Series Review: Line of Duty – Season 1 (2012)

Sorry that it’s been so long since my last blog post, which was… almost two weeks ago, yikes. I have no good reason for this lack of writing, my laziness has just been awful to me. But now I’m (hopefully) back for semi-regular posting.

Ladies and gents… “Line of Duty” season 1.

After an anti-terrorist operation he’s leading goes awry, Steve Arnott (Martin Compston) gets transferred to a different department, one that focuses on stopping corruption within the police. So we follow him as he deals with some of the aftermath of the fuck-up, while also trying to stop a certain, beloved, potentially corrupt officer within the police. So now we have our plot. And it’s pretty great. It manages to give us plenty of details to create a vivid picture while still hiding an ace up the sleeve in each episode, keeping it suspenseful, unpredictable, and constantly interesting.

The characters in this are flawed, layered, and interesting. First up we have Martin Compston as DS Steve Arnott, former anti-terror squad leader, currently member of the anti-corruption department. He’s a man who’s always on the prowl to get the job done… as long as it is by the book, because he’s a good guy who doesn’t fuck around and lie. And I found him to be a solid protagonist. And Compston is great in the role. Next we have Lennie James as Anthony Gates, a highly ranked and beloved officer within the police, and the person that Arnott and crew are investigating. He’s a highly determined, charismatic, and skilled policeman who seems like a good guy, but might also have some skeletons in the closet. And James is great in the role. We also get Vicky McClure as Kate, someone within the police whose allegiance is toyed with a bit. Not in a “is she a villain?” kind of way, but more in a “What’s she playing at?” kind of way, and it makes her quite an interesting part of the cast. And McClure is really good in the role. We also get supporting work from people like Adrian Dunbar, Owen Teale, Neil Morrissey, Craig Parkinson, Gina McKee, Kate Ashfield, and more, all doing very well in their respective roles.

The score for the show was composed by Carly Paradis, and it was good. It leans into a lot of piano, and some strings too, creating a dramatic tone that suits the story and character development on display in the series. Not all tracks hit it out of the park for me, as some of them can feel a little overbearing, but I wouldn’t say that I actively dislike any of them. Overall I’d just say that the music here is really good.

The show was created by Jed Mercurio, who also wrote all the episodes, with directing being split between David Caffrey and Douglas MacKinnon. And this teamwork gives us a show with a very gritty and intense look at the world that the characters inhabit. Which is especially impressive considering how much of this show is spent on some of the more mundane aspects of police work, making it tense and exciting through camerawork and clever writing.

This show has been very well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 8,6/10 and is ranked #173 on the “Top 250 TV” list.

The first season of “Line of Duty” is an intense ride that I really enjoyed watching. It has a great plot, really good characters, great performances, good music, and great directing/writing. Time for my final score. *Ahem*. My final score for “Line of Duty” season 1 is a 9,82/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Line of Duty” season 1 is now completed.

I’m back.

Series Review: Peaky Blinders – Season 4 (2017)

As some of you might know, I have reviewed the previous three seasons of this shows before (nudge nudge, wink wink), and I honestly loved them all. So I was of course excited for the fourth season. So now that I’ve finally watched it I can give you my thoughts on it. So here we go.

Ladies and gentlemen… “Peaky Blinders” season 4.

It’s christmastime, and everybody is trying to enjoy the holidays. But when Tommy (Cillian Murphy) receives a letter he realizes that his family will be in danger. So he has to bring the family together so they can defend themselves against their newest foe: A group of American gangsters led by the dangerous Luca Changretta (Adrien Brody). So now we have our Peaky plot. And it’s still great. The plot here is tense, dramatic, filled with twists and turns, and never failed in keeping me engaged. There’s an air of mistrust and unease after the end of season 3 across the entirety of this season, and it adds so much to the quality of it all. So yeah, this is a great plot.

I’m not gonna go too in-depth with the main/returning players here, since I’ve talked about them so much in my previous reviews. But I can say that they’re all damaged here, and they’re all a bit different since the end of the previous season, adding another compelling side to them. Cillian Murphy, Helen McCrory, Paul Anderson, Finn Cole, Sophie Rundle, Harry Kirton, Joe Cole, Aimee-Ffion Edwards, Kate Phillips, Ned Dennehy… they’re all fantastic. Now for some of the newer people. As mentioned earlier, this season introduces Adrien Brody as Luca Changretta, an Italian-American gangster who’s coming for Tommy and the others. He’s a ruthless, cunning, and calculating villain. And Adrien Brody is inconsistent in the role. The writing itself is great, and there are moments where he can be quite menacing. But at a lot of points his delivery is almost like a caricature of Marlon Brando in “The Godfather”. It doesn’t take away too much from the show, but it is quite noticeable. Then we get Aidan Gillen as Aberama Gold, a Romani Gypsy that Tommy starts working with after the Italians make their entrance. He’s a clever and cool man who got a few tricks up his sleeve. And Gillen is really good in the role. And then of course we see the return of Tom Hardy as Alfie Solomons for a bit. And he’s as awesome as ever. There are more actors throughout the season, but if I get too in-depth I might accidentally spoil stuff and also be here all night. But let it be known that this is overall very well acted.

The music here is interesting as there are some tracks composed specifically for it by Martin Slattery and Antony Genn. And those tracks are great. But let’s face it, everybody is here for the licensed rock tracks used throughout. And if this is your first time hearing about this, let me quickly explain. “Peaky Blinders”, despite being a period drama, has rock music in it… and it fucking works. Anthing from Nick Cave to Johnny Cash to Arctic Monkeys to a fuckload of other ones… and it works surprisingly well. All the music here’s great and it all works well within the show.

The show was created by Steven Knight, and he wrote all the episodes this season. And all the episodes here were directed by David Caffrey, who I think did a damn good job. He captures that gritty yet stylish “Peaky” flair that has been in all the seasons so far. And the cinematography by Cathal Watters is fantastic. There’s also some action in this show, and it’s tense and exciting. And really violent. ’tis awesome.

This show/season has been well received (from the little data I can gather on my usual sites). On Rotten Tomatoes it has a 94% positive rating. On Metacritic it exists but has no real score. And on imdb.com it has a score of 8,8/10 and is ranked #57 on the “Top 250 TV” list.

Yeah, season 4 of “Peaky Blinders” was great. Had a slight nitpick, but nothing to break it for me. It has a great plot, great characters, great acting, great music, and great directing/cinematography. Like I said, I found Brody to be a bit inconsistent here, but it doesn’t ruin it for me. Just takes me a tiny bit out of it at some moments. Time for my final score. *Ahem*. My final score for “Peaky Blinders” season 4 is a 9,60/10. This means that it gets the “SEAL OF APPROVAL!”.

My review of “Peaky Blinders” season 4 is now completed.

PEAKY FOCKIN’ BLOINDEHS!