Movie Review: Godzilla: King of the Monsters (2019)

WE GOT A HOLLYWOOD BUDGET MONSTER MASH FEATURING CLASSIC KAIJU, HOW COULD ONE NOT BE EXCITED ABOUT IT. *Calms down*. So let’s talk about this movie.

Ladies and gents… “Godzilla: King of the Monsters”.

When multiple ancient beasts awake from their slumber, the crypto-zoological agency Monarch have to find a way to stop them. Be it on their own or with the help of the titanic lizard known as Godzilla. Let’s cut to the fucking chase, this plot isn’t deep or nuanced. In the moments where it tries developing the human element of the story, it’s kinda dull. But whenever it’s about these ancient creatures having it out for each other, it’s a fucking blast. So plot-wise it’s a bit of a mixed bag. I mean, no one comes to a monster movie for plot, but when there’s a lot of time spent trying to develop it, it can get a bit distracting. So overall… mixed bag.

The characters in this… yeah, I didn’t care. Again, they tried giving them some development, but in the end it’s kind of shallow and cliched. And the cast does a fine enough job with their performances. There isn’t anyone here that I’d say is bad, just some who are better than others. My favorite was probably Charles Dance, who always had a bit of a self-aware glint in his eye, which made him kinda fun to watch whenever he showed up. The rest of the cast, including people like Kyle Chandler, Ken Watanabe, Vera Farmiga, Millie Bobby Brown, Thomas Middleditch, Ziyi Zhang, Bradley Whitford, Sally Hawkins, and various other actors was good. They all played it very straight, but no one was bad.

The score for the movie was composed by Bear McCreary, and I loved it. A lot of big, bold brass, a lot of panicky strings, some chorals… it all fit incredibly well with the kaiju calamity going on throughout the movie. And while I won’t spoil which, some of the tracks are absolute treats for… various reasons. Damn good stuff.

The movie was directed and co-written by Michael Dougherty, who I think did a great job with it. He has a great sense of energy and pacing, which keeps the moving driving along, never really getting boring and too slow at any point. And like with Gareth Edwards before him, he knows how to convey the scale of all the shit that goes on. And credit to the visual effects team for really bringing these creatures to life. The detail, the movement, it all looks fantastic. And man, the cinematography by Lawrence Sher is breathtaking. Some truly awe-inspiring shots exist in this movie. And when it isn’t breathtaking, it still looks quite good. All the technical aspects really come together wonderfully. Especially during the monster action, which I had a ton of fun with.

The movie just came out, so this data will change a bit over time. But as of writing, the movie has gotten quite the mixed reception. On Rotten Tomatoes it has a 38% positive rating. On Metacritic it has a score of 47/100. And on imdb.com it has a score of 7,7/10.

Look, this isn’t one of the greatest movies ever made. But I still had a lot of fun with “Godzilla: King of the Monsters”. It has a mixed bag plot, meh characters, really good performances, fantastic music, and fantastic writing/directing/cinematography/visual effects/action. Time for my final score. *Ahem*. My final score for “Godzilla: King of the Monsters” is an 8,74/10. So while flawed, it’s still worth buying.

My review of “Godzilla: King of the Monsters” is completed.

Ooooooh no. They say he’s got to go, GO GO GODZILLA!

Movie Review: The Cloverfield Paradox (2018)

Can we just take a second to talk about how this movie just came out of fucking nowhere? We’ve gotten a few tiny details about it for a while, but we knew jack shit about it. Then last night during the Super Bowl a teaser for it was released that said “Hey, this movie is getting released on Netflix right after the game”. That is unprecedented in the modern film industry. It’s fucking insane. Anyway, here’s a review of the movie.

Ladies and gentlemen… “The Cloverfield Paradox”.

The earth is going through a bit of an energy crisis, so a group of scientists work on a space station to try to solve it. But when they test out a device intended on solving it, they accidentally seem to mess with space-time, which means they have to face whatever consequences that come from their actions. So now we have our space-thriller. And is it any good? I’ll give it this, I was never bored of the plot in any way here. My problem is that the space-thriller here, while having some interesting ideas going on, never goes all-out on them and just comes off as a bit undercooked and bland. Then we have the “Cloverfield” part of the title, and this movie is somehow trying to connect all the movies in the Cloverfranchise, and it doesn’t always make sense that way. So overall here we have a messy plot that is undercooked and bland. The space-thriller side of the plot is kind of fun at times, but the entire thing is messy.

The characters here are a bit uninteresting. If you wanted me to go in-depth with them, then I couldn’t do that. I don’t know enough to do that. The only one we get some idea about is Gugu Mbatha-Raw’s character, and even that is a little too weak to fully care. But I can at least say that the cast here is really solid, and they all do quite well (some better than others). Other than Mbatha-Raw, we also have people like Daniel Brühl, David Oyelowo, Chris O’Dowd, Aksel Hennie, Ziyi Zhang, John Ortiz, and Roger Davies, all doing well in their roles.

Like with “10 Cloverfield Lane”, the score for this movie was composed by Bear McCreary, and it’s good… almost too good. It’s really exciting and overall very well composed, and somehow always outshines the scenes that feature it (hence why I called it “too good”). Sure, at times it does kind of succeed in making some moments/scenes more exciting and slightly tense. Good music, doesn’t always fit.

This movie was directed by Julius Onah and I think he did an okay job. Again, when it’s just the contained space-thriller the movie can be pretty fun, even if it doesn’t always work in a narrative way. But he does capture the feel of isolation quite well, making me feel a bit more interested in what’s going on. Though there’s an overall lack of actual tension. And the scares aren’t really scary. Mildly creative, but not scary. The cinematography is good, and the visual effects and sets looks fantastic. There’s good stuff here.

This movie just came out, so it doesn’t have too much data on my usual sites (at the time of writing). But on Rotten Tomatoes it has a 13% positive rating. On Metacritic it has a score of 36/100. And on imdb.com it has a score of 6,7/10.

“The Cloverfield Paradox” is a heavily flawed movie, but it does still have some fun to it. The plot is messy, the characters uninteresting, the performances are great, the music is good, and the direction/cinematography/effects and such is good. Time for my final score. *Ahem*. My final score for “The Cloverfield Paradox” is a 6,55/10. So while it’s far from great, I’d still say that it could be worth watching.

My review of “The Cloverfield Paradox” is now completed.

I’m still excited in seeing what the Cloverfranchise could bring next.

Movie Review: 10 Cloverfield Lane (2016)

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If you follow me on twitter (@TheMarckoguy #ShamelessPlug) you would know that I made a poll a few weeks ago. And in that poll I asked people to vote for what movie they would prefer to see a review for out of four different choices… and this movie won! So let’s review this thing!

Ladies and gentlemen, I welcome you to… “10 Cloverfield Lane”.

After a car crash, Michelle (Mary Elizabeth Winstead) wakes up in an underground bunker. Apparently she was brought there by Howard (John Goodman) right before some big attack happened. And according to Howard no one can leave the bunker because of the outside world being a hell on earth after said attack. So now Michelle is trying to figure out what the hell actually happened while also being stuck in this bunker with Howard and another man named Emmett (John Gallagher Jr). So from that we get a very tense and suspenseful plot with several twists and turns throughout… and I absolutely loved it. The amount of suspense generated throughout the movie is astounding. But it’s not just tense thrills, there is also a good amount of compelling drama being generated. I was invested into the plot throughout the entirety of the runtime and I thought it was great. Sure the ending was a bit weird in comparison to everything that preceded it, but I didn’t mind it too much.

The characters in this movie are very compelling and very interesting. Usually the girl in a horror-thriller tends to be really inept and useless… but not Michelle! She was clever, she was resourceful, and she felt like a real person. And Mary Elizabeth Winstead was absolutely terrific in the role. John Gallagher Jr was great in his role, playing Emmett as a sort of comic relief without actually making the humor feel out of place. John Goodman… holy fucking shit, you guys. I’m not just saying this as a lifelong fan of this man, I’m saying it because he was legitimately terrific in this movie. Yeah, it’s easy to say “Wow, John Goodman was so good in that!”, but this is a movie where he truly impressed me. His character was so unsettling, jumping back and forth between reasonable man and borderline psycho on a whim. Yeah, I loved him in the movie. Shit, I would say that I love everybody in this movie, they’re all great in their roles.

The score for this movie was composed by Bear McCreary and it was pretty fucking great. The way that the score was able to add to the drama and the tension was really impressive and I thought that it was just really great. There were a few licensed songs on the soundtrack too that I thought worked for the scenes they were in.

This movie was directed by Dan Trachtenberg and raise your hand if you knew about him prior to this movie. Yeah, I can tell that no hands were up right there. But I don’t blame you, because this was his frist feature film. And what a way to start out your career withinthe world of feature films. The movie is tightly directed, perfectly using the isolated location to build tension. It’s a very good looking movie too, being visually appealing without needing huge landscape shots or fancy “Birdman”-ish camera tricks. It’s perfectly fine with it’s tight shots and tense situations.

This movie has been very well received. On Rotten Tomatoes it has a 90% positive rating and a “Fresh” certification. On Metacritic it has a score of 76/100. And on imdb.com it has a score of 7,3/10.

“10 Cloverfield Lane” is one of those movies that just came out of fucking nowhere, surprised both audiences and critics with it’s quality and mere existence. It has a terrific plot (ending a little weird though), great characters, terrific acting, great music, and terrific direction. Time for my final score. *Clears throat*. My final score for “10 Cloverfield Lane” is a 9,87/10. So it gets the “SEAL OF APPROVAL!”.
Seal of Approval

My review of “10 Cloverfield Lane” is now completed.

Take me down to 10 Cloverfield Lane, Where the Winstead’s hot and the Goodman’s crazy. TAKE. ME. HOME.

Series Review: Constantine – Season 1 (2014 – 2015)

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Whenever you find a good show you want it to go on for quite some time, right? Well that is something that happens to me every now and then. I find a show that maybe has one (or more) seasons and I think “Man, this is great, keep this going!”. Unfortunately continuations don’t always happen and that saddens me. This is such a time. The only reason I am reviewing this is because there is a chance it won’t get a second season. I otherwise want to review a show if it is finished and I have finished every episode. So let’s have a look.

Ladies and gentlemen… “Constantine”!

This show is based on the “Hellblazer” comics and is about protagonist John Constantine (Matt Ryan). He is an exorcist/demonologist/master of the dark arts. After he went into hiding after a major fuck up he has to come back out as a darkness is coming in towards the world. But he isn’t operatingn alone, oh no! He will try to save the world with his old friend and driver Chas (Charles Halford) and his newly found friend and psychic Zed (Angélica Celaya). There is also an angel by the name of Manny (Harold Perrineau, also fucking really?). Of course the layout isn’t only main story of John and friends taking on this huge darkness. The show follows a sort of “Freak of the week” format where every episode(ish) they have to face a new smaller supernatural threat. Now that has been the complaint done by some people as it doesn’t benefit the narrative structure 100%, and I can get behind that argument. But I still enjoyed it. It was fun and great seeing John and the others take care of every supernatural problem they encounter. I liked the plot.

The characters in the show all have good personalities and are all very interesting. Let’s start off with our main man, Constantine (roll credits). He is a careless, witty, cool, asshole. But that is how I like him and Matt Ryan portrays that so well. What I also like is that Constantine isn’t an action hero in this unlike in that movie with Keanu Reeves (Sidenote: The movie is enjoyable). In this show he is vulnerable, believe me, he can take care of himself but he isn’t like this ultra badass action dude. That is why I like him, he is relatable. It is also fun having Captain Edward Kenway (Sidenote: “Assassin’s Creed 4: Black Flag” reference) playing this awesome character. Next up is Chas, John’s best friend and driver… in a taxi. I am not going to spoil the cool thing about Chas here as you find out in the first episode and as it is the coolest shit ever. Sure, he isn’t AS prominent as John but he is still a valuable asset to the show. What you like about him is that he is the calm and collected center who sort of balances out the weird that is John Constantine. Also, whenever he gets angry he explodes and it is glorious especially since Charles Halford has such a powerful voice. And finally we have Zed, a psychic who helps John with her visions that usually help the gang to determine where to go next. What I like about her is like Chas, she is a good balance to John and his shenanigans. She is also a tough lady who can take care of herself when she needs to but she still keeps a kind of vulnerable and almost innocent aura about her. Overall the characters of “Constantine” are all great and really well-acted.

The score was done by acclaimed composer Bear McCreary (Walking Dead, Battlestar Galactica). And I think it works perfectly. You get what you’d expect from a horror-themed fantasy show. A lot of suspenseful tracks with a lot of epic tracks as well when they are needed. I also noticed there is a good usage of like a keyboard or organ or something, I don’t fucking know what it is but it sounds awesome! You can hear it mostly in the theme tune of the show which I would call a great theme tune. The music in the show is great.

The visual effects in this show are pretty great. They are really well done and look truly horrific and badass and awesome. The same can be said for how they did with the camera work. It looks great with excellent cinematography. There is a fair amount of use of the “Dutch angle” (Sidenote: Dutch angle means you film it at a circa 45 degree angle). They did it excellently in the scenes where it was used and it fit the scenes perfectly unlike that piece of shit called “Battlefield Earth”.

This movie has gotten some mixed reception to say the least. On Rotten Tomatoes it has a 72% positive rating. Metacritic once again has the lowest score with a score of 53/100. And on imdb the show has a score of 7,7/10.

“Constantine” is one of the best fantasy shows of recent years. Sure, the narrative style will divide audiences but the plot and individual episodes are all great. The acting is really good, the writing is great with one moment in the show almost tearing me up, the score is excellent and everything about the visuals is just fantastic. Time for my final score. O potens ultima signant, venit ad me! My final score for “Constantine” season 1 (Or “Constantine” in general if there is no season 2) is a 9,88/10. I absolutely loved this show and I will give it my “SEAL OF APPROVAL!”.
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Review of “Constantine” is completed.

Just a minute more guys, I really want this show to go on and get more seasons so I would appreciate it if you could sign this petition to help maybe get it continued, thank you! http://www.ipetitions.com/petition/save-constantine