Movie Review: Doctor Sleep (2019)

I just love that header image. My amazing buddy The Craggus took the first poster that was released for this movie and added a little of my shenanigans to it. Anyhow, let’s talk about a belated sequel.

Ladies and gentlemen… “Doctor Sleep”. The director’s cut.

A little over 30 years after the horrifying events at the Overlook hotel, a now grown up Dan Torrance (Ewan McGregor) tries to get his life back together. While doing this he befriends a young girl (Kyliegh Curran) who also can Shine. But these powers also makes her the target of a dangerous cult that tracks down kids who can Shine, and then kills them and steals their power. So yeah, it’s a little bit of a departure from the claustrophobic thrills of “The Shining”. But that’s okay, because I found the story on display utterly enthralling. It’s a slow, contemplative burn of a narrative. Going in-depth with the effects that the Overlook incident’s had on Dan’s life, the story really gets to the heart of a lot of stuff, and it’s wonderful to follow… even made me cry at a point. But it’s not just heartfelt drama here, as this is also a horror movie. It’s not the scariest one I’ve seen, probably wouldn’t even crack the top five in terms of pure scariness. That’s not to say that there isn’t any creepy shit here. There is some good, subtle creepiness and suspense going on throughout, occasionally punctuated by some decently grim shit. And I think it works quite well here. Again, not the scariest, but I still enjoyed the horror elements of the narrative.

The characters in this are quite nuanced, flawed, and highly interesting. Ewan McGregor plays Dan Torrance, former tricycle enthusiast and currently broken man. Seeing the low point his life has come to after you-know-what is fascinating in itself, but it’s what comes from that that makes it even more interesting, as he has a really great arc in this movie. And McGregor does a great job with his performance. Kyliegh Curran plays Abra, the young girl that Dan befriends. She’s a smart, funny, and charming little kid who I think made for a good foil for Dan. And Curran is fantastic in the role. Next we have Rebecca Ferguson as Rose, a hat wearing lady who loves meeting new people… oh, and she’s also an immortal who kills people who can Shine, just so she can keep being immortal. Yeah, she’s our main villain, and she’s so mesmerizing and intense, with a lot of that coming from Rebecca Ferguson’s spectacular performance. We also get supporting work from people like Zahn McClarnon, Emily Alyn Lind, Carl Lumbly, Cliff Curtis, Bruce Greenwood, Jacob Tremblay, Carel Struycken, and more, all doing very well in their respective roles.

The score for the movie was composed by The Newton Brothers, and I thought it was great. It’s an emotionally charged and eerie score that, while taking a lot of familiar horror cues into certain tracks, manages to feel somewhat unique to this movie. They also utilize some familiar notes from the original “Shining” film on occasion, and it never feels overly intrusive, but rather works as a nice tie-in to that. So yeah, there’s some good music here.

Based on the “Shining” sequel of the name name written by Stephen King, “Doctor Sleep” was written and directed by Mike Flanagan, and I think he did a fantastic job with it. His direction is bold, confident, and manages to create a good amount of suspense throughout. There’s something otherworldly about it, which helps add a good amount of eeriness to proceedings. And Michael Fimognari’s cinematography certainly helps add a lot to that, giving us a lot of gorgeous, dynamic shots that add to the atmosphere of the movie. It’s just really well crafted.

This movie has been decently well received. On Rotten Tomatoes it has a 77% positive rating and a “Fresh” certification. On Metacritic it has a score of 59/100. And on imdb.com it has a score of 7.3/10.

“Doctor Sleep” (director’s cut at least) is a fantastic horror-drama that manages to both entertain and deeply engage. It has a great story, really good characters, fantastic performances, great music, and fantastic directing/cinematography. Time for my final score. *Ahem*. My final score for “Doctor Sleep” is a 9.90/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Doctor Sleep” is now completed.

Three hours seldom fly by so fast for me.

Movie Review: Hereditary (2018)

Trauma, we all experience it in one form or another. Aaaaaaand with that, you should be aware that the jokes won’t be flowin’ throughout this post. So let’s just get one out of the way right now, before shit gets serious. What do you call in Aussie actress who fetches her paycheck? Toni Collect.

Ladies and gentlemen… “Hereditary”.

After the death of one of their relatives, the Graham family does their best to move on. But that isn’t so easy, as increasingly strange and disturbing things keep happening around them. Talking about the narrative of “Hereditary” without getting into too many details is difficult, as I feel it is one best left experienced knowing as little as possible. Because it’s not some typical horror narrative, and don’t worry, I’m not pulling out that whole “elevated horror” bullshit. I’m just saying that if you’re expecting spooky jumpscare fest number gazillion, then you’re gonna be sorely mistaken. “Hereditary” is mostly a slow burn family drama that also happened to get under my skin thanks to some bone-chilling imagery, tragic and believable writing, and an eerie atmosphere. It’s been a while since I watched a scary movie that got under my skin this much, while also keeping me emotionally invested in the drama.

The characters in this are flawed, damaged, nuanced, and simply enthralling to watch, and a lot of that comes down to the stellar cast. Toni Collette, Alex Wolff, Milly Shapiro, Gabriel Byrne, and Ann Dowd are all fantastic in their respective roles. There’s not a single weak link in this entire cast.

The score for the movie was composed by one Colin Stetson, and I think he did a great job with it. It’s eerie, it’s emotionally charged, it’s tense, and it just generally fits the movie quite well, often elevating some already stellar moments throughout. It’s not one of those I’m gonna find myself listening to in my spare time, but I did think it was good.

“Hereditary” was the first feature film written and directed by Ari Aster, who also did “Midsommar” (which I talked about last year). And holy fucking shit, this dude knows what he’s doing. Whenever someone gets to make their first feature, there’s something that might feel rocky about the craft… but not here. Aster shows skill far beyond his years, building an unsettling atmosphere and suspense seldom seen in modern horror. And when mixed with Pawel Pogorzelski’s often symmetrical and very rigid cinematography, you get a movie that is both beautiful and unsettling to look at. Speaking of unsettling visuals, I should warn that there’s some incredibly distressing visuals at a few times. I can stomach violence and gore and stuff… but some of the stuff here managed to get a strong reaction from me. So consider yourself warned.

This movie has been well received. On Rotten Tomatoes it has an 89% positive rating and a “Fresh” certification. On Metacritic it has a score of 87/100. And on imdb.com it has a score of 7.3/10.

“Hereditary” to me is a visceral and haunting horror-drama like no other. It has a great story, really good characters, fantastic performances, really good music, and excellent directing/cinematography. Time for my final score. *Ahem*. My final score for “Hereditary” is a 9.89/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Hereditary” is now completed.

Give Toni Collette an Oscar, you cowards.

Movie Review: The Invisible Man (1933)

And our journey through the Universal Monsters blu-ray set continues!

Invisible ladies and invisible gentlemen… “The Invisible Man”!

Scientist Jack Griffin (Claude Rains) has managed to find a way to turn himself invisible. This has however come at the cost of his mind, turning him into a homicidal maniac. So now we have our little horror/sci-fi plot. And I kinda loved this story. It’s relatively simple, not aiming for any lofty mindfuckery. But what we do get is a fast-paced, eerie, and quite fun narrative of public paranoia and scientifically induced madness. And while there’s been overall fun factors in the previous Universal Monster movies we’ve covered, none have been as gleeful about it as this one. Seeing Griffin’s invisible rampage through England is an absolute riot, as it’s handled with a surprising amount of dark comedy. Yes, the idea of an invisible man running around and terrorizing people is really scary, but the way it’s done here manages to perfectly balance fear of the unknown with a big, mischievous grin. And I found the blend to be very entertaining.

The characters in this can seem a little bit cartoony at times, but I do find them to serve the narrative quite well. First we have Jack Griffin, mad scientist and resident invisible man. He’s a highly intelligent man, always being able to outsmart his opponents. Combine this with his science-induced madness, and you get a highly entertaining central protagonist and villain. And Claude Rains is fantastic in the role, giving us an electrifying performance. We also get performances from people like Gloria Stuart, William Harrigan, Una O’Connor, E.E. Clive, Holmes Herbert, and more, all doing very well in their respective roles.

The score in the movie was composed by Heinz Roemheld, and while it’s used very sporadically, the few times it shows up it is pretty good, composed in a way that perfectly fits the whole mad scientist thing.

Based on the 1897 science fiction novel by H.G. Wells, “The Invisible Man” was directed by James Whale (who also directed “Frankenstein”), and I think Whale has outdone himself here. His direction has a lot of energy to it, never letting a moment sit too long or get too dull, all without making anything feel rushed. And the editing in this is absolutely superb, this especially shown during a really fun and snappy montage where news of the invisible man spread to the people of the country. Speaking of imperceptible fellas, holy fucking shit, that effect is still impressive to this day. I do know HOW they achieved that effect, but it still feels a little mindblowing how they managed to achieve this in the early 1930s.

This movie has been quite well received. On Rotten Tomatoes it has a 94% positive rating and a “Fresh” certification. On Metacritic it has a score of 87/100. And on imdb.com it has a score of 7.7/10.

So yeah, “The Invisible Man” is another great horror classic. It has a great story, pretty good characters, great performances, okay music, an amazing invisible man effect, and great directing/editing. Time for my final score. *Ahem*. My final score for “The Invisible Man” is a 9.77/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “The Invisible Man” is now completed.

I love the smell of mad science in the weekends.

Movie Review: Ready or Not (2019)

ReadyOrSpooks

Mawwiage. Mawwiage is what bwings us togevah today. Alright, enough of that. Time for Month of Spooks content.

Ladies and gentlemen… “Ready or Not”!

Grace (Samara Weaving) is a lovely young woman who’s going through the happiest day of her life, finally getting married to her beloved Alex (Mark O’Brien). And after the main wedding it is time to take part in Alex’s family’s wedding tradition of playing a game. The game chosen is hide or seek. What Grace doesn’t know however as she goes to hide is that the family will hunt her down using lethal weapons… ain’t that fuckin’ lovely? And I’ll just come right out and say it, I fucking loved the story in this movie. It may not be that deep or heartwrenching, but it’s insanely entertaining. It’s a fast-paced thriller with a dark sense of humor, never leaving me bored at any point. And even though it has a lot of humor to it, the story still manages to create a suspenseful and sinister vibe that keeps it from just feeling silly. It rides the line between thriller and pitch black comedy beautifully. And it’s a complete blast to follow.

The characters in this are colorful, fun, entertaining, and pretty interesting. Samara Weaving is excellent as Grace, a kind, sassy woman whose life gets flipped turned upside down. Seeing her development over the runtime is interesting, and Weaving’s performance really sells it all amazingly. Mark O’Brien plays Alex, Grace’s new husband, a man in conflict with his two sides. One side just wants to save his wife, and the other understands that this is some sick, fucked up tradition that has to happen, and that conflict is pretty cool, with O’Brien giving a great performance. The last one we’ll go slightly in depth with is Adam Brody as Daniel, Alex’s brother. He’s taking part in this weird tradition, but you can always tell that he’d so jaded because of it. He’s not enthusiastic, but he’s also not strictly for it… it has just worn him down, which makes him an interesting wild card in the story. And Brody is fantastic in that role. We also get some supporting work from Andie MacDowell, Henry Czerny, Nicky Guadagni, John Ralston, and more, all doing great in their respective roles.

The score for the movie was composed by Brian Tyler, and I think he did a damn good job with it. It’s not exactly the most original score I’ve heard, but it is a solid enough thriller score with enough bombast and subtle creepiness to make it an enjoyable addition to this movie.

“Ready or Not” was directed by Matt Bettinelli-Olpin and Tyler Gillett, and I must say that I’m really impressed by their work here. They know how to keep ratcheting up the intensity in scenes, always keeping me on edge with what was going on. Sometimes they succeed with this through fast-paced chases, and sometimes it’s achieved through slower points that focus more on a creeping suspense. And holy fuck, some of the violence in this is really nasty. I know horror has a penchant for brutality, but it’s worth noting that it’s rare for it to get to me like it did here. It’s brutal in a way that makes me squirm, without completely sacrificing the overall fun factor of the entire thing. Still… yikes.

This movie has been pretty well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 64/100. And on imdb.com it has a score of 6.8/10.

I absolutely fucking loved “Ready or Not”, it’s one hell of a good time. It has a great story, great characters fantastic performances, good music, and great directing. Time for my final score. *Ahem*. My final score for “Ready or Not” is a 9,90/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Ready or Not” is now completed.

Can someone please make a video game out of this? Like, can we task Creative Assembly to do that?

Movie Review: Frankenstein (1931)

Greetings, friends. As promised every other review will be of a classic Universal monster movie from a snazzy blu-ray set I bought. So yeah… today we’re doing one of those.

Ladies and gents… IT’S ALI- I mean, “Frankenstein”.

With the help of his assistant Fritz (Dwight Frye), Dr. Henry Frankenstein (Colin Clive) aims to perform one of the biggest scientific feats ever seen… stitching together body parts and try to animate it into a living creature. And as we all know by now, this experiment succeeds. We all know the story at this point. But how good is the execution of it? I would argue it is fantastic. You get that dark, gothic, spooky goodness, but you also get a surprisingly nuanced exploration of the line between genius science and mad science, and I am honestly surprised how much relative depth there is in here, while still being an accessible and enjoyable monster movie.

The characters in this are, much like the narrative, a lot deeper and more interesting than they have any right to be. For example, seeing the duality of Dr. Frankenstein is quite interesting, as he often teethers the line between a little mad and quite compelling and relatable. And Colin Clive is really good in that role. And let’s not dilly-dally, Boris Karloff plays the reanimated creature. And his performance is amazing. It does have some of the monster menace one expects from that look, but there is also a childlike innocence to him, making him kind of a tragic figure. Dwight Frye (who also was in “Dracula”) is really good as Fritz, the humpback assistant of Frankenstein. And in supporting roles we have Mae Clarke, John Boles, Edward Van Sloan, and more, and they all do well in their respective roles.

Like with “Dracula”, this movie doesn’t really have a score. And that works well here. There is music in like the opening and end credits, but between that there’s really nothing. And for those asking “If there is no music, why still have a music section?”. Because if nothing else, I am consistent… also, I gotta find a way to waffle that word count up somehow, ya know.

Based on the 1818 novel of the same name by Mary Shelley, “Frankenstein” was directed by James Whale, and I think he knocked it out of the park. He shows here how to build a quiet intimacy with his characters, while still being able to create haunting and eerie images that add to the drama of movie. And when you mix this with Arthur Edeson’s frankly beautiful cinematography, you get one of the most visually inspired and gothically stunning movies ever.

This movie has been very well received. On Rotten Tomatoes it has a 100% positive rating and a “Fresh” certification. On Metacritic it has a score of 91/10. And on imdb.com it has a score of 7.8/10.

So yeah, “Frankenstein” holds up marvelously nearly 90 years later (blimey). It has a great story, good characters, great performances, and excellent directing/cinematography. Time for my final score. *IT’S ALI-*, no not yet. My final score for “Frankenstein” is a 9,78/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Frankenstein” is now completed.

Now? Okay, cool. AHEM… IT’S ALIVE!!!

Movie Review: Angel Heart (1987)

Ladies and gentlemen of the interwebs, it is that time of year again. The time where I for a full month focus my blog in on the spookier side of entertainment. I welcome all of you to the 6th iteration of The Month of Spooks! So let’s enter the nightmare.

Ladies and gents… “Angel Heart”.

New York, 1955. Private investigator Harry Angel (Mickey Rourke) gets hired by the enigmatic Louis Cyphre (Robert De Niro) to find a singer who’s gone missing. But as Harry investigates this disappearance, things start taking a darker turn than originally expected. What’s intriguing about “Angel Heart” in context to this month’s theme is that it isn’t immediately horrific, starting out more as a pulpy detective thriller that over time evolves into more of a psychological affair, building a looming sense of dread and paranoia. And I think the evolution is beautiful and electrifying. I am a fan of detective fiction, so to see it evolve into a horror story is fascinating to me, especially when THIS well. Never was there a moment I was bored, and many moments had me truly glued to what was going on. It’s a fascinating and creepy story that went places I didn’t expect, keeping me on edge throughout its entire runtime.

The characters in this are pretty interesting, all feeling relevant to the plot while also being engaging in their own right. Mickey Rourke plays Harry Angel, silver-tongued, snarky gumshoe from Noo Yohk. At first that is the side we see of him, something very familiar. But over the movie he develops in some interesting ways that I don’t wanna spoil. And Rourke is great in the role. Robert De Niro is great as the mysterious Louis Cyphre. We also get supporting work from people like Lisa Bonet, Charlotte Rampling, Michael Higgins, Brownie McGhee, and more, all doing well in their respective roles.

The score for the movie was composed by Trevor Jones, and I thought it was great. Like the narrative, it shifts a bit in genre, which is fine because of how well composed it is. Sometimes it’s eerie and suspenseful and sometimes Courtney Pine seduces you with his noir-inspired saxophone solos. It’s good shit. There’s also a few licensed songs used throughout, and they work quite well in their respective scenes too. So yeah, this movie has some good music.

Based on the novel “Falling Angel” by William Hjortsberg, “Angel Heart” was written and directed by Alan Parker (recently passed away, R.I.P). And I think he did an excellent job here. His directing hearkens back to old detective noir while still bringing the uncompromising imagery and suspense of 80s horror, and it mixes together wonderfully. This is especially evident when paired with Michael Seresin’s breathtaking cinematography. The combo makes for an insanely well crafted film.

This movie has been pretty well received. On Rotten Tomatoes it has a 79% positive rating. On Metacritic it has a score of 61/10. And on imdb.com it has a score of 7.3/10.

“Angel Heart” is a beautifully crafted and disturbing gumshoe horror that I loved watching. It has a great story, good characters, great performances, really good music, and fantastic directing/cinematography. Time for my final score. *Ahem*. My final score for Angel Heart” is a 9,87/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Angel Heart” is now completed.

Man… young Mickey Rourke was a handsome motherfucker.

Great Music #37

Hello there, friends! I hope you’re doing well. So it’s time for another Great Music post. You know, those irregularly posted things of mine where I ramble about music I enjoy. Nothing deep, nothing analytical… just good tunes. So let’s get into it.

So last time we went for a somber ballad. But today is a little different. It’s still a song with an interesting narrative baked into it, but it’s presented in a slightly more digestible and (for lack of a better word) fun package. Today we’re talking about “I Was Just a Kid” by Nothing But Thieves.

Hailing from Southend-on-Sea in the UK, Nothing But Thieves is a rock band in a similar vein to Royal Blood. And in 2017 they released their album “Broken Machine”, an album all about how nothing in this world is perfect. On said album is “I Was Just a Kid”, a fast-paced rock tune with relatively mellow vocals on verses and loud shouts on the chorus, a combination befitting a song about the loss of innocence. Combine this with thumping percussion, driving guitar, and some nice bass to back it up, and you get a really great song. So on the surface it can be seen as just a fun hard rock tune, but if one cares to delve deeper, nuance can be found. And I guess that dichotomy is part of what has helped me appreciate it. Because I first discovered it while playing “Need For Speed: Payback”, getting pumped up by it as I tried to beat my opponents in various races. And since then I’ve learnt to appreciate its deeper meaning. So that’s cool.

Have a good one and enjoy!

Movie Review: The Fate of the Furious (2017)

Well this review was a long time coming. If you’ve followed my blog for an extended amount of time, you’re probably aware that I spent a decent chunk of 2015 reviewing every “Fast & Furious” movie leading up to the seventh installment. Then later that year I did that one. So this franchise has become a bit of a staple for this blog. So let’s talk about the eighth installment.

Family… “The Fate of the Furious”.

After our beloved gang pulls another job for the government, their leader Dom Toretto (Vin Diesel) betrays them and starts working for a shady hacker/terrorist known as Cipher (Charlize Theron). So we follow the crew as they do everything in their power to stop Cipher and get Dom back. Not gonna lie, I found myself surprisingly engaged by the narrative here. Maybe I’m biased because I’ve grown attached to this world and these characters, but I felt like there was a lot of effort put into making the story here as dramatically engaging as possible without sacrificing the fast and furious thrills of the franchise. This does bring down the pace ever so slightly, but never to the point of ruining the movie. It’s still generally a fast-paced action fest, and I do appreciate some of the slower moments as they add a surprising amount of nuance and genuinely interesting conflict to the story. So yeah, not perfect, but still very good.

The characters in this are just as colorful, charming, and entertaining as ever, but now also have added character conflict due to the aforementioned part of Dom going bad. Speaking of which, let’s start with Dom, once again played by mumblegrumble master Vin Diesel. Dom is usually the same ol’ guy in every movie, so it’s nice to see him get a little extra character development for a change. And I must say, this is the best I’ve seen Diesel in this franchise, the dude shows that he can do more than just his signature mumblegrumble. Charlize Theron as newcomer villain Cipher is really good in that role, playing her with a generally quiet menace right out of a 90s movie (which I love). Next we have Dwayne Johnson and Jason Stathamas Hobbs and Shaw, both returning characters, mortal enemies forced to work together to stop Cipher. Their banter here is amazing, their chemistry is amazing, they are amazing. Michelle Rodriguez, Ludacris, Tyrese Gibson, Nathalie Emmanuel, and Kurt Russell all return in their roles, and they are all very good in their roles. And in a few other supporting roles we have Scott Eastwood, Patrick St. Esprit, Kristofer Hivju, and Celestino Cornielle. So overall it’s quite a well rounded cast.

The score for the movie was composed by franchise mainstay (bar the sixth one) Brian Tyler. And it’s another good score. Big bold brass and the occasional soft string and piano. It’s not exactly the most original or unpredictable score, but it serves the movie just fine. There’s also a handful of licensed songs used throughout, all hip hop, all fitting really well in their scenes. So yeah, the movie has good music.

“The Fate of the Furious” was directed by F. Gary Gray, and I think he did a good job with that. He shows with his direction that he knows how to make actions feel like they have weight. So when things happen, they feel like they happen and really hurt, even when it’s clearly done mainly in a computer. Which brings us to the action scenes, which are the dumbest, silliest, most insane set pieces this franchise has seen so far… and I love all of them. I love heavy dramas, I love being intellectually challenged… but sometimes I just need something ridiculously stupid to put a big smile on my face. And the action in this movie did just that. The action in this is an absolute blast to watch.

This movie has been decently well received. On Rotten Tomatoes it has a 67% positive rating. On Metacritic it has a score of 56/100. And on imdb.com it has a score of 6.7/10.

“The Fate of the Furious” is an absolutely bonkers action movie with a lot of heart, and while that might not be everyone’s cup of tea, I absolutely loved it. It has a really good story, really good characters, great performances, good music, and great directing/action. Time for my final score. *Ahem*. My final score for “The Fate of the Furious” is a 9,56/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Fate of the Furious” is now completed.

Sometimes you just need something stupid.

Great Music #36

Hello friends, I hope you’re doing well. Yes, it’s finally time for another entry in Great Music, the series on this blog with the most self-explanatory title possible. It’s been a while since last time, which was back in May. If I continue the series at this exact rate I’ll reach the fiftieth one by the time I turn 30. Anyhow, let’s see what tune I wanna ramble about today!

So for this one I wanted to bring things down a bit. Some entries in this series have had big, loud, fun tunes that you could probably move your booty to. But today is not one of those. Today we’re getting a bit more somber. Today we’re talking about “Too Many Tears” by Celldweller.

The lyrics of this song are very contemplative, using a lot of strong imagery in its lyrics to convey agony in various forms. It’s strong stuff… it was also not written by Celldweller (real name: Klayton). It’s originally a song by a band called… The Call. And before you ask, yes I did check out their original version. The lyrics are of course powerful, absolutely stunning. However, I feel like the sound might be a little bit off for it, and so did Klaytondweller apparently. And this led to him covering the song for his 2017 album “Offworld”. And I absolutely love this rendition of the song. The instrumentation is incredibly somber and otherworldly (fitting, given the album title), really making this version its own thing compared to the original. Klayton makes it stand out. This is also where I should mention that I found out about this very t2alented man through a fucking racing game. Two of his songs (“One Good Reason” and “Shapeshifter”) were featured in the video game “Need For Speed: Most Wanted”. And I liked those songs which led to me checking out more of Celldweller’s stuff, which naturally led me to this absolutely stunning track. If you in any way enjoy heavy metal or nu-metal or some electronica, I highly recommend checking out a lot of Celldweller’s output. So while we’re at it, you may as well start with “Too Many Tears”.

Have a good one and enjoy.

Series Review: Buffy the Vampire Slayer – Season 3 (1998 – 1999)

Yes, that’s right, still rewatching and reviewing all seasons of this show… mom and I just forget to keep watching every now and then, which is why it’s been so long between the previous “Buffy” review and this one. So let’s get into it.

Ladies and gentlemen… “Buffy the Vampire Slayer” season 3.

After disappearing during the summer post season 2, Buffy (Sarah Michelle Gellar) returns once again to her loved ones in Sunnydale, all of them of course a bit peeved that she bolted without much of a word. And as we follow Buffy trying to get back in to the swing of slayer things AND earn back the trust of those she loves, a new slayer named Faith (Eliza Dushku) arrives in town and ends up stirring some stuff up. All the while the city’s affable mayor (Harry Groener) plots sinister things in the shadows. As with the previous seasons, the episodes here are a mix of one-off monster plots, main story, and whatever else the writers came up with. And the blend of these elements feels stronger than ever. Yes, there are moments and episodes that are somewhat weaker than others, as with any 20+ episode series, but compared to the first two seasons, there’s fewer of those dud moments in my opinion. The storyline here is more ambitious, the schlock a bit more fun, the consequences of characters’ actions a bit more impactful. It’s just overall the strongest in terms of storytelling (so far).

The characters are just as well written, nuanced, flawed, colorful, and interesting as they’ve always been, with their various dynamics being tested at every turn to great effect, creating engaging drama and character development. The returning main cast of Sarah Michelle Gellar, Anthony Head, Alyson Hannigan, Nicholas Brendon, Charisma Carpenter, David Boreanaz, Seth Green, and Kristine Sutherland are all terrific and all get moments to shine. Newcomer Eliza Dushku kills it as Faith, this new slayer in town who is a bit of a wild card, helping create some wonderful tension in the show. Harry Groener is wonderful as the town’s mayor/season’s main antagonist, playing him as this super friendly and clean (both literally and metaphorically) guy who also happens to be involved in some shady shit. And all other actors that appear this season are all great too.

As with season 2, the score for season 3 was composed by Christophe Beck, who in his previous outing already gave us a huge step up in the show’s background music. And yet the crazy motherfucker stepped it up even further this time around. The instrumentation is crisper and more playful, giving us a lot of interesting melodies and a unique soundscape that is perfectly fitting for this show. There’s also a bunch of licensed tracks used throughout, and they all work well in their respective scenes.

Season 3 of “Buffy” was written and directed by a whole bunch of talented people, all doing (for the most part) great work in their departments. Effects (for the most part) are improved, pacing holds up way better, and the cinematography generally is quite pleasing. The crew knew how to keep things exciting, intimate, or suspenseful in any given scene, showing how they’ve evolved since that rocky first season.

This show/season has been quite well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it has a user score of 7.6/10. And on imdb.com it has a score of 8.2/10.

Season 3 of “Buffy the Vampire Slayer” is another step up for the show, giving us another stellar set of episodes. The story is great, the characters are great, the performances are fantastic, the music’s great, and the directing/cinematography is great. Time for my final score. *Bleh, I am vampire*. My final score for “Buffy the Vampire Slayer” season 3 is a 9.94/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Buffy the Vampire Slayer” season 3 is now completed.

Just kidding, by the way, I’m not actually a vampire… too much of a recluse to be bitten.