A brand new movie from one of my favorite directors, available from the comfort of my own home? Sweeeeet.
Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a movie… which it is. Disclaimer over.
Ladies and gentlemen… “Mank”.
Hollywood, 1940. We follow Herman Mankiewicz (Gary Oldman), a drunken, opinionated writer as he goes through the tumultuous process of crafting the screenplay for a little movie called “Citizen Kane”. But it’s not just him sitting at some typewriter, rubbing his temples all movie. Because this movie jumps back and forth in time a little bit, showing us Mankiewicz’ struggles in the “present” (circa 1940), but also his antics and encounters with various Hollywood figures in the early 30s. I have mixed feelings about the narrative here. On one hand, it is a pretty interesting look into 1930s Hollywood and the politics within it. But on the other, I never felt emotionally invested in what was going on. I was interested by what was going on, and was certainly never bored… but never did I feel truly hooked. It just feels a bit hollow at times. Again, I wouldn’t call it bad, I did enjoy the narrative on some level, but never did I actually feel any emotional connection to what was happening in front of my eyes.
The characters in this vary in terms of interest. Luckily our main character is at least one interesting figure. He’s Herman J. Mankiewicz, an alcoholic, highly intelligent writer who both gets along and butts heads with many figures within the Hollywood system. He is most certainly an interesting figure that livens up proceedings a bit. And Gary Oldman does a great job in the role. In supporting roles we also see people like Amanda Seyfried, Tom Pelphrey, Lily Collins, Charles Dance, Tuppence Middleton, Joseph Cross, Tom Burke, Jamie McShane, and more, all doing well in their respective roles.
The score for the movie was composed by Trent Reznor & Atticus Ross, and I think they did a good job of it. Their score has a way of really capturing the era the film’s set in, cleverly utilizing some jazzy percussion and a decent bit of unique woodwind usage. It’s hard to properly explain, but I do think their music fits the period perfectly, and it works quite well within the movie.
“Mank” was directed by David Fincher, and written by his late father Jack. And I think Fincher did a good job here. You can tell that he and his production crew really did their damndest to make this movie feel old school and, and I would say that they did that quite well… at the expense of one thing. At no point does this feel like a Fincher film. As a fan of the guy, I’ve learned to pick up on a lot of his tricks and stylistic choices… but they are nowhere to be seen here. It’s hard to explain, but what Finchy brings to his films in terms of style isn’t really here. And that’d be fine, if Fincher’s style wasn’t one of his most defining features. There’s no denying that it’s very well directed, even if it lacks what I love about this director. But to end this section on a high note: Erik Messerschmidt’s cinematography is superb, making perfect use of light, shadows, and the monochrome. It’s a visual treat.
This movie just came out, but already it’s been quite well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 79/100. And on imdb.com it (AT THE TIME OF WRITING) has a score of 7.6/10.
While there’s a lot to admire about it, I didn’t find “Mank” that emotionally investing. It has an okay story, pretty good characters, great performances, really good music, great (if slightly off) directing, and excellent cinematography. Time for my final score. *Ahem*. My final score for “Mank” is a 7.77/10. So while flawed, I’d still recommend watching it.
My review of “Mank” is now completed.
I actually haven’t seen “Citizen Kane” yet… maybe I should fix that some day.