Great Music #37

Hello there, friends! I hope you’re doing well. So it’s time for another Great Music post. You know, those irregularly posted things of mine where I ramble about music I enjoy. Nothing deep, nothing analytical… just good tunes. So let’s get into it.

So last time we went for a somber ballad. But today is a little different. It’s still a song with an interesting narrative baked into it, but it’s presented in a slightly more digestible and (for lack of a better word) fun package. Today we’re talking about “I Was Just a Kid” by Nothing But Thieves.

Hailing from Southend-on-Sea in the UK, Nothing But Thieves is a rock band in a similar vein to Royal Blood. And in 2017 they released their album “Broken Machine”, an album all about how nothing in this world is perfect. On said album is “I Was Just a Kid”, a fast-paced rock tune with relatively mellow vocals on verses and loud shouts on the chorus, a combination befitting a song about the loss of innocence. Combine this with thumping percussion, driving guitar, and some nice bass to back it up, and you get a really great song. So on the surface it can be seen as just a fun hard rock tune, but if one cares to delve deeper, nuance can be found. And I guess that dichotomy is part of what has helped me appreciate it. Because I first discovered it while playing “Need For Speed: Payback”, getting pumped up by it as I tried to beat my opponents in various races. And since then I’ve learnt to appreciate its deeper meaning. So that’s cool.

Have a good one and enjoy!

Great Music #36

Hello friends, I hope you’re doing well. Yes, it’s finally time for another entry in Great Music, the series on this blog with the most self-explanatory title possible. It’s been a while since last time, which was back in May. If I continue the series at this exact rate I’ll reach the fiftieth one by the time I turn 30. Anyhow, let’s see what tune I wanna ramble about today!

So for this one I wanted to bring things down a bit. Some entries in this series have had big, loud, fun tunes that you could probably move your booty to. But today is not one of those. Today we’re getting a bit more somber. Today we’re talking about “Too Many Tears” by Celldweller.

The lyrics of this song are very contemplative, using a lot of strong imagery in its lyrics to convey agony in various forms. It’s strong stuff… it was also not written by Celldweller (real name: Klayton). It’s originally a song by a band called… The Call. And before you ask, yes I did check out their original version. The lyrics are of course powerful, absolutely stunning. However, I feel like the sound might be a little bit off for it, and so did Klaytondweller apparently. And this led to him covering the song for his 2017 album “Offworld”. And I absolutely love this rendition of the song. The instrumentation is incredibly somber and otherworldly (fitting, given the album title), really making this version its own thing compared to the original. Klayton makes it stand out. This is also where I should mention that I found out about this very t2alented man through a fucking racing game. Two of his songs (“One Good Reason” and “Shapeshifter”) were featured in the video game “Need For Speed: Most Wanted”. And I liked those songs which led to me checking out more of Celldweller’s stuff, which naturally led me to this absolutely stunning track. If you in any way enjoy heavy metal or nu-metal or some electronica, I highly recommend checking out a lot of Celldweller’s output. So while we’re at it, you may as well start with “Too Many Tears”.

Have a good one and enjoy.

Great Music #35

Hey there friends. Time for another edition of my Great Music series. If you’re unfamiliar with the series, then the title should be enough explanation. It’s just me talking about songs I like… simple as that.

So last time we talked about Iron Maiden contemplating the fleeting nature of time, which can be a heavy subject, but the band performed it in such a fun way that it becomes easily digestible. So today, how about we delve into a pit of sadness? Today we talk about the somber, contemplative song “Brother”, composed and performed by Shawn James.

According to Shawn James’ twitter (and a thorough, attentive listening of the lyrics), the song is about loss and suicide and other such heavy themes. It’s quite a sad little poem told to us in this song. This is actually the second Shawn James song we’ve tackled in this series, with the first being “Through the Valley”, which I wrote about in 2017. I only mention this because there’s quite a stark difference between what the themes of the songs are, and also the approach to its tonality. Either way, “Brother” makes me a bit sad, but it’s still a brilliant song. Heartbreaking and beautiful in equal measure, brought to life by James’ wonderful voice.

Have a good one and enjoy.

Great Music #34

Well hello there, friends. Time for the first Great Music piece of 2020. Are y’all excited? I know I am.

So to kick off a new year of me obnoxiously telling you all what songs I like, I might as well ease y’all into it. And by ease you into it I don’t mean some soft, radio-friendly ballad. No, but ease into it I mean that we take a song from a band that everyone knows. Iron fucking Maiden.

I adore Iron Maiden, they’re one of my favorite bands, having made a ton of songs I love. So there were a lot of options for me to choose from. But like I said, to ease us into a new year of these posts, I thought I’d go with what could be considered their most accessible song… “Wasted Years”. It’s a song about how fleeting time can be. It’s something we all can relate to on some level, which is partly what could make it one of the band’s more accessible songs for anyone that hasn’t really given the band much of a shot. The structure of the verses and chorus is also the closest the band has ever really gotten to a typical power ballad sound, without fully sacrificing their own sound in the process. Bruce Dickinson gets some really good vocal sections, Steve Harris still of course has some damn fine bass licks, and the guitar work is as good as it’s ever been. Guitarist Adrian Smith did a wonderful job in writing this song, creating what might be my favorite tune from the band… well, it’s either this or “Run to the Hills”, I kind of go back and forth from day to day which I like more. Either way, “Wasted Years” is a wonderful song.

Have a good one and enjoy.

My Favorite Albums of 2019

Well howdy there, ladies and gents, I hope you’re all doing great. It’s that time of year again. That time when I go over my favorite albums from the year that’s recently passed. It’s a yearly tradition on this blog, and I have no intention of stopping it yet. So, let’s go over some rules first.

Rule 1: Please keep it civil. These are my picks. If you don’t agree with them, that’s fine. If you want to have a discussion about good music from last year, then I’m very much open to it. All I ask is that you keep it civil. Be kind and respectful.

Rule 2: No movie soundtracks/scores. I love listen to movie music, but if I included any of those albums, this list would go on for days, and no one has time or patience for that.

Rule 3: No “Greatest Hits” albums. I think that explains itself, no compilations of a band’s best songs. That’d be cheating.

That should about cover it. Now, without further ado.. my favorite albums of 2019!

Number 15: Rival Sons – Feral Roots (Sample: Do Your Worst)

Kicking off the bottom of the list (bottom does not equal bad, just means least awesome) is the latest release from Californian rock band Rival Sons. These dudes have a very old school approach to their style that I appreciate, since good ol’ fashioned hard rock doesn’t dominate the airwaves as much as it once did. So it’s good to hear a band keeping that sound alive. It’s a fun album.

Number 14: Dream Theater – Distance Over Time (Sample: Untethered Angel)

At number 14 we got the latest release from long running  prog-metal band Dream Theater. It’s a slightly more stripped back and focused affair than some of DT’s other releases… but that doesn’t stop it from being a fun, epic, and frankly fun album to listen to. It doesn’t really do much to seem like something new in the band’s discography, but it also doesn’t need to, because it’s still a badass album.

Number 13: Whiskey Myers – Whiskey Myers (Sample: Die Rockin’)

At number 13 we find the latest release from Whiskey Myers, an American country/southern rock band from Texas. I actually discovered them earlier in 2019 when I heard two of their older songs in an episode of “Yellowstone”. Obviously liking what I heard, I of course started checking out the band more (like their previous album/social media). And that’s when I found out they were releasing a new album, which had me interested. And when I listened to it… well, the inclusion of it on this list should be a dead giveaway as to my feelings on it. The band is like a heavier version of Lynyrd Skynyrd, and I really like that sound, which is why this is on the list.

Number 12: Beth Hart – War in My Mind (Sample: Bad Woman Blues)

Next up we have the new release from American blues singer Beth Hart. In this release, Beth strikes a nice balance between blues, funk, and soul to create a sound that is simply magical. I’ve enjoyed Hart’s music for a few years, and this album doesn’t disappoint at all, it is a blast to listen to.

Number 11: Phil Campbell – Old Lions Still Roar (Sample: Rocking Chair)

Coming in at number 11 we have the solo album debut of former Motörhead guitarist Phil Campbell. Even with the experience as guitarist in one of the greatest metal bands of all time, you never know how well your solo stuff might turn out. But Campbell (along with his many guest acts) really knocked it out of the park. Some are more stripped back affairs like “Rocking Chair”, but then you also got tracks like “Faith in Fire”. But one thing one notices throughout it all is that Campbell is quite contemplative in his tunes, which makes for a rock album that pleases both poetically and in terms of being fun to listen to.

Number 10: Nick Cave & The Bad Seeds – Ghosteen (Sample: Bright Horses)

Now we’re getting into the meat and p’taters of this list, the top ten. And kicking off this section is “Ghosteen”, the new release from Australian artist Nick Cave, and his band, The Bad Seeds. It’s a direct follow-up to their previous album, “Skeleton Tree” (which also made it to my best of the year list when it came out). In that album, there were moments where Cave was dealing with the recent death of his son, and Ghosteen is him fully embracing that dark and contemplative process, making for a beautiful and haunting album that, while not something I’d put on at any time, still had a lasting effect on me thanks to its beautiful production, and Cave’s soulful and pained vocals.

Number 9: Tyler Bryant & The Shakedown – Truth and Lies (Sample: Shock & Awe)

At number 9 we have “Truth and Lies”, the new album from blues-inspired hard rock act Tyler Bryant & The Shakedown. If you like heavy blues-rock, then this should be right up your alley. I certainly like that sound, and I really like this album, it’s cool.

Number 8: Lana Del Rey – Norman Fucking Rockwell! (Sample: Norman fucking Rockwell)

Every year there’s usually at least one album that sneaks onto my list that I didn’t expect in the fucking slightest. And this time, it’s the latest release from American pop singer Lana Del Rey. It’s a soulful and cleverly written album which features Lana discussing some interesting stuff, all while a beautiful strings and piano-based production backs her up. And it’s all great, making for an enjoyable trip that I wouldn’t mind listening to again.

Number 7: Neil Young with Crazy Horse – Colorado (Sample: Olden Days)

More like Neil Old, am I right? Joking aside, how the fuck is Neil Young still releasing good music. Sure, his voice isn’t quite what it once was. But the fact that the songwriting still hits me and his voice still conveying every emotion perfectly is testament to his skill. Combine that with his first teamup with Crazy Horse since 2012, and we got a really well produced album that finds Young still knows how to reach into my heart and make me think.

Number 6: Bruce Springsteen – Western Stars (Sample: Western Stars)

From one old legend to another, at number 6 we have the latest release from The Boss himself, Bruce god damn Springsteen. And he hasn’t lost his touch yet, “Western Stars” is a beautiful country/soft rock album that shows Springsteen at his strongest once again. I don’t know what else to say here, Bruce Springsteen making good music shouldn’t really be much of a surprise to anyone.

Number 5: Airbourne – Boneshaker (Sample: Burnout the Nitro)

From nice and soulful, to high octane rock n roll. This was seriously one of, if not my most anticipated album of the year. I am a huge fan of this band and their AC/DC-esque sound. A new Airbourne release is always fun to listen to, because they just make some badass rock n roll. When I first listened to it, I wasn’t the biggest fan of this one. I thought it was fine, not making much of an impact. But further listens have made me appreciate it more. It’s not groundbreaking, but it’s certainly… a boneshaker.

Number 4: The Highwomen – The Highwomen (Sample: Redesigning Women)

At number 4 we have a self-titled album from all-lady country band The Highwomen. Sound-wise, it’s a classic country sound, showing that “if it ain’t broke, don’t fix it”. Where it stands out however is in the lyrical department, making some interesting commentary on society and women’s role in it, which I find quite fascinating and engaging, especially when paired with the beautiful country composition.

Number 3: Leonard Cohen – Thanks for the Dance (Sample: Thanks for the Dance)

We’re getting into the nitty-gritty now, y’all. In the bronze position, we find the new release from the late, great Leonard Cohen, which he of course recorded before his passing in 2016. Produced by Cohen’s son, Adam, this is a beautiful, emotionally charged, and soulful experience that sees Cohen at his finest. It’s a nice posthumous send-off for one of the greatest songwriters ever.

Number 2: King Gizzard & The Lizard Wizard – Infest the Rat’s Nest (Sample: Planet B)

Well, this is certainly a leap in genres. In second place is the newest release from Australian rock band King Gizzard & The Lizard Wizard (possibly the greatest band name ever). And it’s an old school thrash metal album, hearkening back to mid-80s Metallica or Slayer, while still putting in some minor flourishes of their own to make it stand out. And good god damn, I am in love with this album. I only heard it for the first time very recently, and yet it has made quite an impact for me. Partly because of the interesting storytelling concepts throughout the songs, but mainly because I am a big fan of old school thrash metal, and this is one of the finest takes on that genre.

NUMBER 1: Gangstagrass – Pocket Full of Fire (Sample: You Can Never Go Home Again)

In previous years, I’ve had a rule against including live concert albums. But I decided to loosen that rule this year because 1, this my blog (so I can do whatever I want). And 2, I really really really wanted to mention this. What we have here is American hip-hop/bluegrass band (yes, that mix does work) Gangstagrass at various live venues, playing their songs, and making it all sound fantastic. Seriously, these are some of the best and most head-bobbing recordings I’ve heard of these songs. So yeah, my number 1 is technically cheating my own rules, but I also don’t care, because great music transcends everything.

So those were my favorite albums of 2019. But now I’d love to hear from your guys, what are some of your favorites? Let me know in the comments.
Have a good one.

Great Music #33

Well howdy, ladies and gents. You all doing okay? Anyway, time for me to ramble on once again about music I like. Which I last did in… September. I’m getting better at keeping semi-regular intervals with this series, it seems. Oh well, let’s chat about a tune.

The year is 1967. A group of people come together to form a band. This band was called Soft White Underbelly. This name wouldn’t last too long however, as in 1971 they would change their name into what we know them as today… Blue Öyster Cult. Best known for their legendary super hit “Don’t Fear the Reaper”, from the band’s 1976 album “Agents of Fortune”, the band went on to become fucking huge in the rock/metal scene. But today we’re not talking about that one song that needed more cowbell. We’re talking about an earlier track of theirs. It’s the final track from their 1974 album, “Secret Treaties”. This is “Astronomy”.
The song opens with a little piano piece that makes the listener go “Hmm, what’s this?”. It’s slightly mysterious. Then it gets more mysterious. Then Eric Bloom opens his mouth and starts telling a tale… and by the end, it has given us one of the band’s best songs. Though that maybe doesn’t say a lot considering how many great songs they have. But if it wasn’t for “Don’t Fear the Reaper”, then “Astronomy” would be my favorite song by Blue Öyster Cult. From Bloom’s engaging vocals, to the eclectic instrumentation, to the absolutely perfect structure and pacing. The song is a beautiful crescendo, starting with that simple and mystic opening, to a somewhat bombastic, yet dramatic-sounding finale to cap off the album. Again, this is my favorite song from the band… if you discount the cowbell song.

What are your thoughts on “Astronomy”? And what’s your favorite Blue Öyster Cult song that isn’t “Don’t Fear the Reaper”? Leave any and all thoughts in the comments.
Have a good one and enjoy.

Great Music #32

Hi there. Time for another edition of “Great Music”, where I talk about music I like. Yeah, not much else to say there. Onward!

So unlike the last two parts in this series, today’s song is not from a video game. Instead it’s a regular song-song, something I listen to outside of other mediums. I mean, I found out about this band through a movie once, but this song I heard on my own, without that little help. Ladies and gents, it’s “End of the Line” by The Traveling Wilburys.

For those who don’t know, The Traveling Wilburys is a supergroup consisting of one of the coolest lineups in music. We got George Harrison (R.I.P), Roy Orbison (R.I.P), Bob Dylan, Jeff Lynne, and Tom Petty (R.I.P)… yeah, this group is (was) the real deal. The group started in 1988 and stopped circa 1991. What I love about their music is there’s no real ego on show here. It just feels like a group of friends getting together and having fun, playing some tunes… which is essentially what they were. Now, Wilburys has a great discography, meaning I could pick any song from them. But I wanted to specifically go with “End of the Line” because of the simple message it has (that I can interpret at least). No matter what happens, be it if you have great wealth or not, driving a fancy car or an absolute shitbox, everything will be okay. Yeah, one could interpret it as “Yeah, we’ll all be dead in the end”, but I’d like to be a bit more optimistic about it. A nice song that warms my heart, telling everyone that it’s all right.

What do you think of this song? And just for fun, in terms of career outside of Wilburys, who’s your favorite of them?
Have a good one and enjoy.

Great Music #31

Well hello there, ladies and gentlemen, and welcome back to Great Music, the series where I just talk about music I like. Last time we did this was back in April. I’m not good at keeping up a consistent release pace for these posts. Oh well. Here we go.

So what’s on the menu this time? Bit of old school rock? Something from a famous movie? Nah, neither. This is a bit more… revolutionary (you’ll know why in a bit). Let’s first get something god damn straight: I don’t like nazis, they’re the fucking worst, get them the hell out. But since those sons of bitches don’t seem to go away any time soon, at least I can imagine it and get some catharsis from it… thanks to “Wolfenstein”. First released in 1981, “Castle Wolfenstein” was a stealth game with some shooting elements. Then in 1992 it saw a reboot of sorts with “Wolfenstein 3D”, a revolutionary (no, that’s not the part I meant earlier) game that really brought the first person shooter to the mainstream. Cut to 22 years and god knows how many games later, and we get “Wolfenstein: The New Order”, another reboot of sorts that shared some stylistic and thematic elements with “The Man in the High Castle” and “Inglourious Basterds”. That game was a huge hit among fans and critics (yours truly included). Then three years later, in 2017 we get the sequel, “Wolfenstein: The New Colossus”, a not quite as good, but still fairly enjoyable action game with some standout moments and characters. Now, the music of “The New Order” was good, but you can still tell that it played it a little bit safe, with composer Mick Gordon testing the waters a bit. After then making the acclaimed music for the 2016 reboot of “Doom”, you could tell that he had found his style and wouldn’t shy away from exploiting it like a motherfucker. Cut to “New Colossus”, where he (along with co-composer Martin Stig Andersen) brought his fucking A-game and gave us some of the best video game music of all time. I could’ve talked about any track from the OST and been just as happy, but I felt like I needed to pick one of the more unique tracks from it to truly justify this post. And that’s why I chose “Horton Hears a Revolution” (THERE IT IS!).

In the game, you play as American resistance fighter William Joseph “B.J.” Blazkowicz (voiced by Brian Bloom) as he tries to fight back against the nazi regime which had taken over the world in 1946, and still rules with an iron cross 14 years later. But he can’t do this alone, he has to gather allies. And at a point in the game he travels to New Orleans to try to recruit a resistance group led by southern preacher Horton Boone (voiced by Christopher Heyerdahl). And as he comes to their base, they start discussing the situation they’re in, which is accompanied by a bit of nice clarinet jazz… and Mick Gordon’s heavier-than-metal guitars and drums. You see, Mick likes to approach his compositions a bit differently compared to your John Williams or Michael Giacchinos of the world. Instead of the typical orchestrations of brass and woodwind, this crazy son of a bitch uses instruments typically found in heavy metal bands (and the occasional synth for good measure). It creates a heavy sound that fits the often satirical but still brutal style of the story and writing. And the way it is used to coincide with the jazzy clarinet is absolutely frickin’ wonderful, creating a mesmerizing chaos that honestly just takes my breath away every time I hear it, while also making me want to start a revolution against some nazi assholes.

Have a good one and enjoy.

Great Music #30

Hello and welcome back to Great Music, the thing where I talk about music I like. And we’ve now reached the 30th one of these. And it only took us… three and a half years, hot damn. Not saying that number 30 in itself is an important milestone, just wanted to point out that I am slow when it comes to these things. Anyway, let’s get into it.

So what song do I wanna talk about today? And one rock track? Something from a movie? Nope. Today I wanna talk about something that was composed for a video game. Now, I am sure some of my followers here don’t really care about video games that much, and that is fine. But I just wanna take a second to talk about my favorite song that was made for one of my favorite games. Today we are talking about “Tears” from Max Payne 3.
In the third Max Payne game, our endearingly moody Max (voiced by James McCaffrey) is at the lowest point he’s ever been, but he get a new chance at life when he gets hired by a Brazilian businessman to be the bodyguard of his family. Max’s journey will lead him through hell and back, from the alleys of New Jersey to the favelas of Rio de Janeiro. Near the end of the game, Max has tracked down the person responsible for so much of the trouble he’s gone through, which has led him to a Brazilian airport. Max finds himself in the airport lobby, heavily armed bad guys all around. While giving up would be easy, Max knows he has to give it one more push if he wants to stop the big bad guy. Max sprints out of cover and the music starts blasting. The score for the game was composed by American noise rock band HEALTH (yes, the capitalization is part of the band’s name), who created a score that evokes the dark moodiness of the series while also adding their own flavor to it. And “Tears” is their masterpiece (for me at least) in that regard. A heavy track with a driving beat, perfectly suited for the “one more push” feel of the scene it plays in. But it also has lyrics that are a direct reference to the character himself. Many have interpreted it as Max’s long dead wife and daughter telling him to finally let them go and find his own path. And looking at the lyrics, that seems very likely. So long, Max has been stuck in the guilt of losing his family at the start of the first game, and finally it seems like he’s able to move on. It’s beautiful, poetic even. And when encased within the heavy and driving noise rock beat, it creates a unique musical feel and makes for one of the most memorable parts in any game I’ve ever played.  And even discounting the game for a second, I just love the song. It is very clearly not for everyone, but I absolutely adore it and wanted to talk about it today.

Have a good one and enjoy.

My Favorite Albums of 2018

Hello there, ladies and gentlemen, it’s that time of year again. The time when I share with you some of my favorite albums of the year that recently ended. Took a little longer than usually this time, as I slacked a bit throughout 2018 in listening to a lot of new albums. But now we’re here. And I’m excited to start writing, this is one of my favorite things to do each year. Just a few stipulations between us.

Rule number 1: Please be nice. If you don’t agree with my picks, that is fine, I encourage discussion. Just don’t be a dick about it.

Rule number 2: I am not including any film scores/soundtracks, as that would make this list go on for way too long. Also, this is just to celebrate the music in its own right, and not have it clouded by any positive cinematic experiences.

Rule number 3: I don’t do EPs or singles. This is for those fully referred to as ALBUMS. So if there’s an EP that you liked that isn’t here, now you know why.

That should be it. Though I will also give an honorable mention to “Campfire” by Kasey Chambers and The Fireside Disciples. The few tracks I’ve heard from that album are incredible, but due to some licensing bullshit, I can’t listen to the full album since I’m not in Australia… and importing is too pricey, so I’m not gonna hear it anytime soon. But I guess an honorable mention is fine.

Anyway, with all that out of the way, now is the time for me to share my favorite albums of 2018!

Number 13: Luke Westaway – Short Songs With Long Titles (Sample: I Took a Week Off Work and My Brain Didn’t Know What to Do With That, Clearly).

Kicking off this list is an album with a very self-explanatory title. From Luke Westaway, most known for his hosting gig on the OutsideXtra youtube channel, comes “Short Songs With Long Titles” an album all about short songs with long titles. It’s a charming little thing that just puts a smile on my face. It’s not musically complex, it’s not emotionally charged… it’s just a guy having a bit of fun, and that is quite infectious, for me at least.

Number 12: Ry Cooder – The Prodigal Son (Sample: The Prodigal Son).

Next up is “The Prodigal Son”, the latest album from musician Ry Cooder. It has an interesting sound in how it blends a bit of rock and folk and blues and a tiny bit of country. And it blends together to make something really cool that I enjoy listening to.

Number 11: Kacey Musgraves – Golder Hour (Sample: Slow Burn).

At number 11 we have the latest release from pop/country artist Kacey Musgraves. When I first heard of Musgraves I dismissed her as another pop artist (like an asshole). But then later I started hearing murmurs of her actually being a country artist, which had me intrigued. And I decided to give her newest release a chance. And I’m glad I did, because it’s pretty damn good (evidenced by its inclusion here).

Number 10: Buddy Guy – The Blues is Alive and Well (Sample: A Few Good Years).

I think I’ve made it clear on this blog a few times that I’m a fan of blues. So the fact that such an old school blues album can be released in 2018 just makes me happy. Hell, that album title just summarizes my thoughts perfectly. The blues is indeed alive and well.

Number 9: Florence + The Machine – High as Hope (Sample: 100 Years)

First single digit entry is the latest from alt-rock/pop outfit Florence and The Machine (that “and” often stylized as a +). And with this, Florence Welch (who fronts the band) lays herself bare, talking about pain, suffering, sadness, and other such fun subjects. I already enjoyed the band to a certain extent, and this album is another reason for me to do so.

Number 8: Greta Van Fleet – Anthem of the Peaceful Army (Sample: Lover, Leaver).

At number 8 we have the latest release from legendary rock band Led Zeppelin. *Smack* Ouch, okay, fine, I’ll be serious… dick. So yeah, it’s impossible to talk about Greta Van Fleet without mentioning their similarity to Led Zep. I mean, Josh Kiszka’s voice is a dead ringer for a young Robert Plant. Anyway, similarities to Markus’ favorite bands aside, how does it stack up on its own as a rock album? It’s great (the inclusion on the list should’ve been a dead giveaway). It’s great to hear this kind of old school rock still being played in our current days. And who can complain about hearing a bit of new Led Zep material in 2018/2019? *Smack*.

Number 7: Shemekia Copeland – American’s Child (Sample: Ain’t Got Time For Hate).

Buddy Guy said it. Blues is alive and well. Copeland comments on a lot of current issues within the United States, and her message comes through beautifully through her strong vocals, and use of the blues genre. Blues is great for telling genres, so using it to send a message about some of the fucked up stuff going on in the world is a brilliant idea. Plus, it’s just a damn solid listen overall.

Number 6: Beth Hart & Joe Bonamassa – Black Coffee (Sample: Give it Everything You Got).

Man, 2018 was one hell of a year for blues. Even better is that this is a collab by one of the best duo’s in the genre. Hart and Bonamassa have done a couple albums before that I really liked, so I was already excited to hear another one from them… and man, it did not disappoint. Hard-hitting instruments, Hart’s fierce voice, and an overall sense of the various crew members’ skill makes this one hell of a good time.

Number 5: Steve Perry – Traces (Sample: No Erasin’).

Man, was this the biggest surprise release of 2018. I was just chilling out and browsing twitter a bit, and suddenly I just see “Journey’s Steve Perry to release new album in a couple days”, which of course had me reacting like “Fucking what?”. Perry’s been relatively quiet on the musical front since leaving Journey in 1998. Then suddenly 20 years later he releases a new solo album… and it’s great? Talk about one of the most pleasant surprises in recent years. But yeah, if you like a lot of his old Journey stuff, you’ll most likely enjoy “Traces” too.

Number 4: Father John Misty – God’s Favorite Customer (Sample: Hangout at the Gallows). 

“If Radiohead had sex with The Beatles” a youtube comment described this song. It’s not entirely wrong. I can certainly hear a little bit of that in Misty’s sound, though I also think he’s still created something entirely his own within the sort of indie/folk/alt-rock sounds that he clearly resides within. His voice, the instrumentals, and the lyrics all make for one really great album.

Number 3: Joe Satriani – What Happens Next (Sample: Energy).

Rock and motherfucking roll. Coming in with a bronze medal, we have the latest release from acclaimed rock guitarist Joe Satriani. I’ve been a fan of his for years, so I was of course excited for his new album which was an early 2018 release, and I was listening on day 1. And man, it was so badass. Badass solos, slick licks, and and Satriani’s overall sense of how to keep purely instrumental songs fresh and unique makes it one of the best of the year. Plus, the background work by Chad Smith and Glenn Hughes gives it an extra edge too.

Number 2: Judas Priest – Firepower (Sample: Firepower).

Wow, was the inclusion of this quite surprising. Bands that have been working for as long as Judas Priest shouldn’t sound so good so far into their lifetime. And when I first heard the album, I kinda dismissed it as another half-decent, fairly catchy, pretty well done metal album. But since then it’s really grown on me, and I have realized just how good it is. “Firepower” is as old school as metal gets, and I’d say that it might be the band’s best since “Painkiller”, maybe even since “British Steel”. Like, what the fuck, this is way better than it has any right to be. Oh well, I’m not gonna complain about a bit of awesome music.

Number 1: Joe Bonamassa – Redemption (Sample: Redemption).

Anybody who knows me should not be surprised by this. I’ve said so many times on this blog, on twitter, and in real life how much I adore Bonamassa’s music. And with “Redemption” he has once again given us a musically impressive, catchy, and overall solid blues-rock album. His vocals are the best we’ve heard from him, and the guitar work is still absolutely stunning. Bonamassa is one of the most hard working musicians out there, constantly touring and putting out content and just overall kicking musical ass. “Redemption” is my favorite album of 2018.

So those were my favorite albums of 2018. But now I wanna hear from you guys, what have been some of your favorite albums of last year? Either leave a comment or make a blog post of your own as a response to this, I’d love to hear your thoughts.

Have a good one.