My Favorite Scenes: Doom Patrol – People Like Us

Holy shit, ain’t this a corpse. When was the last time we did a My Favorite Scenes post? February 2017? Okay, not quite as far back as I thought, but still… that’s nearly three years. Well, for any newer readers, this series is all about me explaining why I like certain scenes in movies and tv. A blogger friend of mine had a similar series and I nicked the idea from him. As you can probably imagine, this involves some spoilers for any particular movie or series that the scene is featured in. So be warned. Anyway, let’s talk about “Doom Patrol”!

Based on the DC comic book team of the same name, “Doom Patrol” is about a group of misfits who have all been brought together by Doctor Niles Caulder (Timothy Dalton), since they really have nowhere else to go. And in the show, Niles goes missing, which leads to various adventures where the team tries to find clues to his whereabouts, while also dealing with their own personal demons. I actually reviewed the first season of the show in 2019 (*cough* shameless plug *cough*), and mentioned in that show that I absolutely adored its mix of relatively unknown superheroes, compelling character drama, and hilariously crude humor. And today we’re talking about a scene that kind of encapsulates some of that. So it goes without saying, spoilers for “Doom Patrol”, and in particular its 8th episode, “Danny Patrol”.

So in episode 8, “Danny Patrol”, two of the team’s members, Larry Trainor/Negative Man (Matt Bomer/Matthew Zuk) and Cliff Steele/Robotman (Brendan Fraser/Riley Shanahan) get transported to Danny, a sentient, teleporting, gender-queer street (yes, you read that right), when it needs help from Doctor Caulder (who is still missing at this point). While here, Larry and Cliff make acquaintances with Maura Lee Karupt (Alan Mingo Jr.), a sort of front person for Danny, the sentient, teleporting, gender-queer street (god, I love saying that). And during a scene in the episode, Larry gets invited up to sing some karaoke, in which he does and begins covering “People Like Us” by Kelly Clarkson. And during this musical number, you see Larry open up, show some actual joy. His entire life, he’s been a bit of an outsider, starting as a closeted gay man in the 1960s U.S. Army, and then later being a bit of a radioactive freak with a strange alien being living inside of him, which of course kinda prevented him from bonding with people. But finally it seems like he has found some people who just accept him for who he is. Freaks, outcasts… “People like us, we gotta stick together”. And then when the ending of the scene revealed itself, it was a bit of a gut punch to me. In lesser hands, this could’ve just been a goofy scene of a mummy-man singing a song from an American Idol winner while visiting a sentient, teleporting, gender-queer street. But thanks to the wonderful writing and world-building of “Doom Patrol”, it became one of the most uniquely compelling scenes I’ve experienced in any recent tv show, even making me tear up when I first saw it.

Scenes like this is why I adored season 1 of “Doom Patrol”, and is why I am really looking forward to whatever madness they’ll be concocting for season 2.

Have a good one, and show some love to people around you, even when you’re not standing near a sentient, teleporting, gender-queer street.

Movie Review: Crawl (2019)

Ever since I was a child, I have been fascinated by crocodilians, potentially due to watching a fair bit of “Crocodile Hunter” as a kid. And possibly also because they’re badass. Either way, it baffles me that we barely get any movies featuring them, at least with decent budgets. So I’m excited to finally get to talk about such a movie.

Ladies and gents… “Crawl”.

When Haley (Kaya Scodelario) goes searching for her dad (Barry Pepper) during a devastating hurricane, she finds herself trapped in their old family home’s crawlspace, not only having to survive the vicious weather, but also a bunch of alligators swimming around. It’s a B-movie premise… but I really liked seeing it unfold. There’s enough self-aware brains within the writing to make it work. It nicely shifts between being a suspenseful monster movie and a decent enough family drama, the balance is just right. I’m not sitting here saying that it’s the greatest storytelling ever put to celluloid. But what I am saying is that it knows what it is, and works with it to create a fun and engaging popcorn thriller that managed to scare, make me feel tense, and invest me in the struggle of the people at the center.

The characters in this, while not the deepest, are written with enough nuance to make the viewer care for them, at least on a surface “I don’t want to see these guys die” level. Kaya Scodelario plays Haley, a young woman with some emotional baggage that affects her relationship to her dad. She’s clever, resourceful, and determined, and makes for an interesting protagonist that I enjoyed following. And Scodelario is great in the role. Next we have Barry Pepper as Dave, Haley’s dad with whom there’s some past issues with. I don’t have much to say, as he’s not as well defined in personality as Haley, but I still found him decently enjoyable/interesting. And Pepper is great in the role. And seriously, when was the last time we saw Barry Pepper in a movie? Dude was in everything for a while, and then he just suddenly wasn’t. Oh well, it was nice to see him show up here.

The score for “Crawl” was composed by Max Aruj & Steffen Thum, and I think they did a pretty good job with it. Some basic emotional strings, some neat horror stings, and a few other things. The score here doesn’t do anything new, but intead does all the familiar things well, creating a solid soundscape for the movie.

“Crawl” was written by brothers Michael and Shawn Rasmussen, with Alexandre Aja handling directing duties. And the craft on display here (for its relatively low budget) is pretty damn good. They really manage to create an oppressive atmosphere that helps the movie stand out in both the disaster and monster sub-genres. Even the huge storm is given a real presence that makes it feel far from cheap. Now, let’s talk about the real stars here… the gators. As expected, they’re CGI, because real gators would be too dangerous. But even for CG animals, they work quite well here… for the most part. Their animations are great, really lifelike, which makes them quite intense. Where I have to leave a slight criticism though is the texturing. Yes, they got the general gator appearance right, but it feels like they could’ve used another render or two. But I can also forgive it because of how low the budget was, and because of the presence the overall animations on the gators gave off. Quick warning too: As you probably expect, there’s some gore in this, but it’s also quite vicious. Not just blood for blood’s sake, but some genuine brutality happens. Just putting that out there in case anyone’s a bit squeamish.

This movie has been pretty well received. On Rotten Tomatoes it has an 83% positive rating and a “Fresh” certification. On Metacritic it has a score of 60/100. And on imdb.com it has a score of 6,2/10.

I know it sounds like I shit on it multiple times throughout, but I want to make it very fucking clear that I highly enjoyed “Crawl”. It’s a damn fine monster movie (yes, alligators aren’t monsters, but what else would you call this style of movie?). It has a really good plot, good characters, great performances, good music, and great directing, effects, and atmosphere. Time for my final score. *Ahem*. My final score for “Crawl” is a 9,57/10. So it does get the “SEAL OF APPROVAL!”.

My review of “Crawl” is now completed.

See you later, alligator…

My Most Anticipated Movies of 2020

Well hello there, friends! Hope you’ve all had a great christmas or hanukkah or whatever the fuck you’ve been celebrating. And if you haven’t been celebrating anything, I hope you’ve at least had a good few days. After the nearly non-stop blogging I did with my 12 Films of Christmas series, I decided to take a few days off, rest up my old joints. But you’re only 22. Yes, but I have the ligaments of a geriatric refrigerator. Anyway, so now that we’ve got the holidays over with, let’s look to the future. Specifically, I want to look forward to 2020, and have a look at what movies will be coming out at the start of the new decade. And despite the title, this list isn’t strictly about movies I’m super hyped for. Some are, but for the most part it’s more just “Movies I’m kind of interested in”. But that wouldn’t be as catchy, you know.

But before we get into the meat of the post, let’s set up a few ground rules.

Rule 1: You know those movies that get a somewhat limited release first, and then get more international coverage after the new year? Yeah, we’re not including those. So stuff like “Jojo Rabbit”, “The Farewell”, “Little Women”, etc. won’t be featured on this list. Only movies whose official first release happen in 2020.

Rule 2: Please don’t be an asshole in the comments. This is my list, with my opinions. If you don’t agree with any of my choices, and look forward to other movies, then that’s great… but don’t call me names or be a cunt about it. Be cool, yeah? Feel free to make your own list, let’s have a friendly discussion.

Rule 3: Don’t feed the animals.

So, with that stuff said… here’s a list of 2020 movies I’m looking forward to.

The Gentlemen

First up is “The Gentlemen”, an upcoming crime-comedy-action-thriller from Guy Ritchie. And that’s seriously all you’d need to tell me to get me excited. Ritchie has been in a weird spot for the past decade, doing various weird movies. But now it seems like he’s going back to his crime movie roots, which has me quite excited. Combine that with a stacked cast featuring people like Matthew McConaughey, Hugh Grant, Colin Farrell, Charlie Hunnam, and so many more… and you have my money like *that*.

Wonder Woman 1984

Next up, a superhero movie. Yeah yeah, some of you are probably tired of superhero stuff and people talking about them, but cut me some slack, I like fun adventure movies, and this’ll probably be such a thing. I was a big fan of the 2017 “Wonder Woman” movie, and since this has the same creative team behind it, I am sure it’ll be at least a good time.

The Invisible Man

A reboot of a classic franchise… and also a horror movie? Two things that usually don’t grab my interest that much. But in recent years I have become more of a horror fan, and I was a fan of the director’s previous movie, “Upgrade”, so I’m interested to see where this goes.

Black Widow

Yes, more superhero stuff. I like superhero stuff. And with Marvel Studios’ track record, I’m expecting this to be a competently made action movie. And this looks like it’ll be a pretty badass spy-thriller/action movie. Plus, it’s nice to finally see this character getting her own movie after being a supporting player in others for so many years.

Last Night in Soho

Two words: Edgar Wright. Seriously, that is all it took to sell me on this movie. I’m a big fan of that director, so I’m gonna be excited for whatever he does. And with this being described as a psychological thriller, I’m extra intrigued to see what the final product could end up being.

Dune

This is one of those I am interested in, while also having my reservations. Yes, the cast is amazing. Yes, the director is amazing. Yes, the source material is really good. But it’s that last part that is what has me a bit careful. “Dune” is such a dense and unique book, which makes me worried how the hell someone go about adapting it. But I guess we’ll see late 2020. Again, still interested thanks to the cast and director.

The King’s Man

I am a big fan of “Kingsman: The Secret Service”, and I don’t mind “Kingsman: The Golden Circle”. So it shouldn’t come as a surprise that I’d be excited for the next entry, which apparently is set in World War 1. A fun action movie set during the most depressing war in recent history? Matthew Vaughn, you’re mad, and I love you for it.

Godzilla vs. Kong

Look, I get that the critical reception for “Godzilla: King of the Monsters” wasn’t great. But I also don’t care, because I like seeing giant monsters kicking the shit out of each other. And with two of history’s most popular movie monsters going at it for the first time since 1962, it’s quite an exciting time to be a kaiju fan.

Top Gun: Maverick

I’m gonna say it, I’m not a huge fan of the original “Top Gun”. It’s… fine. So why am I excited for its sequel, which inexplicably is coming out 34 years later? Honestly, ’cause it looks kinda badass, and because I want to see Tom “Batshit Crazy” Cruise fly a jet. Yes, he really did that. Fucking madman.

Tenet

And the last one we’re gonna mention in this post is “Tenet”, the new movie from Christopher Nolan. And it seems like it’s gonna be a bit of a mindbending spy-thriller. I will be excited for whatever Nolan does, but the fact that the sentence I just said before got said has me even more hyped. This is my most anticipated movie of 2020.

So that’s a few movies I’m excited for in 2020. Feel free to mention some of yours, I’d love to hear from you.
Have a good one.

Series Review: His Dark Materials – Season 1 (2019)

Adapting books is difficult. There’s a risk of alienating old fans if you fuck it up, and there’s a chance of alienating new ones if you just adapt word for word, with no regard for the viewing experience. We’ve covered some good ones, and some bad ones on the blog before… so let’s see where this falls into the spectrum

Ladies and gentlemen… “His Dark Materials” season 1.

Set in an alternate universe England, the story follows Lyra (Dafne Keen), a girl looking to find a way to get out of her boring scholastic existence and into some adventure. Well she soon finds her wish coming true when she gets dragged into a big, magical adventure through this mysterious, alternate world. I really enjoyed following the story here. It’s a fresh take on the familiar “child hero” fantasy formula. And unlike so many other such adaptations it manages to balance a generally family friendly approach with a lot of darker moments that dare to challenge younger viewers a bit. It reminds me of the “Harry Potter” movies a bit in that sense. There’s also enough interesting twists in the story to keep me on my toes. The pacing does feel like it slightly drags at times due to how dense with content each episode is, but generally it never full on breaks the show for me. It’s still a really engaging and entertaining story.

The characters in this are layered, flawed, and overall just interesting. Dafne Keen plays Lyra, our protagonist. She’s clever, crafty, adventurous, and just a really entertaining protagonist that I loved following throughout. And Keen is great in the role. We also get supporting work from people like Ruth Wilson, Kit Connor, Amir Wilson, Lin-Manuel Miranda, Ariyon Bakare, James Cosmo, and James McAvoy, among many others. And they all do very well in their respective roles.

The score for the show/season was composed by Lorne Balfe, and it is absolutely fantastic. From the beyond catchy main theme, to many of the quieter pieces, to some of the bigger tracks, it is all fantastic. What I also like is that as we switch between a few different settings within the show, Balfe actually plays around a bit with his instrumentation, not only relying on the typical orchestral stuff. So yeah, this show has some great music.

Based on the beloved novels by Philip Pullman, “His Dark Materials” is a co-production between BBC and HBO, written by Jack Thorne, and directed by a bunch of cool people. And the craft here is seriously fantastic. The direction manages to capture the sweeping nature of the epic fantasy story it sets up, while still staying intimate with the characters, bringing us further into the world in a wonderful way. And this show is also proof why HBO should be allowed to help out with the financing of a show, because in terms of sets, effects, props, puppetry, and all such production values, this is one of the most well crafted and expensive-looking shows I have ever witnessed. It is stunning what they’ve made here.

This season/show has generally been well received. On Rotten Tomatoes it has an 80% positive rating and a “Fresh” certification. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 8,2/10.

It’s of course not flawless, but I still kinda loved season of “His Dark Materials”. It has a great plot, great characters, great performances, great music, and great directing, cinematography, and effects. Time for my final score. *Ahem*. My final score for season 1 of “His Dark Materials” is a 9,55/10. So it gets the “SEAL OF APPROVAL!”.

My review of “His Dark Materials” season 1 is now completed.

I’ve had a weird void in my life since the “Harry Potter movies ended. And this show has kinda filled it for the past two months.

12 Films of Christmas 2019 (Part 10)

Can you imagine that after this post, there’s only two more? It’s a little surreal. You get into the groove of doing a daily series like this, and then it’s about to end. But before that happens, we still have some shit to talk about. So let’s do it.

So what’s on the menu today? Well, I’m about to get to it, relax, you impatient person. Based on a 1997 novel by Neil Gaiman, “Stardust” is a 2007 fantasy adventure directed and co-written by Matthew Vaughn. It tells the tale of Tristan Thorn (Charlie Cox), a young man infatuated with a woman living in the same town as him. One day he agrees to fetch a fallen star for her, in exchange for her hand in marriage. And this leads Tristan on a big, magical journey involving a conniving prince (Mark Strong), an evil witch (Michelle Pfeiffer), a pirate (Robert De Niro) and a woman who may or may not be a literal fucking star (Claire Danes). So what’s my holiday connection for this one then?

Well, compared to some of my previous ones, this is a bit more simple. No, there’s no scene involving christmas. And no, it’s not even the family squabbling between the three princes. No, it’s less contrived than that. Christmas is a holiday that’s supposed to bring joy to people, be it through presents, food, or good company. And “Stardust” is a very joyous movie, it’s a simple and fun swashbuckling adventure with a fantasy twist. And both of the times I’ve seen this movie, it has brought me great joy. It has put a gigantic dumb smile on my face. And since christmas should bring joy, then “Stardust” is clearly something one could easily slot into the holiday hangouts. Plus, that song from Take That playing during the end credits is fantastic.

Have a good one.

Movie Review: Star Wars – The Rise of Skywalker (2019)

It’s that time of year again… “Star Wars”. The final one… for now. So let’s talk about it.

Ladies and gents… “Star Wars – The Rise of Skywalker”.

The remaining members of the Resistance try to pull off a series of daring plans to try to hopefully finally stop the sinister First Order. It’s the concluding chapter to this new trilogy, that also calls back some (read: a lot) to the older movies. And the story as a whole is a bit of a mixed bag. It’s generally a fun, fast-paced space swashbuckler that does give a satisfying enough ending to the entire Skywalker saga, but looking at the overall thing, it feels ever so slightly paper-thin. And while I don’t need my “Star Wars” to be deep mindfucks in their storytelling, I feel like there could’ve been a bit more put into it, since it’s supposed to, you know, cap off the entire fucking series (AGAIN). But as it stands, while the story disappoints a bit, it’s still entertaining, and I thought the overall ending was pretty good.

The characters in this have earned a shitload of good will over the previous two movies, I’ve fallen in love with them, so that went a long way to me following them here. And while one or two might get some decent-ish enough character conflict, there isn’t too much else to say about that stuff. Daisy Ridley and Adam Driver make for a compelling hero/villain dynamic at the center. John Boyega and Oscar Isaac are as enjoyable in their sidekick roles again. All other supporting actors do well enough in their supporting roles too.

As with every mainline entry in this franchise, the score was composed by the one and only John Williams. And there’s no way one can complain about it. From the classic motifs, to some of the ones from the previous two movies, to some new (if indistinguishable) stuff… come on, it’s another “Star Wars” score from the one and only John Williams, you all know it’s good.

“The Rise of Skywalker” was directed by J.J. Abrams, who did a damn good job. The guy knows how to bring energy to a scene, he knows how to a fun and exciting action scene. There’s tons of good action in this that either made my jaw drop or just had grinning like an overexcited child. Yes, I am easy to please when it comes to that kind of stuff… especially when it’s handled as well as it is here. The effects are of course fucking spectacular, and not just the CG, there’s a ton of awesome practical creature effects and such. It’s just a joy to look at.

This movie just came out, so there’s not much data out there (and as y’all know, I am too lazy to edit after the fact). So here’s where we’re at now. On Rotten Tomatoes it has a 58% positive rating. On Metacritic it has a score of 53/100. And on imdb.com it has no score at all… that’s how early I am.

“Star Wars – The Rise of Skywalker” may be slightly disappointing, but I still had a good time with it. It has an okay plot, good characters, great performances, great music, and really good directing/effects. Time for my final score. *Ahem*. My final score for “Star Wars – The Rise of Skywalker” is an 8,45/10. So while very flawed, it’s still worth buying.

My review of “Star Wars – The Rise of Skywalker” is now completed.

Goodbye for now, Star Wars.

12 Films of Christmas 2019 (Part 5)

It’s time for part 5 of this goofy series of mine. More contrivances, here we go. And today we’re actually talking about a movie from my own country for once, I know, my mind is as blown as yours.

Today’s movie is called “A Summer Tale”, directed by Ulf Malmros, and released in 2000. Set in 1958, it follows two kids (Anastasios Soulis and Rebecca Scheja) as they get sent to live with a cantankerous funeral director (Kjell Bergqvist) for the summer. So now… now… now… I hear what you’re thinking. “Markus, you dumb bastard, how the hell are you gonna get a movie with SUMMER in the title to fit within the christmas category?”. Well, my impatient friend, let me sit your ass down and tell you.

When the kids first meet this funeral director, their relationship to him is stale at best, and tense at worst. He’s not abusive and horrible towards them, but he’s not exactly someone I’d wanna send my theoretical kids to. But as one might expect from this setup, these two parties of course start to warm towards each other, all the while the funeral director tries to get a local teacher he has a crush on to go out with him. So while yes, the movie is set during the summer, it’s still all about family and finding love. You know what part of the year is often associated with family and love? Christmas. Everyone always talks about how that holiday should be spent spreading love and being with your family. And since this movie is all about that shit, you’d imagine it could fit within that.
While “A Summer Tale” isn’t one of the greatest movies ever made, I found myself surprisingly entertained by it. It’s a heartwarming little dramedy that made me really care about the characters, all of whom are very well acted by the actors involved (yes, the kids too). It’s a good flick.

Have a good one.

12 Films of Christmas 2019 (Part 1)

Season’s greetings, ladies and gents. Alright, enough of that holly jolly shit, let’s get down to business. For a few years now, I’ve had this series on my blog where I do twelve shorter pieces starting on December 13th, leading up to December 24th (AKA the date where us in Sweden primarily celebrate christmas). First two years, I did christmas songs. The next two, I did films. Now, for this year, I’m doing films again. However, I’m throwing a monkey in the wrench this year… I won’t use actual christmas movies. Instead I’m just using 12 movies, and I have to contrive a reason as to why I’m mentioning them in a christmas series. Gotta find some way to switch up the monotony, you know. So without further ado… here we go.

As you probably guessed from the image at the top, I am starting this series off with a classic of sci-fi/fantasy cinema. “Star Wars: The Empire Strikes Back”, released in 1980, sequel to the 1977 super surprise hit “Star Wars”. It once again follows Luke, Leia, and Han (Mark Hamill, Carrie Fisher, Harrison Ford) as they battle against the sinister galactic empire. Most of you probably assume that my contrivance for this is the first act of the movie, which is set on the snow-covered planet of Hoth. And while that adds to it, it’s not my main motivation (twist, motherfuckers). But for my contrivance to work, there will be spoilers. So if you haven’t seen “Empire Strikes Back”, then you’re either lying or you’ve lived under a rock for the past 39 years. So if you don’t want spoilers, go watch it, then come back. Don’t worry, I’ll wait…

Dramatic exaggeration of my long wait.

Welcome back. Now, spoilery contrivance time. If you’ve seen this movie, you should know that it’s all about bringing friends and family together, which is also what the holidays are about. First things first: We see Han get reunited with his old buddy Lando Calrissian (Billy Dee Williams). It seems slightly tense at first, but then there’s a hug and laughter and offers of refreshments.

And then there’s the family reunion. Later in the movie, we have Luke meeting the spooky looking Darth Vader (David Prowse/James Earl Jones). They scuffle a bit, Luke gets disarmed (HA!), and that’s when the classic line happens. No… I am your father! Got chills when I rewatched it yesterday, it’s still great. And isn’t it nice to see a boy and his father get reunited? Sure, it’s a bit awkward at first, but somewhere down the cockles of your heart, there’s still a bit of holiday heart warmth to it.

“Empire Strikes Back” is not only a fantastic movie, but also a nice, heartwarming movie about awkward reunions with friends and family. Perfect holiday analogy!

Have a good one.

 

Movie Review: Knives Out (2019)

I love mysteries. Not in real life though, that shit can be infuriating/scary. But in movies/tv/books/games, the mystery genre is one of my favorites. Who killed the man? Who stole the thing? Who pissed in the cereal? Even the worst ones can still have me entertained due to me having a soft spot for the genre. So anyway, let’s talk about a mystery movie (it’s not a mystery movie jackass, it’s right in the fucking title what movie it is). SILENCE, ME.

Ladies and gentlemen… “Knives Out”.

When famed murder mystery writer Harlan Thrombey (Christopher Plummer) dies, a private investigator (Daniel Craig) starts looking into the possibility that one of Thrombey’s eccentric relatives might’ve killed him. WHODUNIT!? The goofy spelling/grammar of that word aside, that is the genre we’re dealing with here. It’s a modern whodunit that pays tribute to the classic ones, such as “Murder She Wrote” or “Columbo”, while also putting its own fresh-feeling spin to proceedings. It gives you everything you want in a classic whodunit story, while also subverting it in some really clever ways that I honestly didn’t see coming. There’s also a surprising amount of social commentary throughout. And while I’ve watched things recently with attempts at that which were a bit too hamfisted, I felt like it worked quite well within “Knives Out”, wonderfully integrating into the already solid murder mystery.

The characters here are flawed, colorful, interesting, and buckets of fun. Daniel Craig plays Benoit Blanc, a private investigator that’s been hired to investigate Thrombey’s death. He is skilled, but he’s also a bit quirky. And holy fuck, Daniel Craig… he really hammed it up here, and it made him such a fun presence to watch. Next we have Ana De Armas as a nurse who is heavily involved in the story. And she’s great in the role. And then the rest of the cast is filled out by people like Chris Evans, Jamie Lee Curtis, the aforementioned Christopher Plummer, Don Johnson, Tony Collette, Michael Shannon, Katherine Langford, Jaeden Martell, Lakeith Stanfield, Riki Lindholme, and more… and good god damn, what a solid cast this is.

The score for the movie was composed by Nathan Johnson, and it was a lot of fun. It’s very old school in its approach, often sounding like something you’d hear in an older crime movie/show, due to its often overdramatic strings. There’s also a few licensed songs used throughout, and they work well enough. So yeah, this movie has good music.

“Knives Out” was written and directed by Rian Johnson, who I think did one hell of a job on those fronts. He gives the movie such a distinct energy that keeps it feels electric, keeping any shot or scene from ever feeling boring. That doesn’t mean any part feels rushed though, Johnson lets scenes simmer when needed… but never for too long, giving it just the perfect pacing.

This movie has so far been very well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 82/100. And on imdb.com it has a score of 8,1/10.

I loved “Knives Out”, it’s a really fun and unique whodunit. It has a great plot, great characters, great performances, good music, and great writing/directing. Time for my final score. *Ahem*. My final score for “Knives out” is a 9,90/10. So that’s right, it does get the “SEAL OF APPROVAL!”.

My review of “Knives Out” is completed.

Knives Out, Spoons In.

Month of Spooks 2019 Roundup

Hiya. It’s November. Take down the fucking christmas decorations, ya dingus. Also, the Month of Spooks ended not too long ago. So let’s talk about the stuff that was posted during it by me and my little spookers.

Let’s start with my stuff since that’s the least interesting.
Shelley Review
Candyman Review
Mulberry Street Review
It Review
The Invitation Review
Evil Dead 2 Review
The Strain Season 1 Review
From Dusk Till Dawn Review
Mimic Review
Dawn of the Dead Review
Vampire Hunter D: Bloodlust Review
Constantine: City of Demons Review
Cabin in the Woods Review
Case 39 Review
Fortitude Season 2 Review

And now it’s time for the post of my spookers.

The Craggus

First up on the list is The Craggus. This is the fourth year in a row he’s taken part in the Month of Spooks, which makes him the most frequent collaborator of mine. He is also responsible for any and all Month of Spooks graphics you’ve seen used here (like the three at the top of this post). And he has written a few different posts under the Month of Spooks banner this year. From a review on the recently released Countdownto 80s slasher Sleepaway Camp, to Robert Kurtzman’s Wishmaster. The Cragmeister has given us a whole load of posts, and I’d recommend clicking over to his site to check them out.

Gavin

Next up is Gavin, from filmnstuff. This is his third year doing Month of Spooks. And he’s been able to talk about… films and stuff. And he placed this under his 31 Days of Horror tag, where you can read all his wonderful posts from this year.

Maddy

The third and final spooker I collaborated with this year was the wonderful Maddy, who runs the blog fivethreeninety. And she made two posts that I could class under the Month of Spooks banner. One is a review of the recently released Zombieland: Double TapAnd the other is of romantic spook movie Ghost.

And that’s the Month of Spooks 2019. Huge thanks to the three people who decided to take part in this silly little thing of mine. And huge thanks to anyone who’s read and/or interacted with any posts. The support people show is what keeps me going, and what makes this so much fun. Thank you.
Have a good one.