Movie Review: Crawl (2019)

Ever since I was a child, I have been fascinated by crocodilians, potentially due to watching a fair bit of “Crocodile Hunter” as a kid. And possibly also because they’re badass. Either way, it baffles me that we barely get any movies featuring them, at least with decent budgets. So I’m excited to finally get to talk about such a movie.

Ladies and gents… “Crawl”.

When Haley (Kaya Scodelario) goes searching for her dad (Barry Pepper) during a devastating hurricane, she finds herself trapped in their old family home’s crawlspace, not only having to survive the vicious weather, but also a bunch of alligators swimming around. It’s a B-movie premise… but I really liked seeing it unfold. There’s enough self-aware brains within the writing to make it work. It nicely shifts between being a suspenseful monster movie and a decent enough family drama, the balance is just right. I’m not sitting here saying that it’s the greatest storytelling ever put to celluloid. But what I am saying is that it knows what it is, and works with it to create a fun and engaging popcorn thriller that managed to scare, make me feel tense, and invest me in the struggle of the people at the center.

The characters in this, while not the deepest, are written with enough nuance to make the viewer care for them, at least on a surface “I don’t want to see these guys die” level. Kaya Scodelario plays Haley, a young woman with some emotional baggage that affects her relationship to her dad. She’s clever, resourceful, and determined, and makes for an interesting protagonist that I enjoyed following. And Scodelario is great in the role. Next we have Barry Pepper as Dave, Haley’s dad with whom there’s some past issues with. I don’t have much to say, as he’s not as well defined in personality as Haley, but I still found him decently enjoyable/interesting. And Pepper is great in the role. And seriously, when was the last time we saw Barry Pepper in a movie? Dude was in everything for a while, and then he just suddenly wasn’t. Oh well, it was nice to see him show up here.

The score for “Crawl” was composed by Max Aruj & Steffen Thum, and I think they did a pretty good job with it. Some basic emotional strings, some neat horror stings, and a few other things. The score here doesn’t do anything new, but intead does all the familiar things well, creating a solid soundscape for the movie.

“Crawl” was written by brothers Michael and Shawn Rasmussen, with Alexandre Aja handling directing duties. And the craft on display here (for its relatively low budget) is pretty damn good. They really manage to create an oppressive atmosphere that helps the movie stand out in both the disaster and monster sub-genres. Even the huge storm is given a real presence that makes it feel far from cheap. Now, let’s talk about the real stars here… the gators. As expected, they’re CGI, because real gators would be too dangerous. But even for CG animals, they work quite well here… for the most part. Their animations are great, really lifelike, which makes them quite intense. Where I have to leave a slight criticism though is the texturing. Yes, they got the general gator appearance right, but it feels like they could’ve used another render or two. But I can also forgive it because of how low the budget was, and because of the presence the overall animations on the gators gave off. Quick warning too: As you probably expect, there’s some gore in this, but it’s also quite vicious. Not just blood for blood’s sake, but some genuine brutality happens. Just putting that out there in case anyone’s a bit squeamish.

This movie has been pretty well received. On Rotten Tomatoes it has an 83% positive rating and a “Fresh” certification. On Metacritic it has a score of 60/100. And on imdb.com it has a score of 6,2/10.

I know it sounds like I shit on it multiple times throughout, but I want to make it very fucking clear that I highly enjoyed “Crawl”. It’s a damn fine monster movie (yes, alligators aren’t monsters, but what else would you call this style of movie?). It has a really good plot, good characters, great performances, good music, and great directing, effects, and atmosphere. Time for my final score. *Ahem*. My final score for “Crawl” is a 9,57/10. So it does get the “SEAL OF APPROVAL!”.

My review of “Crawl” is now completed.

See you later, alligator…

Series Review: Chernobyl (2019)

Usually I make some kind of cute remarks in these intros that relate to the thing I’m reviewing. But in this case I just can’t. There’s nothing clever I can say. So I guess we should just get into the review itself.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a movie… which it is. Disclaimer over.

Ladies and gentlemen… “Chernobyl”.

The Chernobyl power plant, Ukraine, April 1986. It’s in the middle of the night. The people working the plant notice something going awry. The core has exploded. So we follow in the aftermath of that, showing how it affects the people either working the plant or trying to stop it from getting worse. We also get to see how scientist Valery Legasov (Jared Harris) tries to figure out ways to fix it, while dealing with all the red tape of the Soviet government. So now we have our historical drama. And man, this is a fucking masterclass in storytelling. Sure, it doesn’t give you any major twists or turns, but it instead takes the relatively straightforward events and tells them in a very nuanced, respectful, and anxiety-inducing way. There isn’t a scene in this show that didn’t have me on the edge of my seat. It may not technically be listed as horror, but it sure as hell felt like it at times.

The characters in this all feel layered, flawed, nuanced, realistic, and overall very interesting. Jared Harris plays Valery Legasov, the scientist put in charge of trying to fix the whole conundrum of the Chernobyl explosion. He’s one of those people who tries to make sense of everything, but also gets frustrated when people won’t listen to him. And it’s interesting to see him go through the various issues he has to deal with in the series. And Harris is fantastic in the role. We also get performances from people like Stellan Skarsgård, Emily Watson, Jessie Buckley, Barry Keoghan, Con O’Neill, Paul Ritter, David Dencik, and many more, all doing very well in their respective roles.

The score for “Chernobyl” was composed by Hildur Guðnadóttir, and it was fantastic. It’s dark, it’s eerie, it’s emotional, it’s anxiety-inducing… it’s exactly the kind of score that is befitting of the storytelling. So yeah, it fits quite well.

Based on the horrifying nuclear disaster in 1986, the show was created and written by Craig Mazin, with Johan Renck directing. And the craft behind this is stellar. The direction is always eerie, never letting up any of the suspense. It’s claustrophobic, but also intimate with its characters, really bringing you into their personal struggles. And the cinematography by Jakob Ihre is quite eerie too.

This show has been very well received. On Rotten Tomatoes it has a 94% positive rating and a “Fresh” certification. On Metacritic it has a score of 83/100. And on imdb.com it has a score of 9,7/10 and is ranked #1 on the “Top 250 TV” list.

“Chernobyl” isn’t a fun show… but it is quite fantastic. It has a great plot, really good characters, fantastic performances, great music, and great writing/directing/cinematography. Time for my final score. *Ahem*. My final score for “Chernobyl” is a 9,94/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Chernobyl” is now completed.

You know what’s interesting? The guy who wrote this show also wrote the “Hangover” sequels and some of the later “Scary Movie” entries.