Last year I watched (and reviewed, nudge nudge wink wink) the first season of this show. I absolutely loved it. So now that I finally finished season 2, the question becomes “Is the show able to follow up on such a strong first outing?”. Well, today we’re gonna find that out.
Ladies and gents… “Doom Patrol” season 2!
We once again follow the dysfunctional adoptive “family” of mad scientist Niles Caulder (Timothy Dalton), now recently having added Caulder’s real, estranged daughter Dorothy (Abigail Shapiro) to their mix. All the while they deal with their own personal demons in the chaotic and often destructive ways we’ve come to know from them. As with the first season, the sophomore outing of “Doom Patrol” isn’t afraid of exploring the stranger sides of the DC Universe, giving us some of the strangest and most insane characters from the comics. And while this helps create some absurd hilarity throughout, the writers still take the time to really take us into the characters’ heads and dramas, creating a strong emotional bond that keeps the viewer invested in everything going on, even when things get absolutely fucking bonkers. It’s a damn good mix of strange, hilarious weirdness, and genuinely emotional drama.
The characters in this are flawed, extremely nuanced, colorful, fun, engaging, and overall just insanely interesting. I won’t go into detail with each character as that would take all month, but let it be known that they all have really fascinating arcs this season that add upon developments from the first season quite well. I can at least say that the returning core cast, including people like Diane Guerrero, April Bowlby, Matt Bomer, Brendan Fraser, Joivan Wade, Timothy Dalton, Matthew Zuk, and Riley Shanahan all give excellent performances in their respective roles. And newcomer Abigail Shapiro (in her first on screen role no less) holds her own excellently against these more established performers, playing the inexperienced and naive Dorothy beautifully. And some of the supporting and guest actors are great too. It’s just an overall great cast.
As with season 1, the music for season 2 was done mainly by Kevin Kiner, with some assistance by Clint Mansell. And good god damn, the score here is excellent. It’s mostly based around synths, but it helps create a sound that is a little weird and otherworldly, perfectly befitting of this show’s overall tone, fitting both the insane and emotional sides of the narrative. There’s also a bunch of licensed songs used throughout, and they work quite well in their respective scenes.
The episodes of “Doom Patrol” season 2 were written and directed by a whole bunch of people, and the craft on display here is superb. The shot composition is great, the pacing is great, the cinematography is beautiful, everything just together perfectly. Even the special effects have had a bit of a step up in quality, from being very hit and miss in the first season to all looking pretty damn good here. And as implied earlier, this show has a fair bit of comedy to it. And I felt like it all landed, creating many loud, belly laughs.
Season 2 of “Doom Patrol” is another excellent batch of insane, emotionally resonant stories. It has a great story, great characters, fantastic performances, great music, great directing/cinematography, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Doom Patrol” season 2 is a 9,94/10. Which means that it gets the “SEAL OF APPROVAL!”.
My review of “Doom Patrol” season 2 is now completed.
Long live weirdness.