Movie Review: Batman vs. Teenage Mutant Ninja Turtles (2019)

Yes. This is a real movie. And I watched it. And now I’m gonna talk about it.

Dudes and chicks… “Batman vs. Teenage Mutant Ninja Turtles”.

When Ra’s Al Ghul (Cas Anvar) teams up with the Shredder (Andrew Kishino), the Turtles (Eric Bauza, Darren Criss, Kyle Mooney, Baron Vaughn) find themselves following the villains to Gotham City, where they run into Batman (Troy Baker). Aaaand cue the crossover craziness. Is this a masterpiece of storytelling? No. Is this high art? No. But is it a well written and fun crossover that never takes itself too seriously? Yes. For the most part, the plot here is lighthearted comic book action. But there are also moments where it actually dares to go a little darker, but it never feels like it clashes with the more fun and ridiculous scenes. It balances its tone perfectly, giving us one of the most unique and enjoyable plots in recent DC animations.

The characters are colorful, fun, charming, memorable, and pretty interesting. Troy Baker plays Batman, and he’s the ever serious Batman… you know who Batman is, there’s nothing new done to him as a character. But Baker’s voice work is solid here. Then we have Eric Bauza, Darren Criss, Kyle Mooney, and Baron Vaughn as the four Ninja Turtles Leonardo, Raphael, Michelangelo, and Donatello. And they are exactly as one expects the frickin’ Turtles to be (if you’re familiar with them). And the four actors voicing them are great in their respective roles. While there isn’t much in terms of actual development here, what makes the characters stand out here is how well they play off of each other. It’s their chemistry that makes them so enjoyable to follow… good stuff. We also get supporting work from people like Cas Anvar, Carlos Alazraqui, Rachel Bloom, Andrew Kishino, Tara Strong, Ben Giroux, Brian George, and many more, all doing very well in their respective roles.

The score for the movie was composed by Kevin Riepl, and it was good. Some orchestrations, some synthesizers, some guitar, a lot of fun percussion, it’s the right kind of score to add an extra bit of fun to the insanity of the movie. I really enjoyed hearing it throughout the movie, and it worked well in the various scenes.

Based on a comic by James Tynion IV & Freddie Williams II (fancy lads and their numbered names), this movie was directed by Jake Castorena, and I think it is a well directed movie. The animation flows nicely and has a really good sense of energy to it. Some of the character designs could maybe be a little hit or miss (mainly Donatello for me), there was nothing I’d call bad here. Especially not the action scenes, which I found to be great. Brutal, fluent, and well directed, the various fight scenes throughout are an absolute joy to behold. There’s also a really fun chase here that was a blast to watch. So yeah, there’s a ton of well animated, absolutely ridiculous action scenes throughout the movie… which makes me very happy. There are also a lot of jokes in this movie, and they made me laugh very hard. Some really clever, some incredibly dumb, all funny.

This movie has been well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 7,2/10.

So “Batman vs. Teenage Mutant Ninja Turtles” is absolutely insane, and I loved every minute of it. It has a really fun plot, really good characters, great performances, good music, really good animation/direction/action, and hilarious humor. Time for my final score. *Ahem*. My final score for “Batman vs. Teenage Mutant Ninja Turtles” is a 9,84/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Batman vs. Teenage Mutant Ninja Turtles” is now completed.

That was… BATshit insane.

Advertisements

Movie Review: John Wick: Chapter 3 – Parabellum (2019)

Keanu fucking Reeves. Started out promisingly in comedies, dramas, and various action flicks. Then around 2008 he kind of dropped off the mainstream map after a few… less than critically well received movies. Then in 2014 he starred in “John Wick”, which gave his career the adrenaline boost it needed. And now he seems to be back on top. And I say, good for him. So let’s talk about his latest flick. Oh, and spoilers for the end of “John Wick: Chapter 2”, because that ties into this… sorry.

Ladies and gentlemen… “John Wick: Chapter 3 – Parabellum”.

After killing a member of the High Table, the ever tenacious John Wick (Keanu Reeves) is rendered excommunicado, with a 14 million dollar bounty on his head, and must fight for survival as he encounters trouble at every corner. So now we have our constantly moving action story. From a storytelling perspective, these movies aren’t what you’d call “high art”. But I don’t need that. It’s just our hero being relentlessly pursued in an interesting, very comic book-esque world. And that makes for a fun bit of garnish in-between all the shooty-bang-bangs and fisticuffs. The story is present enough that it adds something to the experience, but not so up its own ass that it distracts from everything else. It’s fun.

The characters in this are colorful and pretty interesting. Just like I mentioned with the plot, they feel very much like they’re ripped right out of a comic book. Keanu Reeves of course returns as title character John Wick. A man who lost everything, then is given a new chance, and then shit hits the fan again. He’s endured a lot, and I find him to be a strong and engaging action protagonist that I care about a fair bit. He even gets some decent development here too. And Reeves is really good in the role. And the supporting cast, which includes people like Ian McShane, Lance Reddick, Laurence Fishburne, Mark Dacascos, Halle Berry, Anjelica Huston, Asia Kate Dillon, and many more, is pretty fucking good.

As with the previous two movies, the score for “Parabellum” was composed by Tyler Bates and Joel J. Richard. And like the previous two movies, this score is awesome. It once again takes the approach of mixing very electronic stuff with some sick rock beats and occasional guitar screeching to make a sound that is distinctly “John Wick”. And it’s just as tense, exciting, badass, and pleasing to my ears as the last two times.

Chad Stahelski returned to direct this third entry in the franchise he helped create. And dude’s direction just gets better with each iteration. A clear focus, wonderful long takes, and a great sense of energy. The cinematography by Dan Laustsen is absolutely breathtaking, with some beautiful use of colors. And let’s talk about the thing we all watch these movies for: The action. Fuck me, it is amazing. It’s real, it’s visceral, it’s fun, it’s violent, it’s clear… it just comes together beautifully. You can see everything that happens, which also let’s you see just how much work has gone into the fucking choreography. There are also some rather creative kills throughout the movie too, and they add even more to it. It’s very well crafted, this movie.

This movie has been very well received. On Rotten Tomatoes it has a 90% positive rating and a “Fresh” certification. On Metacritic it has a score of 73/100. And on imdb.com it has a score of 8,0/10.

“John Wick: Chapter 3 – Parabellum” is one of the most impressive action movies of this decade, and I absolutely loved it. It has a good plot, good characters, great performances, great music, and great directing/cinematography/action. Time for my final score. *Ahem*. My final score for “John Wick: Chapter 3 – Parabellum” is a 9,89/10. So it gets the “SEAL OF APPROVAL!”.

My review of “John Wick: Chapter 3 – Parabellum” is now completed.

You’d think the people constantly coming after John would take a hint that you don’t fuck with the Baba Yaga.

The Great Villain Blogathon 2019: Wafner from Overlord

Well hello there, people. Hope you’re doing well. Today I will be going out of my regular review wheelhouse a bit. When it was announced that the lovely ladies of Speakeasy, Silver Screenings, and Shadows & Satin were hosting a blogathon about movie villains, I of course had to sign up. I actually took part in another one of these about two years ago, so I’m happy to join another one! So let’s stop it with the introductions and get into my pick for The Great Villain Blogathon 2019!

Last time I took part in a villainous blogathon, I went back a handful of years and talked about the T-1000 from “Terminator 2”. So this time I went for a more recent thing. And to give you a fair warning: There will be spoilers for the entire movie. So if you haven’t seen this movie and want to remain unspoiled, maybe go and give it a rental, watch it, and then come back.

Meine Damen und Herren… This is Wafner from 2018’s “Overlord”.

“Overlord” is a 2018 world war 2 action-horror film directed by Julius Avery and starring Jovan Adepo, Wyatt Russell, and Pilou Asbæk. It’s about a group of American soldiers who crash behind enemy lines on the night of D-day to take out a nazi communications tower so that the landing on Normandy beach can happen. But as they make their way further into the compound, they find more than just nazi punks in there. To be exact, they find that the nazis are experimenting on the local population to try to create super zombie soldiers. Simple plot with a fun twist to it. Not revolutionary, but highly enjoyable. So how does Wafner (played by Pilou Asbæk) fit into this? Well, he’s a nazi captain that serves as the primary antagonist of the story. What’s interesting is that it takes about 20 minutes for us to even catch a glimpse of him, and even then it’s shrouded in darkness and at a distance. It’s not until the 33 minute mark that we finally get properly introduced to him, when he invades the private space of a French woman that helps to hide our heroes.

Wafner: “Do you hear zat?”. Chloe: “What?”. Wafner: “Sounds like our movie is failing at ze box office”.

Right in the first minute of his introduction he just gets under my skin. No, not because he’s a nazi, though that is certainly a turn-off. No, there’s just a certain creepiness to him. He’s not the over-the-top villain one might expect (yet), instead going for a more subtle and slimy creepiness, which is just perfectly delivered by Asbæk. And even though he does seem calm and composed, you can still sense that there’s a ruthlessness to him, which makes you not want to mess with him. Even when he’s captured later in the movie by our heroes, he has a way of getting under one’s skin.

Wafner: “Dood, you should totes inject me with zat”. Ford: “No nazi steroids for you”. Wafner: “Oh nein”.

What I like about Wafner is that he’s just a villain. So many movies these days try to give their villains actual depth, maybe even give them some qualities that we can sympathize with. And while I enjoy that to some extent, I prefer that they didn’t try that with Wafner here. He’s just a ruthless, smirking, villainous villain. He wants to create a super zombie army so the nazis can take over the world. As Wafner puts it “A thousand year reich requires a thousand year army”.

Eventually he manages to escape capture through cunning and deception. So he’s not just a ruthless nazi commander, but he’s also intelligent, which makes him an even more dangerous villain. But he doesn’t get away completely scot-free.

Gotta admire it when a guy can crack a smile even though half his fucking face has been blown off.

If he wasn’t dangerous enough already, he injects himself with the experimental super soldier serum, turning him borderline invincible. So you have an angry, ruthless, cunning, and creepy nazi captain that can’t be killed by conventional means. Makes for quite an intense finale. All boosted by Pilou Asbæk’s over-the-top yet excellent performance.

When asked what he likes to do during his spare time, an unusually reserved Wafner told us about his recent infatuation with making stop-motion films using the corpses of his enemies.

So that was a bit about Wafner from Overlord. He’s not particularly deep, but he’s quite intimidating and works incredibly well as a primary antagonist for this crazy genre hybrid. He’s an old school villain for the sake of having an old school villain, and I god damn salute that.
Once again I have to give a huge thanks to Speakeasy, Silver Screenings, and Shadows & Satin for letting me take part in this. I had fun. Plus, it gave me an excuse to rewatch one of my favorite movies of last year.
Have a good one.

Movie Review: Danny the Dog (2005)

I just know that someone’s gonna see this and say “Hey wait a minute, isn’t this movie actually called Unleashed?”. And to that I say, you are not wrong. In some parts of the world, this movie is called “Unleashed”. And in others it’s “Danny the Dog”. The service I watched it on had it listed as the latter, so that’s what I’m using for this review.

Ladies and gentlemen… “Danny the Dog”.

Danny (Jet Li) is a man who has been an attack dog-like slave to a ruthless mobster (Bob Hoskins) for as long as he can remember. But when he meets a kind, blind man (Morgan Freeman), his life takes an interesting turn. Is this the greatest plot ever? No. But I do have to say that I was surprisingly invested in it. Now, I wasn’t ever deeply invested in it all, but I was invested enough to not get bored when the movie decided to slow down a bit. There are layers to the story here, giving us an interesting look at someone who’s never really felt love or compassion, only knowing abuse and violence, who finally gets a glimpse of something better. It’s a little bit ham-fisted in its storytelling at times, but overall it’s still an enjoyable tale.

The characters in this are entertaining and interesting. Firstly we have Jet Li as Danny, the titular character who’s been treated as a bit of an attack dog for most of his life. He is quite emotionally stunted, due to being a slave to a gangster for so long, so seeing him develop throughout the movie is actually pretty interesting. And Jet Li gives a pretty good performance here. Next we have Bob Hoskins as Bart, the gangster who’s been “taking care of” Danny for all these years. He’s a ruthless asshole who you kind of just want to punch in his face. And Hoskins gives a cartoonishly sneering performance here that I just loved watching. Next we have Morgan Freeman as Sam, a blind, elderly piano tuner that Danny meets, and is the first person to ever really show Danny any kind of kindness. And seeing how he affects Danny creates quite a fun dynamic between the two. And Freeman is really good in the role. We also get supporting work from people like Kerry Condon, Vincent Regan, Dylan Brown, Michael Jenn, and more, all doing well in their respective roles.

The score for the movie was composed by British trip hop band Massive Attack, and while I wouldn’t find myself listening to this music in my spare time, I do think it worked well for the movie. It is of course heavily based in the electronica/trip hop style that the group is known for while adjusting it to fit more as the score of a movie. And it helps add a little bit of fun to the movie.

The movie was written by Luc Besson and directed by Louis Leterrier, and I think that works as a fine double act. Besson’s quirks shine through pretty well, and blends wonderfully with Leterrier’s knack for creating a fast pace. The movie, even in its slower scenes, never really loses any of its energy. And seeing as this movie stars Jet Li, there’s bound to be some fight scenes in it too. And said fight scenes are fucking fantastic. Well shots, not too quickly edited, wonderfully choreographed, these fights really help add a lot to the movie.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 65% positive rating. On Metacritic it has a score of 58/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 7,0/10.

While not necessarily a great movie, “Danny the Dog” is a highly entertaining action-drama. It has a pretty good plot, okay characters, really good performances, good music, and great writing/direction/fighting. Time for my final score. *Ahem*. My final score for “Danny the Dog” is an 8,66/10. So while not perfect, it’s still definitely worth buying.

My review of “Danny the Dog” is now completed.

Woof woof, motherfucker.

Academy Award 2019: Music Nominees

Well hello there. Around this time last year, I teamed up with some really cool people to cover that year’s Academy Award nominees. And we decided to do it again, splitting the nominees between us and discussing it on our blogs. And just like last year, I am covering the music nominees, because I’ve barely seen anything nominated for an Oscar this year, and these categories are the only ones I can do from my room for free in a perfectly legal manner. So without further ado, let’s get into it.

Best Original Score
Let’s start with the scores first. No real reason, just seems reasonable. But before we get into that, we have a comment here from the lovely Maddy of FiveThreeNinety regarding what she considers a major snub:

HOW First Man was not even nominated baffles to me the point of not being able to see the actual contenders. I was convinced that was a sure win.
Thank you, Maddy. Your thoughts are much appreciated. Now, on with the nominees!

Black Panther – Ludwid Göransson

First up we have the score for Marvel superhero movie “Black Panther”, which I haven’t seen yet. I know, weird. Still, any thoughts on the movie itself do not matter, it’s what the music is like that matters. And not gonna lie, from what I’ve heard, the score by Ludwig Göransson is pretty stellar, mixing the typical superhero brass with a lot of African percussion and woodwind, and even a little bit of interesting electronica to create one of the more unique scores within the Marvel Cinematic Universe.

BlackkKlansman – Terence Blanchard

Next up is the score from the latest Spike Lee joint, “BlacKkKlansman” (that stylization really fucks up my flow). A true story about a black police detective infiltrating the KKK. So what does Blanchard bring in for the music? Well, he gives us a score that mixes somber string work, march percussion, and even a little bit of blues guitar, creating an absolutely stunning sound that seeps into the soul and just creates a sense of dread. Yeah, it’s a good one.

Mary Poppins Returns – Marc Shaiman

From composer Marc Shaiman we have the score for “Mary Poppins Returns”, the sequel to the 1964 musical classic. And it’s a fairly standard score here. Not bad in the slightest, it’s just that we’ve heard this kind of stuff before in Disney movies for god knows how long. The sung songs are a lot of fun, and the main score is easy on the ears, so the music here is just a bit of good ol’ crowd pleasing.

Isle of Dogs – Alexandre Desplat

Next up, we have the score for Wes Anderson stop motion film “Isle of Dogs”, composed by one of my favorites, Alexandre Desplat. Mixing in a lot of Asian percussion and chorals mixed in with the occasional regular brass, strings, and piano, it makes for a fun and quirky sound that also has a nice emotional undertone.

If Beale Street Could Talk – Nicholas Britell

Next up we have Nicholas Britell’s score for “If Beale Street Could Talk”, Barry Jenkins’ movie based on the James Baldwin novel of the same name. And holy fuck, this score hits hard. Somber strings, emotional piano pieces, and a general sense of sadness makes it a stunning feast for the ears. But you know what it reminds me of at times? Nick Cave’s score for “The Assassination of Jesse James by the Coward Robert Ford” (still a mouthful), which has a similar sound. That’s not saying that “Beale Street” doesn’t stand out musically, because it really does.

And here’s a comment from Martin of Through the Silver Screen:

“Re-teaming with Barry Jenkins after his Oscar nominated work in Moonlight, Nicholas Britell did it again creating a score that was both beautiful and melancholic, capturing the joy and despair of the main characters beautifully. But by far one of the biggest snubs here was for Justin Hurwitz’s First Man score, which had it been nominated would surely have come back down to earth to win the statue. Ludwig Göransson’s wonderful work for Black Panther is also very much worthy of the gong, as it was grounded in the beauty of the continent of Africa.”

And here’s one from Nathan:

Best Original Score’s real winner (Justin Hurwitz’s First Man) inexplicably missed an Oscar nomination but Nicholas Britell’s If Beale Street Could Talk is a gorgeous, brooding composition that enriches the film’s tenderly melancholic exploration and portrait of love. It should, and probably will, win but faces stiff competition from Black Panther.

Biggest chance of winning: Isle of Dogs.
My pick: BlacKkKlansman.

Best Original Song
And now we move on to the second half of this post, the part where we talk about the best original song nominees. So let’s do it.

All the Stars – Kendrick Lamar/Sza – Black Panther

Man, “Black Panther”, raking in the nominations. So here we have “All the Stars” by Kendrick Lamar and SZA (apparently pronounced Sizza). I’m not the biggest fan of the style of music that this is, but I do also think that this sounds quite good and I can see why it was nominated. So yeah, it’s pretty good.

The Place Where Lost Things Go – Emily Blunt – Mary Poppins Returns

Remember how I said that the sung songs were the better part of the “Mary Poppins Returns” music? This still applies, because this is beautiful. The minimalist composition gives it a nice emotional tone, the lyrics are beautiful, and Emily Blunt’s singing is stunning and it really reaches into my heart. So yeah, this song is very good.

I’ll Fight – Jennifer Hudson – RBG

Not every day a documentary has a best original song. But “RBG”, a documentary about supreme court justice Ruth Bader Ginsburg, had it, and it’s the kind of grand, sweeping, soulful pop tune that you’d hear everywhere a few years ago. And I like thos kinds of tunes, so this kind of appeals to me. Is it the best example of this kind of song? No. But is it still a strong contender? Hell yeah.

When a Cowboy Trades His Spurs for Wings – Tim Blake Nelson/Willie Watson – The Ballad of Buster Scruggs

In 2018, the Coen brothers gave us anthology western “The Ballad of Buster Scruggs”, and that movie gave us this song. The singing for Nelson and Watson is stunning and just fits the whole quirky western singing. The small amount of instruments also gives it a small intimate feeling that just works so well for the story told in the song. It’s a charming little song that I kinda love.

Shallow – Lady Gaga/Bradley Cooper – A Star is Born

How many versions of “A Star is Born” do we have now? 46? What, only five? Okay. Anyway, this version stars Bradley Cooper and Lady Gaga, and people apparently like it a lot. And this song, “Shallow” is the song from it that got an Oscar nomination. So is it good? Very. I like this sort of ballad bordering a little on rock, pop, and country, as it makes it stand out with this nice blend of the three. And “Shallow” is a damn good example of it. And now, a comment from Maddy again:

If a Star is Born doesn’t win, I will shave my head. It is one of the best original songs for film in years, and that’s saying something looking at the past few winners.

We also just got in another comment, this from Martin of Through the Silver Screen:

“Though I love “All the Stars”, nothing is stopping Lady Gaga here. Given that the Best Actress statue will likely be out of her reach, this is one award Gaga will be deservedly holding at the end of the night. The moment in ASIB when she sings “Shallow” with Cooper in the film, just sends chills down my spine. Incredible.”

And here’s a comment from Nathan:

We’re not far from the Shallow now, where Lady Gaga will ascend to the stage to collect the award for A Star Is Born. You can’t really argue against it – it’s a fantastic, stadium-worthy song – despite my personal belief that Always Remember Us This Way is the movie’s crowning achievement. I’d be equally happy for Mary Poppins Returns’ The Place Where Lost Things Go to take it on the night, although A Cover Is Not The Book or Can You Imagine That? would have taken its place on my personal ballot.

Biggest chance of winning: Shallow.
My pick: When a Cowboy Trades His Spurs For Wings.

So now we’ve gotten through all the music nominations, and I gave some of my thoughts on them. But I’d also love to hear from you guys. What are your thoughts on the music nominees for the Academy Award of 2019? Leave any and all thoughts in the comments.

The cool people I collaborated with:

Plain, Simple Tom

Through the Silver Screen

FiveThreeNinety

Perks of Being Nath (who also hosted our friend Ryan, because Ryan doesn’t do his own blogging anymore).

And that’s it. Have a good one.

Movie Review: Upgrade (2018)

Can I just take a second out of this review to talk about release schedules? Because everyone got this movie in the cinemas at some point in 2018… but I didn’t, and then I had to wait until today to be able to see it at home? It’s not the first time I’ve gotten screwed liked this. I wanted to watch it, but my local cinema was like “Nope, sorry, not showing it… you dick”… okay, they didn’t directly say that, but that’s what it felt like with “Upgrade” and various other movies. Seriously, screw release schedules some times.

Ladies and gents… “Upgrade”.

After his wife is killed and he gets paralyzed, Grey (Logan Marshall-Green) accepts an offer to get an experimental surgery that would let him walk again. But soon he finds out that he’s able to do more than that, which he will use to find the people responsible for his misery. So now we have our cyberpunk revenge thriller. And it’s good. I mean, the opening isn’t the most inspired, in a lot of ways it’s just kind of bland. But after that generic opening, the plot just gets better and better and I think it becomes quite unique for a revenge thriller. It’s not one of the greatest plots ever, but it’s certainly a lot of fun and has enough little twists and turns to keep it fresh. So yeah, it’s a good plot.

The characters in this are… fine? Most of them are kind of underdeveloped. For some of the bad guys, I can accept that, as it gives them a sort of video game boss battle quality, which I enjoyed about them. But others that the movie expects me to care about… nope. Anyway, Logan Marshall-Green plays Grey, the average Joe who receives the title to become a badass. And he’s honestly quite a fleshed out character, as he’s given quite a bit of development throughout. And Marshall-Green is great in the role… mostly. At the start he’s bland and average, but like the plot, when shit gets going, he becomes great in the role. Next we have Betty Gabriel as the detective working the case of Grey’s dead wife. And where the movie expects us to give a damn about her… I didn’t, her character isn’t interesting enough in her writing for me to care. But Gabriel is pretty good in the role. We also get supporting performances from people like Simon Maiden, Harrison Gilbertson, Melanie Vallejo, Benedict Hardie, Christopher Kirby, and more, all doing pretty well in their respective roles.

The score for the movie was composed by Jed Palmer and I thought it was really good. It somehow sounds like a mix between typical cyberpunk stuff (“Blade Runner”, “Deux Ex”, etc.) and a couple different horror scores. And the mix, while familiar, feels unique and gives the most an eerie and interesting vibe that I liked quite a bit.

Based on nothing at all, this movie was written by Leigh Whannell, and I think he did a great job here. While the opening (as previously stated) is a bit boring, his direction gives the movie a certain energy that makes it kind of a joy to watch. He finds ways of really engaging the viewer with little details. But it’s in the action scenes where the directing and cinematography truly shines, because holy fucking shit, the action scenes in this movie are fantastic. They’re fast, energetic, and have some of the most clever and unique camera movements I’ve ever seen. There are a couple fights in this movie that honestly kinda blew my mind. There’s also a surprising amount of humor throughout the movie, and none of it feels intrusive, rather just adding to the movie’s fun factor.

This movie has been pretty well received. On Rotten Tomatoes it has an 87% positive rating and a “Fresh” certification. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 7,6/10.

“Upgrade” is a really good revenge action-thriller. It has a good plot, meh characters, really good performances, really good music, and great directing/cinematography. Though as previously stated, the start of the movie isn’t great, and I don’t really care about most of the characters. Time for my final score. *Ahem*. My final score for “Upgrade” is an 8,72/10. So while flawed, I’d say that it’s worth buying.

My review of “Upgrade” is now completed.

That was fun.

Movie Review: Out of Sight (1998)

Hey. Sorry for the lack of blog posts lately. Had a bad case of the lazy. But now I’m back. And hopefully we’ll get some consistency in post frequency from it. Anyway, first review of the year, here we go!

Ladies and gentlemen… “Out of Sight”.

After he escapes from prison, career criminal Jack Foley (George Clooney) has to go on the run and try to avoid a U.S. Marshal (Jennifer Lopez) that he shares a connection with. So now we have our crime-caper plot. And it’s a good one. It doesn’t rely that much on shocking twists and turns for its narrative, instead just relying on a fast pace and a sort of sex appeal that gives it a unique vibe that I can’t say I’ve seen much of in crime-capers. But yeah, the plot here is just generally fun, fast, and quite entertaining.

The characters in this are colorful, interesting, and overall quite entertaining. George Clooney plays Jack Foley, the crook at the center of this story. I’d say he’s like a less cool-headed version of Danny Ocean, but you can definitely recognize some elements of that character in this one. Though Foley does stand out as his own entity and I find him to be quite an entertaining protagonist. And Clooney is great in the role. Next we have Jennifer Lopez as U.S. Marshal Raylan Givens… no, wait… sorry, wrong Elmore Leonard franchise… U.S. Marhsal Karen Sisco, that’s her name. She’s a tough, sexy, and capable woman who is on the hunt for our main protagonist. She’s pretty fun and has an enjoyable dynamic with Foley. And Lopez is really good in the role. We also get supporting turns from people like Ving Rhames, Don Cheadle, Steve Zahn, Catherine Keener, Dennis Farina, Luis Guzmán, Albert Brooks, and more, all doing very well in their respective roles.

The score for the movie was composed by David Holmes, and it’s awesome. It’s funky, it’s jazzy, and it captures the sort of sly sex appeal that the plot is going for, which adds to the overall fun factor of the entire thing. My favorite aspect of it is how many slick basslines there are throughout, I love the inclusion of them. There are also a few licensed tracks used throughout, and they work well in their respective scenes. So yeah, this movie has great music.

Based on a novel by Elmore Leonard (hence the joke from earlier), this movie was written by Scott Frank, and directed by Steven Soderbergh. And as a fan of “Justified” (another Elmore Leonard adaptation), the writings and overall style of this movie appeals to me. It has a similar kind of energy and snappiness to “Justified”, and that just makes it incredibly watchable for me. But even discounting my love for the aforementioned tv show, the movie just has this sort of infectious energy that I find quite fun. And even through the fun, it manages to have a decent bit of suspense throughout, giving it a bit of a welcome edge.

This movie has been well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 85/100. Roger Ebert gave it 3,5/4 stars. And on imdb.com it has a score of 7,0/10. The movie was nominated for two Oscars in the categories of Best adapted screenplay, and Best film editing.

“Out of Sight” really surprised me, it’s one hell of an enjoyable movie. It has a really good plot, really good characters, great performances, great music, and great writing/directing. Time for my final score. *Ahem*. My final score for “Out of Sight” is a 9,65/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Out of Sight” is now completed.

Despite having seen multiple Elmore Leonard adaptations, I haven’t read any of his books. Might need to fix that soon.

 

My most anticipated movies of 2019

Hello and happy new year, guys! I’m back from my… two day break. Okay, I wasn’t gone for long, but I’m excited to be writing again. New year, new opportunities, new movies! And it’s that last one that we’re talking about today, which shouldn’t come as a surprise to you guys, since this blog is mostly built on movie stuff. So since the year just started, I think it’s only appropriate to talk about some movies that I’m excited for this year. Will all of them be amazing? Probably not. But I’m just looking forward to watching them all, and I thought I’d share some of them here with you today. A few stipulations for both of us here.

Number 1: Please be respectful. I’m asking you to have the exact same opinions as me, I’m fine with disagreement. Just don’t be a dick about it. I’m all for friendly discussion, please feel free to share your thoughts in the comments. Just be nice. This is a friendly space, yo.

Number 2: I’m not gonna talk about movies that had limited releases in 2018 that then get worldwide releases in early 2019. This is for those that have their first release in 2019. Understood? Cool.

Number 3: These are not ranked. These are just a bunch of movies I’m looking forward to a fair bit.

That should be it. Let’s get into the movies.

Glass.

First movie on the list is the first one I’ll probably see in the cinema this year… which would be pretty much unlikely a few years ago. A January movie by M. Night Shyamalan? Ew. But this is something I am genuinely excited about. So spoilers for previous Shyamalan movies, I guess. In 2000, he gave us “Unbreakable”, and it was amazing. In 2017, he gave us “Split”, and it was really good. And at the end of “Split”, it was revealed that it was a secret sequel to “Unbreakable”, which blew my fucking mind. And now we get the culmination of those two movies with “Glass”, and I am really hyped.

Avengers: Endgame

Yes, I talk about a lot of superhero movies. And yes, I am aware that a lot of people are either sick of or just don’t care about them. But you can’t deny that what Marvel has done with their cinematic universe is really impressive. And now we get the ending to it… sort of. It’s the sequel to 2018’s “Infinity War”, and it will be the end for a lot of these actors in this universe. It’s kind of bittersweet. Bring on the endgame.

Captain Marvel

Another superhero origin. This one starring Brie Larson. She’s a good actor. This looks pretty good. Has a stellar cast. It’ll be fun.

Godzilla: King of the Monsters

I am a fan of the 2014 “Godzilla” movie, so I was already excited for a sequel. Then it was revealed that some classic monsters would be involved in it, which got me even more excited. Then this trailer came out and showcased some gorgeous imagery, and it got me even more hyped. So yeah, this is one of the biggest ones for me this year.

Star Wars Episode IX
It’s “Star Wars”. The end of this new trilogy. It’s “Star Wars”. How could I not be excited? “STAR WARS”.

Spider-Man: Far From Home
I am a huge Spidey-fan, been for most of my life. And this is a sequel to “Spider-Man: Homecoming”, which I liked a lot. Tom Holland is a fantastic Spider-Man. So I’m excited. Plus, Jake Gyllenhaal.

John Wick: Chapter 3

“John Wick” was one of the biggest surprises of 2014. “John Wick: Chapter 2” was a great sequel. And in 2019 we’ll get the third part in this series. The hype for this one is real.

Knives Out
No footage. No on-set images. All we have is a good director, a star-studded cast, and the vague premise of a murder mystery. And that is enough to intrigue me. Let’s go.

In the Shadow of the Moon
Like with “Knives Out”, we know practically nothing about this. But at least “Knives Out” has a vague premise of what it could be… this one on the other hand doesn’t even have that. So how could I be excited? Well, it has several good actors involved, and it’s directed by Jim Mickle, who I’m a big fan of. I’ll be supporting him any way I can.

Once Upon a Time in Hollywood

What do you get if you take one of the most star-studded casts even assembled and combine it with the mind of Quentin Tarantino? You get “Once Upon a Time in Hollywood”. Anything that Tarantino makes, I’m already excited for. But add all those cast members and an interesting setting, and you most likely have my money as well.

Lucy in the Sky
*Starts humming The Beatles*. Oh shit, you’re still here. Right, so what’s this? It’s a sci-fi movie, starring the likes of Natalie Portman, Dan Stevens, Jon Hamm, and Zazie Beets, and it’s written/directed by Noah Hawley, who brought us two of my favorite shows; “Fargo” and “Legion”. That’s all I need. Bring on the weirdness.

The Irishman
Martin Scorsese. Robert De Niro. Joe Pesci. Al Pacino. Bobby Cannavale. Harvey Keitel. Jesse Plemons. Excited yet?

Jojo Rabbit

A World War 2 satire from Taika Waititi? With said Kiwi playing Adolf Hitler? And a good cast surrounding him? Yes please, hell yeah, this is interesting.

So those were a bunch of movies I’m looking forward to. I’m sure more will be revealed throughout the year, but these are my current picks. But I also wanna hear from you guys. What movies are you excited for? Leave any and all answers in the comments!
Have a good one!

Movie Review: Spider-Man: Into the Spider-Verse (2018)

What really is there to say about Spider-Man at this point? He’s one of the most well known, beloved, and profitable superheroes of all time. You all know who he is, so nothing really has to be said, I am excited to talk about this different take on the franchise.

Ladies and gentlemen… “Spider-Man: Into the Spider-Verse”.

Miles Morales (Shameik Moore) is just your average guy, except for the fact that he’s been bitten by a strange spider and has received Spider-Man-ish powers. And at the same time as he’s trying to get the hang of these new abilities, he discovers that Spider-people from other dimensions have shown up. So now Miles has to team up with his inter-dimensional namesakes to save the multiverse. And I absolutely loved the story here. It’s a fast-paced and fun comic book adventure that flies by fast than you can say “thwip”. It manages to be a good origin for this character that a lot of mainstream audience members might not know anything about, while also presenting a big multiverse adventure that should please a lot of comic book fans. But even amidst the fast-paced insanity, it knows when to slow down a bit and let the dramatic moments simmer a bit, making this whole ordeal a bit more engaging. So yeah, this is a great plot.

The characters in this are colorful, unique, fun, and just really interesting. Shameik Moore plays Miles Morales, this average guy who has a bit of trouble fitting into his current life. And when the Spider stuff comes into his life it forces him to evolve a bit as a person, and the development Miles gets is quite interesting. And Moore does a really good job voicing him. Jake Johnson plays Peter Parker, a cynical slob who’s also god damn Spider-Man. Not gonna say how he got there, but it’s funny and interesting, and he too gets some good development here. And Johnson does a really good job in the role. Next we have Hailee Steinfeld as Gwen Stacy, another interesting character who gets some decent development. And Steinfeld does a great job voicing the character. We also get supporting performances from people like Brian Tyree Henry, Mahershala Ali, Nicolas Cage, John Mulaney, LIev Schreiber, Lily Tomlin, Luna Lauren Velez, Kimiko Glenn, Kathryn Hahn, Chris Pine, and MANY more, all doing very well in their respective roles.

The score was composed by Daniel Pemberton, and I think he did a great job. While there of course is a lot of the heroic orchestral stuff throughout, Pemberton also mixed in stuff from hiphop, electronica, jazz, and even rock to create a sound that is both familiar and unique, which gives the movie its own sound. There’s also a fair bit of licensed tracks used throughout, and while I personally wouldn’t find myself listening to them on my own time, I thought they worked very well within the movie.

So this is an animated movie, and I seriously loved the animation here. At first some of it might look like it’s missing frames, but it didn’t take too long for me to get over that. And from that point on I got to experience one of the most visually stunning things ever. I don’t even know how to fully explain it, it’s just like someone put a fucking comic into a machine that would make the panels fully animated. It’s colorful, it’s fluid, it’s stylish, it’s unique, and it’s just some of the coolest stuff I’ve ever had the pleasure of looking at. Which also makes for some truly amazing action scenes. The movie also has a lot of comedy throughout, and all of it made me laugh, this is absolutely hilarious. Some of it subtle dialog, some of it broad slapstick, and some in-between stuff.

This movie just came out, but it has already been very well received. On Rotten Tomatoes it has a 97% positive rating and a “Fresh” certification. On Metacritic it has a score of 87/100. And on imdb.com it has a score of 8.8/10 and is ranked #30 on the “Top 250” list.

“Spider-Man: Into the Spider-Verse” is an absolutely magical movie, filled with great stuff for both comic book fans and casual movie goers. It has a great plot, great characters, great performances, really good music, amazing animation/action, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Spider-Man: Into the Spider-Verse” is a 9,90/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Spider-Man: Into the Spider-Verse” is now completed.

2018 is a great year to be a Spidey-fan.

Movie Review: Solo – A Star Wars Story (2018)

Hey, finally a non-christmas movie. Nice to have a bit of variation. Anyway, let’s go on a space adventure, you scruffy looking nerf herders.

Ladies and gentlemen… “Solo – A Star Wars Story”.

The story follows Han (Alden Ehrenreich), a young and determined guy who wants nothing but to get out of the shitty slum life he’s been part of his entire life. And such an opportunity presents itself when he joins a crew of space scoundrels who have been tasked with delivering a very valuable fuel resource to a notorious gangster. So now we have our “Star Wars” prequel. And while the plot here isn’t anything special, I found it to be a bit of fun. As a big fan of “Firefly” and “Cowboy Bebop”, I have a soft spot for these kind of ragtag space misfit stories. In it’s entirety, the plot is just fine, not something I’d put among the all-time greats. But it’s a fun and fast-paced space adventure, and I don’t mind that.

The characters in this are likable, somewhat interesting, and quite entertaining. Alden Ehrenreich plays the young version of Han Solo. In this, Han isn’t quite the jaded smuggler that we know him as in the older movies, but we see hints of that here as he enters the scoundrel life. He’s quite a fun protagonist. And I thought Ehrenreich was really good in the role, he definitely had a lot of that sly charm one would expect from the character. Next we have Woody Harrelson as Beckett, the guy that Han starts working with who sort of becomes his mentor. A hardened badass with a lot of charisma, he’s quite an enjoyable character. And Harrelson is great in the role. Next we have Emilia Clarke as Qi’ra, childhood friend and love interest of Han. And that’s all I’m gonna say, because any further details would technically be spoilers. But she’s an okay character. And Clarke is pretty good in the role. Donald Glover plays the young version of Lando Calrissian, the smoothest son of a bitch in the galaxy. Not much else to say, he’s a smooth-talking, tricky, and clever guy who could charm his way into the heart of a mountain. And Glover is really good in the role. We also get supporting performances from people like Joonas Suotamo, Thandie Newton, Paul Bettany, Phoebe Waller-Bridge, Jon Favreau, and more, all doing well in their respective roles (even if one or two of the characters is less than well-realized).

The score for this movie was not composed by the one and only John Williams. Instead it was done by John Powell. And while there are some familiar themes used throughout, he still brought a lot of his own stuff to it to create one of the best scores of the year. I’m not just saying that because of my love for any piece of “Star Wars” music, he brought his fucking A-game on a fair bit of the tracks here. Yeah, the music here is great.

This movie was directed by Ron Howard, and I think he did a really good job with it. He manages to work with a lot of the typical “Star Wars” visual stylings, while also bringing in some stuff of his own, and even a little bit of old school western. The movie is just well shot and has a nice overall flow here that makes it a joy to watch. And the action here too is a lot of fun. Some good shootouts, a nice fight or two… there’s just a lot of fun to be had with the action here. And I don’t think I need to say anything about the visual effects at this point… it’s fuckin’ “Star Wars”, y’all know that stuff is gonna look great.

This movie has been pretty well received. On Rotten Tomatoes it has a 70% positive rating. On Metacritic it has a score of 62/100. And on imdb.com it has a score of 7,0/10.

While not anything special, “Solo – A Star Wars Story” is a damn fine space adventure full of charisma and fun. It has a pretty good plot, good characters, great performances, great music, and really good directing/action/visual effects. Time for my final score. *Ahem*. My final score for “Solo – A Star Wars Story” is an 8,86/10. So I’d definitely say that it’s worth buying.

My review of “Solo – A Star Wars Story” is now completed.

You know what another title for this movie could be? Dirty Rotten Scoundrels. *Ba-dum-tss*.