Series Review: Line of Duty – Season 2 (2014)

Season 1 got reviewed a few weeks back. Time to finally talk about season 2.

Ladies and gentlemen… “Line of Duty” season 2!

When a super secret police convoy get attacked by some masked assailants, Arnott (Martin Compston), Hastings (Adrian Dunbar), and the rest of AC-12 have to look into the possibility of someone within the police leaking the convoy’s route. So now we have our plot set up. And while there was nothing wrong with the first season’s plot, it is nowhere as layered, unpredictable, and electrifying as what they got going on here in the sophomore outing. In the first season they were trying to find the show’s voice, but here in season 2 they found it, and they had a lot of confidence in the storytelling. The way it engages through clever drama and really tight suspense makes for one of the best seasons of television I’ve seen in quite some time.

The characters in this are flawed, layered, and really interesting. Martin Compston returns as Steve Arnott, the young-ish man working with AC-12 to stop corruption. He is given a good amount of development here, making him even more interesting than he was in the first season, while still keeping the determined nature that made him so engaging to begin with. And Compston is great in the role. Vicky McClure returns as Kate Fleming, AC-12’s resident undercover officer. She gets development here through something in the case that I won’t spoil, but it’s an interesting touch. And McClure is great in the role. Adrian Dunbar returns as Ted Hastings, the likable boss of AC-12. He has some personal problems that he deals with while also trying to be involved in the case, which is quite interesting to see. And Dunbar is really good in the role. We also get Keeley Hawes as Lindsay Denton, a woman/member of the police who is one of the prime suspects of the case, and they do some really interesting stuff with her character throughout the season. And Hawes is great in the role. We also get supporting work from people like Craig Parkinson, Mark Bonnar, Tony Pitts, Sacha Dhawan, and more, all doing very well in their respective roles.

As with the first season, the score for this was composed by Carly Paradis, and I think that it’s an improvement on the first season’s music. It still has a heavy focus in piano and some strings, but what it improves on is subtlety. Sure, the score is noticeable, but compared to the first season, it never gets overbearing at any point, and just ends up being this emotional powerhouse that makes the show even better than it already was.

The show was created by Jed Mercurio, who also wrote all the episodes here, with direction split between Douglas Mackinnon and Daniel Nettheim. And the craft here is even tighter than in the first season, with plenty more “holy shit” moments throughout, which keeps the show energetic and tense, even in the most subtle and quiet of scenes. A lot of cop shows fail in creating genuine suspense, but season 2 of “Line of Duty” never wavers in that regard.

This show/season has been very well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 8,6/10 and is ranked #165 on the “Top 250 TV” list.

Season 2 of “Line of Duty” takes what was good about the first season and improves on it in every aspect. It has a great plot, really good characters, great performances, great music, and great writing/directing. Time for my final score. *Ahem*. My final score for “Line of Duty” season 2 is a 9,91/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Line of Duty” season 2 is now completed.

I can see now why you Brits keep banging on about this show.

Series Review: Line of Duty – Season 1 (2012)

Sorry that it’s been so long since my last blog post, which was… almost two weeks ago, yikes. I have no good reason for this lack of writing, my laziness has just been awful to me. But now I’m (hopefully) back for semi-regular posting.

Ladies and gents… “Line of Duty” season 1.

After an anti-terrorist operation he’s leading goes awry, Steve Arnott (Martin Compston) gets transferred to a different department, one that focuses on stopping corruption within the police. So we follow him as he deals with some of the aftermath of the fuck-up, while also trying to stop a certain, beloved, potentially corrupt officer within the police. So now we have our plot. And it’s pretty great. It manages to give us plenty of details to create a vivid picture while still hiding an ace up the sleeve in each episode, keeping it suspenseful, unpredictable, and constantly interesting.

The characters in this are flawed, layered, and interesting. First up we have Martin Compston as DS Steve Arnott, former anti-terror squad leader, currently member of the anti-corruption department. He’s a man who’s always on the prowl to get the job done… as long as it is by the book, because he’s a good guy who doesn’t fuck around and lie. And I found him to be a solid protagonist. And Compston is great in the role. Next we have Lennie James as Anthony Gates, a highly ranked and beloved officer within the police, and the person that Arnott and crew are investigating. He’s a highly determined, charismatic, and skilled policeman who seems like a good guy, but might also have some skeletons in the closet. And James is great in the role. We also get Vicky McClure as Kate, someone within the police whose allegiance is toyed with a bit. Not in a “is she a villain?” kind of way, but more in a “What’s she playing at?” kind of way, and it makes her quite an interesting part of the cast. And McClure is really good in the role. We also get supporting work from people like Adrian Dunbar, Owen Teale, Neil Morrissey, Craig Parkinson, Gina McKee, Kate Ashfield, and more, all doing very well in their respective roles.

The score for the show was composed by Carly Paradis, and it was good. It leans into a lot of piano, and some strings too, creating a dramatic tone that suits the story and character development on display in the series. Not all tracks hit it out of the park for me, as some of them can feel a little overbearing, but I wouldn’t say that I actively dislike any of them. Overall I’d just say that the music here is really good.

The show was created by Jed Mercurio, who also wrote all the episodes, with directing being split between David Caffrey and Douglas MacKinnon. And this teamwork gives us a show with a very gritty and intense look at the world that the characters inhabit. Which is especially impressive considering how much of this show is spent on some of the more mundane aspects of police work, making it tense and exciting through camerawork and clever writing.

This show has been very well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 8,6/10 and is ranked #173 on the “Top 250 TV” list.

The first season of “Line of Duty” is an intense ride that I really enjoyed watching. It has a great plot, really good characters, great performances, good music, and great directing/writing. Time for my final score. *Ahem*. My final score for “Line of Duty” season 1 is a 9,82/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Line of Duty” season 1 is now completed.

I’m back.