Movie Review: The Cabin in the Woods (2012)

Well that’s a bland as fuck horror title. I mean, there’s no way it could subvert any tropes or expectations within the horror genre. No way. Whatsoever. None. Zero. Nada. Nah. Nuh-uh. N- you see where this is going, aren’t you?

Ladies and gentlemen… “The Cabin in the Woods”.

Tell me if you’ve heard this one before: A group of pesky youngsters travel into the middle of fucking nowhere to stay in a cabin for a weekend. But it doesn’t take too long for their weekend to get ruined by something sinister. Yes, it does indulge a bit in a lot of old school horror tropes… but then it also satirizes them the rest of the time. You can tell that the people crafting the story have a love for the genre and its cliches, but also know when to poke fun of and subvert them. It puts an insanely unique and fun spin on horror that I found really clever and enjoyable.

The characters in this are for the most part walking cliches… but then there are moments where their identities are subverted ever so slightly. The shit they do with these characters is quite fun. And the lead cast, consisting of people like Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, and Jesse Williams, all do wonders with what they’re given. And in the supporting cast you have people like Bradley Whitford, Richard Jenkins, and Amy Acker, all doing very well in their roles too.

The score for the movie was composed by David Julyan, and I think he did a pretty great job with it. It’s sometimes more subtle and ominous, and sometimes bombastic and thrilling. It’s just a really well composed score that works quite well for the movie. Not much else I can say on that.

“The Cabin in the Woods” was written by Joss Whedon and Drew Goddard, and Goddard directing it (this being his debut). And man, they knocked it out of the park with that. While the movie is mostly concerned with pointing at horror tropes and satirizing them, they of course also have to indulge in them a bit, creating some genuinely suspenseful and gruesome scenes that add to the overall experience quite well. There is also a good amount of humor strewn throughout the movie, and it made me laugh… ’tis very funny.

This movie has been quite well received. On Rotten Tomatoes it has a 91% positive rating and and fresh certification. On Metacritic it has a score of 72/100. And on imdb.com it has a score of 7,0/10.

“The Cabin in the Woods” is fucking rad. It has a great plot, good characters, great performances, great music, and great writing/directing. Time for my final score. *BOO*. My final score for “The Cabin in the Woods” is a 9,89/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “The Cabin in the Woods” is now completed.

Hell yeah.

Series Review: Doom Patrol – Season 1 (2019)

We’re getting a lot of superhero stuff these days. But what I do like about it is that we’re at a point where we’re getting more experimental things, not just typical “Colorful hero saves day” thing. Don’t get me wrong, I like those… but I appreciate the lean towards a lot more weird things. So let’s discuss such a thing.

Ladies and gentlemen… “Doom Patrol” season 1!

The story follows a group of outcasts who have been brought together by a scientist (Timothy Dalton) as they have to reluctantly band together to stop the villainous Mr. Nobody (Alan Tudyk)… at least that’s the initial setup. It sets itself up with a bit of a typical superhero idea, but then decides to shove that to the side a bit to explore the stranger side of the DC universe. While there are overarching themes and ideas, each episode is generally a self-contained adventure where the team encounter a new strange thing and have to deal with that while also having to try to handle their personal demons. So the show balances a lot of ideas and tones, which can often be a movie or show’s downfall. But “Doom Patrol” balances it all wonderfully to create a unique superhero show that for the most part just subverts most superhero tropes, all while giving us some of the most surprisingly compelling character drama that I have seen in quite a while. It’s a strange, fun, emotional, and overall well-realized story that I loved following from start to end.

The characters are flawed, layered, colorful, and just overall really interesting. They’re all damaged in some way, which makes them quite dysfunctional, leading to a lot of interesting character dynamics. And with the core cast of Diane Guerrero, Brendan Fraser, April Bowlby, Matt Bomer, Joivan Wade, and Timothy Dalton, you get some truly great performances to go along with these vividly written characters.

The score for the show was composed by Clint Mansell and Kevin Kiner. And man, it is pretty great. A lot of synth is used throughout, which gives the show an almost otherworldly feeling that helps sell the unique vibe of the show. It’s suspense-building, it’s emotionally charged, it’s exciting, it’s fun… it’s just a perfect match for the show. There are also a handful of licensed tracks used throughout the season, and they work quite well in their respective scenes. So yeah, this show has great music.

Based on the comic books from DC, the show was created by Jeremy Carver, and written/directed by a whole bunch of cool people. And as mentioned in some of the previous sections, the writing is some of the most uniquely compelling stuff I’ve experienced in quite some time. And the directing is pretty stellar too, featuring some really fun camerawork that adds a lot to the show in terms of visual storytelling. I should probably also mention that the show in large part is a comedy. So is it funny? Yes, very, it’s one of the funniest shows I’ve watched in a while. The humor can often be quite crude and weird, but I do think it works to the show’s advantage in giving it a distinct feel.

This show/season has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 70/100. And on imdb.com it has a score of 8,2/10.

“Doom Patrol” is one of the weirdest shows I’ve seen in quite a while… but it’s also absolutely fantastic. It has a great plot, great characters, great performances, great music, great writing/directing, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Doom Patrol” season 1 is a 9,92/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Doom Patrol” season 1 is now completed.

That was a bit insane.

Series Review: The Beech Boys – Season 1 (2019)

So to get the legality out of the way, this is technically a sponsored post. The other day I was checking my phone, and I noticed I’d gotten an email from Matt Tory, the director of a movie I reviewed a while back called “We Make Movies”. And he offered me a copy of his new show, for free, in exchange for reviewing it. So here we are… thanks for the free review copy, Matt, I really appreciate it! Now that we’ve cleared the formalities, on with the review!

Ladies and gentlemen… “The Beech Boys” season 1!

Beechwood Estates, a quiet little community. This community is filled with pools. And it’s up to Trey (J.J. Carroll) and Ethan (Zach Castle) to keep them clean, for they are… The Beech Boys. So we follow them as they chat, hang around pools, and interact with the various people living in Beechwood. I enjoyed the little stories here, they were fun. They’re the kind of light entertainment one might need on a summer day. I do however have a bit of a gripe with it. The episodes are a bit on the short side. Now, briefness isn’t a problem in itself, but when your show has actual continuity and you go for that five-to-six minute runtime, it can make the pacing feel a little rushed and abrupt at times. It doesn’t ruin the entire experience for me, but an added two-to-three minutes might’ve helped some scenes breathe a bit more, making it feel less stop-start-stop-start. Overall though, the plots themselves are quite a bit of fun.

The characters in this are colorful, charming, flawed, and fun. J.J. Carroll plays Trey, the almost self-appointed head of the Beech Boys. He’s a bit of an egomaniac, but he’s given enough redeeming qualities to not just make him an annoying douchebag. That said, I wouldn’t befriend him. But he’s a fun character, and Carroll is really good in the role. Zach Castle plays Ethan, Trey’s friend and fellow Beech Boy. He’s not the brightest bulb in the house, but he’s a good dude who wants the best for the pools of Beechwood. And Castle is good in the role. We also get supporting work from people like Courtney Coker, Joshua James, Matt Tory, Becky Brown, and more, all doing well in their respective roles.

The music in the show was made by Flash Fluharty (great name), and it’s pretty good. At certainly does have a bit of a summer-y vibe, at times even emulating the surf rock of yesteryear. It’s enjoyable and works well enough for the show as a whole.

“The Beech Boys” was created and written by Matt Tory & J.J. Carroll, with Tory handling directing duties. And the craft here is pretty good. It’s decently shot, and the overall directing has a nice flow to it. And let’s talk about the humor, because if I don’t talk about the humor in a comedy review, then I’m gonna look like a clown. It’s pretty funny. I don’t think there was ever any gut-busting laughter for me, but there were a good amount of chuckles throughout.

“The Beech Boys” is an entertaining little series that is perfect for those dull summer nights. It has decent plots, good characters, good performances, good music, good directing, and funny comedy. However, as previously mentioned, due to the short runtime of the episodes, the pacing gets a bit weird at times. Time for my final score. *AHEM*. My final score for “The Beech Boys” season 1 is an 8,90/10. So while a little flawed, I’d say it’s still worth watching.

My review of “The Beech Boys” season 1 is now completed.

Once again, huge thanks to Matt Tory for the free copy, I really appreciate it. If any of you guys want to support this show, it will be available on Amazon Prime tomorrow, July 1st.

Series Review: What We Do in the Shadows – Season 1 (2019)

Once upon a time, some very creative and funny people from New Zealand made a gut-bustingly hilarious movie called “What We Do in the Shadows”. Several years later, they take the opportunity to adapt it for television. And now that the first season of said show has come to an end, we can talk about it.

Ladies and gentlemen… “What We Do in the Shadows” season 1!

The story follows a group of vampires (Kayvan Novak, Matt Berry, Natasia Demetriou, Mark Proksch) who all live together in a house on Staten Island, as they get into various misadventures while they’re just trying to live their lives. And I have to say, I really enjoyed following the stuff that happened here. It retains the overall tone of the movie, without feeling like a rehash of the kind of stuff that happened there. The show takes the general idea of the movie, but carves its own, silly path. And It’s a ton of fun to follow.

The characters in this are colorful, unique, charming, and really entertaining. The four people playing the vampires, Kayvan Novak, Matt Berry, Natasia Demetriou, and Mark Proksch all bring something really fun with their performances. Combine that with the stellar writing for each and every one of them, and you get some absolutely delightful characters that I couldn’t get enough of. Then we also have Harvey Guillén as Guillermo, the familiar (fancy word for servant) of one of the vampires. It’s kind of fun to see his dynamic with the crew, as he’s the only human of the group, which makes for some really fun times. And Guillén does a good job in the role. There are other actors showing up throughout the show as well, and they all do well in their respective roles too.

There isn’t a whole lot of music in the show, but when there is, it’s pretty good. The score itself was composed by Mark Mothersbaugh, and when it shows up, it’s alright. Not exactly memorable, but it works. The occasional licensed track exists too, and they work fine.

Based on the 2014 movie of the same name by Taika Waititi and Jemaine Clement, the show was created by Clement, and written/directed by him, Waititi, and various other cool people. And their work on that front is really solid. The show of course keeps the documentary-style direction of the movie, and it just adds to the surrealness of it all. The writing in itself is fucking hilarious, but I feel like the mockumentary style adds another dimension to it that somehow makes it even funnier. So yeah, I laughed, a lot. This is one of the funniest show I’ve watched in recent years.

This show/season has been well received. On Rotten Tomatoes it has a 94% positive rating and a “Fresh” certification. On Metacritic it has a score of 80/100. And on imdb.com it has a score of 8,4/10 and is ranked #247 on the “Top 250 TV” list.

Season 1 of “What We Do in the Shadows” took my already positive expectation and somehow blew them out of the water. It has a fun plot, great characters, great performances, okay music, great directing, and hilarious comedy. Time for my final score. *Ahem*. My final score for “What We Do in the Shadows” season 1 a 9,89/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “What We Do in the Shadows” season 1 is now completed.

BAT.

Movie Review: Ant-Man and the Wasp (2018)

And the 2018 catch-up continues. Admittedly I don’t have a super specific series set up, but catching up on the year’s movies is what one have to do when nearing the end of said year. Enough rambling, let’s shrink.

Ladies and gentlemen… “Ant-Man and the Wasp”.

Scott Lang (Paul Rudd) has to once again don the Ant-Man suit, but instead of using it to steal some shit, he has to use his abilities, as well as the assistance of his ally Hope (Evangeline Lilly), to get hold of some tech to try and pull Janet Van Dyne out of the Quantum Realm. But this quest will prove challenging as opposing forces want this technology for their own purposes. So now we have our “Ant-Man” sequel plot. And it’s good, a fun comic book romp. Has a few decent dramatic moments. Not much I can say, it’s just a fun superhero plot. Doesn’t do much, but doesn’t do little either. It’s fast-paced and easy to follow while expanding on a few of the ideas set up in the first movie. It doesn’t do anything special, but it also doesn’t need to. It’s just an easygoing and fun plot.

The characters in this are colorful, interesting, and really entertaining. Paul Rudd of course returns as Scott Lang, the charming ex-con/superhero with a heart of gold. He’s fun, he’s someone I care about, and he is just generally an enjoyable protagonist. And Paul Rudd is great in the role. Next we have Evangeline Lilly as Hope Van Dyne/Wasp. She was just sort of a tough sidekick/teacher in the first movie, but here she gets to do a lot more, especially since she now has her own super suit to play with. And she’s quite an enjoyable character to follow. And Lilly is great in the role. Michael Peña returns as Scott’s best friend, Luis, and he’s just as hilarious as he was the first time around. Michael Douglas returns as Dr. Hank Pym, and he’s once again pretty great. Newcomer time! First up, Hannah John-Kamen as “Ghost”, a mysterious new villain with a pretty compelling arc that I won’t say more about here, but I found it to be pretty cool. And John-Kamen is really good in the role. We also get Walton Goggins as some shady black market dealer, and he’s as Goggins-y as ever, and while his character doesn’t have much to actually do, Goggins is really good in the role. We also get supporting performances from people like Judy Greer, Bobby Cannavale, Abby Ryder Fortson, David Dastmalchian, Randall Park, T.I., Laurence Fishburne, Michelle Pfeiffer, and more, all doing very well in their respective roles.

Like with the first movie, Christophe Beck did the score for this one. And it’s just as fun and enjoyable as the first time around. It’s bouncy, irreverent, and just overall fits the lighthearted tone that the movie generally goes for. The added use of synth and (for lack of a better word) bouncy percussion really helps keep the pace up. It’s just fun. And there are a few licensed tracks used throughout that work well enough in their respective scenes.

As with the first movie, “Ant-Man and the Wasp” was directed by Peyton Reed and I think he did a good job with it. His directing is fun, fast-paced, and just generally has a certain energy that makes it all quite enjoyable to watch. The action scenes too are quite solid, giving us some good close quarters combat, as well as the shrink/grow superhero stuff we came to see. There’s of course also a lot of comedy throughout this movie, and I found most of it to be quite funny. A few jokes weren’t the best, but none of them made me want to tear my brain out. Some mild nose-wrinkling, some chuckles, a few out loud laughs… yeah, it’s funny.

This movie has been pretty well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 70/100. And on imdb.com it has a score of 7,2/10.

“Ant-Man and the Wasp” is a fun movie… not one of the best of the year, but an enjoyable romp nonetheless. It has a good plot, good characters, great performances, really good music, really good directing, and funny comedy. Time for my final score. *Ahem*. My final score for “Ant-Man and the Wasp” is an 8,76/10. So while not perfect, it’s still definitely worth buying.

My review of “Ant-Man and the Wasp” is now completed.

Baba Yaga…

Movie Review: An American Werewolf in London (1981)

That’s right, ladies and gentlemen. For today’s Month of Spooks post we’re going with a classic about werewolves. And it’s also a first time watch for me, so it’s pretty exciting. So here we go.

Ladies and gentlemen… “An American Werewolf in London”.

After getting attacked by a werewolf while trekking through the English countryside, American college student David (David Naughton) gets sent to the hospital. And we follow him as he tries to cope with the possibility that he might turn into a werewolf himself. So now we have our story. And I think it’s really good, and I think a lot of it comes down to the tone here. While it has its basis in horror, it never takes itself too seriously. That isn’t to say that there isn’t any drama here, because there is, and I think it is fairly effective in getting the audience invested. But it is often more of a dramedy rather than a straight-up horror movie, which I think works very well, and even makes the horror parts of the plot even more effective as it’s such a change in tone and style. Good stuff.

The characters in this are interesting and entertaining. First up we have David Naughton as David, the college student who might be turning into a werewolf. Seeing his development as he copes with the thought of turning as well as everything else surrounding the entire situation is quite interesting, and it makes him a pretty compelling character. And Naughton is great in the role. Next we have Jenny Agutter as Alex, the nurse who treats David at the hospital, while also being a bit of a live interest. She’s charming, clever, and just an overall fun foil for David. And Agutter is really good in the role. We also get supporting performances from people like Griffin Dunne, John Woodvine, Frank Oz, Don McKillop, and more, all doing very well in their respective roles.

The score for the movie was composed by Elmer Bernstein, and it was good. Typical mood-building horror stuff, worked well enough for the various scenes it was used in. Then there were also a bunch of licensed tracks used throughout the movie, and they really added a lot to the movie, giving a bit of extra charm to it, somehow adding to the entire experience. So yeah, this movie had some good music.

This movie was written and directed by John Landis, and I think he did a great job with it. He builds a thick atmosphere here, thick enough that you can shoot it with a silver bullet, and it just adds a lot to the movie. There’s a dread that lingers in the background, and it gives a lot of layers to it all. But it’s not just doom and gloom, as there’s a fair bit of humor throughout the movie. And I found it all to be quite funny. And let’s not delay it any further. Rick Baker’s makeup and effects… they are absolutely fantastic and still really hold up to this day. Especially THAT scene. The people who have seen it know which scene I’m talking about. Mind-blowing stuff, yo.

This movie has been pretty well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 60/100. Roger Ebert gave it 2/4 stars. And on imdb.com it has a score of 7,6/10. The movie won 1 Oscar in the category of Best makeup.

“An American Werewolf in London” deftly blends horror, comedy, and drama to create an interesting and compelling package. It has a really good plot, good characters, great performances, good music, and great directing/makeup and effects. Time for my final score. *Ahem*. My final score for “An American Werewolf in London” is a 9,67/10. So it gets the “SEAL OF APPROVAL!”.

My review of “An American Werewolf in London” is now completed.

There’s a bad moon on the rise. Awooo.

Movie Review: The Guard (2011)

Ireland. An island known for its alcohol, Bono, and delightful accents. And thanks to movies, it’s probably now getting known for its dark filmmakers.

Ladies and gents… “The Guard”.

When a drug smuggling operation is believed to be operated out of the Irish west coast, a local policeman (Brendan Gleeson) has to work with an FBI agent (Don Cheadle) to try to find the people behind the operation and stop them. So now we have our Irish crime story. And is it any good? Yeah… surprisingly so. I mean, it’s not much of a mystery as we get a lot of details early on, but it’s still quite a bit of fun to see Gleeson and Cheadle investigate this entire ordeal. It has a very fun and quirky vibe about it without getting silly, still feeling like a good crime story as it’s embracing some of that Irish charm.

The characters in this are colorful, unique, highly entertaining, and surprisingly layered. First up we have Brendan Gleeson as Gerry Boyle, the Irish cop at the center of this story. He’s a loud, racist, bullheaded asshole with a warm heart beating inside of him. We get to see many sides of Gerry throughout the movie, and it makes him quite an interesting character. And Gleeson (as expected) is fantastic in the role. Then we have Don Cheadle as Wendell Everett, the FBI agent who has to work with the Irish police to investigate the drug smuggling. He’s a bit more uptight compared to the slob that is Gerry Boyle, which makes him a good foil for Boyle’s antics. And he’s given a fair bit of depth here too. And Cheadle is great in the role. And we get some supporting performance from people like Liam Cunningham, Mark Strong, David Wilmot, Fionnula Flanagan, Dominique McElligott, and more, all doing very well in their respective roles.

The score for the movie was done by American indie rock band Calexico, and it was quite good. The score has a very western-y vibe that somehow works incredibly well for this Irish crime comedy, somehow blending with the overall strangeness of everything going on throughout the movie. It works quite well for the movie.

“The Guard” was written and directed by John Michael McDonagh, and I think he did  great with it. The shots look pretty good, and his direction has a fun vibe that never feels too slow or too fast, finding a good balance for each element it presents. And since this a comedy the main question is “Did I laugh?”. Yeah, I did. Now, I should preface this by saying that the humor in this movie is quite dark, which should come as little to no surprise considering who this guy’s brother is. But if you like the humor in stuff like “In Bruges”, “Seven Psychopaths”, or even Quentin Tarantino’s various movies, then you’ll probably find this movie funny. Anyway, I sure as hell laughed, I thought it was fucking hilarious.

This movie has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 78/100. Roger Ebert gave it 3,5/4 stars. And on imdb.com it has a score of 7,3/10.

“The Guard” is a hilarious Irish crime-comedy wit ha surprising amount of heart. It has a really good plot, great characters, great performances, really good music, great directing, and hilarious comedy. Time for my final score. *Ahem*. My final score for “The Guard” is a 9,64/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Guard” is now completed.

Damn you, Ireland. Damn you and your awesome accents.

Movie Review: Almost Famous (2000)

Music. One of the most powerful things in the world. A medium that transcends language. You may not understand what that foreign person is saying, but you will connect thanks to the recognizable riff of “Smoke on the Water”, or the vocal melody of “Stairway to Heaven”. Music, connecting people better than words can.

Ladies and gents… “Almost Famous”.

The year is 1973. High school student William Miller (Patrick Fugit) has been given the opportunity of a lifetime: To follow up-and-coming band Stillwater on tour and write an article on them for Rolling Stone Magazine. So yeah, that’s about it. We follow William and the journey he goes on with this band. From meeting them, to seeing them play, to the various other highs and lows of a 70s rock band being on tour. And I found myself fully engrossed in the plot of this movie. When it wants to be fun and breezy, it’s fun and breezy. And when it wanted to tug at my heartstrings, it did. It rides the balance between fun and dramatic perfectly, creating a journey that I loved following from the start to finish.

The characters in this are all entertaining, layered, interesting, and feel like real people. Patrick Fugit plays William, the young man who’s been given this opportunity. He’s naive, but not dumb. He holds these guys in high regard, and you can see the joy in his eyes as he hangs out with the band. But you also see him get some good development throughout. And Fugit is great in the role. It’s also refreshing to see him play such a happy character after having seen him be so stressed and damaged in “Outcast”. Next up we have Billy Crudup as Russell, the lead guitarist of the band. He’s the member we get to know the best and that gets the most amount of development. He is a bit mysterious, but as he spends time with William he starts to open a bit more and really develops as a character. And Crudup is great in the role. Then we have Kate Hudson (who I mistook for Drew Barrymore at first, oops) as “Penny Lane”, a mysterious girl that William runs into early on that follows along on the journey. She’s a pretty secretive girl, but she also becomes one of William’s closest friends during this journey. She’s a very fun and interesting character. And Hudson is great in the role. I’m not gonna go in-depth with any more characters as most don’t get the same kind of development as the main three, and also because I don’t want this post to get too long. But we do get some supporting work from people like Jason Lee, Frances McDormand, Noah Taylor, Fairuza Balk, Anna Paquin, Philip Seymour Hoffman (R.I.P), Terry Chen, and more. All doing really well in their respective roles.

While not a lot can be found on it online, there was music in this composed by Nancy Wilson (one half of rock duo Heart), and the little I found out about it was really good. There has been one piece officially released from it that is fantastic, and she also co-wrote some songs for the band in the movie (with some additional help from Cameron Crow and Peter Frampton). And there were of course A LOT of 70s rock tracks used throughout to capture that era and story, and it worked brilliantly. Then again, I am a bit biased due to my love for that era of music. Still, the soundtrack for this movie worked perfectly for it.

The movie was written and directed by Cameron Crowe and he did a fantastic job. His directing is tight and intimate, getting us close to the characters and their situations, making us feel like were really part of it. But it’s not the “look at me and how personal I can get”, Crowe’s direction doesn’t call attention to itself. There’s also a lot of humor in this movie and I found it to be really funny, I laughed out loud several times. But the humor never feels out of place or like it overtakes the drama, it fits into the movie incredibly well.

This movie has been very well received. On Rotten Tomatoes it has an 89% positive rating and a “Fresh” certification. On Metacritic it has a score of 90/100. Roger Ebert gave it 4/4 stars. And on imdb.com it has a score of 7,9/10. The movie won 1 Oscar in the category of Best original screenplay. It was also nominated for an additional 3 Oscars in the categories of Best supporting actress (Hudson), Best supporting actress (McDormand), and Best film editing.

“Almost Famous” is a fun, inspiring, and engaging little dramedy. It has a great plot, great characters, great performances, fantastic music, great directing, and funny humor. Time for my final score. *Ahem*. My final score for “Almost Famous” is a 9,89/10. Which means it gets a the “SEAL OF APPROVAL!”.
 

My review of “Almost Famous” is now completed.

Hold me closer, tiny dancer…

Series Review: The Tick – Season 1 (2017 – 2018)

Whereas Netflix is currently known as the king of streaming these days, I feel like we should give some major cred to Amazon. Mainly because they’ve produced quite a diverse range of shows and movies, and a good amount of them I have enjoyed. So let’s talk about one such show today.

Ladies and gentlemen… “The Tick”.

Arthur Everest (Griffin Newman) is a very nervous young man with a tragic past. And one day his life changes when he meets a mysterious man in a blue suit, simply known as The Tick (Peter Serafinowicz). And soon the two find themselves teaming up to try to stop the evil villain known as The Terror (Jackie Earle Haley). So now we have our superhero story. And what I liked about it is that compared to a lot of other modern superhero stories, it isn’t concerned with being gritty or grounded or overly serious. Instead we have a more tongue-in-cheek superhero story that aims more to entertain and inspire. It’s almost like a parody of superheroes, while still indulging in a good amount of classic superhero clichés. And I found this plot to be pretty damn great.

The characters here are layered, unique, interesting, and endlessly entertaining. Peter Serafinowicz plays The Tick, the titular blue hero. He is a bit lost in life, because he has no memory of his life before meeting Arthur. All he really knows is that he’s a superhero and he’s called The Tick, and I think it works for his character, you don’t always need a definitive origin. He’s also a very fun hero, he’s a very aloof and optimistic man who always looks on the bright side of life. Inspiring with a side order of silly is how I’d describe it. And Serafinowicz is fantastic in the role. Griffin Newman plays Arthur, the neurotic young man at the center of this story. Due to something that happened to him during his childhood, he’s a very nervous person and a little bit of a conspiracy nut. But we see him go through an interesting arc in the show after he meets The Tick and starts investigating The Terror with him. And Newman is great in the role. Then we have Valorie Curry as Dot, Arthur’s sister. She’s may look small and frail, but she’s actually quite tough and is doing everything to help her brother lead a normal life. And Curry is really good in the role. Then we have Scott Speiser as Overkill, a very grim and violent mercenary that Tick and Arthur run into during their adventure. He makes for an interesting contrast within this generally silly story, making for some very enjoyable scenes. And Speiser is really good in the role. Then we have Jackie Earle Haley as The Terror, the main villain of this story. The best way I could describe him is that he’s a little bit like Aku from “Samurai Jack”. A menacing and capable villain that also has a fun and enjoyable personality, making him stand out among all the villains in movies and TV. And Haley is great in the role. The final person I’m going mildly in-depth with is Yara Martinez as Ms. Lint, the henchwoman of The Terror. She’s got lightning powers, and that’s all I’m gonna say because her story and other personality traits are better left experienced. And Martinez is really good in the role. We also get some supporting work from people like Devin Ratray, Alan Tudyk, Brendan Hines, François Chau, Townsend Coleman, Michael Cerveris, John Pirkis, and many more. All doing very well in their respective roles.

The score for the season was composed by Chris Bacon, and it was damn good. It’s fun and jazzy at times, but at other times it’s fairly serious and sounds more like something you’d hear in a typical superhero action movie. But I feel like all the music works quite well here, as it often elevates the show in certain ways. There are also a few licensed tracks used throughout and they work quite well too.

Based on a comic series by Ben Edlund, this show was created by… Ben Edlund? Yeah, he made a show out of his own comic… not gonna lie, I think that’s kinda cool. Anyway, he also got help with writing and directing from a whole bunch of people. And I have to say that it all works out marvelously. The direction is fun and fast-paced, which means there’s never a dull moment, even when they slow down for character stuff. And the action scenes are fun too. Sure, they’re not the most epic or overly choreographed things, but they’re pretty fun to watch. Admittedly there are some visual effects in this show that look a bit corny, but I think it kind of works for this since they’re not taking it as seriously as a lot of other superhero things. And since this is a comedy, let’s talk about the humor. It’s fucking hilarious, I laughed quite a lot throughout this. And I’m not just talking about simple chuckles, there were a lot of loud laughs coming from me throughout the season, which is rare for me to find these days.

This show/season has been well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 72/100. And on imdb.com it has a score of 7,4/10.

“The Tick” is a ton of fun and is also one of the best superhero shows available right now. It has a great plot, great characters, great performances, good music, and great directing/action/comedy. Time for my final score. *SPOON!*. My final score for “The Tick” season 1 is a 9,88/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “The Tick” season 1 is now completed.

This show is so refreshing.

Movie Review: Mr. Right (2016)

Love is hard. Some find the one, some find assholes, and some find a person who just isn’t a perfect match. Really, love as a concept is a fucking mess.

Ladies and gentlemen… “Mr. Right”.

Martha (Anna Kendrick) recently went through a really bad breakup and it has sort of messed with her head quite a bit. That’s when she meets Francis (Sam Rockwell), a kind of eccentric guy who just seems like he’s the perfect guy for her. What she doesn’t know is that Francis is a world-known hitman. So we follow their relationship evolve as Francis tries to avoid local gangsters and a ruthless agent (Tim Roth) who seems to have a connection of sorts to Francis. And look, I’m not gonna sit here and pretend like this thing is the most well written or most original plot ever… but I also don’t care, because it’s just a fun and entertaining plot. It’s just a fun and fast-paced romantic comedy/action-thriller plot. And in that way I think it works quite well.

The characters here are all interesting and entertaining. Anna Kendrick plays Martha, a young woman who’s become a bit weird after a really bad breakup. And through the movie we see her evolve a bit as a character, while still being overall fun throughout. And Kendrick is really good in the role. Sam Rockwell plays Francis, the strange man/hitman that Martha forms a relationship with. He’s charming, he’s funny, he’s badass, and just overall a really interesting character that we learn a couple things about throughout, deepening him a bit. And Rockwell is just awesome in the role. And I have to say that Kendrick and Rockwell share some really solid chemistry here, making the scenes they have together much more entertaining. Then we have Tim Roth as Hopper, a sort of agent on the hunt for Francis. We learn pretty early on that he has a connection of some kind to Francis, making his chase a bit more intriguing. And Roth is great in the role. Then we get some really solid supporting work from people like James Ransone, Anson Mount, Michael Eklund, RZA, Katie Nehra, and more. ’tis a well acted movie with fun characters.

The score for the movie was composed by Aaron Zigman and I thought it was good. It’s not mindblowing in any way, but it’s fun and exciting enough to help the movie in elevating certain moments throughout. There were also multiple licensed tracks used throughout, and they too worked quite well in their respective scenes.

This movie was directed by Paco Cabezas, and I think he did a really good job with that. While the direction in quieter moments never reaches above average, it’s in the action scenes that Cabezas direction truly comes alive. His direction for the action is fast, stylish, and just overall has a great sense of fun about it. Whether it’s a melee fight or a shootout, the action here never failed to keep me entertained. Sure, I would’ve liked the amount of cuts within certain action bits to be reduced, but it wasn’t too bad. And let’s talk about the humor in this movie, since it’s a comedy. It’s funny, I laughed. Sure, it’s not the funniest comedy ever, but it got a fairly consistent amount of chuckles and laughs from me.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 43% positive rating. On Metacritic it has a score of 52/100. And on imdb.com it has a score of 6,3/10.

Is “Mr. Right” one of the best movies ever? No. But it’s a highly enjoyable romantic comedy/action-thriller. It has a good plot, really good characters, great performances, good music, and really good directing/action/comedy. Time for my final score. *Ahem*. My final score for “Mr. Right” is a 9,53/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Mr. Right” is now completed.

Now you got something to watch for valentine’s next week… other than “Black Panther”.