Movie Review: Hellboy (2019)

It should come as no surprise that I’m a huge fan of Guillermo Del Toro’s two “Hellboy” movies from the mid to late 2000s. They’re fun, character-driven, action movies filled with solid performances. So when a reboot was announced, I got scared. Then set pics came out, and I got less scared. And now I finally watched it. So let’s talk about it.

Ladies and gents… “Hellboy”… the rebootification.

When an evil blood witch (Milla Jovovich) is about to return, it’s up to Hellboy (David Harbour) and his allies to try to stop her. So now we have our plot. And it’s quite a mixed bag. On one hand, it’s an apocalyptic horror-fantasy, and on the other it’s a lighthearted monster romp, and it just clashes. Now, movies can switch between different tones and still work, we’ve seen it so many times. But “Hellboy” doesn’t have the flow to hold it up. Every tonal shift feels so sudden and unwarranted. And even if you take the scenes in on their own, they’re often so blandly written that I just didn’t give much of a shit. And that’s not how I want it. I want to give a shit, I wanted this to be a great story. But as it stands, it’s not great.

The characters in this are, like the story, a bit of a mixed bag. I see the potential in them, but they flip-flop around a bit much. Are they goofy comic action movie characters or are they broody soap opera ones? Both apparently. David Harbour plays the titular horned hero, a demon summoned from the depths of hell, raised to stop evil. He’s a bit of a jerk, but he’s also sometimes a decent enough dude. Seeing him learn more about himself is interesting, even if, as said before, he flip-flops a little bit. But I do think Harbour is good in the role, doing his best with the material he’s given. Next we have Ian McShane as Al Sweareng- I mean Professor Broom, Hellboy’s adoptive father. The reason I made that little joke was because in terms of writing, he feels like a watered down version of Al Swearengen from “Deadwood”.  I love “Deadwood”, but you can’t make everything “Deadwood” just because Ian McShane’s in it. Oh well, at least it’s an enjoyable performance. And Milla Jovovich plays Nimue, the Blood Queen, the movie’s main antagonist of the movie, and she’s fine in the role. Again, subpar material. We also get supporting work from people like Daniel Dae Kim, Sasha Lane, Stephen Graham, Thomas Haden Church, and more, all doing either okay or very well in their respective roles.

The score for the movie was composed by Benjamin Wallfisch, and it was alright. It’s not exactly memorable, but it’s overall well composed. A lot of BWOOOOOM, some emotional strings, and some electronic enhancements, making a decently passable score. Then there are also a whole bunch of licensed tracks used throughout, and I swear, it feels like they went through several of my spotify playlists to pick out some of those tracks. Some of the tracks work fine in their respective scenes, and some are… meh.

Based on the critically acclaimed comics by Mike Mignola, this movie was directed by Neil Marshall, and I think he did an alright job with it. You can tell that he put a lot of work into shot composition and making sure scenes could flow decently well, making for occasionally fun action beats. But then the shit hits the fan again. The editing is really weird, making for some awkward cuts and moments. And let’s talk effects. Most of them are pretty good, both the practical and CG. But then we get to the blood and gore. I don’t mind that shit in a movie, it can be kinda fun or intense. But here it looks like someone tried rendering raspberry jam on a Windows 98, which really took me out of it when I started enjoying parts of the action scenes.

This movie has not been well received. On Rotten Tomatoes it has a 17% positive rating. On Metacritic it has a score of 31/100. And on imdb.com it has a score of 5,2/10.

I really wanted to like this movie, and it does admittedly have its moments. But in the end “Hellboy” (The Rebootification) is not really a good movie. It has a janky plot, meh characters, good performances, okay music, okay direction, and bad editing/blood effects. Time for my final score. *Ahem*. My final score for “Hellboy” (The Rebootification) is a 4,87/10. So I’d recommend skipping it.

My review of “Hellboy” (The Rebootification) is now completed.

You make me sad, movie.

Movie Review: Spider-Man: Far From Home (2019)

It is here. The movie that made me revisit the Raimi trilogy. It’s finally here. And it’s time to talk about it.

Ladies and gentlemen… “Spider-Man: Far From Home”.

As Peter Parker (Tom Holland) gears up to go on a European vacation with his classmates, he’s contacted by some familiar faces to help take care of some strong new enemies that have revealed themselves. But to be able to stop them, Peter has to team up with a mysterious guy named Quentin Beck (Jake Gyllenhaal). So now we have our Spidey-sequel. It’s part teen rom-com and part superhero story, and I feel like the two are blended quite well, which makes for a really enjoyable and breezy plot, which is kind of what we needed after the heavy shit in “Avengers: Endgame”. With how it jumps around Europe a lot it can feel a little jumpy, but I don’t think it ever ruined it in any way. There are some fun twists and turns in the plot that add a fair bit of nuance to the generally light and breezy proceedings (breezeedings?).

The characters are layered, flawed, colorful, fun, and overall interesting. Tom Holland returns as Peter Parker/Spider-Man, and in this movie he has to deal with the awkwardness of being a high school kid with a crush, while also having to step up as a hero in a world affected by the events of the last two “Avengers” films. He gets a fair bit of development here, making him even more interesting than he already was. And Holland is once again fantastic in the role. Next we have Jake Gyllenhaal as Quentin Beck/Mysterio. He’s a charismatic, interesting, and mysterious man who gets a fair bit of interesting motivation throughout. And Gyllenhaal is great in the role (can’t go wrong with a bit of Gyllenhaal, you know). We also get supporting work from people like Zendaya, Samuel L. Motherfu- I mean Jackson, Marisa Tomei, Jon Favreau, Jacob Batalon, Martin Starr, Angourie Rice, Tony Revolori, J.B. Smoove, and more, all doing very well in their respective roles.

The score for the movie was composed by Michael Giacchino, and it was really good. Sweeping, intimate, epic, emotional, it’s what one would look for in a “Spider-Man” score. It’s not the most original score out there, but it’s certainly enjoyable, and it works quite well within the movie itself. There are also a whole bunch of licensed tracks used throughout, and they all work quite well in their respective scenes.

As with “Spider-Man: Homecoming”, “Far From Home” was directed by Jon Watts. And I think he did a really good job with it. He certainly has a good sense of motion and energy in his directing, something shown in “Homecoming”, and explored further here. This lends to a lot of fun action scenes. Most of them are these, big, brash superhero things that one expects, but there’s also one or two that do some clever little things that I didn’t fully expect. There’s also a lot of comedy in this movie (which shouldn’t be much of a surprise if you’ve followed this movie universe for a while). And it’s funny, I laughed and chuckled.

This movie just came out, but has already been well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 69/100. And on imdb.com it has a score of 8,2/10. Keep in mind, all these scores are at the time of writing, and will most likely change as time goes by and I’m too lazy to constantly edit this.

While I prefer its predecessor, “Spider-Man: Far From Home” is still a damn fine Spidey-movie, and another great entry within the Marvel Cinematic Universe. It has a really good plot, really good characters, great performances, really good music, great directing/action, and funny humor. Time for my final score. *Ahem*. My final score for “Spider-Man: Far From Home” is a 9,50/10. So while it’s just on the edge, it’s still deserving of the “SEAL OF APPROVAL!”.

My review of “Spider-Man: Far From Home” is now completed.

This has two of my favorite scenes of the year, and both for VERY different reasons.

Movie Review: Spider-Man 3 (2007)

And so we come to the end of this review series on the Raimi-directed “Spider-Man” movies. It’s been fun revisiting this franchise. So let’s talk about the final part!

Ladies and gents… “Spider-Man 3”.

Peter (Tobey Maguire) seems to finally have his life under control. But that soon takes a dark turn when a mysterious space goop enters his life and changes his for the worse. All the while a super-powered petty criminal (Thomas Haden Church) roams the city after having escaped from prison. ALL THE WHILE Peter finds himself in some love triangle drama with Mary-Jane (Kirsten Dunst) and Gwen Stacy (Bryce Dallas Howard). ALL THE WHILE his- fuck this. Just… fuck it. There are elements in the plot that are good. But overall, it’s a god damn mess. It has more threads than a spider web, and they are all (for the most part) paper thin. Like I said, there are some nice parts here too, some finely handled dramatic/emotionally charged bits. But they all find themselves tangled up in this scatterbrained web.

The characters here are mixed. Some are nuanced and interesting, and some are Topher Grace as Eddie Brock. The returning core cast of Tobey Maguire, Kirsten Dunst, and James Franco are all great in their roles, and do wonders with the material they’re given (which sometimes isn’t great). Rosemary Harris as Aunt May is still the warm, comforting presence she’s always been. J.K. Simmons as J. Jonah Jameson is still an absolute blast to watch. As for new blood, there’s Thomas Haden Church as Flint Marko/Sandman. He’s given a surprising amount of development, and gives a really solid performance. And then we have the aforementioned Topher Grace as Eddie Brock. Look, Grace is not a bad actor, and he actually does a good job playing an absolute slimeball here… but he feels miscast for the character of Eddie Brock. And the stuff they do with the character here… just, no. Overall, decent cast.

Unlike the first two movies, the score in this one wasn’t composed by Danny Elfman. Instead, musical duties were handed over to Christopher Young, who I think did a great job. He incorporates Elfman’s iconic theme wonderfully, while still bringing his own flair to a lot of the other tracks. There are some emotionally charged pieces here that really work well within the movie.

As we’ve pointed out already, “Spider-Man 3” was, like its predecessors directed by Sam Raimi, who I think mostly did a great job here. I say mostly, because compared to the other two, there’s a lot more leaning on CGI for various things in this one. Which also makes some bits look a bit wonky, especially a chase scene early on in the movie. There is cool stuff to it, but overall the green screen effect looks kinda unfinished. And there are a few CGI humans in this movie, and they were a bit distracting. But with all that said, whenever it doesn’t use shit effects, it looks good. The action scenes in this are generally great, with one fight scene some ways into the movie being one of my favorite parts of it.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 63% positive rating. On Metacritic it has a score of 59/100. Roger Ebert gave it 2/4 stars. And on imdb.com it has a score of 6,2/10.

So while “Spider-Man 3” is a bit of a let-down compared to the first two, it’s still an enjoyable superhero movie. It has a messy plot with good moments, mostly good characters, really good performances, great music, and good directing/action with only a few wonky effects. Time for my final score. *Ahem*. My final score for “Spider-Man 3” is a 6,95/10. So while flawed, it’s still worth a rental.

My review of “Spider-Man 3” is now completed.

Bit a downer to end this series on. C’est la vie, je suppose.

Movie Review: Spider-Man 2 (2004)

And so my series of reviews of Raimi-directed “Spider-Man” movies continues!

Ladies and gents… “Spider-Man 2”.

As Peter Parker (Tobey Maguire) tries to balance college, work, and being the friendly neighborhood Spider-Man, he runs into even more trouble when scientist Otto Octavius (Alfred Molina) becomes the villainous Doc Ock. So now we have our sequel. It’s bigger, but does that make it better? Yes, very much so. It has a lot of themes to balance, and it manages to do that beautifully. At times it’s fun, at times it breaks the viewer’s heart, at times it’s uplifting. It takes all its various themes and creates a web (HA!) that is a perfect representation of Spider-Man and his adventures.

The characters are colorful, flawed, layered, fun, and overall just really interesting. Tobey Maguire reprises his role as Peter Parker/Spider-Man. Seeing his development throughout here is fascinating. Yes, you do get a lot of the charming awkwardness seen in the first movie, but you also get to see a lot of new sides to him that came forward after the events of the first movie, and from things that happen here. And Maguire is great in the role. Alfred Molina plays Otto Octavius, the brilliant scientist who becomes the villain of the story. He’s under constant conflict with himself throughout, making him quite a compelling character. And Molina is great in the role. Kirsten Dunst returns as Mary-Jane Watson, and she gets some decent development throughout. And Dunst is good in the role. James Franco returns as Harry Osborne, who also has some interesting character drama going on, with Franco giving a great performance. We also get supporting work from people like Rosemary Harris, J.K. Simmons (still the best), Bill Nunn, Dylan Baker, Daniel Gillies, Donna Murphy, and more, all doing very well in their respective roles.

As with the first movie, the score was composed by Danny Elfman, and he somehow managed to one-up himself. The score here of course brings back a lot of the sweeping heroics of the first, while also adding in a lot of nice little touches that makes it stand out. Really, it’s amazing, one of the best scores of the time. And there’s the odd licensed track used throughout that works quite well too.

As with the first movie (and as mentioned in the opening of this review), this movie was directed by Sam Raimi, who (like Elfman) upped his game. His camptastic sense of energy makes a triumphant return, which makes it electrifying to watch, even in the “slower” scenes. It also adds a lot to the action scenes, which are a blast to watch, thanks to the energetic, visceral feel that Raimi gives to them. There’s one scene in particular that really encapsulates that, and if you’ve seen this movie, then you probably know which one I’m talking about. And to bring up something I mentioned in my previous “Spider-Man” review, the effects in this still hold up. The last one had a lot of rough stuff, but the ones in this one… still so good.

This movie has been very well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 83/100. Roger Ebert gave it 4/4 stars. And on imdb.com it has a score of 7,3/10. The movie won 1 Oscar in the category of Best Visual Effects. It also got an additional 2 nominations in the categories of Best Sound Mixing and Best Sound Editing.

“Spider-Man 2” is a sequel that takes everything that was good about the first one, and improves on it significantly. It has a great plot, great characters, great performances, great music, and great directing/action/effects. Time for my final score. *AHEM*. My final score for “Spider-Man 2” is a 9,89/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Spider-Man 2” is now completed.

Here’s a fun anecdote: As I was (re)watching this, I realized that I actually hadn’t seen this one before. My mind had tricked me into thinking that I had seen it before, when I hadn’t. It’s quite interesting.

Movie Review: Batman vs. Teenage Mutant Ninja Turtles (2019)

Yes. This is a real movie. And I watched it. And now I’m gonna talk about it.

Dudes and chicks… “Batman vs. Teenage Mutant Ninja Turtles”.

When Ra’s Al Ghul (Cas Anvar) teams up with the Shredder (Andrew Kishino), the Turtles (Eric Bauza, Darren Criss, Kyle Mooney, Baron Vaughn) find themselves following the villains to Gotham City, where they run into Batman (Troy Baker). Aaaand cue the crossover craziness. Is this a masterpiece of storytelling? No. Is this high art? No. But is it a well written and fun crossover that never takes itself too seriously? Yes. For the most part, the plot here is lighthearted comic book action. But there are also moments where it actually dares to go a little darker, but it never feels like it clashes with the more fun and ridiculous scenes. It balances its tone perfectly, giving us one of the most unique and enjoyable plots in recent DC animations.

The characters are colorful, fun, charming, memorable, and pretty interesting. Troy Baker plays Batman, and he’s the ever serious Batman… you know who Batman is, there’s nothing new done to him as a character. But Baker’s voice work is solid here. Then we have Eric Bauza, Darren Criss, Kyle Mooney, and Baron Vaughn as the four Ninja Turtles Leonardo, Raphael, Michelangelo, and Donatello. And they are exactly as one expects the frickin’ Turtles to be (if you’re familiar with them). And the four actors voicing them are great in their respective roles. While there isn’t much in terms of actual development here, what makes the characters stand out here is how well they play off of each other. It’s their chemistry that makes them so enjoyable to follow… good stuff. We also get supporting work from people like Cas Anvar, Carlos Alazraqui, Rachel Bloom, Andrew Kishino, Tara Strong, Ben Giroux, Brian George, and many more, all doing very well in their respective roles.

The score for the movie was composed by Kevin Riepl, and it was good. Some orchestrations, some synthesizers, some guitar, a lot of fun percussion, it’s the right kind of score to add an extra bit of fun to the insanity of the movie. I really enjoyed hearing it throughout the movie, and it worked well in the various scenes.

Based on a comic by James Tynion IV & Freddie Williams II (fancy lads and their numbered names), this movie was directed by Jake Castorena, and I think it is a well directed movie. The animation flows nicely and has a really good sense of energy to it. Some of the character designs could maybe be a little hit or miss (mainly Donatello for me), there was nothing I’d call bad here. Especially not the action scenes, which I found to be great. Brutal, fluent, and well directed, the various fight scenes throughout are an absolute joy to behold. There’s also a really fun chase here that was a blast to watch. So yeah, there’s a ton of well animated, absolutely ridiculous action scenes throughout the movie… which makes me very happy. There are also a lot of jokes in this movie, and they made me laugh very hard. Some really clever, some incredibly dumb, all funny.

This movie has been well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 7,2/10.

So “Batman vs. Teenage Mutant Ninja Turtles” is absolutely insane, and I loved every minute of it. It has a really fun plot, really good characters, great performances, good music, really good animation/direction/action, and hilarious humor. Time for my final score. *Ahem*. My final score for “Batman vs. Teenage Mutant Ninja Turtles” is a 9,84/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Batman vs. Teenage Mutant Ninja Turtles” is now completed.

That was… BATshit insane.

Movie Review: Avengers: Endgame (2019)

Can you guys believe it? 11 years and 22 movies. The Marvel Cinematic Universe’s ultimate culmination is finally here. It’s kind of mindblowing and impressive, regardless of one’s opinion on the movies themselves. So let’s get into it.

Ladies and gentlemen… “Avengers: Endgame”.

After the horrifying events in “Avengers: Infinity War”, the team feels somewhat defeated. But they still rise up to the occasion to find a way to fix what has been caused by Thanos (Josh Brolin). And I was scared going into this. Would they stick the landing? Well, guess what, they fucking did. It’s dramatic, tense, fun, emotional, and a perfect sendoff for this entire cinematic universe. And that is all I’m saying about that. I guess you could nitpick stuff, but I don’t want to. This is great. #DontSpoilTheEndgame

A shitload of characters return. Most of their development came from the other movies, but they did also get a little from this, and it just works really well. These are fully developed characters that I love. And the performances are great. Not gonna say all who are in this because there’s far too many. But holy fucking shit, there is not a weak link in this cast. All the actors do wonder with the great material they’re given.

As with “Infinity War”, the score was composed by Alan Silvestri. And in my review of that movie, I didn’t give the score enough credit. Yes, I had positive comments about it, but on subsequent rewatches of that movie, I’ve grown to love it a lot more. And the man somehow managed to fucking top himself with “Endgame”. The score manages to encapsulate all the epicness, emotion, and energy that the story needed flawlessly. Silvestri, I salute you.

They started with “The Winter Soldier”. They came back for “Civil War”. They took over the main mantle for “Avengers: Infinity War”. And they came to tie the bow on the gift that is “Endgame”. So yeah, their direction was great here too. These dudes know how to do big, epic action in a very human way, and it feels so great that they got the task to wrap this entire shebang up for now. Trent Opaloch’s cinematography is also absolutely amazing. And it goes without saying that the visual effects in this are absolutely spectacular. Hell, let’s give the visual effects crew some extra credit here for giving us some of the most impressive effects in movie history. The package is incredibly well put together.

This movie just came out, but it has already been incredibly well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 77/100. And on imdb.com it has a score of 9,1/10 and is ranked #5 on the “Top 250” list.

Yes I’m keeping it vague and brief here, but that’s what I have to do to not accidentally spoil it. Still, with that said, “Avengers: Endgame” is an absolutely marvelous movie and a perfect way to end the Marvel Cinematic Universe as we know it. It has a great plot, great characters, great performances, great music, and fantastic direction/writing/cinematography. Time for my final score. *Ahem*. My final score for “Avengers: Endgame” is a 9,90/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Avengers: Endgame” is now completed.

I’m not saying that I cried, but I cried.

Movie Review: Ant-Man and the Wasp (2018)

And the 2018 catch-up continues. Admittedly I don’t have a super specific series set up, but catching up on the year’s movies is what one have to do when nearing the end of said year. Enough rambling, let’s shrink.

Ladies and gentlemen… “Ant-Man and the Wasp”.

Scott Lang (Paul Rudd) has to once again don the Ant-Man suit, but instead of using it to steal some shit, he has to use his abilities, as well as the assistance of his ally Hope (Evangeline Lilly), to get hold of some tech to try and pull Janet Van Dyne out of the Quantum Realm. But this quest will prove challenging as opposing forces want this technology for their own purposes. So now we have our “Ant-Man” sequel plot. And it’s good, a fun comic book romp. Has a few decent dramatic moments. Not much I can say, it’s just a fun superhero plot. Doesn’t do much, but doesn’t do little either. It’s fast-paced and easy to follow while expanding on a few of the ideas set up in the first movie. It doesn’t do anything special, but it also doesn’t need to. It’s just an easygoing and fun plot.

The characters in this are colorful, interesting, and really entertaining. Paul Rudd of course returns as Scott Lang, the charming ex-con/superhero with a heart of gold. He’s fun, he’s someone I care about, and he is just generally an enjoyable protagonist. And Paul Rudd is great in the role. Next we have Evangeline Lilly as Hope Van Dyne/Wasp. She was just sort of a tough sidekick/teacher in the first movie, but here she gets to do a lot more, especially since she now has her own super suit to play with. And she’s quite an enjoyable character to follow. And Lilly is great in the role. Michael Peña returns as Scott’s best friend, Luis, and he’s just as hilarious as he was the first time around. Michael Douglas returns as Dr. Hank Pym, and he’s once again pretty great. Newcomer time! First up, Hannah John-Kamen as “Ghost”, a mysterious new villain with a pretty compelling arc that I won’t say more about here, but I found it to be pretty cool. And John-Kamen is really good in the role. We also get Walton Goggins as some shady black market dealer, and he’s as Goggins-y as ever, and while his character doesn’t have much to actually do, Goggins is really good in the role. We also get supporting performances from people like Judy Greer, Bobby Cannavale, Abby Ryder Fortson, David Dastmalchian, Randall Park, T.I., Laurence Fishburne, Michelle Pfeiffer, and more, all doing very well in their respective roles.

Like with the first movie, Christophe Beck did the score for this one. And it’s just as fun and enjoyable as the first time around. It’s bouncy, irreverent, and just overall fits the lighthearted tone that the movie generally goes for. The added use of synth and (for lack of a better word) bouncy percussion really helps keep the pace up. It’s just fun. And there are a few licensed tracks used throughout that work well enough in their respective scenes.

As with the first movie, “Ant-Man and the Wasp” was directed by Peyton Reed and I think he did a good job with it. His directing is fun, fast-paced, and just generally has a certain energy that makes it all quite enjoyable to watch. The action scenes too are quite solid, giving us some good close quarters combat, as well as the shrink/grow superhero stuff we came to see. There’s of course also a lot of comedy throughout this movie, and I found most of it to be quite funny. A few jokes weren’t the best, but none of them made me want to tear my brain out. Some mild nose-wrinkling, some chuckles, a few out loud laughs… yeah, it’s funny.

This movie has been pretty well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 70/100. And on imdb.com it has a score of 7,2/10.

“Ant-Man and the Wasp” is a fun movie… not one of the best of the year, but an enjoyable romp nonetheless. It has a good plot, good characters, great performances, really good music, really good directing, and funny comedy. Time for my final score. *Ahem*. My final score for “Ant-Man and the Wasp” is an 8,76/10. So while not perfect, it’s still definitely worth buying.

My review of “Ant-Man and the Wasp” is now completed.

Baba Yaga…

Movie Review: Deadpool 2 (2018)

In 2009, we got the big screen debut of comic book character Deadpool in “X-Men Origins: Wolverine”, and it was a fucking disgrace. Skip forward to 2016, Deadpool gets his own movie called… “Deadpool” (fucking unpredictable title, I know). And in 2018 he got a sequel. And now I finally watched it. So let’s talk about it.

Ladies and gents… “Deadpool 2”.

Super-powered mercenary Wade Wilson (Ryan Reynolds) has to create his own mutant team in order to protect a young mutant (Julian Dennison) from a time traveling super soldier called Cable (Josh Brolin). So now we have our big comic book sequel plot. And it’s good. It does lack some of the focus that the first movie had, but that is not very surprising considering this is trying to be bigger than the first one. But I don’t dislike the plot here at all, as a matter of fact, I found it to be a lot of fun. Sure, it does jump around a bit, but it’s not enough to annoy me. It embraces the silliness of superhero comics, while still subverting a fair bit of expectations one has for them. And I thought it all had a fair balance between silly comic shit and heartfelt character drama. ’tis good.

The characters in this are fun, badass, surprisingly layered, and overall very entertaining. Ryan Reynolds of course returns as Deadpool. But this is a slightly different Deadpool to the first movie, this one has suffered a little bit, this Deadpool is going through some shit. But he still retains the insanity that we’ve come to know from him. And Reynolds is once again fantastic in the role. Next we have Josh Brolin as Cable, the time traveling soldier out for blood. He’s a tragic, unrelenting badass that I found quite interesting. And Brolin is great in the role. We also get Zazie Beets as Domino, one of the mutants joining Deadpool on his quest. She’s an interesting foil for Wade’s antics, and she’s just overall a fun character. And Beets is great in the role. Julian Dennison is also great as the tragic mutant kid that Wade wants to help. WE also get supporting work from people like Morena Baccarin, Karan Soni, Stefan Kapicic, Leslie Uggams, Eddie Marsan, Brianna Hildebrand, Rob Delaney, and many more, all doing very well in their respective roles.

The score for the movie was composed by Tyler Bates, and it’s good. It does include some good ol’ heroic brass, but it also takes inspiration from rock to create a score that captures the film’s mostly irreverent vibe. There’s also a lot of licensed tracks used throughout the movie, and while there are several I wouldn’t find myself listening to on my own, I thought all of them worked well enough within the movie for each scene.

Written by Rhett Reese, Paul Wernick, and Ryan Reynolds, this movie wasn’t directed by Tim Miller. Instead, David Leitch took the director’s chair for this one. And I think he did a great job. Sure, quiet scenes don’t have much to speak of, all the magic in those come from the actors. But the action scenes, holy fuck, they are great. Fights, shootouts, chases… this film has all kinds of action, and all of it is well shot and incredibly entertaining… and violent as hell. And just like the first movie, “Deadpool 2” is in large part a comedy. So is the humor any funny here? I think so. Fourth wall breaks, references, sight gags, deprecating jokes, it’s all here, and I laughed like an idiot at most of it.

This movie has been pretty well received. On Rotten Tomatoes it has an 83% positive rating and a “Fresh” certification. On Metacritic it has a score of 66/100. And on imdb.com it has a score of 7,8/10.

While I probably prefer the first movie, “Deadpool 2” is still an absolute blast from start to finish. It has a good plot, great characters, great performances, really good music, great directing/action, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Deadpool 2” is a 9,75/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Deadpool 2” is now completed.

Can beauty come out of ashes?

Movie Review: Constantine (2005)

So what’s on the Month of Spooks meny today? Spooky comic book adaptation? Neat.

Ladies and gentlemen… “Constantine”.

The story follows John Constantine (Keanu Reeves), a private detective handling cases of the supernatural kind, as he helps an LAPD detective (Rachel Weisz) try to prove that her sister’s death wasn’t a normal suicide, but something more sinister. All while John is dealing with the recent news that he has a really severe case of lung cancer. So now we have our spooky detective story. And it’s good. Not perfect, but good. Overall it’s a very well paced story that never feels like it drags, but there is kind of a weird disconnect between the plots of the movie. It’s clear that they used the “Dangerous Habits” story arc from the comics as basis, but then added the cop with the dead sister plot onto it because I guess they needed a more movie-esque aspect in the plot. And the two sometimes tie into each other okay, but a lot of the time they don’t fully gel. Both plots on their own are really good, but putting them together like that doesn’t fully work. But overall, pretty good stuff.

The characters in this get some decent development and are all pretty interesting. First up we have Keanu Reeves (whoa) as the titular hellblazer. He’s a sarcastic jerk who doesn’t let anyone get close, for reasons we shall not disclose, but it’s some good stuff. He’s quite a departure from the comics, but I still found him to be an entertaining and interesting character. And Reeves is really good in the role. Next we have Rachel Weisz as Angela Dodson, the detective that Constantine decides to help. She’s tough as hell without it coming off as forced or unrealistic. She feels a bit more real. And Weisz is great in the role. We also get supporting performances from people like Tilda Swinton, Shia LaBeouf, Djimon Hounsou, Max Baker, Pruitt Taylor Vince, Gavin Rossdale, Peter Stormare, and more, all doing very well in their respective roles.

The score for the movie was composed by Brian Tyler (with some additions by Klaus Badelt) and I think he did a great job with it. The score takes influences from a couple cultures as well as taking inspiration from a couple different genres such as horror and action. And it creates a really interesting sound that elevates the various scenes where music can be heard.

Based on the “Hellblazer” comics by DC/Vertigo, this movie was directed by Francis Lawrence, and I think he did a really good job with that. While elements of the story and character have trouble capturing the vibe of the comic, his direction gets closer to capturing that feel… if it was turned up to 11 that is, but that’s slightly besides the point. But I do like the slightly gothic vibe this thing has, which often manages to add some creep factor to it all. And the cinematography by Philippe Rousselot is pretty great too, giving us some damn fine looking shots throughout.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 46% positive rating. On Metacritic it has a score of 50/100. Roger Ebert gave it 1,5/4 stars. And on imdb.com it has a score of 7,0/10.

While not necessarily a great representation of its source material, “Constantine” is still a damn good supernatural action thriller. It has a good plot, good characters, great performances, great music, and great directing/cinematography. As previously mentioned, it is brought down a bit by elements in the story feeling somewhat disjointed. Time for my final score. *Ahem*. My final score for “Constantine” is an 8,94/10. So while flawed, it’s still definitely worth buying.

My review of “Constantine” is now completed.

Whoa.

Movie Review: Justice League (2017)

Cinematic universes. Something every studio is trying to pull off after Marvel’s success with it. Most notably we’ve had DC/Warner Bros trying to catch up with their own DC Extended Universe. And it’s been a bit hit and miss for critics and general audiences alike. So let’s see if their big team-up movie is any good.

Ladies and gentlemen… “Justice League”.

When our world is threatened by the evil alien Steppenwolf (Ciarán Hinds), Batman (Ben Affleck) and Wonder Woman (Gal Gadot) have to create a team of superpowered individuals to try to stop this dangerous new enemy. And that’s really all this is about. Okay, there’s a bit more to it, but I prefer to keep plot details relatively vague. Now is this a good plot? For the most part I’d say so. It’s a very straight-forward plot compared to some of the earlier outings in this franchise. I think my only problem with it is that it feels a bit choppy during the first act, like it’s been cut down to fit in a two hour runtime (which it most likely has). But that choppy start aside, this is a fun, fast-paced, and highly enjoyable comic book adventure plot.

The characters in this vary a bit in their depth, but I found most of them to at least be quite enjoyable. Ben Affleck reprises his role as Batman/Bruce Wayne, and we can tell that he has changed a bit since “BvS”. After what happened at the end of that movie, he has become a somewhat more light-hearted, less homicidal hero. And I liked seeing him as he worked to getting the team together to stop the end of the world. And Affleck is once again great in the role. Next we once again have Gal Gadot as Wonder Woman. She’s once again a fiercely inspiring, fun, and warm character that I’d follow to hell and back. Seeing her working to get the team together and all that is really interesting, and she’s once again a really cool character. And Gadot is once again great in the role. Next up we have Ezra Miller as Barry Allen/The Flash. He gets some decent character development, but for the most part he’s there to be the comic relief, and he works really well for that while still getting some badass moments. And I thought Miller was great in the role. Next we have Ray Fisher as Cyborg, the genius, yet damaged mechanical member of the gang. He gets a decent amount of character development here and I thought he was a really cool character. And Fisher was really good in the role. Next we have Jason Momoa as Aquaman, the half man/half Atlantean warrior. He is very much a superpowered version of Jason Momoa, and I think it kind of works because I find that persona quite enjoyable. So yeah, Momoa was really good in the role. Henry Cavill returns as Superman, and the little we see of him here is my favorite appearance of the character in this franchise. And Cavill was really good in the role. Now, let’s talk Steppenwolf (no, not the band). As a villain he’s… fine, I guess. He’s a big CGI monster with some lines hinting at some deeper stuff, but ultimately ends up becoming kind of generic. Thought Ciarán Hinds did a really good job voicing him though, suitably menacing. We also get supporting performances from people like Jeremy Irons, Amy Adams, Diane Lane, Billy Crudup, Connie Nielsen, J.K. Simmons, Amber Heard, Joe Morton, and more… all doing well in their respective roles.

The score for the movie was composed by Danny Elfman, and it was pretty good. Nothing special, heroic big brass tunes with some strings thrown in for added effect. It’s far from bad, and the various tracks work well within their respective scenes. And for those wondering about that “Danny Elfman to use Batman and Superman themes in the score”, it does occur, but it’s more snuck in rather than just overtly used as their own tracks… and I think it works surprisingly well.

The movie was directed by Zack Snyder… and Joss Whedon. As most people probably know, this movie had a very troubled production, with Snyder having to leave the project due to a personal tragedy, so Joss Whedon had to come in and do some reshoots. These things considered, the direction here is quite consistent. When a new director comes in to do reshoots, it could feel like a different movie in parts, but it’s remarkable how consistent it feels here. So is the direction in general any good? Yeah. It’s good, it flows pretty nicely, there’s some good shots here. And the action I quite liked. Now, it didn’t leave the same impact as the action in “Wonder Woman”, but it was easy to follow and I had quite a lot of fun with it. What I liked most about it was seeing the various heroes show off their abilities, with The Flash and his speedforce being the standout. And the visual effects here are for the most part damn good. Some things look a little off at times, from some backgrounds, to closeups of Steppenwolf (BORN TO BE WIIIIIILD!), to even Cyborg at times. But like I said, for the most part the effects look great (again, The Flash having some of the best ones).

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 40% positive rating. On Metacritic it has a score of 45/100. And on imdb.com it has a score of 6,6/10.

Despite a few flaws (that probably stem from production issues), I had a lot of fun with “Justice League”. It has a good plot, good characters, good music, and good directing/action/visual effects/humor. As previously mentioned, the plot is a bit choppy at the start, the villain is a bit bland, and the effects could be less than stellar at times. Time for my final score. *Ahem*. My final score for “Justice League” is an 8,52/10. So while flawed, I’d still say that it’s worth buying.

My review of “Justice League” is now completed.

Come Together…