Series Review: Buffy the Vampire Slayer – Season 6 (2001 – 2002)

Been a while since we did one of these, wasn’t it? Hold on, lemme check… Yup, December 2020, Jesus Christ. Shocking delay aside, my rewatches and reviews of this show finally continue. So let’s fucking gooooooo. Oh, and spoilers for the end of season 5, because that stuff ties into a few plotlines for this season. So if you haven’t watched that and don’t want spoilers… begone, come back later. As for the rest of y’all…

Ladies, gents, and non-binaries… “Buffy the Vampire Slayer” season 6.

Picking up months after Buffy’s (Sarah Michelle Gellar) heroic sacrifice at the end of season 5, she gets brought back to life by her friends. And we follow her as she’s reeling from that, seeing how what effect it has on her, all the while a new, yet familiar threat rises in Sunnydale, along with the usual subplots of the various members of the gang. Season 6 of “Buffy” has some interesting ideas within its narrative, and even has some great episodes and moments. But in the grand scheme of things it is quite dour and joyless. Yes, there is still fun to be had, ranging from the delightful “Once More With Feeling” to the charming “Tabula Rasa”, the latter of of which featuring one of my favorite visual puns in anything ever. But despite there being a decent amount of good stuff, there’s also a lot of things that really drag down this season for me. There’s the aforementioned tonal issues. The first half of the season isn’t quite as bad for that, but good god, the back half is almost pure misery all the time. Occasionally the seriousness leads to some good drama (the last episode for example, I think is damn good), but generally it becomes such an onslaught of pain that it becomes numbing. What doesn’t help is the general big bad of this season, which is a few people who’ve appeared in previous seasons. Not inherently the worst idea, and their specific plotline is oddly prescient to our society today. But in terms of how well it works within the show? Not really a big fan. They just become kind of annoying and don’t really add anything in terms of dramatic value. I see a lot of potential throughout the season, and there are some great fucking ideas throughout, but they either feel undercooked, incorrectly utilized, or missed. So yeah, in terms of story this season is a very mixed bag.

The characters here… you know, the characters of this show are usually a highlight. And obviously I still generally love them, but something about their development throughout this season is, once again, a mixed bag. Buffy herself remains pretty great, and her arc this season is one of the better ones, with Sarah Michelle Gellar once again absolutely fucking killing it. The only other arc I’ll talk about in a slightly longer format is that of Spike, played by James Marsters. Back in the earlier seasons he was the best. A Billy Idol-inspired vampire who was a crackerjack of charisma, violence, and badassery… Spike this season is a pathetic simp, and it’s one of the biggest mistakes the show’s made. Marsters still kills it with the material given, but the character’s development just doesn’t work. The rest of the cast, some get good stuff, some get less good stuff. Alyson Hannigan, Nicholas Brendon, Amber Benson, Emma Caulfield Ford, Michelle Trachtenberg, Anthony Head, they all put in good work.

The score for this season was composed by one Thomas Wanker (don’t laugh). And I think he did a good job. His style is generally understated, having a lower, more subtle tone that carries through, which I think sounds really good. This season also saw the return of Christophe Beck, as he did the music for the episode “Once More, With Feeling”, an episode which has some top tier tunes. So yeah, that’s cool. As for licensed tracks, there’s a handful used throughout, and they work pretty well in their respective scenes.

Season 6 of “Buffy the Vampire slayer” was, as always, written and directed by a whole slew of talented people, all bringing something interesting to it. It’s all generally well shot, with solid action and effects for the time.  Editing in some scenes can be a little too quick, but on the whole the craft is good. I don’t really know what to add, these guys basically found their groove around season 3, and there’s been much different in terms of improvement, it’s just a show that is well put together.

This season has been quite mixed in its reception. It has a 63% positive rating on Rotten Tomatoes. On Metacritic it has an audience score of 4.9/10. And while there’s no season average, the show overall has a score of 8.2/10 on imdb.com.

Season 6 of “Buffy” is, as you’ve most likely gathered from my ramblings, a bit of a mixed bag. While it does sport some really good episodes and moments, on the whole it’s quite a mess. The story is mixed, the characters are pretty good, the performances are great, the music’s really good, and the directing is really solid. Time for my final score. *Ahem*. My final score for season 6 of “Buffy the Vampire Slayer” is a 7.20/10. So while it does have a fair bit of missteps, I’d still say it’s definitely worth watching.

My review of “Buffy the Vampire Slayer” season 6 is now completed.

Just one more season to go.

Series Review: Castlevania – Season 4 (2021)

This review is a bit of a bittersweet one. On one hand, I get to talk about this show once again (yay!)… but this has also been confirmed to be the final season (boo). I’ve loved every season that’s come before, so I was of course excited. But then we get to the question: Did they stick the landing? Let’s find out.

Ladies, gents, and non-binaries… the final season of “Castlevania”!

We once again find ourselves within the region of Wallachia as Trevor (Richard Armitage), Sypha (Alejandra Reynoso), and Alucard (James Callis) once again must go on quests to save the people, and possibly also the world as we know it, from powerful forces. All the while Carmilla (Jaime Murray) and her vampire sisters scheme to try and take over the world, with Isaac (Adetokumboh M’Cormack) working to find a way to kill her. As you can read, a lot of shit is going on here, and even then I left out A LOT of stuff as I don’t want to spoil it for anyone. But what’s my verdict on the story here? It’s great. They manage to make everything feel like it truly matters, like there are actual stakes, and they manage to keep it consistently engaging. Whether it’s through a big, over the top action scene or a slower, more conversational part, the writers manage to keep it really engaging throughout the entire 10 episode run. And when it’s all said and done, it wraps up in an emotionally satisfying way that works really well for the story and world that they’ve developed.

The characters of this show, be they new or old, remain some of the most colorful, layered, fun, and overall interesting ones in recent memory. Most of them get a good arc here, and I think it makes for some great dynamics between them, as well as just making them highly engaging on their own. And the cast is just as stellar as ever, with both returning cast members and newcomers giving it their fucking all. And within said cast we find people like Richard Armitage, Alejandra Reynoso, James Callis, Adetokumboh M’Cormack, Jessica Brown Findlay, Theo James, Jaime Murray, Yasmine Al Massri, Ivana Milisevic, Malcolm McDowell, Toks Olagundoye, Titus Welliver, and many other very talented actors.

As with the previous seasons, Trevor Morris stood for the music, and once again he’s killed it. Big, epic orchestral pieces, smaller and more somber pieces, even a little bit of synth, the man mixes a few different styles that fit beautifully into creating a highly engaging soundscape for the show.

As with its previous seasons, “Castlevania” season 4 was written by Warren Ellis, with the Deats brothers handling the directing. And once again, the craft on display here is out of this world good. And where that shines the most is of course the animation, which is utterly breathtaking, especially during action scenes. Sure, it looks really good during slower, talky scenes too, but it’s during action that it really comes alive, giving us some breathtakingly dynamic, gruesome, and utterly badass fights that I will not forget any time soon. Powerhouse Animation, man, they never slip up.

This show/season just came out, so it currently doesn’t have much data on my usual sites. But here is still the link for the Metacritic page. On Rotten Tomatoes it currently has a 100% audience rating. And on imdb.com it has a score of 8.2/10.

So yeah, the final season of “Castlevania” completely sticks the landing, making for an emotionally satisfying and highly entertaining end to this series that I love. The story is great, the characters are great, the performances are fantastic, the music is great, and the directing/animation is fantastic. Time for my final score. *Ahem*. My final score for the final season of “Castlevania” is a 9.97/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Castlevania” season 4 is now completed.

It’s… it’s over… *sad sniff*.

Series Review: Seis Manos – Season 1 (2019)

Is it time to talk about animation? I believe it’s time to talk about some animation. Hell, I’d say it definitely is time to do that. That’s the perk of running your own blog. No editor who can say “No, you can’t talk about animation now”.

Dames y hombres… “Seis Manos” season 1.

1970s Mexico. When a vicious gangster (Danny Trejo) starts unleashing hell upon the world, a group of varying people get brought together to try to stop him. This motley crew includes some martial artists (Aislinn Derbez and Johnny Cruz), a local cop (Angélica Vale), and an American DEA agent (Mike Colter). “Seis Manos” is fascinating in the sense that it’s a pretty eclectic mix of ideas, inspirations, and styles. On the surface it seems be a mix of crime-drama and martial arts action, but then you also start mixing in stuff like grindhouse, comedy, fantasy, body horror, eastern philosophy, and even elements of Blaxploitation. And then you of course also take the Mexican setting into account, which means a lot of that culture gets mixed into proceedings. So you’d think the storytelling of this show would be an absolute clusterfuck… but no, the crazy songs of bitches pulled it off. While it does lose a little bit of focus towards the end, I do still feel that there’s some really solid storytelling going on here. Yes, it’s eclectic, but that also adds a lot of personality to it, while still being a generally entertaining narrative to follow. It does have a fair bit of emotionally resonant drama, but it also generally serves as a fun and unusual tale that is just plain fun to follow.

The characters in this are of course based on tropes and archetypes we’ve seen before, but we do also see them played around with to a decent extent, making for some enjoyable development. Like the three martial artists Isabela, Jesus, and Silencio. One a tough but loving woman, one a big, lovable goof, and one a dark and quiet man. All three start out with that one detail and get some enjoyable development throughout. Then there’s Garcia, the local police officer who gets tangled up in this insanity. A tough but fair cop trying to prove herself while still staying true to herself. And she’s very interesting too. Then there’s Brister, a fridge of a man working for the DEA, working to take down bad guys. He’s a smart-aleck with a lot of colorful lines and a very “I don’t have time for this shit” kind of attitude, which gets tested at every turn for not only great comedy, but some genuinely interesting character development. And the villain, El Balde, is one vicious motherfucker, making for one hell of an intimidating presence. And the voice cast, containing people like Aislinn Derbez, Jonny Cruz, Mike Colter, Danny Trejo, Angélica Vale, Vic Chao, and more, all do very well in their respective roles.

The score for the show was composed by Carl Thiel, and I think he did a really good job with it. Much like with the narrative it complements, the score takes inspiration from many sources. Of course it has some familiar use of strings, keys, and brass for action stuff. But there’s also some traditional Mexican stuff throughout, a little bit of 70s noir-inspired funk, and probably some other specific styles I currently forget. Either way, it’s an interesting mix of sounds that pays off in making for giving the show an interesting soundscape.

“Seis Manos” was created for Netflix by Brad Graeber and Álvaro Rodríguez, with Willis Bulliner handling the directing. It’s also animated by Powerhouse Animation, a studio that I’ve talked about a few times before on this blog (*Shameless* and *Plug*). So as to be expected, I was excited to see how this show would end up looking. And it looks really good. Character designs are charming and fight scenes are kinetic and exciting. While it isn’t Powerhouse’s overall strongest piece of animation, it’s still really well handled, giving us some terrifically directed animation/action to enjoy. Plus, we don’t get much in terms of martial arts animation here in the west, so this show delivering on that was an absolute treat for me.

This show/season has been pretty well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 7.2/10.

While the final act of the story is a little bit lacking in focus, season 1 of “Seis Manos” is still a highly entertaining and refreshingly unique bit of animation. It has a good story, good characters, great performances, great music, and great directing/animation/action. Time for my final score. *Ahem*. My final score for “Seis Manos” season 1 is an 8.87/10. So while flawed, it’s still definitely worth watching!

My review of “Seis Manos” season 1 is now completed.

I hope we get a season 2. Or should I say… SEISON!?

12 Films of Christmas 2020 (Final Part)

It’s time, ladies and gentlemen. The final part in my 12 Films of Christmas series. And honestly, it’s most likely not only for this year. While fun has been had with this series, I do feel that it’s getting a little stale. Plus, it is a little draining cranking out themed content at this rate. So consider this series retired… at least for the time being, I might get the urge to bring it back in a few years. But seeing as it’s the alleged final 12 Films of Christmas post, I thought it only appropriate to bring out the grandfather of all holiday films.

So today we’re talking about “It’s a Wonderful Life”, the acclaimed 1946 holiday drama. It follows George (James Stewart) and the many ups and downs of his life. Yeah, it’s basically this man’s life story from child to depressed businessman. It’s a fascinating little holiday tale with sads and happies and other emotions. Now, I’ll be the first to admit that I didn’t find the story perfect. I do feel that it does drag a little at times, mainly in the first two acts. It’s not film-breaking, but it does bring it down a little for me. While I generally think George is a fascinating fella, and the story an intriguing and pretty nuanced one, I do feel that the film’s weird pacing hurts it to some degree.
But I can’t deny just how fucking good that final act is. That’s when the story truly kicks into high gear. That’s where the film really starting hitting me in the ol’ heart. The final act is perfect.
So yeah, I don’t love this as much as the rest of you… but I still think it’s really solid and I’m definitely glad I watched it.

On the twelfth day of christmas, this series it did die
But to this blog Markus he’ll never say goodbye

Merry fucking christmas, friends. Now if you’ll excuse me, I’m gonna take a few days off.

Series Review: Dragon’s Dogma – Season 1 (2020)

I love animation. I love video games. So the two smashed together should be heaven, right? Right? Why are you so quiet?

Ladies and gents… “Dragon’s Dogma” season 1.

Ethan (Greg Chun) lives a nice, relatively quiet life with his wife. This peace doesn’t last however when the entire town is destroyed and Ethan’s heart gets eaten by a giant dragon. Shortly after our hero finds himself resurrected by a mysterious magical lady (Erica Mendez), and vows to find and slay the dragon that ruined his life. It’s a mostly classic fantasy/revenge setup with elements that we’ve seen before. Where it tries to stand out somewhat though is in its storytelling… keyword being tried. The idea with each episode is that as Ethan travels the country in search of the big spooky lizard, he encounters different monsters and situations mirroring the seven deadly sins (which can even be seen in each episode title). And while they have some wonderful ideas for how that will work, I feel like they undercooked this heart steak a bit. While the show’s fast pace keeps it from getting too stale, it does hurt the storytelling. Nothing really gets to simmer. They have interesting developments and ideas within each episode, but I never feel as invested as I could be given the interesting subject matter. So instead of getting the nuanced fantasy narrative that I know the crew’re striving for, we get a story that never reaches its full potential, bar one thing in the final episode.

Where the story does falter… the characters don’t do much to help. I will say that Ethan, our main protagonist, does have some interesting stuff going on. Each episode we see some mild developments on his side, and it does make him a somewhat compelling character. And Greg Chun does a great job with his voice work there. Then we have the pawn (also known as Hannah), the mysterious magical lady I mentioned earlier who resurrected Ethan. She is a little bit of a blank slate, only there to serve as a somewhat logic-driven sidekick to Ethan. There is great potential with her character, but it’s never fully achieved. At least Erica Mendez does a good job with her performance. The rest of the cast aren’t necessarily as great though, because most of them attempt some form of British accent (‘ullo gov’nah), with a majority sadly falling flat on their face.

The score for the show was composed by Tadayoshi Makino, and I think his music here is great. It is of course based in a lot of the brass, strings, and piano we have heard in fantasy before. But Makino puts his own spin on it to some degree, making for a score that is exciting, emotional, and ear candy of the highest degree.

Based on the 2012 video game from Capcom, “Dragon’s Dogma” was animated by studio Sublimation for Netflix, with Shinya Sugai handling direction. Aaaaaand I have mixed feelings. Lookign at the overall shot composition, you can tell that these guys have a good eye, there’s a lot of good “camera” movements and nice ideas for stills. This is however brought down by the studio’s choice to go with a pseudo 3D style of animation. Now, in the few instances I’ve seen this styles pop up in other things, it hasn’t been very good. And while it certainly looks slightly less shit than some other instances of this weird 2D/3D amalgamation, it still doesn’t work. All the characters look lifeless dolls, and movements look really janky. This is almost even worse with some of the creatures in this show, who get these pretty murky textures draped over them, which makes them look really bad. There are moments of good animation however. Fleeting moments of regular, hand-drawn 2D animation. And it’s a shame that these are such brief moments, because those instances look amazing. But overall, the animation here isn’t great.

This show’s gotten some mixed reception. On Rotten Tomatoes it has a critic rating of 100%, but an audience rating of 50%. And on imdb.com it has a score of 6.3/10.

While it has a lot of potential for greatness, Netflix’s “Dragon’s Dogma” sadly doesn’t live up to the potential. It has a mediocre plot, okay characters, good acting, great music, and bad animation. Time for my final score. *Ahem*. My final score for “Dragon’s Dogma” is a 4.89/10. So sadly I’d have to recommend skipping it.

My review of “Dragon’s Dogma” is now completed.

Hopefully the game’s better…

12 Films of Christmas 2020 (Part 7)

Only five days until this little series is over. Which also means only five days until christmas… it’s celebrated on the 24th here in Sweden, don’t argue with me. Anyhow, shall we get on with today’s holiday film?

So today we’re talking about “Arthur Christmas”, a 2011 animated holiday film from Aardman animation. Except you’d be forgiven for not realizing it was Aardman, because this doesn’t use their traditional claymation style. Anyhow, “Arthur Christmas” is about Arthur (James McAvoy), the clumsy son of the current Santa Claus (Jim Broadbent). However, when Santa misses one present, Arthur teams up with his grandfather (Bill Nighy) to deliver it, despite being told that it’s a futile quest. What we get is a charming little fantasy adventure with themes of legacy and overcoming your fears and all those other familiar things we’ve seen in family holiday films. But the execution here is really good, giving us a fast-paced and generally well-written story that I had fun with. It’s also very funny, especially whenever grandsanta (the grandfather) is on screen. He is a goofy, hammy, and a little crazy old man that serves as a comic relief, and does so really well. And with Bill Nighy hamming it up with his vocal performance, you get some absolute fucking gold from grandsanta. The rest of the cast is great too, with people like James McAvoy, Imelda Staunton, Jim Broadbent, Hugh Laurie, and many other awesome people filling out the cast list.
I guess I should also briefly touch on what I said at the start. This is an Aardman film, except it doesn’t look like it. “Arthur Christmas” is completely CGI, with hints of the typical Aardman visual style. And while I am slightly sad about that, I’m not complaining. The movie still looks good, it’s a very well animated movie, filled with plenty of nice colors and movements.
But yeah, “Arthur Christmas” is a charming and funny little holiday adventure. I’d recommend sticking it on if you got 90 minutes to kill and want something lighthearted.

On the seventh day of christmas, Markus spent no money
Lucky for him, he could still watch Bill Nighy be funny

12 Films of Christmas 2020 (Part 6)

Can you believe we’re halfway through this little series of themed posts already? Time sure flies when things happen. I was gonna say “when you’re having fun”, but frankly as I’ve gotten older, days just fly by like a coked up hummingbird. So anyway, let’s talk about something green and nasty. And no, I’m not talking about that moldy loaf of bread you have on your counter.

So as you probably figured out from the header image, we’re talking about “The Grinch”, a 3D-animated reimagining of the Dr. Seuss classic. It was released in 2018 and stars Benedict Cumberbatch as the titular green git. And as in the other adaptations, he’s a little cranky about Whoville being excited and cheerful about christmas. So he may or may not start plotting to ruin it. But then you also have Cindy-Lou Who (Cameron Seely) as she plots to find a way to talk to Santa Claus. Superfluous subplot much? This suffers from some of the same issues as the Jim Carrey movie, but somehow manages to still be way less interesting than that. At least the Carrey movie was weird and batshit insane enough to be interesting. This one plays it like a lot of modern kids’ films with some pop culture schtick, lazy dialogue, and no sense of edge or personality.
And then there’s Benedict Cumberbatch. I like Benedict Cumberbatch, he’s a terrific actor. But good grief, he is actually kinda bad here, and I’m not entirely sure it’s his fault. But his performance here can never truly know what it wants to be. Is it a scheming, dickheaded affair? Sometimes. But it’s also really wacky and goofy and not befitting of either the title character of Cumberbatch’s skillset. The Grinch doesn’t feel like the Grinch, and the lead actor (who I think could make a great Grinch) feels off. Also, his design here is too cute and visually appealing. Grinch is a monster, not a plush- oooooooh, now I get it… merchandise.
So yeah, “The Grinch” 2018 is a toothless, dull, overlong, and frankly unfunny reimagining of a classic story. Maybe if you have kids or grandkids they might enjoy it… but it’s not exactly what I’d call good.

On the sixth day of christmas, Markus watched another Grinch
A version that didn’t grow his heart an inch

Series Review: Buffy the Vampire Slayer – Season 5 (2000 – 2001)

Don’t worry, there will be more christmas content coming your way. Just thought I’d give you a palate cleanser. And what better than a continuation of my “Buffy” rewatch? So let’s go! Oh, and brief spoiler for the end of season 4 in the plot section.

Ladies and gents… “Buffy the Vampire Slayer” season 5.

With Adam dead and gone, it seems that Buffy (Sarah Michelle Gellar) and her friends can finally go back to some kind of (ab)normal. This however does of course get a bit interrupted when a strange and powerful woman (Clare Kramer) starts causing chaos in the town. So Buffy has to find a way to stop her, all while dealing with the usual monsters of Sunnydale, and also trying to keep her mother (Kristine Sutherland) and sister (Michelle Trachtenberg) safe. People who’ve followed along with the show up until now probably ask “Wait, sister? Dafuh?”. And yes, Buffy has a sister now. While that seems strange and forced at first, over the course of the season we find out why she’s suddenly there, and I think that narrative thread is pretty interesting. And the stuff with Glory (the aforementioned strange and powerful woman) is pretty good too. It’s some of the one-off monster of the week stuff inbetween that isn’t great. The season does overall feel more focused than season 4, it’s a generally better package. But that doesn’t stop it from having some duds throughout, which does bring it down a bit. But I do still like this season’s story quite a bit. It has some great highs, and it has some really harsh moments that hit hard. Yes, the lows are definitely low, but the story this season generally has enough highs to be well into the positive side of things.

The characters in this remain the absolute highlight. The returning cast of Sarah Michelle Gellar, Alyson Hannigan, Anthony Head, Nicholas Brendon, James Marsters, Kristine Sutherland, Emma Caulfield, and Amber Benson are all great, and they all (for the most part) do great stuff with them. So let’s talk about some newer people. First up we have Michelle Trachtenberg as Dawn, Buffy’s little sister who totes mcgotes has been in the show all this time and wasn’t added this season for the sake of a new plot. Okay, I joke. But seriously, the way they implement the character is pretty interesting. And Trachtenberg does an okay job with her performance. Next we have Clare Kramer as Glory, the new big bad. She’s a chatty, charistmatic, and fun villain, a breath of fresh air after the dullness of the previous season’s antagonism. And Kramer is great in the role.

The score for this season was composed by Thomas Wanker (I do not envy that name), with a little additional help by Christophe Beck. And the music here is really good. It’s not as top tier as Beck’s older scores, and often falls back on slightly more generic stings and such. But it’s still enjoyable enough and works decently well for this season.

Season 5 of “Buffy” was written and directed by a whole bunch of different people, and they generally did a good job with it. Scenes flow pretty well, and shot composition is generally quite pleasing. There’s even some decently impressive use of restraint in a few certain moments in the season. You can tell that they’ve perfected their craft here. Even in the weaker episodes, the directin, effects, and such are still really good.

The show/season has been well received. On Rotten Tomatoes the season has an 82% positive rating. On Metacritic the season has an audience score of 5.6/10. And on imdb.com the show has a score of 8.2/10.

While still not able to recapture the magic of seasons 2 or 3, season 5 of “Buffy the Vampire Slayer” is still a really good season of tv, and a major step up from the 5th iteration. It has a good story, great characters, really good performances, really good music, and great directing. Time for my final score. *Ahem*. My final score for “Buffy the Vampire Slayer” season 5 is an 8.32/10. So while flawed, it’s still worth watching.

My review of “Buffy the Vampire Slayer” season 5 is now completed.

Two more seasons to go.

12 Films of Christmas 2020 (Part 4)

Hey, I know you were planning to head out for a walk. But baby it’s cold outside, so you should instead stay indoors, get yourself a cup of your favorite warm beverage, and read this post of mine. Sound good? You got your warm beverage? Good, then let’s do this.

So today we’re talking about “Klaus”, a 2019 Netflix animated movie about Jesper (Jason Schwartzman), a spoiled, lazy brat whose entire world gets flip turned upside down when his dad forces a job on him in hopes that he’ll learn something about responsibility. What job? Being a mailman on a remote island, of course. And while trying to come to terms with his new position, Jesper meets a hermitic bearded man (J.K. Simmons), and the two soon form a partnership to bring joy to the children of the island. All while the elders of the island try to keep this joy from happening, because it goes against tradition. So yeah, a lot of familiar tropes going on here. But familiarity doesn’t mean poor quality. Because the execution here is terrific. It’s filled with heart and warmth and hilarious humor. Mix the already enjoyable story with colorful and charming characters played by a stacked and perfectly chosen cast, and you get a movie that managed to dig itself into my heart.
But this delicious sundae isn’t complete with a little cherry on top, and for “Klaus”, that cherry comes in the form of some of the most beautiful animation I’ve ever seen. What’s even cooler is that it’s generally traditional hand drawn 2D animation, but then it implements some CG in the lighting and shading department, creating this uniquely dynamic style for the movie that is utterly breathtaking to look at.
So to try to wrap this up, “Klaus” is a nicely told little holiday tale filled with heart, great performances, and amazing animation. I can definitely see myself watching this next year too… and the year after that. It’s amazing.

On the fourth day of christmas, to my heart Klaus said hi
And later yours truly proceeded to cry

12 Films of Christmas 2020 (Part 2)

Hohoho, and a good evening to you (it’s evening where I am at the time of writing, shut up). So anyway, shall we continue with this silly little series of mine.

’twas the night before christmas and all throughout the house, not a creature was stirring, not even a mouse. Okay, that was not right, as there were actually two siblings up all night. Waiting for Santa all of his toys, so to not get caught by him they shouldn’t make noise. But for there to be some plot, their plan works out not. So now the siblings must give a hand, to help Santa save christmas all across the land. Aaaaaand I can’t keep that up anymore, back to non-rhyming jackass Markus. But yeah, I think you get the gist of the plot for “The Christmas Chronicles”. It’s a fairly standard kids’ christmas adventure film narrative, that has some nice moments throughout. And the two kids playing the siblings are really good in their roles. They deliver their lines well, they have good chemistry, and they even bring some nice charisma to proceedings. But that’s enough of that, let’s talk about the main event here.
KURT FUCKING RUSSELL PLAYS SANTA CLAUS. I swear, the pitch meeting probably went something like
“So imagine Santa Claus… ”
“Yeah?”
“But Kurt Russell!”
“Here’s moneys”.
Who knows, maybe I’m wrong. But it sure feels that way. Like I said, the narrative doesn’t do much to stand out, but it manages to still pop a bit within the crowd of holiday hijinks thanks to Kurt Russell. He brings that rugged charm of his to this role, and it is endlessly entertaining to watch. Every time he was on screen, I smiled. He is terrific, I don’t know how else to put it.
So to try to tie this present together, “The Christmas Chronicles” is a fun enough family adventure that stands out thanks to Kurt Russell as Santa Claus. It is maybe a little too long, but overall it’s still a fun enough little holiday adventure on Netflix.

On the second day of christmas, this film in my mind seared
The image of Kurt Russell’s glorious beard