Series Review: Swamp Thing (2019)

I’ve been waiting for this show to be made available over here for quite a while. And finally, Friday the 8th, we got it. And now that I have finished it, I can finally give my thoughts. So here we go.

Ladies and gentlemen… “Swamp Thing”.

CDC doctor Abby Arcane (Crystal Reed) finds herself traveling back to her old hometown of Marais, Louisiana when some strange viral shit is found coming out of the swamps of that area. And as she continues her investigation of it, she soon finds out that there’s more to these swamps than meets the eye. Secrets, tragic backstories, the horror of the unknown, these are some of the things that are explored throughout the 10 episodes of “Swamp Thing”. I point out the episode count because this show was meant to be 13, but after the very sudden cancellation of the show, they had to reduce it to 10. And while the finished package holds up very well, I could still sense some of those cuts here and there. But the story we get here is still pretty great, creating a surprisingly nuanced journey that scares and emotionally invests in equal measure.

The characters in this are flawed, damaged, layered, and very interesting. Crystal Reed plays Abby Arcane, a CDC doctor with a tragic past, returning to her old home town. She’s determined, good at heart, but is also sometimes haunted by things that happened to her once, and she’s a great protagonist that I loved following. And Reed is great in the role. Next we have Derek Mears as the titular creature. I won’t say much more than saying that he’s an interesting character, and Mears’ performance is really good. Then we have Andy Bean as Alec Holland, a scientist Abby meets when she returns to Marais. He’s a bit eccentric, but a good dude who is pretty interesting. And Bean is really good in the role. Next we have Will Patton as Avery Sunderson, a beloved businessman in Marais… however there’s a bit more to him than meets the eye. And Patton is great in the role. We also get supporting work from people like Virginia Madsen, Henderson Wade, Maria Sten, Kevin Durand, Ian Ziering, Jennifer Beals, Jeryl Prescott, and many more, all doing very well in their respective roles.

The score for the show was composed by Brian Tyler, and it was great. It’s sometimes loud and intimidating, and sometimes more quiet and emotional. There’s also plenty of low, droning BWOOOMs. And while those could be obnoxious in lesser hands, the way they’re used here works quite well, and adds to the uneasy vibe the show clearly wants to go for.

Based on the iconic DC Comics character created by Len Wein, Alan Moore, and Bernie Wrightson, “Swamp Thing” was developed by Gary Dauberman and Mark Verheiden, with writing and directing by them and a whole bunch of other cool people. And I think the craft here is superb. The amount of suspense built is insane, which makes for a horror show that ends up being genuinely scary. I also have to praise the effects in this show, because they’re spectacular. What we get here is a healthy blend of practical effects and CGI. For example, the Swamp Thing suit is completely practical, and looks amazing. The swamps, completely practical (with some possible CG enhancements). Now, with this being both an effects-heavy show and a horror series, that means that there’s plenty of gore throughout. And I mean plenty. And not just gore for the sake of gore, but gore to disturb and shock the viewer. And I mean, it certainly got some “OH MY GOD!” and “HOLY SHIT” out of me as I watched it all unfold. So if you have trouble with insanely violent media… consider yourself warned.

This show has been very well received. On Rotten Tomatoes it has a 94% positive rating. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 7,8/10.

Despite some of the cut corners made from the episode reduction, “Swamp Thing” is still a damn fine horror-drama. It has a really good plot, great characters, great performances, great music, fantastic effects, and great directing/writing. Time for my final score. *Ahem*. My final score for “Swamp Thing” is a 9,61/10. So yes, you got that right, it does actually get the “SEAL OF APPROVAL!”.

My review of “Swamp Thing” is now completed.

Can someone please uncancel this?

Movie Review: Constantine: City of Demons (2018)

Two animations in a row? I know, fucking insanity up in this joint. But hey, it’s my blog and my Month of Spooks, so I can do whatever I want. Besides, why wouldn’t I wanna talk about DC’s arguably most well known horror character?

Ladies and gents… “Constantine: City of Demons”.

When his daughter is thrown into a supernaturally induced coma, Chas Chandler (Damien O’Hare) enlists the help of his old mate, John Constantine (Matt Ryan), to hopefully fix this whole situation. And as they look further into the situation, they not only get into new troubles, but old wounds get opened back up too. I thought the story here was good. Leans a bit too heavily on exposition during the first act, but as soon as we get into act two, things aren’t quite so info-dumpy. And I have to admit that I didn’t fully see where this story was going, it managed to throw me for a loop multiple times, telling a narrative that understands the “Hellblazer” mythos and themes, while still making it accessible to anyone unfamiliar with the material. That latter point might be somewhat related to the info-dumping in the first act, which makes it kind of a double-edged sword, but that’s just how shit ends up some times. But yeah… the story’s good, if a bit flawed.

The characters in this are flawed, colorful, and overall quite interesting. Constantine in this is more like in the comics rather than how he’s portrayed in the Keanu Reeves movie. He’s British, snarky, and a bit aloof. And while he’s not quite as morally flexible as he is in the comics, they do nod towards that idea a fair bit throughout this movie, which makes him a bit more interesting. And Matt Ryan (in his fourth appearance) is great in the role. Damien O’Hare as John’s trusted friend Chas Chandler does a great job as the committed and brave, yet slightly impulsive type. And in the supporting cat we got people like Laura Baily, Robin Atkin Downes, Jim Meskimen, Rachel Kimsey, Rick Wasserman, and more, all doing well in their respective roles.

The score for the movie was composed by Kevin Riepl, and it was alright. It is overall a well composed score that worked fine for the movie, but I felt that it might’ve been a little bit on the bland-ish side. It does have some cool chorals that make it stand out a little bit, but for the most part it’s your typical orchestral stuff with occasional synthesizers for effect. Again, not bad, pretty good, but a little bland.

Of course based on the legendary DC/Vertigo Character, “Constantine: City of Demons” was directed by Doug Murphy, who I think did a good job with it. He doesn’t force a lot of needless action or an unnecessarily rapid pace, instead opting for a decent bit of downtime, letting characters breathe and letting the audience take in what’s going on a bit. And even when there is action, it isn’t typical action-action with fists flying all about the place or flashy spells pew-pewing all day long, which I think is a fun change of pace. And the animation carrying it all, I think is good (based on the standards of these lower budget DC animated flicks). There are some minor things that distracted in it, like some of the blood splatter effects, but for the most part the animation looks nice and wonderfully brings out some of the nastier stuff in the DC universe.

This movie has been decently well received. On imdb.com (which is the only site with a clear number), it has a score of 7,4/10.

While it isn’t perfect, “Constantine: City of Demons” is still a very enjoyable take on the titular Hellblazer. It has a good plot, good characters, great performances, okay music, and really good directing/animation. Though it is unfortunately brought down a bit by a little too much exposition dumping, and some minor animations niggles. Time for my final score. *Bollocks*. My final score for “Constantine: City of Demons” is an 8,77/10. So while flawed, I’d say it’s still worth buying.

My review of “Constantine: City of Demons” is now completed.

“Abraka-fooking-dabra” – John Constantine.

Series Review: Doom Patrol – Season 1 (2019)

We’re getting a lot of superhero stuff these days. But what I do like about it is that we’re at a point where we’re getting more experimental things, not just typical “Colorful hero saves day” thing. Don’t get me wrong, I like those… but I appreciate the lean towards a lot more weird things. So let’s discuss such a thing.

Ladies and gentlemen… “Doom Patrol” season 1!

The story follows a group of outcasts who have been brought together by a scientist (Timothy Dalton) as they have to reluctantly band together to stop the villainous Mr. Nobody (Alan Tudyk)… at least that’s the initial setup. It sets itself up with a bit of a typical superhero idea, but then decides to shove that to the side a bit to explore the stranger side of the DC universe. While there are overarching themes and ideas, each episode is generally a self-contained adventure where the team encounter a new strange thing and have to deal with that while also having to try to handle their personal demons. So the show balances a lot of ideas and tones, which can often be a movie or show’s downfall. But “Doom Patrol” balances it all wonderfully to create a unique superhero show that for the most part just subverts most superhero tropes, all while giving us some of the most surprisingly compelling character drama that I have seen in quite a while. It’s a strange, fun, emotional, and overall well-realized story that I loved following from start to end.

The characters are flawed, layered, colorful, and just overall really interesting. They’re all damaged in some way, which makes them quite dysfunctional, leading to a lot of interesting character dynamics. And with the core cast of Diane Guerrero, Brendan Fraser, April Bowlby, Matt Bomer, Joivan Wade, and Timothy Dalton, you get some truly great performances to go along with these vividly written characters.

The score for the show was composed by Clint Mansell and Kevin Kiner. And man, it is pretty great. A lot of synth is used throughout, which gives the show an almost otherworldly feeling that helps sell the unique vibe of the show. It’s suspense-building, it’s emotionally charged, it’s exciting, it’s fun… it’s just a perfect match for the show. There are also a handful of licensed tracks used throughout the season, and they work quite well in their respective scenes. So yeah, this show has great music.

Based on the comic books from DC, the show was created by Jeremy Carver, and written/directed by a whole bunch of cool people. And as mentioned in some of the previous sections, the writing is some of the most uniquely compelling stuff I’ve experienced in quite some time. And the directing is pretty stellar too, featuring some really fun camerawork that adds a lot to the show in terms of visual storytelling. I should probably also mention that the show in large part is a comedy. So is it funny? Yes, very, it’s one of the funniest shows I’ve watched in a while. The humor can often be quite crude and weird, but I do think it works to the show’s advantage in giving it a distinct feel.

This show/season has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 70/100. And on imdb.com it has a score of 8,2/10.

“Doom Patrol” is one of the weirdest shows I’ve seen in quite a while… but it’s also absolutely fantastic. It has a great plot, great characters, great performances, great music, great writing/directing, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Doom Patrol” season 1 is a 9,92/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Doom Patrol” season 1 is now completed.

That was a bit insane.

Movie Review: Batman vs. Teenage Mutant Ninja Turtles (2019)

Yes. This is a real movie. And I watched it. And now I’m gonna talk about it.

Dudes and chicks… “Batman vs. Teenage Mutant Ninja Turtles”.

When Ra’s Al Ghul (Cas Anvar) teams up with the Shredder (Andrew Kishino), the Turtles (Eric Bauza, Darren Criss, Kyle Mooney, Baron Vaughn) find themselves following the villains to Gotham City, where they run into Batman (Troy Baker). Aaaand cue the crossover craziness. Is this a masterpiece of storytelling? No. Is this high art? No. But is it a well written and fun crossover that never takes itself too seriously? Yes. For the most part, the plot here is lighthearted comic book action. But there are also moments where it actually dares to go a little darker, but it never feels like it clashes with the more fun and ridiculous scenes. It balances its tone perfectly, giving us one of the most unique and enjoyable plots in recent DC animations.

The characters are colorful, fun, charming, memorable, and pretty interesting. Troy Baker plays Batman, and he’s the ever serious Batman… you know who Batman is, there’s nothing new done to him as a character. But Baker’s voice work is solid here. Then we have Eric Bauza, Darren Criss, Kyle Mooney, and Baron Vaughn as the four Ninja Turtles Leonardo, Raphael, Michelangelo, and Donatello. And they are exactly as one expects the frickin’ Turtles to be (if you’re familiar with them). And the four actors voicing them are great in their respective roles. While there isn’t much in terms of actual development here, what makes the characters stand out here is how well they play off of each other. It’s their chemistry that makes them so enjoyable to follow… good stuff. We also get supporting work from people like Cas Anvar, Carlos Alazraqui, Rachel Bloom, Andrew Kishino, Tara Strong, Ben Giroux, Brian George, and many more, all doing very well in their respective roles.

The score for the movie was composed by Kevin Riepl, and it was good. Some orchestrations, some synthesizers, some guitar, a lot of fun percussion, it’s the right kind of score to add an extra bit of fun to the insanity of the movie. I really enjoyed hearing it throughout the movie, and it worked well in the various scenes.

Based on a comic by James Tynion IV & Freddie Williams II (fancy lads and their numbered names), this movie was directed by Jake Castorena, and I think it is a well directed movie. The animation flows nicely and has a really good sense of energy to it. Some of the character designs could maybe be a little hit or miss (mainly Donatello for me), there was nothing I’d call bad here. Especially not the action scenes, which I found to be great. Brutal, fluent, and well directed, the various fight scenes throughout are an absolute joy to behold. There’s also a really fun chase here that was a blast to watch. So yeah, there’s a ton of well animated, absolutely ridiculous action scenes throughout the movie… which makes me very happy. There are also a lot of jokes in this movie, and they made me laugh very hard. Some really clever, some incredibly dumb, all funny.

This movie has been well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 7,2/10.

So “Batman vs. Teenage Mutant Ninja Turtles” is absolutely insane, and I loved every minute of it. It has a really fun plot, really good characters, great performances, good music, really good animation/direction/action, and hilarious humor. Time for my final score. *Ahem*. My final score for “Batman vs. Teenage Mutant Ninja Turtles” is a 9,84/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Batman vs. Teenage Mutant Ninja Turtles” is now completed.

That was… BATshit insane.

Movie Review: The Death of Superman (2018)

One of the most recurring things on this here blog (except for lame jokes and personal opinions) is my constant support of animated movies based on DC Comics. And while it’s been a while since my last post on one, my adoration for the franchise hasn’t faded in the slightest. So seeing as this will be my last review of the year, we might as well make it one about this recurring theme.

Ladies and gentlemen… “The Death of Superman”.

When a mysterious new threat arrives on earth, Superman (Jerry O’Connell), as well as the other Justice League members), as to step up to stop it before it can destroy us all. I thought the plot was good here. It’s straightforward, yet somewhat nuanced. I wouldn’t call it the deepest plot in this franchise, but there’s enough little details to keep it from just being another “Let’s beat up the bad guy plot”. It’s about Supes coming to terms with his relationship with Lois (Rebecca Romijn) and if he should come out of the closet, in regards to his dual identity. And the stuff around this new threat (who we all know is Doomsday, but I digress) has a natural sense of escalation that also works well enough for the plot.

The characters in this are fine, they are all enjoyable and work pretty well in the story. Jerry O’Connell reprises his role as Clark Kent/Superman. He’s charming, he’s likable, and he’s just generally a good guy (as Superman should be), while still struggling with some minor conflicts while also having to deal with the bigger conflict of a giant murder-alien from who knows where. And it made me care about him a bit more. And O’Connell does a really good job voicing him. Rebecca Romijn plays Lois Lane, the tough, but believable reporter who seems to have some relationship issues with Clark. And I think she’s a pretty interesting character here. And Romijn does a really good job voicing her. Next we have Rainn Wilson (yes, really) as Lex Luthor (I’m serious), the brilliant businessman with a great intellect, but a bit of an arrogance problem. Not saying much more there, you know who Lex is. But what I will say is that Wilson is really good in the role. Then we get supporting performances from people like Rosario Dawson, Nathan Fillion, Jason O’Mara, Christopher Gorham, Shemar Moore, Matt Lanter, Nyambi Nyambi, Rocky Carroll, Patrick Fabian, Paul Eiding, Jennifer Hale, Charles Halford, and many more, all doing very well in their respective roles.

As with the majority of these DC animated features, the score was composed by Frederik Wiedmann, and as per usual, it is pretty great. It is grandiose, it is epic, but it is also emotional and intimate, creating a sound that perfectly complements the life of Clark Kent. This guy never disappoints.

The movie was directed by Jake Castorena and DC animation veteran Sam Liu. And the direction here is fine, there is a decent flow to the scenes, nothing feels too rushed or too slow. And the animation here is pretty good. In quiet dialog-driven scenes, it looks fine, not much to write home about. But it’s in the action scenes where the animation comes to life and shows just how talented the people working on these movies are. These are fast, brutal, and at one point even kinda breathtaking. So yeah, the animation here is good.

This movie has been pretty well received. On Rotten Tomatoes it has a 92% positive rating. On Metacritic it doesn’t exist. And on imdb.com it has a score of 7,4/10.

While not my favorite movie in this current line of DC animated movies, “The Death of Superman” is still a highly enjoyable and somewhat touching superhero romp. It has a good plot, good characters, great performances, great music, and really good directing/animation. Time for my final score. *Ahem*. My final score for “The Death of Superman” is an 8,80/10. So it’s definitely worth buying.

My review of “The Death of Superman” is now completed.

And that’s that for 2018. See ya next year.

Movie Review: Constantine (2005)

So what’s on the Month of Spooks meny today? Spooky comic book adaptation? Neat.

Ladies and gentlemen… “Constantine”.

The story follows John Constantine (Keanu Reeves), a private detective handling cases of the supernatural kind, as he helps an LAPD detective (Rachel Weisz) try to prove that her sister’s death wasn’t a normal suicide, but something more sinister. All while John is dealing with the recent news that he has a really severe case of lung cancer. So now we have our spooky detective story. And it’s good. Not perfect, but good. Overall it’s a very well paced story that never feels like it drags, but there is kind of a weird disconnect between the plots of the movie. It’s clear that they used the “Dangerous Habits” story arc from the comics as basis, but then added the cop with the dead sister plot onto it because I guess they needed a more movie-esque aspect in the plot. And the two sometimes tie into each other okay, but a lot of the time they don’t fully gel. Both plots on their own are really good, but putting them together like that doesn’t fully work. But overall, pretty good stuff.

The characters in this get some decent development and are all pretty interesting. First up we have Keanu Reeves (whoa) as the titular hellblazer. He’s a sarcastic jerk who doesn’t let anyone get close, for reasons we shall not disclose, but it’s some good stuff. He’s quite a departure from the comics, but I still found him to be an entertaining and interesting character. And Reeves is really good in the role. Next we have Rachel Weisz as Angela Dodson, the detective that Constantine decides to help. She’s tough as hell without it coming off as forced or unrealistic. She feels a bit more real. And Weisz is great in the role. We also get supporting performances from people like Tilda Swinton, Shia LaBeouf, Djimon Hounsou, Max Baker, Pruitt Taylor Vince, Gavin Rossdale, Peter Stormare, and more, all doing very well in their respective roles.

The score for the movie was composed by Brian Tyler (with some additions by Klaus Badelt) and I think he did a great job with it. The score takes influences from a couple cultures as well as taking inspiration from a couple different genres such as horror and action. And it creates a really interesting sound that elevates the various scenes where music can be heard.

Based on the “Hellblazer” comics by DC/Vertigo, this movie was directed by Francis Lawrence, and I think he did a really good job with that. While elements of the story and character have trouble capturing the vibe of the comic, his direction gets closer to capturing that feel… if it was turned up to 11 that is, but that’s slightly besides the point. But I do like the slightly gothic vibe this thing has, which often manages to add some creep factor to it all. And the cinematography by Philippe Rousselot is pretty great too, giving us some damn fine looking shots throughout.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 46% positive rating. On Metacritic it has a score of 50/100. Roger Ebert gave it 1,5/4 stars. And on imdb.com it has a score of 7,0/10.

While not necessarily a great representation of its source material, “Constantine” is still a damn good supernatural action thriller. It has a good plot, good characters, great performances, great music, and great directing/cinematography. As previously mentioned, it is brought down a bit by elements in the story feeling somewhat disjointed. Time for my final score. *Ahem*. My final score for “Constantine” is an 8,94/10. So while flawed, it’s still definitely worth buying.

My review of “Constantine” is now completed.

Whoa.

Movie Review: Justice League (2017)

Cinematic universes. Something every studio is trying to pull off after Marvel’s success with it. Most notably we’ve had DC/Warner Bros trying to catch up with their own DC Extended Universe. And it’s been a bit hit and miss for critics and general audiences alike. So let’s see if their big team-up movie is any good.

Ladies and gentlemen… “Justice League”.

When our world is threatened by the evil alien Steppenwolf (Ciarán Hinds), Batman (Ben Affleck) and Wonder Woman (Gal Gadot) have to create a team of superpowered individuals to try to stop this dangerous new enemy. And that’s really all this is about. Okay, there’s a bit more to it, but I prefer to keep plot details relatively vague. Now is this a good plot? For the most part I’d say so. It’s a very straight-forward plot compared to some of the earlier outings in this franchise. I think my only problem with it is that it feels a bit choppy during the first act, like it’s been cut down to fit in a two hour runtime (which it most likely has). But that choppy start aside, this is a fun, fast-paced, and highly enjoyable comic book adventure plot.

The characters in this vary a bit in their depth, but I found most of them to at least be quite enjoyable. Ben Affleck reprises his role as Batman/Bruce Wayne, and we can tell that he has changed a bit since “BvS”. After what happened at the end of that movie, he has become a somewhat more light-hearted, less homicidal hero. And I liked seeing him as he worked to getting the team together to stop the end of the world. And Affleck is once again great in the role. Next we once again have Gal Gadot as Wonder Woman. She’s once again a fiercely inspiring, fun, and warm character that I’d follow to hell and back. Seeing her working to get the team together and all that is really interesting, and she’s once again a really cool character. And Gadot is once again great in the role. Next up we have Ezra Miller as Barry Allen/The Flash. He gets some decent character development, but for the most part he’s there to be the comic relief, and he works really well for that while still getting some badass moments. And I thought Miller was great in the role. Next we have Ray Fisher as Cyborg, the genius, yet damaged mechanical member of the gang. He gets a decent amount of character development here and I thought he was a really cool character. And Fisher was really good in the role. Next we have Jason Momoa as Aquaman, the half man/half Atlantean warrior. He is very much a superpowered version of Jason Momoa, and I think it kind of works because I find that persona quite enjoyable. So yeah, Momoa was really good in the role. Henry Cavill returns as Superman, and the little we see of him here is my favorite appearance of the character in this franchise. And Cavill was really good in the role. Now, let’s talk Steppenwolf (no, not the band). As a villain he’s… fine, I guess. He’s a big CGI monster with some lines hinting at some deeper stuff, but ultimately ends up becoming kind of generic. Thought Ciarán Hinds did a really good job voicing him though, suitably menacing. We also get supporting performances from people like Jeremy Irons, Amy Adams, Diane Lane, Billy Crudup, Connie Nielsen, J.K. Simmons, Amber Heard, Joe Morton, and more… all doing well in their respective roles.

The score for the movie was composed by Danny Elfman, and it was pretty good. Nothing special, heroic big brass tunes with some strings thrown in for added effect. It’s far from bad, and the various tracks work well within their respective scenes. And for those wondering about that “Danny Elfman to use Batman and Superman themes in the score”, it does occur, but it’s more snuck in rather than just overtly used as their own tracks… and I think it works surprisingly well.

The movie was directed by Zack Snyder… and Joss Whedon. As most people probably know, this movie had a very troubled production, with Snyder having to leave the project due to a personal tragedy, so Joss Whedon had to come in and do some reshoots. These things considered, the direction here is quite consistent. When a new director comes in to do reshoots, it could feel like a different movie in parts, but it’s remarkable how consistent it feels here. So is the direction in general any good? Yeah. It’s good, it flows pretty nicely, there’s some good shots here. And the action I quite liked. Now, it didn’t leave the same impact as the action in “Wonder Woman”, but it was easy to follow and I had quite a lot of fun with it. What I liked most about it was seeing the various heroes show off their abilities, with The Flash and his speedforce being the standout. And the visual effects here are for the most part damn good. Some things look a little off at times, from some backgrounds, to closeups of Steppenwolf (BORN TO BE WIIIIIILD!), to even Cyborg at times. But like I said, for the most part the effects look great (again, The Flash having some of the best ones).

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 40% positive rating. On Metacritic it has a score of 45/100. And on imdb.com it has a score of 6,6/10.

Despite a few flaws (that probably stem from production issues), I had a lot of fun with “Justice League”. It has a good plot, good characters, good music, and good directing/action/visual effects/humor. As previously mentioned, the plot is a bit choppy at the start, the villain is a bit bland, and the effects could be less than stellar at times. Time for my final score. *Ahem*. My final score for “Justice League” is an 8,52/10. So while flawed, I’d still say that it’s worth buying.

My review of “Justice League” is now completed.

Come Together…

Movie Review: Batman Ninja (2018)

I like Batman. I like anime. I like DC animated features (if you didn’t already know that from all the DC animation reviews I’ve done). So hopefully this’ll be something pretty good. Let’s get into it.

Ladies and gentlemen… “Batman Ninja”.

After he tries to stop an experiment by the villainous Gorilla Grodd (Fred Tatasciore), Batman (Roger Craig Smith) finds himself transported to feudal Japan. He soon finds also finds out that multiple of his allies and enemies have been transported there too. So we follow him as he tries to find a way back home, while also having to deal with the villains who infest Japan. So this plot is batshit (pun intended) insane. I’m okay with doing different things with established characters, it can lead to some really cool stuff. And at first I thought the ninja Batman thing sounded kind neat. And at times it is. But the plot has a really weird pace, often feeling very start-stop in it’s approach. When a part of it gains momentum, we cut into the next part, with no natural transition. It’s not a bad plot, as it has some fun ideas to it, but overall it’s kinda messy.

The characters in this I will not rally go into, as they are all just as you know them. There’s established Batman heroes/villains here, and only like one new character. And the already established ones act as you would expect ’em too. Roger Craig Smith plays the caped crusader. It’s his second time in the role after the underrated “Arkham Origins” video game, and I think he’s a great Batman. He does sound a bit like a younger version of Kevin Conroy, and that is just awesome. And the fact that he still makes the role his own is even cooler. So yeah, he’s great. Next up we have Tony Hale as the Joker… yes, really. At first I was unsure about him, as he just sounded like some high-pitched goofball. But as the movie went on something happened. I started enjoying his performance, which starting sounding a bit more sinister and more like the god damn Joker. So yeah… he’s pretty good. Then we have Grey Griffin as Catwoman, doing the same sexy and confident performance she has given the character in other things. And she’s great. Then in other roles we get people like Eric Bauza, Adam Croasdell, Will Friedle, Fred Tatasciore, Tara Strong, Yuri Lowenthal, and Matthew Yang King, all doing well in their respective roles.

The score for the movie was composed by Yugo Kanno and it was good. I like how it blends the typical superhero brass with some more Japanese sounds to create something that gives the movie a more unique feel. Not gonna say that it’s one of the best scores I’ve ever heard, and it’s not one of the most memorable, but it certainly works well for the movie.

The movie was directed by Junpei Mizusaki and I have mixed feelings. The movie takes on a cel-shaded 3D animation style, and I don’t like that style. It looked bad in “Godzilla: Planet of the Monsters”, it looked bad in the trailer for this, and in this finished product it’s a mixed bag. When it’s mostly talking or slow walking or just generally “calm”, it doesn’t look great. It’s a weird style that doesn’t quite work, especially since it is quite jittery. But when we get to the action scenes, it looks kinda cool. Fast-paced fights between characters in this look interesting and they are are fairly enjoyable. Then there’s a scene with a sudden and weird shift in art style that I didn’t like too much. So I’m not sure what to say… Good action, meh everything else? Sure, let’s go with that.

This movie has gotten some mixed reception (based on the limited data I go by). On Rotten Tomatoes it has no critic rating, but the audience score is at 55%. On Metacritic it doesn’t exist at all. And on imdb.com it has a score of 5,9/10.

“Batman Ninja” is a fucking weird movie that has a few good things going for it. It has a meh plot, okay characters, really good performances, good music, mixed direction/animation, and good action. Flaws (as previously mentioned) come in the form of a messy plot and the animation being weird. Time for my final score. *Ahem*. My final score for “Batman Ninja” is a 6,45/10. So while very flawed, I’d say that it’s worth renting.

My review of “Batman Ninja” is now completed.

Why do they keep insisting that they should use cel-shaded CGI? Stop it.

Series Review: Young Justice (2010 – 2013)

I wanna preface this review by saying, I’ve watched this show before. It’s just that after it was announced that it would finally get a third season, I really wanted to talk about this show before the third season was released. So now that I’ve gone through it again (slightly biased), I am ready to talk about it.

Ladies and gentlemen… “Young Justice”!

The story of the show follows the sidekicks of famous DC superheroes as they form their own team (creatively known as “The Team”), and have to learn to come into their own as they face major threats while also learning to work as a team. So now we have our superhero story. And as you probably sort of gathered from some mild clues in the intro, I think the plot here is fantastic. Yes, at first it’s more of a “villain of the week” type format, but there is also an overarching plot involving some shadowy organization that lurks in the background of it all. The story is compelling, because they take their time in setting things up, rather than rushing through them like some would. It’s a layered and nuanced story filled with twists and turns, as well as compelling drama, all without sacrificing the fun superhero part of the plot. It’s a highly creative and engaging plot that I loved following

Like the plot, the characters here have a surprising amount of depth to them. Across the show’s two seasons we see the characters go through some major development that gives them so many layers. In the cast we see characters like Robin (Jesse McCartney) , Kid Flash (Jason Spisak), Aqualad (Khary Payton), Superboy (Nolan North), Artemis (Stephanie Lemelin), and Miss Martian (Danica McKellar) go through a lot of things together, developing their relationships with each other while also growing as individuals. It also helps that the actors for each of the characters do very well in their respective roles, no one felt out of place). And yes, there are more characters in the show than those mentioned, but those are the central ones for the first season, and I don’t wanna say too much since a lot of characters are best left experienced. But I can say that there’s a lot of good main characters in this show, and a lot of great supporting characters and cameos. Great characters, great actors.

The score for the show was composed by DC regulars Kristopher Carter, Lolita Ritmanis, and Michael McCuistion. And I think it’s fantastic. Of course it contains a lot of big and epic tunes for the cool superhero fight scenes as expected, but it does also have some tunes for the quieter moments or when they need something a bit more emotional. All the tracks in this show are well composed, and they fit their respective scenes perfectly.

Based on a shit-ton of characters from DC comics history, this show was created by Greg Weisman & Brandon Vietti (and written by those two and a bunch of other talented people). And what they’ve done is take a lot of well known DC characters and tropes, and created their own, fully realized world, featuring some familiar characters. And the animation here is fantastic, with fluid movements, and plenty of detail throughout. This helps in getting the viewer invested… and also makes action scenes a lot more awesome. Seriously, they’re fantastic.

This show has been well received (though barely exists on my usual sites). On Rotten Tomatoes it exists, but has no rating. On Metacritic it doesn’t exist. And on imdb.com it has a score of 8,7/10 and is ranked #103 on the “Top 250 TV” list.

Did I make this review just so I could talk about “Young Justice”? Yes. But I feel like it’s also worth talking about since it’s such a great show. It has a great plot, great characters, great performances, great music, and great directing/writing/animation. Time for my final score. *Ahem*. My final score for “Young Justice” is a 9,94/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of the first two seasons of “Young Justice” is completed.

I am really excited for season 3, which should be released later this year.

Movie Review: Batman: Gotham by Gaslight (2018)

This is exciting. First new DC animated movie of 2018. Even though there have been a few less than stellar ones over the years, I will always be excited for them. Anyway, let’s get on with the review.

Ladies and gentlemen… “Batman: Gotham by Gaslight”.

Set in an alternate, Victorian era Gotham city, we follow Bruce Wayne (Bruce Greenwood) as he is stopping crimes in Gotham. And soon he has to find and stop a very dangerous serial killer known simply as… Jack the Ripper. So now we have our steampunk/Victorian era mystery starring Batman. And is this plot any good? Yes and no. On one hand you have this really cool idea of a steampunk Batman chasing after a killer, that’s a really cool idea. The execution here however is kind of average. They never let moments sink in, and I never felt fully invested in what was going on. There is a pretty good twist near the end of the movie that I won’t spoil, but let it be known that aside from that twist and also the overall idea, there isn’t too much about this plot that says “That’s actually really cool”. I wouldn’t call it bad, just kind of… okay.

The characters here do get some moments that make them a bit more interesting, but overall they don’t do too much to make us care too much about them. First up we of course have Bruce Wayne, rich playboy/philanthropist who at night dresses up like  grumpy bat-person and beats up criminals. He’s the same here as in most mediums, they do nothing new aside from the change of era. But I still enjoyed following him as he is decently likable. And Bruce Greenwood (Sidenote: His third time voicing the character) is great in the role. Then we have Selina Kyle, a sexy and charming yet tough woman. In this she’s an actress/entertainer rather than a cat burglar, and the stuff that she gets to do in this movie is pretty interesting. And Jennifer Carpenter does a really good job voicing her. Then we have James Gordon, still the commissioner of Gotham PD, still a very respectable man. They do some interesting stuff with him throughout the plot. Scott Patterson does a good job voicing him. As for the rest of the characters, they do nothing too noteworthy with them, but they work in this I guess. The cast, consisting of people like Anthony Stewart Head, Yuri Lowenthal, Grey DeLisle, John DiMaggio, William Slayers, and more, all do quite well in their roles.

As with most DC animated movies these days, the score was composed by Frederik Wiedmann. And once again he has composed a score that is exciting, tense, emotional, and just overall very fun to listen to throughout the movie. There was a scene in the movie that I only was somewhat invested in because of Wiedmann’s score. Dude’s really talented.

DC animation regular Sam Liu directed this, and I think he did a pretty good job. The animation looks pretty good, the action is pretty well handled and quite fun to watch at times. What I have a problem with most about the animation/direction are the designs of the characters. I haven’t read the comic that this is based on, but looking up panels and pages from this on google makes me think that they kind of missed something here. The characters stand out quite a bit here as they are quite cartoony, compared to some of the darker and more grimy backgrounds. Also, this of course doesn’t hold a candle to Mike Mignola’s art, but they could’ve at least tried a bit more in recreating the comic’s style. Oh well, I guess the animation/direction still works.

This has been decently received (I guess, data’s pretty limited). On Rotten Tomatoes it has an 80% positive rating. On Metacritic it doesn’t even exist. And on imdb.com it has a score of 6,9/10.

“Batman: Gotham by Gaslight” isn’t one of DC animation’s strongest outings, but it’s still an entertaining little adventure. It has an okay plot, okay characters, great performances, great music, and good direction/animation. It is of course dragged down a little bit by a not very engaging plot and some characters not being the most interesting. Time for my final score. *I’m Batman!*. My final score for “Batman: Gotham by Gaslight” is a 7,34/10. So while very flawed, it’s still worth a rental.

My review of “Batman: Gotham by Gaslight” is now completed.

Nananananananana Steampunk!