Movie Review: The Crazies (2010)

Howdy there, more Month of Spooks content comin’ your way right now! So what’s on the menu tonight? A remake of an older flick? Alrighty then!

Ladies and gentlemen… “The Crazies”.

Ogden Marsh is a quaint little township in Iowa, a place where EVERYBODY KNOWS YORU NAAAAAME… sorry. But yeah, it’s a nice place. That however changes soon when a mysterious virus starts spreading throughout, infecting the people living there, turning them into vicious killers. And we follow the town’s Sheriff (Timothy Olyphant) as he tries to survive with his wife (Radha Mitchell) and a few other people. “The Crazies” is a tale of survival and not losing your humanity and insert other mid-apocalypse buzzwords. And by that mildly snarky line you can probably figure out my thoughts on the narrative of this movie. It’s fine. I never found myself bored by it, I was interested in seeing where it would go. But in the end I will forget this experience sooner than I really want to. It’s a decent survival thriller that never truly makes me feel engaged. It’s more a passive acceptance of its dry and self-serious narrative.

The characters in this are whatever, serving the story just fine. First up we have Timothy Olyphant (fuck yeah) as David, the Sheriff of Ogden Marsh. He knows to be tough when needed, but is generally a kind dude for the most part. He’s probably the most interesting character here, as we follow him and his perspective on this whole ordeal. And Olyphant is great in the role… as he always is. I just think he’s kinda neat, ‘kay? Next we have Radha Mitchell who plays Judy, David’s wife. I like Radha Mitchell, I think she’s a good actress. And I guess she does the best she can with this material, even though she doesn’t get much of a nuanced character. She can basically best be relegated to “wife” in this. We also get supporting work from people like Danielle Panabaker, Joe Anderson, Brett Rickaby, and more, all doing pretty well in their respective roles.

The score for the movie was composed by Mark Isham, and I think he did an alright job with it. Some tracks are basic loud horror noises and some are basic mellow drama stuff. The music does its job just fine in conveying certain emotions, even if they don’t always translate to emotional reactions from me.

Based on the 1973 George Romero movie of the same name, “The Crazies” was directed by Breck Eisner who I think did a good job here. He knows how to create some decent intensity in certain scenes. While the story felt fairly unmemorable, some of the creatively macabre scenes that Eisner shot will stick with me a bit more. This goes for Maxime Alexandre’s cinematography, which I think is great.

This movie has been decently well received. On Rotten Tomatoes it has a 70% positive rating. On Metacritic it has a score of 56/100. And on imdb.com it has a score of 6.5/10.

While I don’t think “The Crazies” is one of the horrors I’ve ever watched, it’s certainly an alright way to spend a slow evening. It has an average story, okay characters, great performances, okay music, and really good directing/cinematography. Time for my final score. *Ahem*. My final score for the remake of “The Crazies” is a 6.31/10. So while quite flawed, it’s still worth a rental.

My review of “The Crazies” is now completed.

No, you’re the one with a man crush on Timothy Olyphant… He said, speaking to his reflection.

Movie Review: Crawl (2019)

Ever since I was a child, I have been fascinated by crocodilians, potentially due to watching a fair bit of “Crocodile Hunter” as a kid. And possibly also because they’re badass. Either way, it baffles me that we barely get any movies featuring them, at least with decent budgets. So I’m excited to finally get to talk about such a movie.

Ladies and gents… “Crawl”.

When Haley (Kaya Scodelario) goes searching for her dad (Barry Pepper) during a devastating hurricane, she finds herself trapped in their old family home’s crawlspace, not only having to survive the vicious weather, but also a bunch of alligators swimming around. It’s a B-movie premise… but I really liked seeing it unfold. There’s enough self-aware brains within the writing to make it work. It nicely shifts between being a suspenseful monster movie and a decent enough family drama, the balance is just right. I’m not sitting here saying that it’s the greatest storytelling ever put to celluloid. But what I am saying is that it knows what it is, and works with it to create a fun and engaging popcorn thriller that managed to scare, make me feel tense, and invest me in the struggle of the people at the center.

The characters in this, while not the deepest, are written with enough nuance to make the viewer care for them, at least on a surface “I don’t want to see these guys die” level. Kaya Scodelario plays Haley, a young woman with some emotional baggage that affects her relationship to her dad. She’s clever, resourceful, and determined, and makes for an interesting protagonist that I enjoyed following. And Scodelario is great in the role. Next we have Barry Pepper as Dave, Haley’s dad with whom there’s some past issues with. I don’t have much to say, as he’s not as well defined in personality as Haley, but I still found him decently enjoyable/interesting. And Pepper is great in the role. And seriously, when was the last time we saw Barry Pepper in a movie? Dude was in everything for a while, and then he just suddenly wasn’t. Oh well, it was nice to see him show up here.

The score for “Crawl” was composed by Max Aruj & Steffen Thum, and I think they did a pretty good job with it. Some basic emotional strings, some neat horror stings, and a few other things. The score here doesn’t do anything new, but intead does all the familiar things well, creating a solid soundscape for the movie.

“Crawl” was written by brothers Michael and Shawn Rasmussen, with Alexandre Aja handling directing duties. And the craft on display here (for its relatively low budget) is pretty damn good. They really manage to create an oppressive atmosphere that helps the movie stand out in both the disaster and monster sub-genres. Even the huge storm is given a real presence that makes it feel far from cheap. Now, let’s talk about the real stars here… the gators. As expected, they’re CGI, because real gators would be too dangerous. But even for CG animals, they work quite well here… for the most part. Their animations are great, really lifelike, which makes them quite intense. Where I have to leave a slight criticism though is the texturing. Yes, they got the general gator appearance right, but it feels like they could’ve used another render or two. But I can also forgive it because of how low the budget was, and because of the presence the overall animations on the gators gave off. Quick warning too: As you probably expect, there’s some gore in this, but it’s also quite vicious. Not just blood for blood’s sake, but some genuine brutality happens. Just putting that out there in case anyone’s a bit squeamish.

This movie has been pretty well received. On Rotten Tomatoes it has an 83% positive rating and a “Fresh” certification. On Metacritic it has a score of 60/100. And on imdb.com it has a score of 6,2/10.

I know it sounds like I shit on it multiple times throughout, but I want to make it very fucking clear that I highly enjoyed “Crawl”. It’s a damn fine monster movie (yes, alligators aren’t monsters, but what else would you call this style of movie?). It has a really good plot, good characters, great performances, good music, and great directing, effects, and atmosphere. Time for my final score. *Ahem*. My final score for “Crawl” is a 9,57/10. So it does get the “SEAL OF APPROVAL!”.

My review of “Crawl” is now completed.

See you later, alligator…

The Great Villain Blogathon 2019: Wafner from Overlord

Well hello there, people. Hope you’re doing well. Today I will be going out of my regular review wheelhouse a bit. When it was announced that the lovely ladies of Speakeasy, Silver Screenings, and Shadows & Satin were hosting a blogathon about movie villains, I of course had to sign up. I actually took part in another one of these about two years ago, so I’m happy to join another one! So let’s stop it with the introductions and get into my pick for The Great Villain Blogathon 2019!

Last time I took part in a villainous blogathon, I went back a handful of years and talked about the T-1000 from “Terminator 2”. So this time I went for a more recent thing. And to give you a fair warning: There will be spoilers for the entire movie. So if you haven’t seen this movie and want to remain unspoiled, maybe go and give it a rental, watch it, and then come back.

Meine Damen und Herren… This is Wafner from 2018’s “Overlord”.

“Overlord” is a 2018 world war 2 action-horror film directed by Julius Avery and starring Jovan Adepo, Wyatt Russell, and Pilou Asbæk. It’s about a group of American soldiers who crash behind enemy lines on the night of D-day to take out a nazi communications tower so that the landing on Normandy beach can happen. But as they make their way further into the compound, they find more than just nazi punks in there. To be exact, they find that the nazis are experimenting on the local population to try to create super zombie soldiers. Simple plot with a fun twist to it. Not revolutionary, but highly enjoyable. So how does Wafner (played by Pilou Asbæk) fit into this? Well, he’s a nazi captain that serves as the primary antagonist of the story. What’s interesting is that it takes about 20 minutes for us to even catch a glimpse of him, and even then it’s shrouded in darkness and at a distance. It’s not until the 33 minute mark that we finally get properly introduced to him, when he invades the private space of a French woman that helps to hide our heroes.

Wafner: “Do you hear zat?”. Chloe: “What?”. Wafner: “Sounds like our movie is failing at ze box office”.

Right in the first minute of his introduction he just gets under my skin. No, not because he’s a nazi, though that is certainly a turn-off. No, there’s just a certain creepiness to him. He’s not the over-the-top villain one might expect (yet), instead going for a more subtle and slimy creepiness, which is just perfectly delivered by Asbæk. And even though he does seem calm and composed, you can still sense that there’s a ruthlessness to him, which makes you not want to mess with him. Even when he’s captured later in the movie by our heroes, he has a way of getting under one’s skin.

Wafner: “Dood, you should totes inject me with zat”. Ford: “No nazi steroids for you”. Wafner: “Oh nein”.

What I like about Wafner is that he’s just a villain. So many movies these days try to give their villains actual depth, maybe even give them some qualities that we can sympathize with. And while I enjoy that to some extent, I prefer that they didn’t try that with Wafner here. He’s just a ruthless, smirking, villainous villain. He wants to create a super zombie army so the nazis can take over the world. As Wafner puts it “A thousand year reich requires a thousand year army”.

Eventually he manages to escape capture through cunning and deception. So he’s not just a ruthless nazi commander, but he’s also intelligent, which makes him an even more dangerous villain. But he doesn’t get away completely scot-free.

Gotta admire it when a guy can crack a smile even though half his fucking face has been blown off.

If he wasn’t dangerous enough already, he injects himself with the experimental super soldier serum, turning him borderline invincible. So you have an angry, ruthless, cunning, and creepy nazi captain that can’t be killed by conventional means. Makes for quite an intense finale. All boosted by Pilou Asbæk’s over-the-top yet excellent performance.

When asked what he likes to do during his spare time, an unusually reserved Wafner told us about his recent infatuation with making stop-motion films using the corpses of his enemies.

So that was a bit about Wafner from Overlord. He’s not particularly deep, but he’s quite intimidating and works incredibly well as a primary antagonist for this crazy genre hybrid. He’s an old school villain for the sake of having an old school villain, and I god damn salute that.
Once again I have to give a huge thanks to Speakeasy, Silver Screenings, and Shadows & Satin for letting me take part in this. I had fun. Plus, it gave me an excuse to rewatch one of my favorite movies of last year.
Have a good one.

“Devil May Cry 5” E3 Trailer

Hello there, ladies and gentlemen. Once again it is that time of year, the Electronic Entertainment Expo, more commonly known as E3, is in full force and trailers are coming out left and right. I know that there are those of you out there who aren’t into video games, but that won’t stop me from writing about them. I love video games, and E3 gives me plenty of trailers to talk about. So let’s get into it.

First trailer we’ll be talking about is for a franchise that I almost thought was dead. But after months of rumors and speculation, we finally have a trailer for “Devil May Cry 5”. The latest part in the Japanese hack n slash action series follows Nero (Johnny Yong Bosch), the protagonist from “Devil May Cry 4”, as he goes on a journey to kick some demon ass. We get CGI cutscenes and even small increments of actual gameplay. And it looks like it will be the fun, fast-paced, over-the-top style of the previous games with the same crunchy combat that fans love. And as a fan of “Devil May Cry”, I am excited for this new game. I love the world, I love the insanity of it all, and this just looks like it will be a lot of fun. “Devil May Cry 5” is set to be released in spring of 2019.

What are your thoughts (if you have any)? Are you excited for “Devil May Cry 5”? And do you like the other games in the series? Leave any and all thoughts in the comments.
Have a good one and enjoy the trailer!

Movie Review: Batman Ninja (2018)

I like Batman. I like anime. I like DC animated features (if you didn’t already know that from all the DC animation reviews I’ve done). So hopefully this’ll be something pretty good. Let’s get into it.

Ladies and gentlemen… “Batman Ninja”.

After he tries to stop an experiment by the villainous Gorilla Grodd (Fred Tatasciore), Batman (Roger Craig Smith) finds himself transported to feudal Japan. He soon finds also finds out that multiple of his allies and enemies have been transported there too. So we follow him as he tries to find a way back home, while also having to deal with the villains who infest Japan. So this plot is batshit (pun intended) insane. I’m okay with doing different things with established characters, it can lead to some really cool stuff. And at first I thought the ninja Batman thing sounded kind neat. And at times it is. But the plot has a really weird pace, often feeling very start-stop in it’s approach. When a part of it gains momentum, we cut into the next part, with no natural transition. It’s not a bad plot, as it has some fun ideas to it, but overall it’s kinda messy.

The characters in this I will not rally go into, as they are all just as you know them. There’s established Batman heroes/villains here, and only like one new character. And the already established ones act as you would expect ’em too. Roger Craig Smith plays the caped crusader. It’s his second time in the role after the underrated “Arkham Origins” video game, and I think he’s a great Batman. He does sound a bit like a younger version of Kevin Conroy, and that is just awesome. And the fact that he still makes the role his own is even cooler. So yeah, he’s great. Next up we have Tony Hale as the Joker… yes, really. At first I was unsure about him, as he just sounded like some high-pitched goofball. But as the movie went on something happened. I started enjoying his performance, which starting sounding a bit more sinister and more like the god damn Joker. So yeah… he’s pretty good. Then we have Grey Griffin as Catwoman, doing the same sexy and confident performance she has given the character in other things. And she’s great. Then in other roles we get people like Eric Bauza, Adam Croasdell, Will Friedle, Fred Tatasciore, Tara Strong, Yuri Lowenthal, and Matthew Yang King, all doing well in their respective roles.

The score for the movie was composed by Yugo Kanno and it was good. I like how it blends the typical superhero brass with some more Japanese sounds to create something that gives the movie a more unique feel. Not gonna say that it’s one of the best scores I’ve ever heard, and it’s not one of the most memorable, but it certainly works well for the movie.

The movie was directed by Junpei Mizusaki and I have mixed feelings. The movie takes on a cel-shaded 3D animation style, and I don’t like that style. It looked bad in “Godzilla: Planet of the Monsters”, it looked bad in the trailer for this, and in this finished product it’s a mixed bag. When it’s mostly talking or slow walking or just generally “calm”, it doesn’t look great. It’s a weird style that doesn’t quite work, especially since it is quite jittery. But when we get to the action scenes, it looks kinda cool. Fast-paced fights between characters in this look interesting and they are are fairly enjoyable. Then there’s a scene with a sudden and weird shift in art style that I didn’t like too much. So I’m not sure what to say… Good action, meh everything else? Sure, let’s go with that.

This movie has gotten some mixed reception (based on the limited data I go by). On Rotten Tomatoes it has no critic rating, but the audience score is at 55%. On Metacritic it doesn’t exist at all. And on imdb.com it has a score of 5,9/10.

“Batman Ninja” is a fucking weird movie that has a few good things going for it. It has a meh plot, okay characters, really good performances, good music, mixed direction/animation, and good action. Flaws (as previously mentioned) come in the form of a messy plot and the animation being weird. Time for my final score. *Ahem*. My final score for “Batman Ninja” is a 6,45/10. So while very flawed, I’d say that it’s worth renting.

My review of “Batman Ninja” is now completed.

Why do they keep insisting that they should use cel-shaded CGI? Stop it.

Movie Review: Mr. Right (2016)

Love is hard. Some find the one, some find assholes, and some find a person who just isn’t a perfect match. Really, love as a concept is a fucking mess.

Ladies and gentlemen… “Mr. Right”.

Martha (Anna Kendrick) recently went through a really bad breakup and it has sort of messed with her head quite a bit. That’s when she meets Francis (Sam Rockwell), a kind of eccentric guy who just seems like he’s the perfect guy for her. What she doesn’t know is that Francis is a world-known hitman. So we follow their relationship evolve as Francis tries to avoid local gangsters and a ruthless agent (Tim Roth) who seems to have a connection of sorts to Francis. And look, I’m not gonna sit here and pretend like this thing is the most well written or most original plot ever… but I also don’t care, because it’s just a fun and entertaining plot. It’s just a fun and fast-paced romantic comedy/action-thriller plot. And in that way I think it works quite well.

The characters here are all interesting and entertaining. Anna Kendrick plays Martha, a young woman who’s become a bit weird after a really bad breakup. And through the movie we see her evolve a bit as a character, while still being overall fun throughout. And Kendrick is really good in the role. Sam Rockwell plays Francis, the strange man/hitman that Martha forms a relationship with. He’s charming, he’s funny, he’s badass, and just overall a really interesting character that we learn a couple things about throughout, deepening him a bit. And Rockwell is just awesome in the role. And I have to say that Kendrick and Rockwell share some really solid chemistry here, making the scenes they have together much more entertaining. Then we have Tim Roth as Hopper, a sort of agent on the hunt for Francis. We learn pretty early on that he has a connection of some kind to Francis, making his chase a bit more intriguing. And Roth is great in the role. Then we get some really solid supporting work from people like James Ransone, Anson Mount, Michael Eklund, RZA, Katie Nehra, and more. ’tis a well acted movie with fun characters.

The score for the movie was composed by Aaron Zigman and I thought it was good. It’s not mindblowing in any way, but it’s fun and exciting enough to help the movie in elevating certain moments throughout. There were also multiple licensed tracks used throughout, and they too worked quite well in their respective scenes.

This movie was directed by Paco Cabezas, and I think he did a really good job with that. While the direction in quieter moments never reaches above average, it’s in the action scenes that Cabezas direction truly comes alive. His direction for the action is fast, stylish, and just overall has a great sense of fun about it. Whether it’s a melee fight or a shootout, the action here never failed to keep me entertained. Sure, I would’ve liked the amount of cuts within certain action bits to be reduced, but it wasn’t too bad. And let’s talk about the humor in this movie, since it’s a comedy. It’s funny, I laughed. Sure, it’s not the funniest comedy ever, but it got a fairly consistent amount of chuckles and laughs from me.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 43% positive rating. On Metacritic it has a score of 52/100. And on imdb.com it has a score of 6,3/10.

Is “Mr. Right” one of the best movies ever? No. But it’s a highly enjoyable romantic comedy/action-thriller. It has a good plot, really good characters, great performances, good music, and really good directing/action/comedy. Time for my final score. *Ahem*. My final score for “Mr. Right” is a 9,53/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Mr. Right” is now completed.

Now you got something to watch for valentine’s next week… other than “Black Panther”.

Movie Review: American Made (2017)

Don’t do drugs, kids. Also, don’t sell drugs. Or be near drugs. Basically just… to hell with drugs.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a movie… which it is. Disclaimer over.

Ladies and gents… “American Made”.

The story follows Barry Seal (Tom Cruise), an American pilot who gets hired by the CIA to run guns for them, which eventually also leads him running cocaine for the Medellín cartel. And we follow his insane life as he tries to balance these jobs while also trying to not get arrested. And it’s actually a really interesting plot with some flaw to it. It’s interesting seeing the ins and outs of Barry’s job, the routes he takes as well as how he just runs his operations. It’s overall a really fun and well-paced plot that is really enjoyable. My flaw with the plot is that it does slow down at a point in the movie. Not in the “let’s take some time to develop the characters a lot” (though there’s a little bit of that in there), but more just starts dragging a bit. It’s not too draggy, and it doesn’t go for too long, but it’s definitely worth pointing out as it is quite noticeable.

The characters in this are enjoyable. Some get a bit more development than others, but none of them feel out of place or anything like that. Tom Cruise plays Barry Seal, the pilot who gets dragged into all this crazy shit. He’s a charismatic, funny, and cool guy who not only happens to be a damn good pilot, but also a pretty good family man. And Tom Cruise is really firing on all cylinders here, this is probably the best performance I’ve seen from him since “Tropic Thunder”. Domhnall Gleeson plays Schafer, the CIA agent that recruits Seal for this dangerous mission. He has some charm, and he does share some good chemistry with Cruise throughout. And Gleeson is really good in the role. Then we have Sarah Wright as Barry’s wife Lucy. She’s a somewhat more reasonable person than Barry and does have outbursts when the strange stuff starts seeping into their home life. And Wright is great in the role. Then we have Alejandro Edda, Fredy Yate Escobar, and Mauricio Mejía as the founders of the Medellín cartel (Jorge Ochoa, Carlos Ledher, Pablo Escobar). And I’m lumping them into the same slot because this is my review and I can do whatever I want. But they are all great in their roles… charming yet intimidating. And throughout the movie you get some really solid supporting performances from people like Jesse Plemons, Jayma Mays, Caleb Landry Jones, E. Roger Mitchell, and more. Yeah, this is a well acted movie.

The score for the movie was composed by Christophe Beck and it was really good. It was tense, fun, energized, and had a healthy dose of guitar in it to give it a cool sound that worked really well for the movie. Then there were a whole bunch of licensed tracks used throughout, some from the era, and even one or two from around 2012. But they all fit incredibly well with the era the film was set in while also helping to give the movie it’s fun mood. So yeah, this has great music.

This movie was directed by Doug Liman and he did a great job. He gives this movie and interesting style by keeping it mostly handheld and also throwing in a lot of crash-zooms, which is very reminiscent of a documentary. And that makes this movie even more interesting since it now has a somewhat unique style. Liman (together with the production crew) also gives it a very retro vibe, which really helps sell the late 70s/early 80s era. There are also some really tense scenes here, which I didn’t really expect. The movie is also funny. Not “BWAHAHAHAHAHA!” funny, but it still got consistent chuckles/laughter out of me.

This movie has been pretty well received. On Rotten Tomatoes it has an 87% positive rating and a “Fresh” certification. On Metacritic it has a score of 65/100. And on imdb.com it has a score of 7,2/10.

“American Made” isn’t perfect, but it’s a highly enjoyable crime movie. It has a good plot, good characters, great performances, great music, and great directing/editing/cinematography. As previously mentioned, I thought it had some slight flaws, including some pacing issues at one point, and some characters not always being the most interesting. Time for my final score. *Ahem*. My final score for “American Made” is an 8,98/10. While flawed, it’s definitely worth buying!

My review of “American Made” is now completed.

Tumm Croos.

Movie Review: T2 Trainspotting (2017)

Choose life. Choose blogging. Choose being late talking about the sequel to a Scottish cult hit from the 90s. Choose moving on to the review.

Ladies and gents… “T2 Trainspotting”.

20 years after the events of “Trainspotting”, Renton (Ewan McGregor) returns to Scotland to try to find and reconcile with his old friends. So now we have the premise for the plot. Really, the basic idea is that simple, but it’s the overall execution that is a lot more layered than that. Kind of like the first movie, it’s not so much a plot with a typical beginning-middle-end structure, but it’s more just the characters doing things. The only real overarching part of the plot is how they all have issues to work out in various ways. And I think that works for these movies, it gives them a unique style. It’s more about miserable people and their miserable lives, rather than a hero having to save the day. My only flaw with the movie is that it doesn’t feel quite as uncomfortably unpredictable the first, but this is a gripe so small that it doesn’t ruin it all for me. Just don’t think it’s as great as the first movie. Though it’s still pretty great.

The characters here are all (for the most part) horrible people, but they’re so well written that it works. Ewan McGregor is back as Renton, and he’s got some things to work out in his life. Seeing Renton’s journey to try to reconcile with his friends is really interesting, and as we go through the movie we can tell that his life isn’t as great as he tries to make it seem. And McGregor is of course great in the role. Ewen Bremner returns as Spud, the most sympathetic and possibly most tragic of all the characters. He’s always been a bit of an unlucky loser, and in this movie it still mostly rings true. But he’s fun, and I cared about him. And Bremner is great in the role. Jonny Lee Miller returns as Sick Boy (now going by Simon), a very bitter man that feels a lot of resentment towards his old friend. He’s a scheming jerk, but I still at times found myself caring about him. And Miller is great in the role. Then we have Robert Carlyle back as Francis Begbie, a very angry psychopath who wants to kill Renton for what he did to him 20 years ago. He’s just as angry, foul-mouthed, murderous, and intense as in the first movie… potentially even more now that I think about it. What is a bit surprising is that he does have a little bit of an arc here that is kind of compelling… sort of. And Carlyle is just amazing in the role. Then we have a newcomer in the form of Anjela Nedyalkova as Veronika, girlfriend of Sick boy. She’s good at heart, but has a bit of a dark side (who doesn’t in this fucked up universe). And Nedyalkova is great in the role. Really, there are no bad performances here.

Like in the first one, “T2” has no actual score composed for it. Instead it’s a soundtrack featuring all kinds of songs. From remixes of tracks from the first, to newer songs. And while I personally wouldn’t listen to several of the tracks during my free time, I think all tracks work wonderfully within their respective scenes and help give the movie it’s identity.

Danny Boyle returned to direct this sequel to his classic movie. And what I like about the directing/editing here is that it retains the unique style of “Trainspotting” while also showing off the improved talents of Danny Boyle. It’s a great mix of new and old. Combining the clever camerawork with slick editing gives it such a unique and engaging style that I can’t help but love. The first movie’s signature dark humor is also back and it’s just as awkwardly hilarious as it was the first time around.

This movie has been pretty well received. On Rotten Tomatoes it has a 79% positive rating and a “Fresh” certification. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 7,3/10.

“T2 Trainspotting” is one of those sequels that exceeded my expectation. It has a really good plot, great characters, great performances, great music, and great directing/editing. Like I said earlier, my only (minor) flaw with the movie is that the plot isn’t quite as unpredictable as the first one, but it doesn’t take away too much for me. Time for my final score. *Ahem*. My final score for “T2 Trainspotting” is a 9,23/10. So while mildly flawed, it is definitely worth buying!

My review of “T2 Trainspotting” is now completed.

“T2 Terminator-spotting”… god damn it, now I want to see Begbie go up against a Terminator. Can we make that happen, please?

“Deadpool 2” teaser!

Hello three, ladies and gents of the internet. Time for some trailer talk. So let’s just jump into it.

So we have our first teaser for “Deadpool 2”, the sequel to last year’s surprise hit. Now, we did technically get a teaser for this earlier this year, around the time that “Logan” was released, but that was more a proof of concept rather than an official look at the movie. And now we have our first actual teaser for the movie. But for those that didn’t exist last year, here’s a quick recap of what “Deadpool” was all about. The movie was about a super powered mercenary named Wade Wilson (Ryan Reynolds) who was trying to find the guy who made him super powered and also ugly as hell. The movie was self-aware, action-packed, funny, exciting, violent as fuck, and it’s one of my faves of last year. All caught up? Great. So what’s this about then? Fuck if I know, all that happens in this trailer is that Deadpool (again played by Ryan Reynolds) does some silly stuff, and then we get quick glimpses of the carnage that will ensue in the movie. It’s a quick teaser, and nothing else. But I laughed at the silly stuff, and the action looked badass. The movie is also directed by David Leitch who co-directed “John Wick”, so we know that it’s in good hands. So yeah, I’m really excited for the movie! “Deadpool 2” is set to be released in June of next year.

What are your thoughts? Are you excited for “Deadpool 2”? And what did you think of the first? Leave any and all thoughts in the comments!
Have a good one and enjoy the teaser!

Movie Review: Falling Down (1993)

Sometimes life can be fucking weird… and horrible. Just look at the guy in this movie.

Ladies and gentlemen, Michael Douglas is… “Falling Down”.

William “D-Fens” Foster (Michael Douglas) is an unemployed defense worker. And during a really hot day he is trying to get to his daughter’s birthday party. And on the way he runs into several infuriating situations which causes him to irrationally lash out at the world. So now we have our plot. And is it any good? Sort of. There are some neat ideas at play, and the final act manages to create some pretty damn solid moments, but for the most part I didn’t feel fully invested. It was interesting enough to not be called bad, and there were scenes spread throughout that had some really interesting things happening in them, but for the most part I just felt like I was simply along for the ride, not getting fully invested in it.

Most of the characters are just there, not having too much to do, simply filling a role. But there are a couple that I thought were good. Let’s start with our main “hero”, played by Michael Douglas. You can tell that he is a very troubled man. He seems like a nice guy, but he can be prone to bursts of rage. There’s a lot of layers to this character, and Douglas is fantastic in the role. Robert Duvall plays a soon-to-be-retired cop who is investigating these seemingly related cases, as a sort of last hurrah before retirement. He has a lot of old man charm, and Duvall is great in the role. Then the supporting cast is rounded out by people like Barbara Hershey, Rachel Ticotin, Tuesday Weld, Frederic Forrest, and Raymond J. Barry (among others), all doing a good job.

The score for the movie was composed by James Newton Howard and it was really good. Not among his best, but definitely a good one. It helps to create a lot of tension and drama throughout, thanks to a lot of intense beats and other sounds. It does really help elevate certain scenes in the movie.

This movie was directed by Joel Schumacher (oh boy…) and I think he did a really good job here (wait, what?). Yeah, go figure that the man who directed two of the worst superhero movies ever could direct a good thriller. His shots look great and manage to create a feel of unease whenever we follow Michael Douglas throughout. And there are also some really suspenseful moments throughout the movie that actually made me tense up a little bit. There’s also an essence of dark, mildly satirical humor to it, which I thought added to the movie.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 73% positive rating and a “Fresh” certification. On Metacritic it has a score of 56/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 7,6/10.

“Falling Down” is not perfect, but it is a pretty damn good movie. It has a pretty good plot, pretty good characters, great performances, really good music, and really good directing. My flaws with it of course come from a plot that isn’t very investing, and a lack of interesting characters. Time for my final score. *Ahem*. My final score for “Falling Down” is an 8,72/10. While flawed, I’d still say that it’s worth buying.

My review of “Falling Down” is now completed.

The summer sun, it blows my mind
Is falling down on all that I’ve ever known