Movie Review: Reign of the Supermen (2019)

As has been made clear many times on this here blog, I like watching animated adaptations of DC Comics properties. Yes, there’s been a few less than stellar ones through the years, but I always root for them, because of my nearly lifelong love of these characters. So with this said, let’s talk about one.

Ladies and gentlemen… “Reign of the Supermen”.

Set six months after “The Death of Superman“, the world is still trying to recover after one of its biggest heroes died at the hands of the monster known as Doomsday. And in the wake of the Man of Steel’s demise, several new and mysterious Supermen start revealing themselves, all trying to be the new hero of Metropolis. While the movie at times suffers from trying to cram a lot of plot into 80 minutes, I still found myself enjoying the hell out of proceedings. The creative team really know how to squeeze genuine emotion and clever storytelling out of this admittedly silly premise. There were times where I really felt something more than just “Yay, superheroes!”. Again, it’s not perfect as it has a lot of plot to dish out in a very short runtime, but for the most part the story holds up, even providing a surprising amount of nuance.

Like with the story, the crew managed to give a surprising amount of nuance to the characters in here, giving them interesting motivations and entertaining arcs. I won’t go too much into details about them, as it would risk spoiling stuff, so I’ll just leave it on all characters having something interesting to them. Also, holy crap this cast. Rebecca Romijn, Cameron Monaghan, Cress Williams, Jerry O’Connell, Rainn Wilson, Charles Halford, Rosario Dawson, and so many more… it’s an incredible cast, with everyone giving their A-game.

As with a lot of these DC animations, the score for “Reign of the Supermen” was composed by Frederik Wiedmann, and as per usual, it is terrific. This man brings us terrific tunes every time he composes the score for one of these movies. It’s big and epic, but also low-key and intimate. My man brought his A-game once again.

Based on the 90s comic storyline of the same name, “Reign of the Supermen” was directed by DC animation regular Sam Liu. And if you’re somewhat unfamiliar with that name, let’s just say that he’s one of the most reliable hands in the DC/WB animation department. The man knows how to infuse properties with a certain energy that is quite engaging to experience. When scenes need to slow down and be more emotional, his direction is great. And when action happens, his direction is great. The man knows how to deliver on animated comic book goodness. Speaking of which, the animation here is great. It has a decent amount of detail, and it has a nice fluidity to it that really shines during action scenes.

This has been pretty well received. On Rotten Tomatoes it has a 93% positive rating. And on imdb.com it has a score of 6,8/10.

“Reign of the Supermen” may buckle slightly under the weight of too much plot in too little time, but it still manages to be a damn fine animated feature. It has engaging plot, it has really good characters, great performances, great music, and really good animation/direction. Time for my final score. *Ahem*. My final score for “Reign of the Supermen” is an 8,87/10. So while flawed, it’s still definitely worth buying.

My review of “Reign of the Supermen” is now completed.

Fun fact: As I was writing this, I put on some music. And one of the songs that came on was “Land of Confusion” by Genesis, which has the oddly fitting lyric “Oh Superman, where are you now?

Movie Review: Wonder Woman: Bloodlines (2019)

Sorry for the lack of posts so far this month. Been hit with a weird case of apathy. But hopefully will get back on track soon enough. So to try to get things back into gear, let’s go into one of my most talked about subjects here on the blog: DC animated movies.

Ladies and gentlemen… “Wonder Woman: Bloodlines”.

Wonder Woman (Rosario Dawson) has to face her toughest challenge yet when several of her villains team up to pull off an evil, potentially world-threatening scheme. All the while a young woman she saw grow up (Marie Avgeropoulos) starts turning towards the dark side. So now we have our big, sweeping tale of heroism and family drama and I’m being totally facetious, this plot holds together like wet cardboard and paper glue. There are decent ideas here that could make for a solid superhero plot… but the way it’s stitched together doesn’t quite work. Allegedly emotional moments get a disinterested/sarcastic “Oh no, not that person” from me. So yeah, unfortunately I didn’t find the plot that engaging, which is sad, because there are decent ideas presented throughout.

The characters in this, like with the plot, have good ideas to them, but in execution just end up… meh. The one that I probably cared about most was the titular princess of Themyscira. She’s kind, she’s tough, she’s… Wonder Woman. And Rosario Dawson gives it her all in voicing her. Then we have Jeffrey Donovan playing Steve Trevor, sidekick and love interest. He’s all quips, all the time. I like quips… but it doesn’t quite work here, because there’s nothing else there, no other trait than “Spew quip”. Which means Donovan doesn’t have much to work with. The other actors in the movie, including Marie Avgeropoulos, Kimberly Brooks, Michael Dorn, Courtenay Taylor, Adrienne C. Moore, and a bunch of other people, they all give good performances… even if the writing leaves a bit to be desired.

As with a lot of other DC animated movies, the score for “Wonder Woman: Bloodlines” was composed by Frederik Wiedmann, and as per usual, it is great. Big and epic, somber and emotional, mysterious and intriguing, his score captures all the emotions and such one would require from a big superhero adventure… however, a great score does not a great movie make.

Based on the iconic DC Comics character created by William Moulton Marston, “Wonder Woman: Bloodlines” was directed by Sam Liu and Justin Copeland. And this teamup isn’t great. Look, the animation itself is really frickin’ good, highly detailed and really fluid. But as with the plot and characters, something feels a bit off. The action isn’t as well crafted as some other DC animated efforts, and there’s something weirdly bland about shot composition in most scenes. Such a mixed bag in this department.

This movie has gotten some mixed reception. On Rotten Tomatoes it has an 88% positive rating. And on imdb.com it has a score of 5,8/10.

I wanted to love this… but unfortunately I didn’t. It has a not good plot, meh characters, good performances, great music, and meh direction. Time for my final score. *Ahem*. My final score for “Wonder Woman: Bloodlines” is a 4,50/10. So unfortunately I have to say that I’d recommend skipping this.

My review of “Wonder Woman: Bloodlines” is now completed.

When I envisioned my return to the blog, I thought it’d be something grand and joyous… but now I’m just sad.

Movie Review: Batman: Hush (2019)

Once again I shall take a look at an animated feature based on characters from DC Comics. If you’ve followed my blog for some amount of time, you know that I tend to do this every now and then. So let’s have a look at their latest output.

Catwomen and Batmen… “Batman: Hush”.

Batman (Jason O’Mara) has to face one of his toughest challenges yet when a mysterious new villain starts causing mayhem from the shadows. All the while forming a relationship with Catwoman (Jennifer Morrison). Now, I haven’t read the comic that this story was adapted from, so I can’t say how it stacks up compared to that. So looking at it from an outsider perspective, it’s kind of a mess. It’s weirdly undercooked. There are a bunch of moments that could work really well in a Batman story, but the complete package here feels weirdly like it’s stitched together with scotch tape and the occasional nail. And there’s a revelation in the story that doesn’t work too well for me. I’m not saying what it is, in case you want to see this movie, but let’s just say that it didn’t entirely work for me on multiple levels. There is some good material throughout the plot, but overall it’s not too well held together.

The characters in this are enjoyable and interesting. Jason O’Mara returns as Batman/Bruce Wayne, as gruff as ever, but given a bit more nuance as his various relationships develop across the movie. And O’Mara is really good. Jennifer Morrison plays Catwoman, the thief/femme fatale and former enemy of Batman that now is a bit of a love interest. She’s tough, she’s capable, she has a good bit of sass, and she is an interesting foil to Batman’s self-seriousness here. And Morrison is… okay in the role. Sean Maher returns as Nightwing, and he’s as fun as ever in the role. We also get supporting work from people like Peyton List, Peyton List (apparently there are two of them, what the fuck?), Adam Gifford, Geoffrey Arend, Stuart Allan, Jason Spisak, Chris Cox, Maury Sterling, Bruce Thomas, Hynden Walch, and more, all doing pretty well in their respective roles.

The score was composed by DC Animation regular Frederik Wiedmann, who as per usual fucking killed it with his music. It’s big and epic, but also knows when to get a bit more quiet and emotional. The occasional inclusion of a cello certainly also helps it out, as it adds another layer to Wiedmann’s compositions. This guy somehow always one-ups himself.

Based on the acclaimed comic by Jeph Loeb and Jim Lee, this movie was directed by Justin Copeland, and he did a good job with it. Sure, the narrative stitching wasn’t great, but the way he leads on animation and action is fucking spectacular. The detailing is stellar and the fluency of it all is some of the best we’ve seen from any of these movies. And man, those fights are brutal. Not just because there’s blood used, but also because of the way the animation and sounds design really conveys how hard the characters hit their opponents in this.

This movie has been decently well received. On Rotten Tomatoes it has an 89% positive rating. And on imdb.com it has a score of 7,0/10.

While it may be a bit of a mixed bag, “Batman: Hush” is still an enjoyable action film. It has a meh plot, okay characters, really good performances, great music, and great direction/animation. Time for my final score. *Ahem*. My final score for “Batman: Hush” is a 6,86/10. So while very flawed, it’s still worth a rental.

My review of “Batman: Hush” is now completed.

I was a little disappointed that they never let Batman sing any Deep Purple in this movie.

Movie Review: The Death of Superman (2018)

One of the most recurring things on this here blog (except for lame jokes and personal opinions) is my constant support of animated movies based on DC Comics. And while it’s been a while since my last post on one, my adoration for the franchise hasn’t faded in the slightest. So seeing as this will be my last review of the year, we might as well make it one about this recurring theme.

Ladies and gentlemen… “The Death of Superman”.

When a mysterious new threat arrives on earth, Superman (Jerry O’Connell), as well as the other Justice League members), as to step up to stop it before it can destroy us all. I thought the plot was good here. It’s straightforward, yet somewhat nuanced. I wouldn’t call it the deepest plot in this franchise, but there’s enough little details to keep it from just being another “Let’s beat up the bad guy plot”. It’s about Supes coming to terms with his relationship with Lois (Rebecca Romijn) and if he should come out of the closet, in regards to his dual identity. And the stuff around this new threat (who we all know is Doomsday, but I digress) has a natural sense of escalation that also works well enough for the plot.

The characters in this are fine, they are all enjoyable and work pretty well in the story. Jerry O’Connell reprises his role as Clark Kent/Superman. He’s charming, he’s likable, and he’s just generally a good guy (as Superman should be), while still struggling with some minor conflicts while also having to deal with the bigger conflict of a giant murder-alien from who knows where. And it made me care about him a bit more. And O’Connell does a really good job voicing him. Rebecca Romijn plays Lois Lane, the tough, but believable reporter who seems to have some relationship issues with Clark. And I think she’s a pretty interesting character here. And Romijn does a really good job voicing her. Next we have Rainn Wilson (yes, really) as Lex Luthor (I’m serious), the brilliant businessman with a great intellect, but a bit of an arrogance problem. Not saying much more there, you know who Lex is. But what I will say is that Wilson is really good in the role. Then we get supporting performances from people like Rosario Dawson, Nathan Fillion, Jason O’Mara, Christopher Gorham, Shemar Moore, Matt Lanter, Nyambi Nyambi, Rocky Carroll, Patrick Fabian, Paul Eiding, Jennifer Hale, Charles Halford, and many more, all doing very well in their respective roles.

As with the majority of these DC animated features, the score was composed by Frederik Wiedmann, and as per usual, it is pretty great. It is grandiose, it is epic, but it is also emotional and intimate, creating a sound that perfectly complements the life of Clark Kent. This guy never disappoints.

The movie was directed by Jake Castorena and DC animation veteran Sam Liu. And the direction here is fine, there is a decent flow to the scenes, nothing feels too rushed or too slow. And the animation here is pretty good. In quiet dialog-driven scenes, it looks fine, not much to write home about. But it’s in the action scenes where the animation comes to life and shows just how talented the people working on these movies are. These are fast, brutal, and at one point even kinda breathtaking. So yeah, the animation here is good.

This movie has been pretty well received. On Rotten Tomatoes it has a 92% positive rating. On Metacritic it doesn’t exist. And on imdb.com it has a score of 7,4/10.

While not my favorite movie in this current line of DC animated movies, “The Death of Superman” is still a highly enjoyable and somewhat touching superhero romp. It has a good plot, good characters, great performances, great music, and really good directing/animation. Time for my final score. *Ahem*. My final score for “The Death of Superman” is an 8,80/10. So it’s definitely worth buying.

My review of “The Death of Superman” is now completed.

And that’s that for 2018. See ya next year.

Movie Review: Batman: Gotham by Gaslight (2018)

This is exciting. First new DC animated movie of 2018. Even though there have been a few less than stellar ones over the years, I will always be excited for them. Anyway, let’s get on with the review.

Ladies and gentlemen… “Batman: Gotham by Gaslight”.

Set in an alternate, Victorian era Gotham city, we follow Bruce Wayne (Bruce Greenwood) as he is stopping crimes in Gotham. And soon he has to find and stop a very dangerous serial killer known simply as… Jack the Ripper. So now we have our steampunk/Victorian era mystery starring Batman. And is this plot any good? Yes and no. On one hand you have this really cool idea of a steampunk Batman chasing after a killer, that’s a really cool idea. The execution here however is kind of average. They never let moments sink in, and I never felt fully invested in what was going on. There is a pretty good twist near the end of the movie that I won’t spoil, but let it be known that aside from that twist and also the overall idea, there isn’t too much about this plot that says “That’s actually really cool”. I wouldn’t call it bad, just kind of… okay.

The characters here do get some moments that make them a bit more interesting, but overall they don’t do too much to make us care too much about them. First up we of course have Bruce Wayne, rich playboy/philanthropist who at night dresses up like  grumpy bat-person and beats up criminals. He’s the same here as in most mediums, they do nothing new aside from the change of era. But I still enjoyed following him as he is decently likable. And Bruce Greenwood (Sidenote: His third time voicing the character) is great in the role. Then we have Selina Kyle, a sexy and charming yet tough woman. In this she’s an actress/entertainer rather than a cat burglar, and the stuff that she gets to do in this movie is pretty interesting. And Jennifer Carpenter does a really good job voicing her. Then we have James Gordon, still the commissioner of Gotham PD, still a very respectable man. They do some interesting stuff with him throughout the plot. Scott Patterson does a good job voicing him. As for the rest of the characters, they do nothing too noteworthy with them, but they work in this I guess. The cast, consisting of people like Anthony Stewart Head, Yuri Lowenthal, Grey DeLisle, John DiMaggio, William Slayers, and more, all do quite well in their roles.

As with most DC animated movies these days, the score was composed by Frederik Wiedmann. And once again he has composed a score that is exciting, tense, emotional, and just overall very fun to listen to throughout the movie. There was a scene in the movie that I only was somewhat invested in because of Wiedmann’s score. Dude’s really talented.

DC animation regular Sam Liu directed this, and I think he did a pretty good job. The animation looks pretty good, the action is pretty well handled and quite fun to watch at times. What I have a problem with most about the animation/direction are the designs of the characters. I haven’t read the comic that this is based on, but looking up panels and pages from this on google makes me think that they kind of missed something here. The characters stand out quite a bit here as they are quite cartoony, compared to some of the darker and more grimy backgrounds. Also, this of course doesn’t hold a candle to Mike Mignola’s art, but they could’ve at least tried a bit more in recreating the comic’s style. Oh well, I guess the animation/direction still works.

This has been decently received (I guess, data’s pretty limited). On Rotten Tomatoes it has an 80% positive rating. On Metacritic it doesn’t even exist. And on imdb.com it has a score of 6,9/10.

“Batman: Gotham by Gaslight” isn’t one of DC animation’s strongest outings, but it’s still an entertaining little adventure. It has an okay plot, okay characters, great performances, great music, and good direction/animation. It is of course dragged down a little bit by a not very engaging plot and some characters not being the most interesting. Time for my final score. *I’m Batman!*. My final score for “Batman: Gotham by Gaslight” is a 7,34/10. So while very flawed, it’s still worth a rental.

My review of “Batman: Gotham by Gaslight” is now completed.

Nananananananana Steampunk!

Movie Review: Teen Titans: The Judas Contract (2017)

The final movie review of 2017. The final post of 2017 in general. It’s been a fun year filled with cool stuff. So let’s end on a predictable note. Once again, I’m reviewing a DC animated movie. So here we go.

Ladies and gentlemen… “Teen Titans: The Judas Contract”.

Nightwing (Sean Maher) rejoins the Teen Titans to help track down villainous cult leader Brother Blood (Gregg Henry) who seemingly has some sinister plan for the Titans. All while the loyalties of newest Titan member Tara (Christina Ricci) come into question. And that’s the best way I can explain the plot without spoiling stuff. But is this any good? Well, it’s not bad. They have some decent dramatic story bits, but I never got invested in any of it. There are interesting-ish twists, and there are some parts that made me go “yeah, that’s some good drama”. But when it comes to the whole picture I never found myself truly invested in it.

The characters here are decently interesting and entertaining. Sean Maher returns as Nightwing, the more fun version of Batman. He’s a cool, charming, and heroic badass that I enjoy following. And Maher is once again really good in the role. Kari Wahlgren returns as Starfire, the alien woman who also happens to be the leader of the Titans.  She’s fun, cool, and is just overall pretty interesting. And Wahlgren is really good in the role. Stuart Allan returns as Damian Wayne/Robin, son of Batman and former assassin apprentice. He’s come a long way since his total brat days, and he’s actually an endearing and interesting character. And Allan once again does a really good job in the role. Jake T. Austin is back as Blue Beetle, who gets a bit more development this time around since we learn more about his family relations and such, and it’s quite interesting. And Austin is really good in the role. Brandon Soo Hoo returns as Beast Boy, the shape-shifting fun guy of the group. And while he’s still mostly played as the slightly over-confident comic relief, he does get some decent dramatic moments here. And Soo Hoo is great in the role. Taissa Farmiga returns as Raven, the dark and quiet daughter of a demon. She doesn’t get as much to do as last time, but she’s still fairly interesting. And Farmiga is really good in the role. Then making her debut in these movies, we have Christina Ricci as Tara Markov/Terra, a young woman with a mysterious past (she can also control rocks, which is neat). She probably gets the most development in this movie, and it’s pretty interesting to follow. And Ricci is great in the role. Then we have Miguel Ferrer (may he rest in peace) as fan favorite character Deathstroke. Ferrer has such a commanding voice, so even when he has slightly less serious lines they come off as badass. Yeah, he’s great. Then you get a bunch of solid supporting performances from people like Gregg Henry, Maria Canals-Barrera, Meg Foster, Crispin Freeman, and more! Yeah, this is a well acted movie.

DC animation regular Frederik Wiedmann composed the score for this. And while it’s not his best, it’s still good. It’s fun and exciting and works quite well for all the scenes in the movie. Not much else I can say here.

Sam Liu is the director of this movie and I’d say the direction here is fine. There’s something about the animation here that makes it seem a little less good than usual. It’s not bad, but it seems to lack some of the detail and energy that previous movies have had. The action scenes are of course the best thing since they flow very well and are generally fun to watch. There’s also a lot of attempts at humor in this movie. Some land, some really don’t. For example, there’s a running gag in this movie that Beast Boy uses social media a lot (despite there being no indication of that in the previous movie he was in). It’s not the only out of place joke(s) in this movie, but it’s one of the more notable ones.

This movie (despite limited data on it) has been decently well received. On Rotten Tomatoes it has an 80% positive rating. On Metacritic it doesn’t even exist. And on imdb.com it has a score of 7,0/10.

“Teen Titans: The Judas Contract” isn’t really one of the best DC animated movies, but it’s still fairly enjoyable. It has an okay plot, good characters, great performances, good music, and okay directing/animation. My flaws (as previously mentioned) are that the plot isn’t the most engaging, the animation isn’t as good as usual, and some of the humor doesn’t land. Time for my final score. *Ahem*. My final score for “Teen Titans: The Judas Contract” is a 7,78/10. While flawed, it’s still definitely worth renting.

My review of “Teen Titans: The Judas Contract” is now completed.

I’ll give the movie this: It’s the first movie in this DC animated timeline to not feature Batman in any capacity. Oh, and happy new year… I guess.

Movie Review: Justice League vs. Teen Titans (2016)

It feels good to be back. Sure, it wasn’t long ago since my last post, but I haven’t done a normal review since like Wednesday last week. And what do you know, this review is of another DC animated movie… one of those things I always talk about here. So let’s get into it!

Ladies and gentlemen… “Justice League vs. Teen Titans”.

After Robin (Stuart Allan) does something really dangerous during a mission with the Justice League, he gets sent to train with the Teen Titans to learn how to be part of a team. And soon the Titans have to truly prove themselves when the dangerous demon Trigon (Jon Bernthal) emerges to destroy the world. So now we have our plot. And I have to start out with mentioning that the title is quite misleading. Yes, there is a part of this movie that features the Justice League and the Teen Titans being at odds, but it’s quite a brief sequence. Misleading title aside, I thought this was a good plot. The main focus on this plot lies in Robin trying to be part of the team and also Raven (Taissa Farmiga) struggling with her own demons. And it’s actually pretty engaging. Now, there is a scene that doesn’t have much purpose here and actually feels both out of place and like it slows the pacing down a bit. But it doesn’t ruin the overall experience for me, and I do still think this is a really good plot.

The characters here are fun, cool, interesting, and entertaining. Stuart Allan reprises his role as Damien Wayne/Robin from the previous DC animated movies, and Damien is still a bit of a brat, but not to an annoying length. He is actually decently compelling. And Allan is great in the role. Taissa Farmiga plays Raven, the closed-off and mysterious young woman with dark magical powers. And while Farmiga seems like she might be a bit bored at first, you can quickly gather that she’s just pulling off the quiet, closed-off style of Raven quite well. So yeah, she’s good. Then we have Kari Wahlgren as Starfire, the leader of the Titans. She’s tough, slightly naive, brave, and kind. And Wahlgren is great in the role. Then we have Jake T. Austin as Jaime Reyes/Blue Beetle, a young man with some strange alien tech fused to his spine. He’s funny, he’s tough, and he’s just really interesting. And Austin does a really good job in the role. Then we have Brandon Soo Hoo as Garfield Logan/Beast Boy, a young man with the ability to transform into a whole bunch of animals. He’s used mainly for funny moments and cool action beats throughout, but I think that also works well for the character. And Brandon Soo Hoo is good in the role. Then we have Jon Bernthal as Trigon, the demonic antagonist of the movie. He doesn’t talk too much in the movie, and he does have some modifications to his voice. But you can still hear that it is Bernthal, and he is intimidating in the role. Then we have Jason O’Mara, Rosario Dawson, Jerry O’Connell, Shemar Moore, Christopher Gorham, and Sean Maher reprising their roles from previous animated movies (to a more supporting capacity), and they all do very well in their roles. Overall, this is a well acted movie.

The score for the movie was composed by DC animation regular Frederik Wiedmann. And once again he has composed a score that is fun, dramatic, interesting, and just generally exciting. It works quite well for the movie, often elevating certain scenes. There are also a couple of licensed tracks used in a couple scenes in the movie, and they work fine I guess.

This movie was directed by Sam Liu, and he did a really good job here. His direction here is fast and energized without sacrificing any of the smaller, more quiet moments. And the animation in general here looks great (for such a small budget), with it being very fluent and just overall good looking. And the action scenes are a lot of fun. They’re fast, badass, fun, cool, and quit epic. There’s also a decent amount of humor in this movie, and for the most part it landed.

There’s barely any data on the sites I usually use for this. On Rotten Tomatoes it exists but has no rating. On Metacritic it doesn’t exist at all. And on imdb.com it has a score of 7,0/10.

Misleading title aside, “Justice League vs. Teen Titans” is a damn good DC animated movie. It has a really good plot, great characters, great performances, really good music, and really good directing/animation/humor. Time for my final score. *Ahem*. My final score for “Justice League vs. Teen Titans” is a 9,64/10. This of course means that it gets the “SEAL OF APPROVAL!”.

My review of “Justice League vs. Teen Titans” is now completed.

Why not just call it “Teen Titans: Terror of Trigon”? Would’ve made more sense.

Movie Review: Batman: Bad Blood (2016)

Name: Markus. Likes: DC animation. Has he stated this fact many times before: Yes. Shall we move on to the review: Yes.

Ladies and gentlemen… “Batman: Bad Blood”.

After a tough battle with a new enemy, Batman (Jason O’Mara) goes missing. So Dick Grayson (Sean Maher) has to take up the mantle to keep Gotham’s criminals at bay while also trying to find out what the hell happened to Bruce. All of this while a mysterious woman calling herself Batwoman (Yvonne Strahovski) enters the scene to take on the city’s criminals. So now we have our plot. And is it any good? Sure. While not as intimate and interesting as the previous movie, “Batman vs. Robin”, or as dark and layered as “Mask of the Phantasm”, it is a functional plot. For the most part I just followed along, finding the journey of Dick and Damien (Stuart Allan) interesting, while the big mystery plot to be just fine. It isn’t quite as focused as I would’ve wanted it, but I also didn’t dislike it. It’s pretty good.

The characters here are for the most part fun and interesting. For the first time in this cinematic universe, Dick Grayson gets to take center stage. He’s like a more fun version of Batman, and I enjoy the levity that he brings to the table without sacrificing any emotion that exists with the character and his relationship to Batman. And Sean Maher is once again great in the role. Stuart Allan once again does the voice of Damien Wayne/Robin, the bastard son of Batman. And I have to say, he’s really grown on me as he’s been given time to develop. His relationship with Dick is one of my favorite parts of these movies. And Allan is great in the role. Jason O’Mara of course once again plays Bruce Wayne/Batman (briefly) in the movie, and he’s of course great. Alfred of course also returns, but this time he’s voiced by James Garrett instead of David McCallum. And while it’s a bit weird to have a different voice for him, I think Garrett does a really good job voicing Alfred. Yvonne Stranhovski plays Batwoman, a mysterious new vigilante that we get to know through the movie. And she’s a pretty interesting character. She’s like Batman but a woman… and she uses guns… yeah, she’s pretty cool. And Strahovski does a really good job in the role. Then without getting too in-depth/spoiler-y with more characters/actors here, we get some realy solid supporting performances from people like Steve Blum, Gaius Charles, Ernie Hudson, Morena Baccarin, Robin Atkin Downes, Matthew Mercer, John DiMaggio, and more. ’tis a well acted movie.

As with a lot of DC animated movies these days, the score for “Batman: Bad Blood” was composed by Frederik Wiedmann (who I’ve had some pleasant interactions with on twitter. Just thought I’d mention that for fun). And he did a really good job with his score here. It’s fun, cool, exciting, badass, and just overall helps in making certain scenes a bit better. Not saying that it’s his best DC score (that still goes to “Flashpoint Paradox), but the music here is still really good.

Jay Oliva is the director for this one, and he did a good job. The directing/animation has a lot of energy, keeping it from feeling dull. As for the animation itself, it’s fine. In action scenes it flows very nicely and is a ton of fun to watch. In slower, more talky scenes it is just fine. Seen better, seen worse. It’s fine.

This has been decently well received (despite having barely any data on my usual sites). On Rotten Tomatoes it exists but has no rating. On Metacritic it doesn’t exist at all. And on imdb.com it has a score of 6,8/10.

“Batman: Bad Blood” isn’t one of the best DC animated movies ever, but it’s still an entertaining little action flick. It has an okay plot, good characters, great performances, really good music, and good directing/animation. My main flaw comes in the form of the plot feeling a bit unfocused. Time for my final score. *I am the night*. My final score for “Batman: Bad Blood” is an 8,76/10. While flawed, I’d say it’s worth buying.

My review of “Batman: Bad Blood” is now completed.

This has put me in the mood to rewatch “Mystery of the Batwoman”…

Movie Review: Batman vs. Robin (2015)

Hi. I’m Markus. I like DC animated movies. And now I’m gonna talk about one. So here we go.

Ladies and gentlemen… “Batman vs. Robin”.

It’s been a while since Batman (Jason O’Mara) found out that he has a mildly homicidal son (Stuart Allan), and he’s having some trouble trying to raise him while also trying to save Gotham. And not only does he have trouble with his son, but his life is made even more difficult when a mysterious organization called The Court of Owls comes to town to cause trouble. So now we have our Batman story. And I’m not gonna lie, I thought that the story was really good. For the most part it’s a drama focusing on the struggling relationship between Bruce and Damien, and I found myself quite engaged in that stuff as the plot went along. I was a bit afraid that the Court of Owls part of the plot would make it all feel overstuffed or unfocused, but it was integrated into the plot really well, even being woven into the family drama part quite well. Yeah, this is a really solid plot.

What I like about (most of) the characters here is that the plot made them interesting and worth caring about. Jason O’Mara of course returns as Batman and he still kills it as the voice of our favorite Nocturnal Rodent Person. Just like in “Son of Batman”, Stuart Allan voices Damien Wayne, the dangerous son of Bruce Wayne. And while Damien could be a bit of mixed bag in the other movie, I really liked him in this. He’s still a bit of a brat, but they’ve done enough to make him feel a bit more layered. And Stuart Allan is really good as Damien. Then we have Sean Maher who returns as Nightwing, and he’s still a lot of fun compared to the moody Bruce. But he’s not just there for laughs as he plays a vital part in it. And Maher is great as Nightwing. David McCallum returns as Alfred, and he’s still the butler that we all know and love. But seriously, this Alfred is great and McCallum is great as the voice. Then we have Jeremy Sisto (who once voice Batman) as Talon, the Court of Owls member get to know the most throughout the movie. He’s a fairly interesting character that we get to learn some interesting stuff about. And Sisto is really good in the role. And the final one I want to mention is that we get Kevin Conroy (motherfucking Batman) in a flashback as Thomas Wayne. If that isn’t an awesome casting, then I don’t know what is. Anyway, I just wanted to mention that. Oh, and Weird Al Yankovic voices The Dollmaker, and I didn’t recognize his voice at all (yeah, he’s great). Overall, this is a great cast.

The score for the movie was composed by DC animation regular Frederik Wiedmann who once again gave us a really solid score. Sure, some tracks are your typical bombastic, heroic, action-y tunes that just sort of pass through. But then we have a couple of other tracks that take a more dramatic approach to make an attempt at elevating the emotion of certain scenes, and for the most part he succeeds pretty well. There’s also one track (can’t find it) heard early on that sounds like something right out of a horror movie, and it’s awesome. So yeah, the score is great.

The movie was directed by Jay Oliva and his directing here has a lot of energy to it, but he still let’s the quieter moments sink in a bit too. Which is probably why this is 80 minutes, compared to the usual 75. As for the animation, it’s good. Not the best that DC has pumped out, but it still looks pretty good. It especially comes alive during the action scenes where movement is fast, fluid, and just looks really cool. And the action here is overall a lot of fun.

This movie barely has any data on my usual sites. But on Rotten Tomatoes it has a 100% positive rating (based on only 5 reviews). On Metacritic it doesn’t exist. And on imdb.com it has a score of 7,1/10.

My expectation weren’t the highest for “Batman vs. Robin”, but I can happily say that it is a really good entry in the DC animated movie universe. It has a really good plot, really good characters, great performances, really good music, and really good directing/animation. Time for my final score. *I’m Batman*. My final score for “Batman vs. Robin” is a 9,55/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Batman vs. Robin” is now completed.

Batman as Batman’s dad… clever.

Movie Review: Justice League: Throne of Atlantis (2015)

Bla bla bla, Markus likes DC animation, bla bla bla, moving on.

Ladies and gentlemen… “Justice League: Throne of Atlantis”.

After the death of their king, the Atlantean troops get coaxed by Ocean Master (Sam Witwer) into attacking the surface. This brings queen Atlanna (Sirena Irwin) to try to get help from the Justice League to find her son Arthur (Matt Lanter) and stop Ocean Master’s crusade. So now we have our Aquaman origin/Justice League sequel story. And is it any good? For the most part, sure. It tries to do a lot of things at the same time. On one hand it is a sequel to “Justice League: War”, showing the team still having some mild struggles to come together and help each other. And on the other hand you have Aquaman having to become Aquaman because the DC universe needs Aquaman… Aquaman. And while I’m used to the relatively short runtime of these animated features, I feel like they could’ve added a couple minutes to it, because a couple of the more dramatic/important moments feel a bit rushed through. I’d like to see those moments be held for just a little bit longer. But I was never bored and I wouldn’t call any of it bad, just slightly lacking. The plot is fine.

The characters returning from “Justice League: War” are the fun and colorful characters that we know and love. But since this is mainly an Aquaman movie, let’s talk about the titular fishman. He’s portrayed in this as a broken man, not yet aware of who/what he is and what legacy he has to follow, and it’s interesting seeing him having to come to terms with all this craziness. He’s voiced by Matt Lanter who does a really good job in the role. He gives a very likable performance. Next we have Orm/Ocean Master, the entitled asshole half-brother of Aquaman. He’s kind of a brat and maniacal dick, but that also makes him an interesting foe for Aquaman. He’s voiced by Sam Witwer who gives a pretty hammy performance… but you can tell that he’s having a blast with it, which made me enjoy it. We also got Sumalee Montano as Mera, protector of Atlantis and love interest of Aquaman. She’s a fun character and Montano does a good job in the role. We also got Harry Lennix as Black Manta, the shady Atlantean wearing a weird helmet. He’s clearly up to no good, but he’s still decently interesting. And Lennix does a good job voicing him. And we see the returns of of Jason O’Mara as Batman, Jerry O’Connell as Superman, Rosario Dawson as Wonder Woman, Christopher Gorman as Flash, Nathan Fillion as Green Lantern, Shemar Moore as Cyborg, and Sean Astin as Shazam, all doing really frickin’ well in their respective roles.

The score for the movie was composed by Frederik Wiedmann, a man who has composed the scores of multiple modern DC animated movies. And once again he has created something pretty damn good. His score here is exciting, emotional, dramatic, and even manages to be awe-inspiring at times. So yeah, it was quite good.

This movie was directed by Ethan Spaulding and it is fairly well directed. And since it’s an animated feature, we should talk about the animation. It is pretty damn good (for a low budget direct-to-video movie). The animation here flows very well and there’s a decent amount of detail in it. The action scenes are especially well animated. You can really see it all coming more alive in those times, with plenty of fluency in the animation making for a lot of entertaining moments.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 40% positive rating. On Metacritic it doesn’t even exist. And on imdb.com it has a score of 6,7/10.

“Justice League: Throne of Atlantis” is not one of the greatest DC animated movies ever, but it’s a really enjoyable movie. It has a good plot, good characters, great performances, great music, and really good directing/animation. My main flaw of course being that several moments throughout the plot felt a bit rushed. Time for my final score. *Ahem*. My final score for “Justice League: Throne of Atlantis” is an 8,78/10. While flawed, I’d say that it’s still worth buying.

My review of “Justice League: Throne of Atlantis” is now completed.

This was fun.