Series Review: Doom Patrol – Season 1 (2019)

We’re getting a lot of superhero stuff these days. But what I do like about it is that we’re at a point where we’re getting more experimental things, not just typical “Colorful hero saves day” thing. Don’t get me wrong, I like those… but I appreciate the lean towards a lot more weird things. So let’s discuss such a thing.

Ladies and gentlemen… “Doom Patrol” season 1!

The story follows a group of outcasts who have been brought together by a scientist (Timothy Dalton) as they have to reluctantly band together to stop the villainous Mr. Nobody (Alan Tudyk)… at least that’s the initial setup. It sets itself up with a bit of a typical superhero idea, but then decides to shove that to the side a bit to explore the stranger side of the DC universe. While there are overarching themes and ideas, each episode is generally a self-contained adventure where the team encounter a new strange thing and have to deal with that while also having to try to handle their personal demons. So the show balances a lot of ideas and tones, which can often be a movie or show’s downfall. But “Doom Patrol” balances it all wonderfully to create a unique superhero show that for the most part just subverts most superhero tropes, all while giving us some of the most surprisingly compelling character drama that I have seen in quite a while. It’s a strange, fun, emotional, and overall well-realized story that I loved following from start to end.

The characters are flawed, layered, colorful, and just overall really interesting. They’re all damaged in some way, which makes them quite dysfunctional, leading to a lot of interesting character dynamics. And with the core cast of Diane Guerrero, Brendan Fraser, April Bowlby, Matt Bomer, Joivan Wade, and Timothy Dalton, you get some truly great performances to go along with these vividly written characters.

The score for the show was composed by Clint Mansell and Kevin Kiner. And man, it is pretty great. A lot of synth is used throughout, which gives the show an almost otherworldly feeling that helps sell the unique vibe of the show. It’s suspense-building, it’s emotionally charged, it’s exciting, it’s fun… it’s just a perfect match for the show. There are also a handful of licensed tracks used throughout the season, and they work quite well in their respective scenes. So yeah, this show has great music.

Based on the comic books from DC, the show was created by Jeremy Carver, and written/directed by a whole bunch of cool people. And as mentioned in some of the previous sections, the writing is some of the most uniquely compelling stuff I’ve experienced in quite some time. And the directing is pretty stellar too, featuring some really fun camerawork that adds a lot to the show in terms of visual storytelling. I should probably also mention that the show in large part is a comedy. So is it funny? Yes, very, it’s one of the funniest shows I’ve watched in a while. The humor can often be quite crude and weird, but I do think it works to the show’s advantage in giving it a distinct feel.

This show/season has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 70/100. And on imdb.com it has a score of 8,2/10.

“Doom Patrol” is one of the weirdest shows I’ve seen in quite a while… but it’s also absolutely fantastic. It has a great plot, great characters, great performances, great music, great writing/directing, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Doom Patrol” season 1 is a 9,92/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Doom Patrol” season 1 is now completed.

That was a bit insane.

Movie Review: Mute (2018)

I’ve been looking forward to this movie for quite a long time. The director is one whose movies I’ve enjoyed quite a bit, so a new movie from him is something I of course was hyped about. And now it’s finally out, and I have now seen it. So let’s talk about it.

Ladies and gentlemen… “Mute”.

Berlin, 40 years from now. Leo (Alexander Skarsgård) is a mute bartender living a seemingly happy life. But after his girlfriend disappears, he goes on a mission to find out what happened to her, which leads him down the seedy Berlin underground. So is this plot any good? Parts of it are. The problem(s) with this plot is how tonally inconsistent it is. Because at first it seems like it’s just gonna be an emotional and gritty character drama, but then it throws in  bunch of more lighthearted and almost silly scenes featuring a pair of surgeons (Paul Rudd & Justin Theroux) as they go about their lives. Yes, the surgeon stuff is important to the plot, but it’s so tonally different to Leo’s quest. The pacing is also inconsistent. At times it moves at an acceptably slow-ish pace, but then there are times where some unnecessary stuff happens that pulls the pace to a bit of a crawl. Really, the best word I can use to describe the plot of “Mute” is inconsistent. Not necessarily bad (though some bits aren’t that great), just very inconsistent.

The characters in this are (you guessed it) inconsistent. Alexander Skarsgård plays Leo, the mute bartender at the center of this story. He’s clearly a damaged person, and seeing him go through his journey is compelling as he’s a fairly interesting character. I’m also really impressed by Skarsgård’s performance, because he has to convey so much emotion without being able to utter a single word… and the dude kills it in the role. Paul Rudd plays Cactus Bill, one of the two surgeons that are a large part of this story. He’s a dickhead, but he also seem to have some morals (mainly relating to his daughter), so he’s somewhat grounded (even if I don’t always like the character). And Rudd is good in the role. Then we have Justin Theroux as Duck Teddington (best name ever?), the other surgeon. He’s a bit of a hippie that we learn some interesting stuff about through the movie. And he’s one of the reasons for the “tonally inconsistent” things I mentioned before. Theroux is good in the role. Then we get supporting performances in the movie from people like Noel Clarke, Rob Kazinsky, Dominic Monaghan, Seyneb Saleh, Florence Kasumba, and more, most doing a good job (though the characters could use some more work).

The score for the movie was composed by Clint Mansell, and now we finally have something that I can give some high praise to! His score here does take some cues from “Blade Runer” (and a few from “Moon”), but it does enough unique stuff to stand out in a crowd, and ends up being a fucking great score that elevates a lot of scenes in the movie. There are also a few licensed tracks used throughout, and they work decently in their respective scenes.

This movie was written and directed by Duncan Jones, and this is very clearly a passion project of his. But did he do well? For the most part, sure. The direction here has a nice flow to it, and I was fairly sucked into it. It also helps that Gary Shaw’s cinematography is really fucking gorgeous, this movie has some really great eye candy in it. And any and all visual effects in this look really good.

This movie just came out, but it has already received some less than stellar reception. On Rotten Tomatoes it has a 6% positive rating. On Metacritic it has a score of 36/100. And on imdb.com it has a score of 6,9/10.

“Mute” is a mixed bag. It has a tonally inconsistent plot with some pacing issues and some lackluster character work. But it does also have some good ideas, a few okay characters, great performances, fantastic music, and good direction/cinematography/effects. Time for my final score. *Ahem*. My final score for “Mute” is a 6,31/10. While very flawed, it could still be worth a watch.

My review of “Mute” is now completed.

At least this movie has a really cool easter egg in it…

Movie Review: Filth (2013)

I honestly don’t know what to say here. I can usually write something that somehow relates back to the movie. Problem is that this movie is so… itself. It doesn’t have any aspect that I can focus on for the intro, and that’s rare for a movie. Well done, you filthy fuck.

Ladies and gents… “Filth”.

Bruce Robertson (James McAvoy) is a Detective Sergeant in Scotland. He’s looking to get a promotion, and he’s willing to manipulate anybody to get it. So we follow his misadventures as he tries to get this promotion while also battling with a lot of his inner demons. So now we have our plot. And I’d say that it’s quite an interesting one. Seeing the journey of this horrible man is both fascinating and entertaining as he’s not your typical protagonist, but also because it takes some really interesting turns throughout. My only complaint about the plot is that it at one point makes quite a drastic change in tone. It goes from fun and really dark comedy into a really serious and harrowing drama. Now, I actually kind of understand why the filmmakers did that, it’s just that the change in tone felt a little bit sudden and took me out of the story a bit. Overall the plot was really solid, but was brought down a bit for me with that shift in tone.

The characters in this thing are all kind of troubled and flawed, but that’s also what makes them interesting and quite entertaining. Bruce Robertson is one of the most corrupt asshole cops that I’ve ever seen on a screen. He’s foul-mouthed, a junkie, a bigot, he basically just ticks all the boxes for “total fucking asshole”. But he does also battle a lot of demons, which makes him a more compelling character. And James McAvoy is fantastic in the role, giving a fearless and incredibly layered performance. Jamie Bell plays one of his colleagues who’s pretty much the rookie of the gang, and he’s also mildly corrupt, but not as much as Robertson. And Bell is great in the role. Imogen Poots plays another one of Robertson’s colleagues, and she’s probably the least corrupt of them all. And Poots is great in the role. Eddie Marsan plays Robertson’s dorky friend who gets brought along on some of Robertson’s misadventures. And Marsan is great in the role. John Sessions plays Robertson’s superior office, and he’s great in the role. Really, it is overall a very well acted movie.

The score for the movie was composed by Clint Mansell and it’s really good. It’s dark, dramatic, funny, and just overall well composed, fitting the movie very well. There were also a whole bunch of licensed tracks throughout, and they were all very well implemented into the movie. So yeah, there’s some really good music here.

This movie was directed by Jon S. Baird and was based on a novel by Irvine Welsh (you know, the “Trainspotting” guy, which explains a lot about “Filth”). Now, I haven’t read the book, but I’d still say that Baird did a really good job bringing it to the screen. His directing is very tight and made me feel a bit uneasy from first frame. It’s a filthy world that this movie explores, and that is conveyed very well by Baird’s directing. There’s also a lot of comedy in this movie and I found it quite funny… that said, the comedy here is quite dark, which some people might not be very fond of. But it made me laugh, and that’s the important part here. I should also mention that this movie is filled with cursing, graphic sex/nudity, drug use, and even some violence. So if you’re a prude and can’t handle that stuff… consider yourself warned.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 64% positive rating. On Metacritic it has a score of 56/100. And on imdb.com it has a score of 7,1/10.

“Filth” certainly isn’t for everybody, but I found it to be a really solid movie. It has a really good plot, really good characters, great performances, great music, and really good directing. My flaw with it came from the aforementioned tonal shift. Time for my final score. *A-fucking-hem!*. My final score for “Filth” is an 8,98/10. So while it is flawed, I’d say that it is wroth buying.

My review of “Filth” is now completed.

McAvoy is one of the most underrated actors ever.

Movie Review: High-Rise (2015)

Dystopias. Something explored in many books and movies. Some more accurate to current society than others. Well, today’s feature presentation is a dystopian story. So let’s go.

Ladies and gentlemen… “High-Rise”.

Robert Laing (Tom Hiddleston) is a physiologist who has just moved in to a huge, high-tech high-rise. And everyone there seems to have it pretty damn good. However everyone’s perfect lives soon spin out of control and everything starts going to absolute shit. And while it’s a really interesting series of events, I feel like there’s no actual reason for it all to be happening. I am all for odd and interesting plots that dare to go to unique places, but I also want there to be some reason bhind the events that transpire. Like I said, the stuff that happens in the movie is really interesting and can even be a little disturbing at times, but there’s no reason for stuff happening. I was seriously sitting there thinking, “Alright, this is some interesting stuff… but why is it even happening?”. And I am 100% sure that I didn’t miss anything that triggered the downfall of the high-rise society… shit just happened, with no real reason for it. So to summarize my rambling: The plot features an incredibly interesting series of events that has no real reason or focus behind it.

The characters are a bit like the plot, it was interesting seeing them go through all this shit, but I never really cared about any of them. Tom Hiddleston gives a great performance as Doctor Robert Laing, going from a pretty normal and sane individual to a more… odd man. Jeremy Irons plays the owner/architect of the high-rise and he’s great. Sienna Miller is also great. Luke Evans plays a filmmaker here and he is pretty great. Elizabeth Moss is also great in the movie. James Purefoy was also really good here. So the characters are not the most compelling, but they are interesting to follow and they are also very well acted.

The score was composed by Clint Mansell and it is fantastic! It’s weird, it’s eerie, it’s dramatic, and it just pleases my ears quite a bit. I am not surprised by this though, since Clint Mansell composed the scores for “Requiem for a Dream” and “Moon”, and I love the scores in those movies… he’s just fucking great at his job. What I also thought was pretty interesting about the music was that this movie has a weird fascination with ABBA’s song “S.O.S”. Just thought it was interesting how it popped at two times in the movie in two very different styles.

This movie was directed by Ben Wheatley and I think he did a really good job. The scenes always feel a bit off, but in a good way. I really felt like this wasn’t our world, it was something much weirder and much more unpredictable. And from a visual standpoint, this movie looks fucking great. There are plenty of great shots in this movie and even when the shot isn’t awesome (in lack of a better word) this movie still looks really good. Something fun to mention is that this movie is based on the book of the same written by J.G. Ballard, released in 1975. Now, I haven’t read the book, so I can’t say if this is a faithful adaptation or not… all I can say is that the book thing was a fun little bit of trivia to add. That said, if you’ve read the book then please tell me if it’s any good and/or if this is a good adaptation of it.

This movie has gotten some mixed reception On Rotten Tomatoes it has a 61% positive rating. On Metacritic it has a score of 65/100. And on imdb.com it has a score of 5,7/10.

“High-Rise” is a pretty interesting dystopian drama. It has a pretty good plot, okay characters, great performances, fantastic music, and great directing. However it is very flawed since I felt like there was no real reason for the plot to happen and I didn’t find the characters especially compelling. Time for my final score. *Clears throat*. My final score for “High-Rise” is an 8,57/10. So even though it is quite flawed I’d say that it is worth buying.

My review of “High-Rise” is now completed.

So when you’re near me, darling can’t you hear me, S.O.S…

 

My Top 20 Favorite Songs

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How’s it going, guys? I hope you are having a good time doing whatever you are currently doing. I am here to give you another list/countdown/opinion-pile. And this time it is for my personal Top 20 Favorite Songs. You’re probably thinking “Wow, “Top 20 Favorite Songs”, something special must’ve happened!”. And the nswer to that is “No”, nothing special has happened, I just couldn’t figure out anything else to use for today’s list… yeah. So, let’s stop standing here and let’s get the rules.

Rule #1: As I always put as rule number 1 on my lists… this is my list therefore you can’t bitch about anything if you don’t agree with it. Every spot on this list is purely based on my opinion and I don’t mean to say that I give you an objective truth. So no bitching!

Rule #2: This list will probably alter a fair amount over the coming weeks/months, so this is just how I feel at this time. Also, every spot on this list (except for the Top 2) are put kind of willy-nilly.

Rule #3: I’m gonna put some emphasis on the fact that the picks for this list aren’t the objectively best songs in the world, these are just the songs I love listening to the most…ish.

Rule #4: I have kept it to one song per artist/band, because otherwise this list would be about 95% AC/DC songs.

Ladies and gentlemen, I present to you… My Top 20 Favorite Songs!

Number 20: I am Kloot – Avenue of Hope.

A calm and relaxing song that I actually discovered fairly recently. I head it for the first time when I watched the 2007 sci-fi movie “Sunshine” (Sidenote: Go watch “Sunshine” is you haven’t, it’s fucking great). The lyrics are mysterious yet soothing, the guitar is slow and methodical and that freaking saxophone is just magical. It all culminates into a great song.

Number 19: Andy Williams – Speak Softly, Love.

Next up we have a beautiful love song from a fantastic movie. It is what is usually considered the main theme of Francis Ford Coppola’s mafia masterpiece “The Godfather”. I know, there is a bit of a running theme here with songs first being heard in movies, but that’s just purely coincidental. Anyway, this is a beautiful song with powerful instrumentals and terrific singing from the magic voice of Andy Williams. It is overall fantastic and I think you should listen to it.

Number 18: The Jeff Healey Band – Confidence Man.

Next up on the list is a cool song from the blind blues-rocker Jeff Healey (R.I.P). From Healey’s blues voice to the terrific guitar to the overall cool vibe, this is a pretty great song. Listen to it. Also, when making this list and putting this song in it I remembered that Healey was in “Road House”… strange how life works.

Number 17: Johnny Cash – Hurt.

Of course you need a song by “The Man in Black” in your list, question is though which one you will use. Should you go with the ever so popular “Ring of Fire” or maybe go to jil with the “Folsom Prison Blues”? Well in my case we go with his incredibly powerful cover of Nine Inch Nails’ 1994 song. Fun fact: When Reznor saw the music video for this song, it made him cry, and I don’t blame him… it made me tear up a little bit. Every time I watch it I feel like I just lost a friend. That is how powerful this song (and video) is.

Number 16: Beastie Boys – No Sleep Till Brooklyn.

Going from extremely depressing to extremely fun we have the mid-80’s hit by the white hip-hop trio that actually succeeded at being a white hip-hop trio. Also, I think I know why they have such a guitar/rock-based soung despite the lyrical parts being hip-hop; It turns out they started out as punk band but that didn’t really work so they changed to hip-hop and that worked for them. Anyway, one thing’s for sure: It all worked out for them and they have a unique sound that I fucking love. Also, R.I.P. Adam Yauch (In other words MCA), you are missed.

Number 15: Frank Turner – Peggy Sang the Blues.

Here we have a song from musician Frank Turner who has gotten a little bit of recognition these past few years, especially for his song “I Still Believe” which I also love. But for this list I using his song “Peggy Sang the Blues” which jsut like “I Still Believe” is featured on Turner’s album “England Keep My Bones”. I think this song really says what most people want to believe in through the phrase “It doesn’t matter where you come from, it matters where you go“. I intrepret it as that you background doesn’t matter, but please do something about your life, don’t all mundane, do something with your life! I don’t know, I might be really wrong on that, but until someone comes with a better argument I am keeping by it! But this song hold up thanks to excellent lyrics, great instruments (particularly the guitar) and Frank Turner’s fantastic voice.

Number 14: Toto – Africa.

Here we have the classic synth-rock song “Africa” from synth-rock band Toto. Fun fact: keyboardist Steve Porcaro has been keeping busy these past few years, providing the soundtrack for the TV-show “Justified” (Sidenote: Go watch it). But this spot isn’t really about “Justified”, but much rather about this amazing song from Toto. It just has a classic and overall great feel that I just love. The lyrics are pretty great too, being kind of powerful in the chorus. Go listen to it, it’s great.

Number 13: Green Day – Good Riddance (Time of your Life).

Next up is a great song by punk/pop/rock band Green Day. I was originally gonna go with “Warning” for this spot, but then I thought “Nope, Good Riddance is a much better song, let’s use that!”. And I used it. It may be short, but that doesn’t mean it doesn’t leave an impact… because to me this song had a huge impact. A song that can interpreted as “Life can and will suck at times, so have as much fun as possible when you can”. Not in a “fuck the police” kind of way, but rather in a “Go out right now and have fun because you might not get a second chance!”. And that is one of the many reasons that it works.

Number 12: Muse – Knights of Cydonia.

As you probably know by now after I have talked about it about 659,4 times, I am a huge fan of westerns. And this song kind of reminds me of westerns, or at least cowboys. In the style of it and also because there are some horses neighing in the beginning of the song. But this song boasts a feel and a surprisingly badass style that I fucking love. I first discovered it when playing “Guitar Hero 3: Legends of Rock”. And to this day I still can’t beat it on hard difficulty… *sigh*. Song’s great though.

Number 11: Metallica – One.

This might have been one of the more difficult choices for this list seeing as I love Metallica as much as I do. I love most of their songs, not that many on the album “Death Magnetic”, but that’s an entirely different story. But choosing which Metallica song to use was a big challenge, but finally I settled on “One” the song about a soldier… I think. If you look at parts of the lyrics it suggests that and if you look at the video it used clips from the movie “Johnny Got His Gun” which I haven’t seen but want to. Anyway, this is a great song with some excellent guitar, fantastic drumming and the always awesome voice of James Hetfield.

Number 10: The Green Car Motel – Asi Sera.

Time to bring out the motherfucking hipster music. And by that I mean, I don’t think the majority of the world has even heard of this song or even of this band. Which is a sad fact because not only is this song itself great, but the band has made some overall really good tracks that you should listen to some day. A beautiful ballad in spanish filled with excellent/beautiful guitar playing, a great rhythm and by god, that freaking trumpet is fantastic. Oh yeah, the singer’s great too. The entire song is great, listen to it.

Number 9: Steppenwolf – Born to Be Wild.

Get your motor running, head out on the highway! Lookin’ for adventure, in whatever comes our way! Those first few words really what describe what “Born to Be Wild” is all about… freedom. Freedom on the highway. BORN TO BE WIIIIIILD!!!

Number 8: Clint Mansell – Memories (Someone We’ll Never Know).

I never said songs from a movie’s original score was banned from this list! Any song is eligible for this list as long as I write which version of the song I’ve chosen for the list and also that I never use the same artist/band twice. With that said, this is to me (and anyone else who loves this amazing movies) a very emotional song. Hell, I think it might be emotional for anyone who hears it since it is in general a beautiful piece of music. The slow and beautiful piano, the magnificent strings (especially the cello, that shit’s pure magic) and the overall feeling of loneliness and abandonment makes this one of the most beautiful songs I have ever heard.

Number 7: Ted Gärdestad – Himlen Är Oskyldigt Blå.

Hey look, a song from my home country! On a quick sidenote: For those of you who don’t know, I am from Sweden. Now that I got the sidenote out of the way, I love this song so much! Not only is this one of my favorite songs of all time, Ted Gärdestad(R.I.P) is also one of my favorite musicians of all time. This song got everything; Beautiful piano, great intrumental play in general, a great feel and also a fantastic voice to hold it up. There is nothing I dislike about this movie, I love absolutely everything about it!

Number 6: Deep Purple – Smoke on the Water.

Despite this song only being at number 6, it has still had a larger impact on me than any other song on this list. It was the first song I ever played and beat on “Guitar Hero”, it is a song that stuck easily in my mind and it is one of the few songs I actually know the full lyrics to (I recite the lyrics in my spare time a lot). Anyway, I think the main reason everybody knows this song and can recognize it easily is because of that classic guitar riff. A simple layout with a simple execution turned into a worldwide phenomenon. My love of this song go beyond the riff however, I personally love everything about the song. Like I said, the impact it had on me me is massive. I know the lyrics, I know the backstory behind it, I have listened to this song probably more than 500 times throughout my life (which might sound like a little to some, but is actually a huge amount) and I just overall love exactly everything about it.

Number 5: Brad Paisley – You’ll Never Leave Harlan Alive.

Hey look, a country song! And a pretty amazing one at that. It is a song with excellent guitar playing, excellent use of all intruments and it also has Brad Paisley’s smooth voice. It also tells a story of Harlan County’s coal industry and how it began. Those are things that make the song as great as it is (to me). Here is how I discovered the song: I was watching “Justified” (Sidenote: Again, go watch it!) and when I got to the season 1 finale this song started playing and I went “Wow, this song’s great, I have to look it up!”. So I looked it up, found out which song it was and I have listened to it and loved it ever since. It is a great song that deserves all the love it gets!

Number 4: Bruce Springsteen – Streets of Philadelphia.

Once again, a song that I got introduced to through a movie (Sidenote: The movie for those of you who don’t know is “Philadelphia”). And boy, am I glad the movie introduced me to this song because it is just beautiful! The drumming is soothing, Springsteen’s voice is soothing and the lyrics some of the most poetic and beautiful I have ever heard. This is one of the few songs that can make me close to tearing up because of beautiful it is. This is a song that I hope will touch so many more people. Even though it is pretty much about gay people who get aids and start dying (go to songmeanings.com and you will understand).

Number 3: Skillet – American Noise.

This is a song that just hit me as soon as I heard it. It comments on society, it has powerful lyrics that resonated with me it is jsut straight up beautiful. Whenever I hear this magnificent song I just want to yell out “I GOT A VOICE!” and then jsut burst into song to make the world a happier place. I remember chatting with my best friend on facebook one day, sending a link to this song to him and he just fell in love with it. I guess that is exactly what this song is… Love. Anyway, even if it for some reason turned out to not actually be love but instead be something else I can for sure say that it is an amazing song.

Number 2: AC/DC – Hells Bells.

This spot might come as a shock for some people since I have stated many times, both here on wordpress and in real life that AC/DC is my favorite band. And holy shit, it was so shocking I gave Jeff a heart attack. Someone call 911. Anyway, uhm… yeah. You’d think that if AC/DC is my favorite band then I’d put one of their songs at number 1, but I am kind of ironic in that sense because I put them at number 2. But despite it not being on number 1, I still fucking love this song (and AC/DC). This is honestly my favorite AC/DC song, I don’t know why it is my favorite by them, it just is. It is pretty amazing in my opinion.

Before we reach number 1, let’s just throw out one honorable mention because I am a dick like that! And that honorable mention will go to “Paradise City” by Guns ‘n’ Roses. Great rock song, fun to listen to, honorable mention over.

NUMBER 1: Ennio Morricone – The Ecstasy of Gold!

THIS. SONG. IS. FUCKING. AMAZING. CAN’T. SPEAK. PROPERLY. But in all seriousness, this song really is a masterpiece. Written and conducted by Ennio Morricone for “The Good, The Bad and The Ugly” (Sidenote: MY third favorite movie of all time), it is an epic song that gives me goosebumps every time I hear it. The intro piano/oboe, the gradually increasing sounds, the woman who sings in it, the brass the… EVERYTHING! This is a song I can just put on repeat at any time and just have a great time with because it is big, epic and brings me so many memories of big and epic westerns. And that is why this is my all time favorite song.

Now that has been my Top 20 Favorite Songs. Let me know in the comments what your favorite song is. I hope you an enjoyable time reading this and listening to the great music.

Have a good one!

Movie Review: Moon (2009)

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I am a huge fan of sci-fi movies. Of course it started pretty early with “Star Wars” when I was about six. And after that I have seen a whole bunch more sci-fi movies that have just made me love them even more. It especially pleases me when I find a sci-fi movie that happens to be pretty different from other ones. A pretty good example was last year’s “Interstellar”. And today we are taking a look at a pretty different sci-fi movie.

Men and women… “Moon”.

In this movie science has found a way to stop energy problems by mining gases… on the moon! And we get to follow astronaut Sam Bell (Sam Rockwell) who works with mining these gases. He works there with his AI computer GERTY (Kevin Spacey, hehe… Space-y). But soon Sam’s three year contract is going out and he will get to go home to his family. But during these remaining two weeks he starts to discover some secrets he never thought he would find. And I will not say anymore as this is a plot best experienced. That’s right, I fucking loved the plot to this movie! It was deep, it was suspenseful and it threw a few pretty good curve balls.

The character of Sam Bell is troubled in a few ways and I’m not saying more about that. What I can say however is that Sam Rockwell was incredible! I have been a fan of his for quite some times now but none of his other performances I have seen have been this fantastic! So many little nuances in his performance. He also portrayed a lot of different emotions perfectly. And Kevin Spacey (Space-y… hehe) was good as this AI. When playing an artificial intelligence you don’t have to pull off many emotions and therefore it wasn’t fantastic, but it was still good. What, you expected GERTY to sound like Verbal Kint or something?

The score for the movie was done by Clint Mansell and once again he delivered. The music is atmospheric, haunting and emotional all at once. All thanks to Mansell’s fantastic composition. And the classic Mansell piano makes a triumphant return in this movie!

This movie was the directorial debut of Duncan Jones and holy shit did he make a great first impression. He has perfect control over the camera work in this movie and makes everything look great. The direction is also kind suspenseful. Fun fact: Duncan Jones is actually the son of musician David Bowie… just wanted to mention that. You know what else I can praise? The sets and visual effects. Both of those things were incredible in the movie! The sets look great and had been perfectly set up! And the visual effects were breathtaking to say the least. Sure, “Interstellar” looked a little better, but these were still pretty fucking great. And the writing in the movie was also really good, the dialogue that occasionally occured was great.

This is a pretty well-received movie. On Rotten Tomatoes it has an 89% positive rating with a “Fresh” certification. On Metacritic it has a score of 67/100. Roger Ebert gave the movie 3,5/4 stars. And on imdb.com the movie has a score of 8,0/10.

Guys… “Moon” has a fantastic plot, a fantastic performance from Sam Rockwell, a fantastic score by Clint Mansell and some of the greatest direction/visual effects/sets I have ever seen. TIme for my final score. *Cough* My final score for “Moon” is a 9,90/10. I loved everything about it and of course it gets the “SEAL OF APPROVAL!”
Seal of Approval

“Moon” is now reviewed.

Kevin Space-y… hehe…