Cyberpunk 2077 E3 2019 Trailer

Hello there, ladies and gents. It is that time of year again. The Electronic Entertainment Expo (E3 for short) has started, which means I will ramble on about various trailers and gameplay demos and such shown in there. So let’s kick it the fuck off with this first one.

So first up, here’s a trailer for “Cyberpunk 2077”, an upcoming sci-fi game from CD Projekt Red, a game developer most known for the mostly acclaimed “Witcher” series. It’s the year 2077, and you play as a dude or gal who has to navigate this cyberpunk world and complete some quests to advance a story. That’s all we (read: the idiot who wrote this piece) know right now. And this doesn’t show off any gameplay, just a bit of story. And it seems interesting. Maybe a bit of potential revenge, a bit of seedy underworld dealings, a bit of HOLY SHIT, KEANU REEVES. Yeah, that’s what sold me on talking about this trailer. I only really wanted to talk about it because it’s a trailer for a video game… featuring one of my favorite actors (who is having one hell of a year, by the way). I didn’t have much interest in it. But the cyberpunk stuff here had me somewhat intrigued, and then Keanu hooked me. Yes, I am that shallow sometimes. “Cyberpunk 2077” is set to be released on April 26th, 2020.

What are your thoughts on this? Are you excited for “Cyberpunk 2077”? And what’s your favorite sci-fi dystopia? Leave any and all thoughts in the comments.
Have a good one and enjoy the trailer.

Movie Review: Upgrade (2018)

Can I just take a second out of this review to talk about release schedules? Because everyone got this movie in the cinemas at some point in 2018… but I didn’t, and then I had to wait until today to be able to see it at home? It’s not the first time I’ve gotten screwed liked this. I wanted to watch it, but my local cinema was like “Nope, sorry, not showing it… you dick”… okay, they didn’t directly say that, but that’s what it felt like with “Upgrade” and various other movies. Seriously, screw release schedules some times.

Ladies and gents… “Upgrade”.

After his wife is killed and he gets paralyzed, Grey (Logan Marshall-Green) accepts an offer to get an experimental surgery that would let him walk again. But soon he finds out that he’s able to do more than that, which he will use to find the people responsible for his misery. So now we have our cyberpunk revenge thriller. And it’s good. I mean, the opening isn’t the most inspired, in a lot of ways it’s just kind of bland. But after that generic opening, the plot just gets better and better and I think it becomes quite unique for a revenge thriller. It’s not one of the greatest plots ever, but it’s certainly a lot of fun and has enough little twists and turns to keep it fresh. So yeah, it’s a good plot.

The characters in this are… fine? Most of them are kind of underdeveloped. For some of the bad guys, I can accept that, as it gives them a sort of video game boss battle quality, which I enjoyed about them. But others that the movie expects me to care about… nope. Anyway, Logan Marshall-Green plays Grey, the average Joe who receives the title to become a badass. And he’s honestly quite a fleshed out character, as he’s given quite a bit of development throughout. And Marshall-Green is great in the role… mostly. At the start he’s bland and average, but like the plot, when shit gets going, he becomes great in the role. Next we have Betty Gabriel as the detective working the case of Grey’s dead wife. And where the movie expects us to give a damn about her… I didn’t, her character isn’t interesting enough in her writing for me to care. But Gabriel is pretty good in the role. We also get supporting performances from people like Simon Maiden, Harrison Gilbertson, Melanie Vallejo, Benedict Hardie, Christopher Kirby, and more, all doing pretty well in their respective roles.

The score for the movie was composed by Jed Palmer and I thought it was really good. It somehow sounds like a mix between typical cyberpunk stuff (“Blade Runner”, “Deux Ex”, etc.) and a couple different horror scores. And the mix, while familiar, feels unique and gives the most an eerie and interesting vibe that I liked quite a bit.

Based on nothing at all, this movie was written by Leigh Whannell, and I think he did a great job here. While the opening (as previously stated) is a bit boring, his direction gives the movie a certain energy that makes it kind of a joy to watch. He finds ways of really engaging the viewer with little details. But it’s in the action scenes where the directing and cinematography truly shines, because holy fucking shit, the action scenes in this movie are fantastic. They’re fast, energetic, and have some of the most clever and unique camera movements I’ve ever seen. There are a couple fights in this movie that honestly kinda blew my mind. There’s also a surprising amount of humor throughout the movie, and none of it feels intrusive, rather just adding to the movie’s fun factor.

This movie has been pretty well received. On Rotten Tomatoes it has an 87% positive rating and a “Fresh” certification. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 7,6/10.

“Upgrade” is a really good revenge action-thriller. It has a good plot, meh characters, really good performances, really good music, and great directing/cinematography. Though as previously stated, the start of the movie isn’t great, and I don’t really care about most of the characters. Time for my final score. *Ahem*. My final score for “Upgrade” is an 8,72/10. So while flawed, I’d say that it’s worth buying.

My review of “Upgrade” is now completed.

That was fun.

Series Review: The Handmaid’s Tale – Season 1 (2017)

Shit. I thought tv was a form of escapism, not a look at how the world was, is, and will be at its most shit states.

Ladies and gentlemen… “The Handmaid’s Tale” season 1.

America has turned its back on human decency… oh sorry, I’m reading the news, not the show’s plot synopsis. *Gets slapped*. Okay fine, I’ll do it properly! Topical jokes aside, in the not too distant future, America has become a society where women are considered lesser creatures and then get forced into sexual slavery under high ranking commanders. Through the show we follow a young woman named June (Elisabeth Moss) as she on a day to day basis lives as a handmaid. So now we have our dystopian drama. And I must say that the plot here is incredibly compelling. We get good looks into both the show’s present time as well as flashbacks to what June’s life was like prior to everything going to shit. The drama is harrowing and disturbing, but there’s always also a sense of hope throughout, making it all a bit more watchable than if everything was just bleak and sad. That said, it’s not exactly a happy show. The plot is dramatic, compelling, well paced, and endlessly interesting.

The characters here are layered, compelling, and just overall very interesting. First up we have Elisabeth Moss as June (also known as Offred). She’s a determined a clever woman who falls in line with this horrible reality that she’s part of so she can survive. But we do also see her get some really solid character development throughout, and that’s where I’m leaving it as I don’t wanna ruin most of it for you. And Moss is fantastic in the role. Next up we have Joseph Fiennes as Fred Waterford, the commander that June slaves under. He’s quite the interesting figure, as he clearly is all in favor of this horrible world, but he also shows respect towards anyone under him. He’s a really intriguing character. And Fiennes is great in the role. Next we have Yvonne Strahovski as Serena, the wife of commander Waterford. She’s quite an ice cold bitch, but does show a more vulnerable side at times which makes her quite an interesting character. And Strahovski is great in the role. The final one I’ll go into some detail with is Nick, who’s played by Max Minghella. He’s basically a driver and such under Waterford, and becomes a bit of an ally of June’s over the show. He is quite the interesting guy. And Minghella is really good in the role. Through the show we also get supporting performances from people like Ann Dowd, Alexis Bledel, O-T Fagbenle, Amanda Brugel, Samira Wiley, Nina Kiri, and many more, all doing very well in their respective roles.

The score for the season was composed by Adam Taylor who I think did a great job. His music has a very eerie feel to it, highlighting just how disturbing and fucked up this world is. But it’s also emotional, suspenseful, and overall just well composed. There’s also a good amount of licensed tracks used throughout, and they all work quite well within their respective scenes.

Based on a novel by Margaret Atwood, the show was created by Bruce Miller, and written/directed by a whole bunch of people. And all this comes together to make one suspenseful and tightly directed show. And the cinematography by Colin Watkinson is absolutely stunning, some of the best I’ve ever seen in a tv show. What is also great about it is that none of the shots feel out of place. A lot of times pretty shots are added to a movie or show just to have a pretty shot with no actual purpose, but here all the gorgeous shots have a reason to be there.

This show/season has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 92/100. And on imdb.com it has a score of 8,6/10 and is ranked #148 on the “Top 250 TV” list.

“The Handmaid’s Tale” is a harrowing but also beautiful show. It has a great plot, really good characters, great performances, great music, and great directing/cinematography. Time for my final score. *Ahem*. My final score for “The Handmaid’s Tale” season 1 is a 9,80/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Handmaid’s Tale” season 1 is now completed.

I got nothing clever to put here. I used up my topical joke at the beginning.

Movie Review: Blade Runner 2049 (2017)

I know that I’m late with watching/reviewing this, but hey… Better late than never. So shut up… let’s get into it.

Ladies and gentlemen… “Blade Runner 2049”!

Set 30 years after the first movie, we follow a Blade Runner named K (Ryan Gosling) as he works a case. And during this case he stumbles upon a really old secret that will lead him onto a dangerous quest to find former Blade Runner Rick Deckard (Harrison Ford) and hopefully get some answers. And once again we have a deep plot that at first just sets up an intriguing mystery, but soon also starts to ask questions about humanity and what makes you human or not… like the first movie. But while it does pose some of the same questions as the original, it isn’t really anything like it. Sure, it’s a familiar story with some similar themes, but it mostly does it’s own things, feeling like a proper, expansive continuation rather than a retread of the first movie. I should also mention that it is quite slow-paced, which will put some people off. But for me it worked, taking it’s time to develop the story and it’s developments. The plot here is unpredictable, tense, emotional, philosophical, filled with twists and turns, and I absolutely loved it.

The characters are layered, flawed, and really interesting. Also, forgive me if I’m a bit brief with some of these descriptions as I don’t wanna spoil too much. Ryan Gosling plays K, our protagonist.  Like Deckard before him, he’s a Blade Runner, and while Blade Running he stumbles upon the plot. Within the first couple minutes you get a good feeling that he is a bit of a troubled man, and he goes through a lot of emotions through the movie as he learns more and more. And Gosling is great in the role. Robin Wright plays K’s boss, a tough and smart lady. And Wright is great in the role. Ana de Armas plays Joi, the girlfriend of K. She’s a likable and kind-hearted lady that we quickly learn something interesting about. And de Armas is really good in the role. Then let’s talk about Harrison god damn Ford who returns in this as Rick Deckard. When we meet him you can tell that he’s damaged on the inside after stuff that’s happened in his life (both during “Blade Runner” and between both the movies). He’s grumpy, troubled, and tired. And I have to say that Harrison Ford was great in the role, giving one of his best performances ever. Jared Leto plays Niander Wallace, the menacing creator of the newest Replicants. He’s our villain who is suitably weird and menacing, and Leto is really good in the role. Really, all actors in this movie range from really good to great, brief appearance or lengthy role. ’tis a very well acted movie.

The score was composed by Hans Zimmer & Benjamin Wallfisch and it is absolutely amazing. It manages to emulate the stuff that Vangelis composed back in 1982, while also doing enough things differently to make it stand out. Yes, the synth sounds are still there, but there are also a whole bunch of modern touches to it as well, making it a very epic, emotional, tense, and exciting score that is a feast for the ears. Also, there are a couple of licensed tracks used throughout (which came as a surprise), and they were used well in their respective scenes. Yeah, this movie had some solid music.

Ridley Scott was supposed to originally direct this, but had to drop out due to scheduling conflicts. So instead Denis Velleneuve took over the reins. And holy crap, he did a fantastic job. His directing here (as with most of his movies) is sweeping, taut, suspenseful, and thought-provoking. And let’s not draw this out for too long, Roger Deakins’ cinematography is absolutely fucking spectacular, and if he doesn’t win the Oscar for Best cinematography, then I will get furious and stomp around the house (too lazy to riot). Seriously, this is one of the most beautiful movies I’ve ever had the pleasure of looking at. And the mix of practical effects and CGI here is seamless, it all blends together so well that I never questioned what I was looking at. This feels like “Blade Runner” while still updating it a bit. And for those wondering if there’s any action here: There are a couple of action scenes, but they’re few and far between. That said, when they happen they are awesome. Violent and hard-hitting, but awesome.

This movie has been very well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 81/100. And on imdb.com it has a score of 8,5/10 and is ranked #61 on the “Top 250” list.

“Blade Runner 2049” exceeded all my expectations (which were decently high), and turned out to be one of the best sequels of all time. It has a great plot, really good characters, great performances, fantastic music, and fantastic directing/cinematography/visual effects. Time for my final score. *Ahem*. My final score for “Blade Runner 2049” is a 9,90/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Blade Runner 2049” is now completed.

This further cements my mantra “Villeneuve can do no wrong”.

Movie Review: Daybreakers (2010)

The Month of Spooks continues! And what’s this, more vampires? Greeeeaaaaat.

Ladies and gentlemen… “Daybreakers”.

The world has gone to shit. An outbreak has caused most of humanity to turn into vampires. We follow Edward Dalton (Ethan Hawke), a vampire/hematologist who joins a group of humans to try to find a cure for vampirism. So now we have our dystopian vampire plot. And it is actually pretty good. It sets up quite an interesting and fairly unique world that felt a bit more realized compared to other dystopias, a lot thanks to the attention to detail. It also has some interesting spins on vampire mythology. However, despite some of the cool ideas that the plot has, it is far from flawless. While the world and it’s mythology is interesting, the overall plot is kind of weak. I understood what was going on, it was pretty straight-forward. However, despite the world and mythos feeling developed, the rest of the plot is just there. It never fully engaged me, I just kind of followed along, never really feeling invested. And the ending teases a sequel. It doesn’t bother me that much, I just thought it would be worth mentioning. But overall the plot here is fine.

I’m a bit split on the characters here. Some of them I find quite interesting, even caring quite a bit about them. And some I find kind of bland. Ethan Hawke plays Edward Dalton, the conflicted vampire/hematologist. He does his job, but he also feels sorry for the humans. This personal conflict is pretty interesting and makes him a bit more of an interesting character. And Hawke is great in the role. Claudia Karvan plays Audrey, one of the people from the resistance that Edward decides to help. She’s decently tough, smart, and determined. And Karvan is good in the role. Willem Dafoe plays “Elvis”, another member of the resistance. He’s likable, interesting, and just cool. And Dafoe is of course great in the role. Sam Neill plays Charles Bromley, the head of a huge corporation, and the boss of Dalton. And he’s one of the more bland individuals in the movie. The characters is just your typical bland corporate asshole character with the only twist being that he’s a vampire. And Sam Neill is pretty good in the role. And then we have Michael Dorman as Dalton younger brother, Frankie. He’s a bit of a dick, but you can tell that there’s a heart there somewhere. And Dorman is good in the role. Again, some characters are great, some not so much. But it’s at least well acted.

The score was composed by Christopher Gordon and it was good. While it’s not something I’d find myself listening to a lazy Sunday afternoon, it works very well for the movie. It’s loud, exciting, and just overall works well for this type of science fiction-thriller movie. It never felt out of place and worked fine for the movie.

This movie was directed by Michael & Peter Spierig (who later went on to make the excellent “Predestination”) and I think they did a really good job here. Their directing is tight, tense, and pretty eerie, often making me feel slightly on edge. And the action scenes in this movie are fun. Not among the best I’ve ever seen, but they’re fun and have a good amount of impact to them. And let’s talk about the visual effects. Because some of them look fucking fantastic, and some of them look… meh. That said, for such a small budget it is quite impressive what they managed to create here. There’s also plenty of blood & gore here and it is glorious, especially when most vampire movies around that time were dull, sparkly, PG-13 shitstains that wouldn’t dare go this far. But “Daybreakers” did it, and it’s glorious.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 67% positive rating. On Metacritic it has a score of 57/100. Roger Ebert gave it 2,5/4 stars. And on imdb.com it has a score of 6,5/10.

Will “Daybreakers” be remembered in the future as a classic? No. But for what it’s worth, this is quite an entertaining sci-fi-thriller. It has an okay plot, good characters, really good performances, good music, and great directing. My only flaws with it come from the plot feeling somewhat thin, and some characters being a bit bland. Time for my final score. *Ahem*. My final score for “Daybreakers” is an 8,53/10. So while flawed it is still worth buying.

My review of “Daybreakers” is now completed.

Two Ethan Hawke movies in the span of one week… hell yeah.

Movie Review: High-Rise (2015)

Dystopias. Something explored in many books and movies. Some more accurate to current society than others. Well, today’s feature presentation is a dystopian story. So let’s go.

Ladies and gentlemen… “High-Rise”.

Robert Laing (Tom Hiddleston) is a physiologist who has just moved in to a huge, high-tech high-rise. And everyone there seems to have it pretty damn good. However everyone’s perfect lives soon spin out of control and everything starts going to absolute shit. And while it’s a really interesting series of events, I feel like there’s no actual reason for it all to be happening. I am all for odd and interesting plots that dare to go to unique places, but I also want there to be some reason bhind the events that transpire. Like I said, the stuff that happens in the movie is really interesting and can even be a little disturbing at times, but there’s no reason for stuff happening. I was seriously sitting there thinking, “Alright, this is some interesting stuff… but why is it even happening?”. And I am 100% sure that I didn’t miss anything that triggered the downfall of the high-rise society… shit just happened, with no real reason for it. So to summarize my rambling: The plot features an incredibly interesting series of events that has no real reason or focus behind it.

The characters are a bit like the plot, it was interesting seeing them go through all this shit, but I never really cared about any of them. Tom Hiddleston gives a great performance as Doctor Robert Laing, going from a pretty normal and sane individual to a more… odd man. Jeremy Irons plays the owner/architect of the high-rise and he’s great. Sienna Miller is also great. Luke Evans plays a filmmaker here and he is pretty great. Elizabeth Moss is also great in the movie. James Purefoy was also really good here. So the characters are not the most compelling, but they are interesting to follow and they are also very well acted.

The score was composed by Clint Mansell and it is fantastic! It’s weird, it’s eerie, it’s dramatic, and it just pleases my ears quite a bit. I am not surprised by this though, since Clint Mansell composed the scores for “Requiem for a Dream” and “Moon”, and I love the scores in those movies… he’s just fucking great at his job. What I also thought was pretty interesting about the music was that this movie has a weird fascination with ABBA’s song “S.O.S”. Just thought it was interesting how it popped at two times in the movie in two very different styles.

This movie was directed by Ben Wheatley and I think he did a really good job. The scenes always feel a bit off, but in a good way. I really felt like this wasn’t our world, it was something much weirder and much more unpredictable. And from a visual standpoint, this movie looks fucking great. There are plenty of great shots in this movie and even when the shot isn’t awesome (in lack of a better word) this movie still looks really good. Something fun to mention is that this movie is based on the book of the same written by J.G. Ballard, released in 1975. Now, I haven’t read the book, so I can’t say if this is a faithful adaptation or not… all I can say is that the book thing was a fun little bit of trivia to add. That said, if you’ve read the book then please tell me if it’s any good and/or if this is a good adaptation of it.

This movie has gotten some mixed reception On Rotten Tomatoes it has a 61% positive rating. On Metacritic it has a score of 65/100. And on imdb.com it has a score of 5,7/10.

“High-Rise” is a pretty interesting dystopian drama. It has a pretty good plot, okay characters, great performances, fantastic music, and great directing. However it is very flawed since I felt like there was no real reason for the plot to happen and I didn’t find the characters especially compelling. Time for my final score. *Clears throat*. My final score for “High-Rise” is an 8,57/10. So even though it is quite flawed I’d say that it is worth buying.

My review of “High-Rise” is now completed.

So when you’re near me, darling can’t you hear me, S.O.S…

 

Movie Review: The Road (2009)

ws_the_road_01_1280x1024

On the road again
Just can’t wait to get on the road again…

Ladies and gentlemen… “The Road”.

The world has gone to shit. Everything has turned into a fucking wasteland. And in this horrible place we follow a man (Viggo Mortensen) and his son (Kodi Smit-McPhee) as they wander around, trying to survive as well as make it to the coast. And that’s it. No bigger conspiracy, no trying to figure out a way to fix the country, no zombies… just a man and his son trying to survive. That said, it’s still a very layered and interesting plot. Sure, the basic premise is very simple, but there’s still a lot of suspense and drama throughout the runtime that makes for an absolutely enthralling plot.

The characters in this movie are flawed, damaged, and really interesting. Viggo Mortensen is fantastic as the father, playing him as this stubborn and suspecting man that is very protective of his son. Kodi Smit-McPhee was great as the son, perfectly playing this vulnerable, curious, and kind of naïve little boy. We also get Charlize Theron in a bunch of flashbacks throughout the movie, and she is great in those scenes. Also, don’t be fooled by the big name actors whose names appear on the posters, they all appear in the movie very briefly. Sure, they all do a great job in the movie, but none of them are in it particularly long. That said, it was pretty cool seeing people like Robert Duvall, Garret Dillahunt, Guy Pearce, and Michael Kenneth Williams in here.

The score for the movie was composed by Nick Cave & Warren Ellis and fuck me, it is fantastic! There was never any doubt about to be honest, but it’s always fun to be right. It’s dramatic, haunting, emotional, tense, and just overall very well composed. It really fit this movie perfectly.

This movie was directed by John Hillcoat and I think that he did a great job with it. His directing is deliberately slow-paced and perfectly captures the feeling of the source material. That’s right, for those that didn’t already know… this is an adaptation of a book. It’s based on “The Road” (surprising, I know), which was written by American author Cormac McCarthy. And as someone that has read the book, I can safely say that the world I got in my head when reading the book got perfectly translated to the screen. The directing, cinematography, the feeling of unease… all of those things are present in this movie. I also want to mention that there is some slightly disturbing imagery in this movie… just so you know.

This movie has been pretty well received. On Rotten Tomatoes it has a 75% positive rating and a “Fresh” certification. On Metacritic it has a score of 64/100. Roger Ebert gave the movie 3,5/4 stars. And on imdb.com it has a score of 7,3/10.

“The Road” is not only a great adaptation of Cormac McCarthy’s novel, but it’s also an overall terrific movie. It features a great plot, good characters, great performances, fantastic music, great directing, and great cinematography. Time for my final score. *Cough*. My final score for “The Road” is a 9,88/10. Which means that it gets the “SEAL OF APPROVAL!”.
seal-of-approval

My review of “The Road” is now completed.

Yep, this movie is as depressing as the book… greeeaaat.

 

Series Review: The Man In the High Castle – Season 1 (2015)

highcastle

So here we are, back in the realm of Amazon’s Original Programming. Yeah, the very same Amazon that you can order shirts, soap and all kinds of stuff from. For the… one of you that didn’t know, Amazon is making original programming. Possibly one of my followers might remember that I did a review for season 1 of Amazon’s show “Bosch” last year. So yeah… they make shows… so let’s review one of them!

Ladies and gentlemen, let me introduce you to… “The Man in the High Castle”.

The world has gone to shit (God, I’ve missed that phrase so much!). It’s the 1960’s and Nazis are in control. That’s right, in 1946 they took over the United States and also allied with Japan to rule over everything. We follow a young woman named Juliana (Alexa Davalos) as she is more or less pulled into a plot set up by the resistance to try to get a hold of some films that could change everything. And these films are produced by the mysterious… “Man in the High Castle” (Roll credits). We also get to follow a whole bunch of other characters, including Juliana’s boyfriend Frank (Rupert Evans), who are part of this world and have some part in the grand scheme of things. I know what you’re thinking, this plot sounds interesting, but complicated and maybe a little dumb. But trust me, I am just trying to give you the basics of the plot without spoiling it for you. So trust me when I should say that the story is fantastic and is worth experiencing. It is filled with gripping drama, engrossing situations and several clever twists. Also, the ending of the season (no spoilers) just fucked with my mind so hard. Yeah… it’s great plot.

The characters in this show quickly develop and you start caring about them pretty fast. Alexa Davalos (an actress I knew jack shit about before this show) was fantastic as Juliana. She was determined, strong but also the right level of vulnerable. Rupert Evans (you know, the guy from “Hellboy”) is fantastic as Frank, a man who is pulled into all of this trouble in a very violent fashion (figuratively speaking… ish). Then we have Luke Kleintank as Joe Blake, a young man that Juliana meets on her “adventure” and quickly befriends. Then we also of course have Rufus Sewell (remember when he was a thing?) as Obergruppenführer John Smith, AKA the American Nazi-man. And holy fucking shit, he was amazing in this show. Not only is his overall performance great, but the writer’s made me actually feel sympathy for him… a Nazi. It’s crazy, but true. He’s a great character. There are a whole bunch of other great actors in this show, both in big and small roles. So I’m not gonna go through ’em all as you will most likely notice them too while watching. Seriously, this show is filled with great people.

The score for the show was composed by Henry Jackman and Dominic Lewis and it is (surprise, surprise) pretty stellar. Henry Jackman of course is the man responsible for the music of “Captain America: The Winter Soldier” and it’s sequel “Civil War”, two movies with great music. So of course when I saw Jackman’s name in the opening credits I was pleased. Speaking of the opening credits, the decision to have “Edelweiss” from “Sound of Music” as the opening theme… fucking brilliant. Anyway, back to the original score; it’s great. Dramatic, tense, awesome.

Fun fact: This show is an adaptation of the novel of the same name by Philip K. Dick, the man who also wrote the book behind “Blade Runner”. Okay, fun fact over. This show is very well directed, perfectly capturing the feel of this bleak world that is set up. Sure, it isn’t really a show that has fast-paced direction, as it is more of a slow burn, but it’s still really good. Also, Ridley Scott is an executive producer on this show, which makes this his second Philip K. Dick adaptation… hmm. Oh well, it’s a very well done show, so those curiosities can be put aside for later.

This show has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 77/100. And on imdb.com the show overall has a score of 8,1/10 (imdb doesn’t have season-based averages).

This show is unlike anything else I have ever seen, it’s so different and unique. With a fantastic plot, great characters/acting, fantastic music and great directing, it’s definitely something. Time for my final score. ACHTUNG! My final score for “The Man in the High Castle” is a 9,91/10. It is great and gets the “SEAL OF APPROVAL!”.
Seal of Approval

My review of “The Man in the High Castle” season 1 is now completed.

Season 2 is confirmed, but it isn’t here… I need it NOW.