Series Review: The Haunting of Hill House (2018)

And here we are, my friends. The last post of Month of Spooks 2021. It’s been a fun ride, but it is time to wind down a bit. And to cap it off, we’re ending it the way we started it… with a Mike Flanagan show. So let’s go.

Ladies, gents, and non-binaries… “The Haunting of Hill House”.

The story follows the Crains, a fractured family as they try to confront the haunting memories of what had happened to them in the past. “The Haunting of Hill House” blends a grief-driven family drama with a ghost story, and it is insanely effective. It’s difficult discussing the story and themes and general impact it had on me without delving into spoilers, but I’ll try my best. The spooky stuff is good on its own, it’s solid horror. But what carries my attention is how the family drama and character-driven subplots and the meditation on grief develops throughout, showing how everyone in this family’s been broken by the traumatic events in their past, and how they’re trying to cope with all of that. It’s a very nuanced, tender, and emotionally charged story that hit me in a way that few shows manage, even making me cry multiple times throughout. It’s a beautiful, scary, and sad story that I absolutely adored.

The characters in this are some of the most nuanced and believable I’ve seen in a show. They all feel so real and I found their personal stories and developments extremely engaging and interesting. And for the show we also have a huge cast, with everyone giving top notch performances. So I’m just gonna list them off, because I want to shout them out. So we have Michiel Huisman, Carla Gugino, Henry Thomas, Elizabeth Reaser, Oliver Jackson-Cohen, Kate Siegel, Mckenna Grace, Lulu Wilson, Victoria Pedretti, Paxton Singleton, Timothy Hutton, Anthony Ruivivar, and many more. It’s just a stellar cast all perfectly playing stellar characters.

The score for the show was composed by The Newton Brothers, and they absolutely killed it, this might be my favorite work from them. They have this brooding eerie tension at times, and for a lot they go for a more somber, emotionally charged piano style that hit me right in the god damn heart, further amplifying the heartache that this show creates. It’s just excellent stuff.

Based on the novel by Shirley Jackson, “The Haunting of Hill House” was created, directed, and co-written by Mike “Let’s make sad stuff” Flanagan. Aaaaand, the man just doesn’t fucking miss. His direction here is stellar, building tension when needed, but also letting more dramatic moments breathe just the right amount for maximum emotional investment. I don’t know what to say here about his style that I didn’t mention in my reviews of “Midnight Mass” or “Doctor Sleep“, I can’t really elaborate much beyond it. The dude’s amazing. And Michael Fimognari’s cinematography is beautiful as always. It’s just an insanely well crafted show.

This show has been very well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 79/100. And on imdb.com it has a score of 8.6/10, and is ranked #132 on the “Top 250 TV” list.

“The Haunting of Hill House” is a masterful horror-drama, and a further showcase for why Mike Flanagan is one of the best filmmakers around. It has a fantastic story, great characters, fantastic performances, fantastic music, and fantastic directing/cinematography. Time for my final score. *Ahem*. My final score for “The Haunting of Hill House” is a 9.93/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Haunting of Hill House” is now completed.

And with that, the Month of Spooks is over. Now if you’ll excuse me, I have tears to mop up. God damn it, Flanagan…

Movie Review: The Mitchells vs. The Machines (2021)

While I miss going to the cinema, it’s nice that I still can experience brand new movies from the safety of my own home. And this one comes to us straight from Netflix.

Ladies, gents, and non-binaries… “The Mitchells vs. The Machines”.

Going on what is meant to be a family bonding road trip, the dysfunctional Mitchell family find themselves caught in the middle of a robot apocalypse, and must do everything they can to survive and possibly also save the world. So yeah, this movie blends a lot of familiar elements into its story. There’s the whole dysfunctional family angle, the misunderstood teenager, there’s a road trip comedy, there’s robots trying to take over, there’s social commentary on modern tech… yeah, this soup has a lot of ingredients. And they all come together quite well to make for a highly enjoyable narrative. Yes, it really doesn’t do much new, but that’s okay, because it handles its familiar ideas in really fun, easily digestible ways. It also helps that it seldom lets anything outstay its welcome, thanks to a crackling pace. But it does also know to slow down when there needs to be a bit of character drama. It’s basically a good, well paced story that I highly enjoyed.

The characters in this are all charming, colorful, and highly entertaining. They all have some quirk to them that is used in fun ways throughout the movie, and it also at times makes for some interesting character dynamics when needed. I don’t really wanna say too much more, as I feel the characters and their unique charms are best left experienced, so let’s just mention some of the actors in this, all of which are great in their respective roles. You got Abbi Jacobson, Danny McBride, Maya Rudolph, Michael Rianda, Eric André, Olivia Colman, Fred Armisen, Beck Bennett, and many more.

The score for the movie was composed by Mark Mothersbaugh, and I think it’s great. It’s very energetic and fun, fitting the fast pace of the movie. I also think the heavy use of synths add a lot to it, complementing both the robot uprising and the bouncy family adventure. There’s also a few licensed songs used here, and they work fine.

“The Mitchells vs. The Machines” was written and directed by Michael Rianda and Jeff Rowe, and I think they did a terrific job with it. This movie has this really energetic and snappy direction that really helps keep any moment from getting stale, and which makes action scenes an absolute joy to behold. Speaking of beholding, holy crap, this animation in this is spectacular. It is of course 3D/CG in its basis, but it also seems to incorporate elements of cel-shading, some traditional 2D animation, and even a few other styles at a few points that I won’t spoil. But yeah, it makes for animation that really pops off the screen lingers in the viewer’s (AKA my) mind. The movie is also insanely funny, there’s so many jokes here I laughed really hard at. There were also a few I didn’t really enjoy, but thanks to the movie’s fast pace they didn’t really outstay their welcome, so the overall experience remained very positive.

This movie just came out, so ratings might change over time (I will however not change anything, for I am lazy). On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 80/100. And on imdb.com it has a score of 8.2/10.

“The Mitchells vs. The Machines” is an insanely fun and hilarious family film that I highly enjoyed. It has a really good story, great characters, great performances, great music, fantastic direction/animation, and hilarious comedy. Time for my final score. *Ahem*. My final score for “The Mitchells vs. The Machines” is a 9.67/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “The Mitchells vs. The Machines” is now completed.

It’s been a while since I laughed so much that it made me cough. Good on ya, movie.

Movie Review: The Karate Kid (1984)

Your suspicions are correct, I only saw this classic for the first time today. I know, shame on me for being late to the party, yada yada yada. Now, for those who haven’t left me over this horrific revelation… let’s talk about the movie.

Ladies and gents… “The Karate Kid”.

Daniel LaRusso (Ralph Macchio) has just moved to California with his mom (Randee Heller). However, things aren’t just sunshine and palm trees for poor Daniel, as he soon starts getting bullied by a group of karate-proficient bullies. This soon leads him to befriending an older Japanese man (Pat Morita) that may or may not be able to teach Daniel how to defend himself. So you get yourself a bit of an underdog story, a bit of a coming of age story, and a bit of martial arts (and even a few drops of philosophy). It’s a narrative that encompasses a lot of things, and handles most of them with a surprising amount of grace and nuance. This does add a little bit to my main criticism with the film, which is that the runtime really could be felt at times. I wasn’t necessarily bored per se, but let’s just say that those 2+ hours do feelt like 2+ hours. Overall it is a fun story that I found myself pretty engaged with, even if it felt like it dragged at points.

The characters in this are colorful, entertaining, and surprisingly layered. Ralph Macchio plays Daniel LaRusso, the Jersey kid forced over to California. At first he can come off as that typical angsty teen, but soon shows that he is more than that. He’s charming, he’s funny, and he’s a good dude who just wants to live his life. And to see that personality get tested through Daniel’s various trials and tribulations is quite interesting, with Macchio giving a great performance. Next we have Pat Morita as Mr. Miyagi, the older man that Daniel befriends and (as you all know) agrees to train. He’s a bit of an eccentric man, which makes him a really entertaining character, with Morita being really good in the role. And I have to say, the chemistry between Macchio and Morita is stellar, and is arguably the best part of the entire movie. We also get supporting work from people like Randee Heller, Elisabeth Shue, Martin Kove, William Zabka, and more, all doing very well in their respective roles.

The score for the movie was composed by Bill Conti, and it was a lot of fun. It has a lot of familiar 1980s cheese to it with big, inspirational brass and what I’d like to call “montage synths”. You know, those kinds of synths that only show up in old underdog stories to serve as some sort of personal growth/montage thing for the character (you’ll know ’em when you hear ’em). Either way, I think his score is a lot of fun and works well for the movie. There’s also a bunch of licensed songs used through, and they work pretty well in their respective scenes.

“The Karate Kid” was directed by John G. Avildsen, and I think he did a good job. Shots have a nice flow to them, and his direction has a certain type of energy that really helps bring you into the scene. He also makes the story feel a bit more grandiose than it is. Because if you think about it, the story itself is relatively small scale, but Avildsen has a way of making it feel quite substantial. I will also say that I enjoy the way he shoots martial arts. It doesn’t show up that much in the film, all things considered, but when it does it’s nicely shot and gets properly shown off.

This movie has been pretty well received. On Rotten Tomatoes it has an 89% positive rating and a “Fresh” certification. On Metacritic it has a score of 60/100. And on imdb.com it has a score of 7.3/10. The movie was also nominated for 1 Oscar in the category of Best supporting actor (Morita).

So while it does have some mild pacing issues, “The Karate Kid” is still a highly entertaining coming of age story that I really enjoyed. It has a good story, good characters, great performances, really good music, and great directing. Time for my final score. *Ahem*. My final score for “The Karate Kid” is an 8.60/10. So while flawed, it’s still certainly worth buying.

My review of “The Karate Kid” is now completed.

You’re the best around, nothing’s gonna ever keep you down…

12 Films of Christmas 2020 (Final Part)

It’s time, ladies and gentlemen. The final part in my 12 Films of Christmas series. And honestly, it’s most likely not only for this year. While fun has been had with this series, I do feel that it’s getting a little stale. Plus, it is a little draining cranking out themed content at this rate. So consider this series retired… at least for the time being, I might get the urge to bring it back in a few years. But seeing as it’s the alleged final 12 Films of Christmas post, I thought it only appropriate to bring out the grandfather of all holiday films.

So today we’re talking about “It’s a Wonderful Life”, the acclaimed 1946 holiday drama. It follows George (James Stewart) and the many ups and downs of his life. Yeah, it’s basically this man’s life story from child to depressed businessman. It’s a fascinating little holiday tale with sads and happies and other emotions. Now, I’ll be the first to admit that I didn’t find the story perfect. I do feel that it does drag a little at times, mainly in the first two acts. It’s not film-breaking, but it does bring it down a little for me. While I generally think George is a fascinating fella, and the story an intriguing and pretty nuanced one, I do feel that the film’s weird pacing hurts it to some degree.
But I can’t deny just how fucking good that final act is. That’s when the story truly kicks into high gear. That’s where the film really starting hitting me in the ol’ heart. The final act is perfect.
So yeah, I don’t love this as much as the rest of you… but I still think it’s really solid and I’m definitely glad I watched it.

On the twelfth day of christmas, this series it did die
But to this blog Markus he’ll never say goodbye

Merry fucking christmas, friends. Now if you’ll excuse me, I’m gonna take a few days off.

12 Films of Christmas 2020 (Part 4)

Hey, I know you were planning to head out for a walk. But baby it’s cold outside, so you should instead stay indoors, get yourself a cup of your favorite warm beverage, and read this post of mine. Sound good? You got your warm beverage? Good, then let’s do this.

So today we’re talking about “Klaus”, a 2019 Netflix animated movie about Jesper (Jason Schwartzman), a spoiled, lazy brat whose entire world gets flip turned upside down when his dad forces a job on him in hopes that he’ll learn something about responsibility. What job? Being a mailman on a remote island, of course. And while trying to come to terms with his new position, Jesper meets a hermitic bearded man (J.K. Simmons), and the two soon form a partnership to bring joy to the children of the island. All while the elders of the island try to keep this joy from happening, because it goes against tradition. So yeah, a lot of familiar tropes going on here. But familiarity doesn’t mean poor quality. Because the execution here is terrific. It’s filled with heart and warmth and hilarious humor. Mix the already enjoyable story with colorful and charming characters played by a stacked and perfectly chosen cast, and you get a movie that managed to dig itself into my heart.
But this delicious sundae isn’t complete with a little cherry on top, and for “Klaus”, that cherry comes in the form of some of the most beautiful animation I’ve ever seen. What’s even cooler is that it’s generally traditional hand drawn 2D animation, but then it implements some CG in the lighting and shading department, creating this uniquely dynamic style for the movie that is utterly breathtaking to look at.
So to try to wrap this up, “Klaus” is a nicely told little holiday tale filled with heart, great performances, and amazing animation. I can definitely see myself watching this next year too… and the year after that. It’s amazing.

On the fourth day of christmas, to my heart Klaus said hi
And later yours truly proceeded to cry

12 Films of Christmas 2020 (Part 2)

Hohoho, and a good evening to you (it’s evening where I am at the time of writing, shut up). So anyway, shall we continue with this silly little series of mine.

’twas the night before christmas and all throughout the house, not a creature was stirring, not even a mouse. Okay, that was not right, as there were actually two siblings up all night. Waiting for Santa all of his toys, so to not get caught by him they shouldn’t make noise. But for there to be some plot, their plan works out not. So now the siblings must give a hand, to help Santa save christmas all across the land. Aaaaaand I can’t keep that up anymore, back to non-rhyming jackass Markus. But yeah, I think you get the gist of the plot for “The Christmas Chronicles”. It’s a fairly standard kids’ christmas adventure film narrative, that has some nice moments throughout. And the two kids playing the siblings are really good in their roles. They deliver their lines well, they have good chemistry, and they even bring some nice charisma to proceedings. But that’s enough of that, let’s talk about the main event here.
KURT FUCKING RUSSELL PLAYS SANTA CLAUS. I swear, the pitch meeting probably went something like
“So imagine Santa Claus… ”
“Yeah?”
“But Kurt Russell!”
“Here’s moneys”.
Who knows, maybe I’m wrong. But it sure feels that way. Like I said, the narrative doesn’t do much to stand out, but it manages to still pop a bit within the crowd of holiday hijinks thanks to Kurt Russell. He brings that rugged charm of his to this role, and it is endlessly entertaining to watch. Every time he was on screen, I smiled. He is terrific, I don’t know how else to put it.
So to try to tie this present together, “The Christmas Chronicles” is a fun enough family adventure that stands out thanks to Kurt Russell as Santa Claus. It is maybe a little too long, but overall it’s still a fun enough little holiday adventure on Netflix.

On the second day of christmas, this film in my mind seared
The image of Kurt Russell’s glorious beard

Movie Review: Hereditary (2018)

Trauma, we all experience it in one form or another. Aaaaaaand with that, you should be aware that the jokes won’t be flowin’ throughout this post. So let’s just get one out of the way right now, before shit gets serious. What do you call in Aussie actress who fetches her paycheck? Toni Collect.

Ladies and gentlemen… “Hereditary”.

After the death of one of their relatives, the Graham family does their best to move on. But that isn’t so easy, as increasingly strange and disturbing things keep happening around them. Talking about the narrative of “Hereditary” without getting into too many details is difficult, as I feel it is one best left experienced knowing as little as possible. Because it’s not some typical horror narrative, and don’t worry, I’m not pulling out that whole “elevated horror” bullshit. I’m just saying that if you’re expecting spooky jumpscare fest number gazillion, then you’re gonna be sorely mistaken. “Hereditary” is mostly a slow burn family drama that also happened to get under my skin thanks to some bone-chilling imagery, tragic and believable writing, and an eerie atmosphere. It’s been a while since I watched a scary movie that got under my skin this much, while also keeping me emotionally invested in the drama.

The characters in this are flawed, damaged, nuanced, and simply enthralling to watch, and a lot of that comes down to the stellar cast. Toni Collette, Alex Wolff, Milly Shapiro, Gabriel Byrne, and Ann Dowd are all fantastic in their respective roles. There’s not a single weak link in this entire cast.

The score for the movie was composed by one Colin Stetson, and I think he did a great job with it. It’s eerie, it’s emotionally charged, it’s tense, and it just generally fits the movie quite well, often elevating some already stellar moments throughout. It’s not one of those I’m gonna find myself listening to in my spare time, but I did think it was good.

“Hereditary” was the first feature film written and directed by Ari Aster, who also did “Midsommar” (which I talked about last year). And holy fucking shit, this dude knows what he’s doing. Whenever someone gets to make their first feature, there’s something that might feel rocky about the craft… but not here. Aster shows skill far beyond his years, building an unsettling atmosphere and suspense seldom seen in modern horror. And when mixed with Pawel Pogorzelski’s often symmetrical and very rigid cinematography, you get a movie that is both beautiful and unsettling to look at. Speaking of unsettling visuals, I should warn that there’s some incredibly distressing visuals at a few times. I can stomach violence and gore and stuff… but some of the stuff here managed to get a strong reaction from me. So consider yourself warned.

This movie has been well received. On Rotten Tomatoes it has an 89% positive rating and a “Fresh” certification. On Metacritic it has a score of 87/100. And on imdb.com it has a score of 7.3/10.

“Hereditary” to me is a visceral and haunting horror-drama like no other. It has a great story, really good characters, fantastic performances, really good music, and excellent directing/cinematography. Time for my final score. *Ahem*. My final score for “Hereditary” is a 9.89/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Hereditary” is now completed.

Give Toni Collette an Oscar, you cowards.

Movie Review: The Fate of the Furious (2017)

Well this review was a long time coming. If you’ve followed my blog for an extended amount of time, you’re probably aware that I spent a decent chunk of 2015 reviewing every “Fast & Furious” movie leading up to the seventh installment. Then later that year I did that one. So this franchise has become a bit of a staple for this blog. So let’s talk about the eighth installment.

Family… “The Fate of the Furious”.

After our beloved gang pulls another job for the government, their leader Dom Toretto (Vin Diesel) betrays them and starts working for a shady hacker/terrorist known as Cipher (Charlize Theron). So we follow the crew as they do everything in their power to stop Cipher and get Dom back. Not gonna lie, I found myself surprisingly engaged by the narrative here. Maybe I’m biased because I’ve grown attached to this world and these characters, but I felt like there was a lot of effort put into making the story here as dramatically engaging as possible without sacrificing the fast and furious thrills of the franchise. This does bring down the pace ever so slightly, but never to the point of ruining the movie. It’s still generally a fast-paced action fest, and I do appreciate some of the slower moments as they add a surprising amount of nuance and genuinely interesting conflict to the story. So yeah, not perfect, but still very good.

The characters in this are just as colorful, charming, and entertaining as ever, but now also have added character conflict due to the aforementioned part of Dom going bad. Speaking of which, let’s start with Dom, once again played by mumblegrumble master Vin Diesel. Dom is usually the same ol’ guy in every movie, so it’s nice to see him get a little extra character development for a change. And I must say, this is the best I’ve seen Diesel in this franchise, the dude shows that he can do more than just his signature mumblegrumble. Charlize Theron as newcomer villain Cipher is really good in that role, playing her with a generally quiet menace right out of a 90s movie (which I love). Next we have Dwayne Johnson and Jason Stathamas Hobbs and Shaw, both returning characters, mortal enemies forced to work together to stop Cipher. Their banter here is amazing, their chemistry is amazing, they are amazing. Michelle Rodriguez, Ludacris, Tyrese Gibson, Nathalie Emmanuel, and Kurt Russell all return in their roles, and they are all very good in their roles. And in a few other supporting roles we have Scott Eastwood, Patrick St. Esprit, Kristofer Hivju, and Celestino Cornielle. So overall it’s quite a well rounded cast.

The score for the movie was composed by franchise mainstay (bar the sixth one) Brian Tyler. And it’s another good score. Big bold brass and the occasional soft string and piano. It’s not exactly the most original or unpredictable score, but it serves the movie just fine. There’s also a handful of licensed songs used throughout, all hip hop, all fitting really well in their scenes. So yeah, the movie has good music.

“The Fate of the Furious” was directed by F. Gary Gray, and I think he did a good job with that. He shows with his direction that he knows how to make actions feel like they have weight. So when things happen, they feel like they happen and really hurt, even when it’s clearly done mainly in a computer. Which brings us to the action scenes, which are the dumbest, silliest, most insane set pieces this franchise has seen so far… and I love all of them. I love heavy dramas, I love being intellectually challenged… but sometimes I just need something ridiculously stupid to put a big smile on my face. And the action in this movie did just that. The action in this is an absolute blast to watch.

This movie has been decently well received. On Rotten Tomatoes it has a 67% positive rating. On Metacritic it has a score of 56/100. And on imdb.com it has a score of 6.7/10.

“The Fate of the Furious” is an absolutely bonkers action movie with a lot of heart, and while that might not be everyone’s cup of tea, I absolutely loved it. It has a really good story, really good characters, great performances, good music, and great directing/action. Time for my final score. *Ahem*. My final score for “The Fate of the Furious” is a 9,56/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Fate of the Furious” is now completed.

Sometimes you just need something stupid.

Series Review: Brotherhood – Season 1 (2002)

What, you thought Summer of the Swedes was only about movies? Ahahaha, well to be honest, so did I at first. But hey, shit changes sometimes, you know. So anyhow, shall we get into the review?

Ladies and gentlemen… “Brotherhood” (original title: Tusenbröder) season 1.

Jan “Hoffa” Lenhoff (Ola Rapace) is a young family man who decides to open up a painting business with his friends (Shanti Roney, Danilo Bejarano). However, when things start going less than stellar for the business, the gang will have to resort to less legal methods to make ends meet. Generally speaking, this is a drama about family and the bond between the main trio (hence the show’s title), that just happens to feature some crime elements to help push the drama along. And I must say, I found myself quite compelled by the narrative here. I’m not saying that it’s one of the best stories out there, but I was definitely surprised at all the little nuances that the show presented. It’s not just “Oh, some good dudes falling on hard times, everything that happens can be somewhat justified”. The story here makes you question everything going on, makes you think about events from multiple angles, creating some really engaging tension and conflict throughout the five episodes.

Like the story before them, the characters of this show come with a surprising amount of nuance. Ola Rapace (credited in the show as Ola Norell) plays Hoffa, a man who loves his family, his friends, and wants to make sure his life goes smoothly. And over the course of the season we get to see his various conflicts, from his tense relationship with his dad, to the bond he has with his friends getting tested, to his inner turmoil around the illegal stuff he has to take part in. It’s all good stuff, and Rapace is really good in the role. Next we have Shanti Roney as Niklas, one of Hoffa’s best friends. At the start he just seems like the generally meek one of the group, and over the show we get to see him evolve in some really intriguing ways that make him a really fascinating character. And Roney is great in the role. Next we have Danilo Bejarano as Hamid, the third member of the main trio. He’s probably the one in the group with the least bit of development, while still being an interesting an vital part of the group when it comes to the drama. And Bejarano is good in the role. We also get supporting work from people like Anja Lundqvist, Sofia Helin, Lisa Lindgren, Tomas Pontén, Krister Henriksson, and more, all doing well in their respective roles.

The score for the show was composed by Martin Hansen and Mikael Nord Andersson. And I thought it was great. It’s generally speaking based around a blues-inspired acoustic guitar, which I think works in elevating the already solid drama on display here. As far as the licensed music goes, some of it works fine, and some songs don’t. There’s one or two tracks that actually took me out of the scene because of how it didn’t completely fit with the intended tone. So yeah, score’s great, licensed music can be hit or miss.

The show was created by Lars Lundström, with Erik Leijonborg directing all five episodes this season. And I must say that while the show looks like it was shot on a Sony Potato™, I can’t fault the overall direction. Leijonborg’s direction may not be flashy or even necessarily visually appealing, but I do think that works to the show’s advantage, seeing that it kinda fits the blue collar perspective the characters come from. With this said, some of the editing in a few scenes felt a little… janky. For the most part it’s fine, fairly standard stuff, but there’s a few scenes where it could be a little bit off. It’s nothing totally game breaking, but I felt that it’s worth pointing out.

On imdb.com, the show has a score of 8.2/10.

While it does have a few flaws in the technical department, season 1 of “Brotherhood” is a surprisingly great little drama series. It has a really good story, good characters, great performances, really good music, and good directing. Time for my final score. *Ahem*. My final score for season 1 of “Brotherhood” is an 8,82/10. So while slightly flawed, it’s still definitely worth watching.

My review of “Brotherhood” season 1 is now completed.

Most good Swedish shows I’ve watched have been comedies, so it’s nice finding a quality drama.

12 Films of Christmas 2019 (Part 5)

It’s time for part 5 of this goofy series of mine. More contrivances, here we go. And today we’re actually talking about a movie from my own country for once, I know, my mind is as blown as yours.

Today’s movie is called “A Summer Tale”, directed by Ulf Malmros, and released in 2000. Set in 1958, it follows two kids (Anastasios Soulis and Rebecca Scheja) as they get sent to live with a cantankerous funeral director (Kjell Bergqvist) for the summer. So now… now… now… I hear what you’re thinking. “Markus, you dumb bastard, how the hell are you gonna get a movie with SUMMER in the title to fit within the christmas category?”. Well, my impatient friend, let me sit your ass down and tell you.

When the kids first meet this funeral director, their relationship to him is stale at best, and tense at worst. He’s not abusive and horrible towards them, but he’s not exactly someone I’d wanna send my theoretical kids to. But as one might expect from this setup, these two parties of course start to warm towards each other, all the while the funeral director tries to get a local teacher he has a crush on to go out with him. So while yes, the movie is set during the summer, it’s still all about family and finding love. You know what part of the year is often associated with family and love? Christmas. Everyone always talks about how that holiday should be spent spreading love and being with your family. And since this movie is all about that shit, you’d imagine it could fit within that.
While “A Summer Tale” isn’t one of the greatest movies ever made, I found myself surprisingly entertained by it. It’s a heartwarming little dramedy that made me really care about the characters, all of whom are very well acted by the actors involved (yes, the kids too). It’s a good flick.

Have a good one.