follow.

The characters in this are of course based on tropes and archetypes we’ve seen before, but we do also see them played around with to a decent extent, making for some enjoyable development. Like the three martial artists Isabela, Jesus, and Silencio. One a tough but loving woman, one a big, lovable goof, and one a dark and quiet man. All three start out with that one detail and get some enjoyable development throughout. Then there’s Garcia, the local police officer who gets tangled up in this insanity. A tough but fair cop trying to prove herself while still staying true to herself. And she’s very interesting too. Then there’s Brister, a fridge of a man working for the DEA, working to take down bad guys. He’s a smart-aleck with a lot of colorful lines and a very “I don’t have time for this shit” kind of attitude, which gets tested at every turn for not only great comedy, but some genuinely interesting character development. And the villain, El Balde, is one vicious motherfucker, making for one hell of an intimidating presence. And the voice cast, containing people like Aislinn Derbez, Jonny Cruz, Mike Colter, Danny Trejo, Angélica Vale, Vic Chao, and more, all do very well in their respective roles.

The score for the show was composed by Carl Thiel, and I think he did a really good job with it. Much like with the narrative it complements, the score takes inspiration from many sources. Of course it has some familiar use of strings, keys, and brass for action stuff. But there’s also some traditional Mexican stuff throughout, a little bit of 70s noir-inspired funk, and probably some other specific styles I currently forget. Either way, it’s an interesting mix of sounds that pays off in making for giving the show an interesting soundscape.

“Seis Manos” was created for Netflix by Brad Graeber and Álvaro Rodríguez, with Willis Bulliner handling the directing. It’s also animated by Powerhouse Animation, a studio that I’ve talked about a few times before on this blog (*Shameless* and *Plug*). So as to be expected, I was excited to see how this show would end up looking. And it looks really good. Character designs are charming and fight scenes are kinetic and exciting. While it isn’t Powerhouse’s overall strongest piece of animation, it’s still really well handled, giving us some terrifically directed animation/action to enjoy. Plus, we don’t get much in terms of martial arts animation here in the west, so this show delivering on that was an absolute treat for me.

This show/season has been pretty well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 7.2/10.

While the final act of the story is a little bit lacking in focus, season 1 of “Seis Manos” is still a highly entertaining and refreshingly unique bit of animation. It has a good story, good characters, great performances, great music, and great directing/animation/action. Time for my final score. *Ahem*. My final score for “Seis Manos” season 1 is an 8.87/10. So while flawed, it’s still definitely worth watching!

My review of “Seis Manos” season 1 is now completed.

I hope we get a season 2. Or should I say… SEISON!?

Series Review: Dragon’s Dogma – Season 1 (2020)

I love animation. I love video games. So the two smashed together should be heaven, right? Right? Why are you so quiet?

Ladies and gents… “Dragon’s Dogma” season 1.

Ethan (Greg Chun) lives a nice, relatively quiet life with his wife. This peace doesn’t last however when the entire town is destroyed and Ethan’s heart gets eaten by a giant dragon. Shortly after our hero finds himself resurrected by a mysterious magical lady (Erica Mendez), and vows to find and slay the dragon that ruined his life. It’s a mostly classic fantasy/revenge setup with elements that we’ve seen before. Where it tries to stand out somewhat though is in its storytelling… keyword being tried. The idea with each episode is that as Ethan travels the country in search of the big spooky lizard, he encounters different monsters and situations mirroring the seven deadly sins (which can even be seen in each episode title). And while they have some wonderful ideas for how that will work, I feel like they undercooked this heart steak a bit. While the show’s fast pace keeps it from getting too stale, it does hurt the storytelling. Nothing really gets to simmer. They have interesting developments and ideas within each episode, but I never feel as invested as I could be given the interesting subject matter. So instead of getting the nuanced fantasy narrative that I know the crew’re striving for, we get a story that never reaches its full potential, bar one thing in the final episode.

Where the story does falter… the characters don’t do much to help. I will say that Ethan, our main protagonist, does have some interesting stuff going on. Each episode we see some mild developments on his side, and it does make him a somewhat compelling character. And Greg Chun does a great job with his voice work there. Then we have the pawn (also known as Hannah), the mysterious magical lady I mentioned earlier who resurrected Ethan. She is a little bit of a blank slate, only there to serve as a somewhat logic-driven sidekick to Ethan. There is great potential with her character, but it’s never fully achieved. At least Erica Mendez does a good job with her performance. The rest of the cast aren’t necessarily as great though, because most of them attempt some form of British accent (‘ullo gov’nah), with a majority sadly falling flat on their face.

The score for the show was composed by Tadayoshi Makino, and I think his music here is great. It is of course based in a lot of the brass, strings, and piano we have heard in fantasy before. But Makino puts his own spin on it to some degree, making for a score that is exciting, emotional, and ear candy of the highest degree.

Based on the 2012 video game from Capcom, “Dragon’s Dogma” was animated by studio Sublimation for Netflix, with Shinya Sugai handling direction. Aaaaaand I have mixed feelings. Lookign at the overall shot composition, you can tell that these guys have a good eye, there’s a lot of good “camera” movements and nice ideas for stills. This is however brought down by the studio’s choice to go with a pseudo 3D style of animation. Now, in the few instances I’ve seen this styles pop up in other things, it hasn’t been very good. And while it certainly looks slightly less shit than some other instances of this weird 2D/3D amalgamation, it still doesn’t work. All the characters look lifeless dolls, and movements look really janky. This is almost even worse with some of the creatures in this show, who get these pretty murky textures draped over them, which makes them look really bad. There are moments of good animation however. Fleeting moments of regular, hand-drawn 2D animation. And it’s a shame that these are such brief moments, because those instances look amazing. But overall, the animation here isn’t great.

This show’s gotten some mixed reception. On Rotten Tomatoes it has a critic rating of 100%, but an audience rating of 50%. And on imdb.com it has a score of 6.3/10.

While it has a lot of potential for greatness, Netflix’s “Dragon’s Dogma” sadly doesn’t live up to the potential. It has a mediocre plot, okay characters, good acting, great music, and bad animation. Time for my final score. *Ahem*. My final score for “Dragon’s Dogma” is a 4.89/10. So sadly I’d have to recommend skipping it.

My review of “Dragon’s Dogma” is now completed.

Hopefully the game’s better…

12 Films of Christmas 2020 (Part 7)

Only five days until this little series is over. Which also means only five days until christmas… it’s celebrated on the 24th here in Sweden, don’t argue with me. Anyhow, shall we get on with today’s holiday film?

So today we’re talking about “Arthur Christmas”, a 2011 animated holiday film from Aardman animation. Except you’d be forgiven for not realizing it was Aardman, because this doesn’t use their traditional claymation style. Anyhow, “Arthur Christmas” is about Arthur (James McAvoy), the clumsy son of the current Santa Claus (Jim Broadbent). However, when Santa misses one present, Arthur teams up with his grandfather (Bill Nighy) to deliver it, despite being told that it’s a futile quest. What we get is a charming little fantasy adventure with themes of legacy and overcoming your fears and all those other familiar things we’ve seen in family holiday films. But the execution here is really good, giving us a fast-paced and generally well-written story that I had fun with. It’s also very funny, especially whenever grandsanta (the grandfather) is on screen. He is a goofy, hammy, and a little crazy old man that serves as a comic relief, and does so really well. And with Bill Nighy hamming it up with his vocal performance, you get some absolute fucking gold from grandsanta. The rest of the cast is great too, with people like James McAvoy, Imelda Staunton, Jim Broadbent, Hugh Laurie, and many other awesome people filling out the cast list.
I guess I should also briefly touch on what I said at the start. This is an Aardman film, except it doesn’t look like it. “Arthur Christmas” is completely CGI, with hints of the typical Aardman visual style. And while I am slightly sad about that, I’m not complaining. The movie still looks good, it’s a very well animated movie, filled with plenty of nice colors and movements.
But yeah, “Arthur Christmas” is a charming and funny little holiday adventure. I’d recommend sticking it on if you got 90 minutes to kill and want something lighthearted.

On the seventh day of christmas, Markus spent no money
Lucky for him, he could still watch Bill Nighy be funny

12 Films of Christmas 2020 (Part 6)

Can you believe we’re halfway through this little series of themed posts already? Time sure flies when things happen. I was gonna say “when you’re having fun”, but frankly as I’ve gotten older, days just fly by like a coked up hummingbird. So anyway, let’s talk about something green and nasty. And no, I’m not talking about that moldy loaf of bread you have on your counter.

So as you probably figured out from the header image, we’re talking about “The Grinch”, a 3D-animated reimagining of the Dr. Seuss classic. It was released in 2018 and stars Benedict Cumberbatch as the titular green git. And as in the other adaptations, he’s a little cranky about Whoville being excited and cheerful about christmas. So he may or may not start plotting to ruin it. But then you also have Cindy-Lou Who (Cameron Seely) as she plots to find a way to talk to Santa Claus. Superfluous subplot much? This suffers from some of the same issues as the Jim Carrey movie, but somehow manages to still be way less interesting than that. At least the Carrey movie was weird and batshit insane enough to be interesting. This one plays it like a lot of modern kids’ films with some pop culture schtick, lazy dialogue, and no sense of edge or personality.
And then there’s Benedict Cumberbatch. I like Benedict Cumberbatch, he’s a terrific actor. But good grief, he is actually kinda bad here, and I’m not entirely sure it’s his fault. But his performance here can never truly know what it wants to be. Is it a scheming, dickheaded affair? Sometimes. But it’s also really wacky and goofy and not befitting of either the title character of Cumberbatch’s skillset. The Grinch doesn’t feel like the Grinch, and the lead actor (who I think could make a great Grinch) feels off. Also, his design here is too cute and visually appealing. Grinch is a monster, not a plush- oooooooh, now I get it… merchandise.
So yeah, “The Grinch” 2018 is a toothless, dull, overlong, and frankly unfunny reimagining of a classic story. Maybe if you have kids or grandkids they might enjoy it… but it’s not exactly what I’d call good.

On the sixth day of christmas, Markus watched another Grinch
A version that didn’t grow his heart an inch

12 Films of Christmas 2020 (Part 4)

Hey, I know you were planning to head out for a walk. But baby it’s cold outside, so you should instead stay indoors, get yourself a cup of your favorite warm beverage, and read this post of mine. Sound good? You got your warm beverage? Good, then let’s do this.

So today we’re talking about “Klaus”, a 2019 Netflix animated movie about Jesper (Jason Schwartzman), a spoiled, lazy brat whose entire world gets flip turned upside down when his dad forces a job on him in hopes that he’ll learn something about responsibility. What job? Being a mailman on a remote island, of course. And while trying to come to terms with his new position, Jesper meets a hermitic bearded man (J.K. Simmons), and the two soon form a partnership to bring joy to the children of the island. All while the elders of the island try to keep this joy from happening, because it goes against tradition. So yeah, a lot of familiar tropes going on here. But familiarity doesn’t mean poor quality. Because the execution here is terrific. It’s filled with heart and warmth and hilarious humor. Mix the already enjoyable story with colorful and charming characters played by a stacked and perfectly chosen cast, and you get a movie that managed to dig itself into my heart.
But this delicious sundae isn’t complete with a little cherry on top, and for “Klaus”, that cherry comes in the form of some of the most beautiful animation I’ve ever seen. What’s even cooler is that it’s generally traditional hand drawn 2D animation, but then it implements some CG in the lighting and shading department, creating this uniquely dynamic style for the movie that is utterly breathtaking to look at.
So to try to wrap this up, “Klaus” is a nicely told little holiday tale filled with heart, great performances, and amazing animation. I can definitely see myself watching this next year too… and the year after that. It’s amazing.

On the fourth day of christmas, to my heart Klaus said hi
And later yours truly proceeded to cry

Series Review: Castlevania – Season 3 (2020)

Took me a bit longer to get around to this than I originally wanted. But now we’re finally here. So let’s talk about this show for a bit. Oh, and there will be some spoilers for season 2… so you have been warned.

Ladies and gentlemen… “Castlevania” season 3!

A few months have passed since Dracula’s demise, and everyone’s kind of gone their separate ways. The peace isn’t kept for long however, as the various characters all run into their own share of problems. Trying to break down the narrative of this season in a well-written and concise way without getting into too many spoilers is difficult, as there are about as many threads as a season of “Game of Thrones”. But I’ll do my best. First off we have Trevor (Richard Armitage) and Sypha (Alejandra Reynoso) who find themselves visiting a mysterious village that seemingly holds more secrets than they at first let on. Then you have Alucard (James Callis) adjusting to the solitude of living in Dracula’s castle. Then there’s Carmilla (Jaime Murray) and her fellow vampires scheming to take over the world. And then there’s Isaac (Adetokumboh M’Cormack), building his army of night creatures and traveling across the world. But then there’s also the mysterious newcomer Saint Germain (Bill Nighy) and his schemes. Like I said, there’s a lot, and I didn’t even touch on all of them, either due to spoilers or fear of overextending this section. But believe me when I say that the ten episodes of this season cover A LOT of shit. But despite covering so much, it never gets confusing. This doesn’t mean that all aspects get treated with an equal amount of care and devotion, which at times can make this feel like a little bit of a middle chapter, but I do still find the narrative very engrossing. You get this epic fantasy tale, which also mixes in clever mystery, some gruesomely dark horror, a lot of heart and humor, and even a bit of enjoyable human drama. It’s great stuff, yo.

The characters in this, both old and new are colorful, flawed, layered, fascinating, and highly entertaining. The older ones get a little development, and newer ones do too. All of them are highly interesting and I loved seeing them. And the voice cast is fucking phenomenal, featuring such talented folks as Richard Armitage, Alejandra Reynoso, James Callis, Jaime Murray, Adetokumboh M’Cormack, Theo James, Jessica Brown Findlay, Jason Isaacs, Navid Negahban, Ivana Milisevic, Rila Fukushima, Toro Uchikado, Bill god damn Nighy, and more.

As with the previous two seasons, the score here was composed by Trevor Morris. And he absolutely knocked it out of the god damn park. He manages to cover so much ground with the various tracks in the show. From big bombastic brass, to more subtle strings, to even a bit of really intense synth, the dude did a fantastic job.

All episodes of “Castlevania” season 3 were written by Warren Ellis, with direction being handled by brother Sam and Adam Deats. And not that previous seasons were slouches in the animation department, but fuckin’ hell, the animation this season is the best it’s ever been. In quieter moments it looks really good, but it’s really in action scenes where it shines. Really captures the intensity and insanity that would happen from these battles. The final two episodes especially show this, as they have some of the best battles I’ve seen in animation. It’s one of the most well animated shows I’ve ever watched.

This show/season has been well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it has an audience score of 7.2/10. And on imdb.com it has a score of 8.2/10.

Season 3 is another winning batch of episodes for “Castlevania”, giving us more of what I’ve come to love from the show. It has a great story, great characters, great performances, fantastic music, and fantastic directing/animation. Time for my final score. *Ahem*. My final score for “Castlevania” season 3 is a 9.92/10. Which does mean that it gets the “SEAL OF APPROVAL!”.

My review of “Castlevania” season 3 is now completed

This remains the best video game adaptation.

Movie Review: Justice League Dark: Apokolips War (2020)

If you’ve followed my blog for an extended amount of time, then you’re probably aware that I have a certain fondness for animated movies based on DC superhero comics. I tend to watch them all, and review a lot of them. And today we’re doing just that. So here we go!

Ladies and gentlemen… “Justice League Dark: Apokolips War”!

After the Justice League fails to defeat the alien despot Darkseid (Tony Todd), the world turns into a post-apocalyptic wasteland. And with the League basically gone at this point, it’s up to a ragtag gang of remaining heroes and villains to team up to make one final attempt at stopping the alien dictator. So this is basically the big, “everything looks dire” finale to this specific universe of animated films. And you can really feel that the crew of this movie are taking a big swing at giving us an emotionally satisfying finale to this universe that they’ve kept going since 2014. And I think they succeeded quite well. For only having a 90 minute runtime, they manage to get a lot of stuff in there without making any of it feel forced. As the title implies, we get to see a little more of the Dark League, especially since John Constantine (Matt Ryan) more or less acts as the main character here. We get the Suicide Squad involved, we get payoffs from the Teen Titans stuff from other movies. They somehow manage to involve payoffs from pretty much all branches of this movie universe, and it all works marvelously… for me as a fan who’s followed these films for years, at least. I felt satisfied with this wrap-up. It’s dark, it’s exciting, it’s fun, and it even got me a little emotional. It’s just a solid narrative.

The characters in this are colorful, fun, and surprisingly nuanced. We both get to see the personalities we’ve come to know (and mostly love) over the years as they are, but we also get to see a surprising amount of nuance and character development throughout that really made me care for them all much more. And since this is the big finale, they bring in the big guns on the cast. A lot of recognizable names, and all giving top notch voice performances. Matt Ryan, Jason O’Mara, Roger Cross, Tony Todd, Camilla Luddington, Jerry O’Connell, Taissa Farmiga, Stuart Allan, Ray Chase,Liam McIntyre, Rainn Wilson, and more all deliver their talents wonderfully.

As with a lot of the previous DC animated movies, the score for this one was composed by Frederik Wiedmann. And as per usual he knocked it out of the park. Of course he gives us the familiar superhero brass, but he also gives us a fair bit of somber pieces as well to really show how desperate the entire situation is for our heroes. And really, Wiedmann has never failed before, but this is still somehow his best work for this series.

Based on various comics from DC, “Justice League Dark: Apokolips War” was directed by Matt Peters and Christina Sotta. And I think they did a terrific job. As with the story, you can tell that they were going all out on the directiong/animation on this one. Because out of all the movies in this animated universe, this is the best looking one. The animation is crisp, and everything flows beautifully. And this makes action scenes an absolute blast to watch. They also went all out on violence in this. People die… and not in nice ways. And that helps add some extra impact to fights. So yeah, the crew killed it.

This movie has been well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 7.8/10.

I know some of you don’t care for these movies, but for me “Justice League Dark: Apokolips War” was a satisfying and exciting finale to this specific run of DC animated features. It has a really good story, great characters, great performances, great music, and great directing/animation. Time for my final score. *Ahem*. My final score for “Justice League Dark: Apokolips War” is a 9.78/10. Which of course means that it gets the “SEAL OF APPROVAL!”.

My review of “Justice League Dark: Apokolips War” is now completed.

I’m really gonna miss looking forward to new movies in this series.

Series Review: Primal – Season 1 (2019 – 2020)

I’ve made it clear a bunch of times that I am a big fan of animation. Western, Japanese, you name it. I often even think animation has an edge over live action, thanks to not having as many limitations since all the images are completely drawn up, and not shot with some camera. They’re not bound quite to the same rules as an actor on a set. So anyhow, let’s talk about a cartoon.

Ladies and gents… “Primal” season 1!

The story of “Primal” tells the tale of a caveman (Aaron LaPlante) who recently suffered a terrible tragedy, which leads to him teaming up with a carnivorous dinosaur. And we follow this unlikely duo as they learn to work together to survive a dangerous and insanely violent prehistoric world. The narrative in “Primal” is interesting because it’s not really one overarching narrative. It’s really more a series of events in the lives of our two protagonists, a sort of “day in the life” kind of deal. Except instead of being a mundane life, their days involve running from or fighting off hostile creatures. And while this sounds like it could be a little samey, the writers manage to find new and creative and frankly fucked up ways for our heroes to struggle for survival. On top of that, this show has no dialogue. This shouldn’t be too surprising, given who the creator is, but it’s still interesting to see. And I must say that it’s masterfully handled. Even with zero spoken words, everything that needs to be said is beautifully shown purely through visual storytelling of the highest caliber. And the way they use this for the various little stories throughout this season is fantastic. Not a single episode went by where I wasn’t completely invested.

While this doesn’t really have a huge cast of fleshed out character, the few we do get are still great. These are namely the caveman and the dinosaur (credited as Spear and Fang respectively), our main characters. Both stubborn, both tough, but both also capable of being vulnerable and surprisingly complex. Seeing how their bond evolves over the course of the ten episodes is really cool, and I loved every second of that. And while there is no real dialogue, I will still say that Aaron LaPlante’s many shouts and grunts as Spear are terrific. Truly ape-like and cavemanish.

The score for the show was composed by Tyler Bates & Joanne Higginbottom, and I think they did a terrific job with it. They use a lot of familiar brass, percussion, and woodwind stings in ways that really capture the intensity of the prehistoric carnage of this show. However, they do know when to pull it back as well for some decently emotional tracks. It’s just solid stuff.

“Primal” was great for Adult Swim by Genndy Tartakovsky. And if that name doesn’t quite ring a bell, it should be known that he also created “Dexter’s Laboratory” and “Samurai Jack”. So yeah, he’s a bit of an animation legend. Speaking of which, how is the animation here? Breathtakingly fantastic. There’s a lot of creative color uses throughout, which when combined with different angles and dynamic movements, makes for one of the most well animated shows I’ve ever seen. This of course also translates into action scenes, which are amazingly well done and also insanely brutal. If you’re in any way squeamish, don’t watch this show, at all. It’s one of the bloodiest, most violent, and least fuck-giving cartoons out there. It even brings some of that nastiness up from a 10 to a 40 in episodes five and seven, the latter of which being one of the most disturbing things I’ve watched in a long time. Hell, even episode 1 is quite upsetting and unforgiving. But yeah, the craft on display here is spectacular… and insanely uncompromising.

This show/season has been very well received. On Rotten Tomatoes it has a 100% positive rating and a “Fresh” certification. On Metacritic it has a score of 87/100. And on imdb.com it has a score of 8.7/10.

While the uncompromising brutality of “Primal” season 1 may put some people off, I for one find it to be one of the best shows I’ve seen in recent years. It has a great story, good characters, good grunts and screams, great music, and fantastic directing/animation. Time for my final score. *Ahem*. My final score for season 1 of “Primal” a 9.95/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Primal” season 1 is now completed.

Man, when Genndy was let loose from the shackles of family friendly content, he really went all out.

Series Review: Blood of Zeus – Season 1 (2020)

I love Greek mythology, have been since I was a kid. Okay, I love mythology in general, but Greek has always been at the top of the list for me. And now we have an animated Greek mythology series from the studio who gave us “Castlevania”? Sign me up!

Ladies and gents… “Blood of Zeus” season 1.

Ancient Greece. A young man named Heron (Derek Phillips) lives a fairly mundane life as a peasant. This however gets turned on its head when he learns that he is in fact the spawn of Zeus himself (Jason O’Mara), and that he now has a duty to stop a demon (Elias Toufexis) from taking over the world. So yeah, for as colorful and weird as Greek myths can be, this is a fairly standard narrative. If you can predict a part of Heron’s arc, it most definitely happens. That said, it’s still a fun story, with decent stakes and plenty of spectacle. A big, epic tale of betrayal, family, finding oneself, and ol’ thundercrack not being able to keep it in his toga. They don’t try to do anything too weird or unique with the narrative, but what we do get here is still an enjoyable, if slightly shallow, piece of Greek spectacle.

The characters in this range widely in terms of how interesting they are. Let’s start with Heron, our protagonist, a kind, heroic young man whose world gets changed after learning about his heritage as another bastard son of King Lightning dick. And I found Heron to be fairly bland. If you’ve seen a kind, heroic, skilled protagonist in a thing before, then you know what you’re getting, especially if those previous ones had some sort of destiny they weren’t too sure of at first. Anyhow, I guess he works fine, even though he’s not the most engaging character. At least Derek Phillips does a solid job with his voice work. Next, let’s talk about Electric dong himself, Zeus. A father figure who loves his son and wants him to fulfill his destiny, even if he’s not always the best at expressing some of that. He makes for an interesting character here, and Jason O’Mara is great in the role. And then we have Seraphim, our main villain for the show. He actually has kind of a fascinating arc that I don’t wanna spoil here, but I do think he is quite an interesting and compelling character. And Elias Toufexis is great in that role. We also get performances from people like Jessica Henwick, Claudia Christian, Chris Diamantopoulos, Adetokumboh M’Cormack, Matthew Mercer, Adam Croasdell, and more, all doing very well in their respective roles.

The score for the show was composed by Paul Edward-Francis (triple first name, hell yeah), and I think he did a great job. His score is big, bombastic, dramatic, and badass. If you’ve played a “God of War” game, you know exactly what kind of sound we’ve got in this score. And if not, you can probably figure it out if you’ve seen some big, epic movies with heavy brass and epic choirs and such. But just because it’s familiar doesn’t mean it’s bad, because like I said up front, it’s great!

“Blood of Zeus” was written and created for Netflix by Vlas and Charley Parlapanides, with Shaunt Nigoghossian handling all the directing. And I think they, along with everyone at Powerhouse Animation did an excellent job crafting this show. This show is incredibly well animated, giving us some beautifully handled action scenes that flow marvelously well. And even in slower, less action-packed scenes it looks beautiful. The eyes of the characters took a little getting used to, but overall I have no complaints about the visual style of the show.

This show/season has been quite well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 8.0/10.

Season 1 of “Blood of Zeus” may be a little generic in some of its characterization and drama, but overall it’s still a highly entertaining show that I recommend. It has a pretty good story, good characters, great performances, great music, and fantastic directing/animation. Time for my final score. *Ahem*. My final score for season 1 of “Blood of Zeus” is an 8.65/10. So while flawed, it’s still definitely worth watching.

My review of “Blood of Zeus” season 1 is now completed.

FYI, Norse is a close second in terms of the mythology rankings.

Movie Review: Mulan (1998)

Confession time: I have never actually watched this movie before. I know dishonor on me, dishonor on my cow, blah blah blah. But I then thought that since Disney recently released their live action remake, I might actually give this animated version a go (finally). So let’s get down to business.

Ladies and gentlemen… “Mulan”.

Fearing that her father might die if he goes to war, young Mulan (Ming-Na Wen) steals his gear and pretends to be a man so she can take his place in the army. We all know the basic setup at this point, even if you haven’t seen this movie. And the way it’s handled here I quite enjoyed. It’s not without fault however. There are parts of the story that I feel they glossed over a bit, kinda rushing through some aspects in an effort to get to the “good stuff”. That’s not to say that the story here is bad, it’s still a fun family adventure without a good message at its core. I just wish it maybe slowed down a little more to let certain moments simmer more. But as it stands, the story and the way it’s told is still quite entertaining.

The characters in this are colorful, charming, fun, and surprisingly nuanced at times. First up is Mulan, title character and very relatable person. While the people around her want her to be a fancy girly-girl to honor her family, even though she’s not like that at all. And to see her development in the movie from somewhat clumsy and insecure to someone a bit more tough and confident, that’s engaging. And Ming-Na Wen does an excellent job voicing Mulan. Next we have Mushu, a guardian dragon who sets out to help Mulan become a hero… even if he’s only doing it for his own gain. He’s mostly there to bring laughs, but I think the filmmakers found a good balance in that and making him a valuable part of certain emotional developments. And while it might seem slightly jarring to put Eddie Murphy in a role like that at first, I must say that he was great in the role. Then you also get supporting work from people like B.D. Wong, James Hong, Harvey Fierstein, Soon-Tek Oh, Miguel Ferrer, Pat Morita, Frank Welker, and more, all doing very well in their respective roles.

The music of this film is quite good. The main score was composed by Jerry Goldsmith, and it’s an absolute treat for the ears, creating a lot of emotion through the various tracks, giving us a some great background ambiance. Then you have the songs (’cause you know, Disney) that were done by Matthew Wilder and David Zippel. While I don’t think that all of them are among the upper echelon of Disney musical songs, they still generally work pretty well for the movie. The peak of the tracks is of course “I’ll Make a Man Out of You” (sung by Donny Osmond), a most excellent montage song. So yeah, overall this movie has good music.

Based on a Chinese folk legend, “Mulan” was directed by Tony Bancroft and Barry Cook (with writing credits given to a shitload of people, good grief). And I must say that the craft on display here is absolutely superb. The art style for example takes inspiration from traditional Chinese artwork, and blending it with traditional Disney animation to create an absolutely stunning look for this movie that feels wholly its own. The animation is especially breathtaking in motion, where it shows great fluency that is a treat for the eyes.

This movie has been well received. On Rotten Tomatoes it has an 86% positive rating and a “Fresh” certification. On Metacritic it has a score of 71/100. And on imdb.com it has a score of 7.6/10.

While its storytelling isn’t the best, due to its fast pace, “Mulan” is still another winning movie within the Disney catalogue. It has a good story, good characters, really good music, and great directing/animation. Time for my final score. *Ahem*. My final score for “Mulan” is an 8,77/10. So while a little flawed, it’s still worth buying.

My review of “Mulan” is now completed.

Sometimes you just a need a film that can make you smile. This one did that for me.