Movie Review: Scream (2022)

My friends, it is finally here. The reason for my content output the last two weeks. It’s finally here and I can talk about it. And after this, you’ll be free of me rambling about this franchise… until the next inevitable one in 5-10 years. But for now, this is the last one you’ll hear me talk about. So let’s see if it’s another worthy entry in this franchise.

Ladies, gents, and non-binaries… “Scream”, which is also “Scream 5”.

25 years after the original Woodsboro murders, everything is seemingly nice and quiet in the small California town. But this peace is brought to a halt when a new masked murderer starts stalking a group of teens, seemingly with the intention of drawing out the town’s darkest secrets. The story of “5cream” is really strong, and talking about it is difficult. Of course we see a lot of the familiar meta/characters aware of horror tropes stuff come back, but it doesn’t just feel like a retread of what’s come before. While it’s here to poke that sort of fun at horror tropes, it also takes its time to satirize lovingly legacy movies and so-called “elevated horror”, while als taking some absolutely brutal stabs at toxic fandoms. And all of that helps make for a strong, pertinent, funny, tragic, and quite well written satire narrative, while still of course also indulging in a bit of violent carnage. It’s a damn good story that I liked from start to end, but can tell will piss some people off.

The characters in this are all pretty good. Do I think all of them carry the same memorability as some of the cast from the older movies, not quite. But out of the core cast, there’s none that felt like they didn’t belong or like they were outright poorly written. And as for the actors, there’s not a weak link. Of course you have the old trio of Arquette, Campbell, and Cox coming back, all slipping beautifully back into these roles, once again delivering top notch performances. And within the new cast you have people like Melissa Barrera, Jenna Ortega, Jack Quaid, Dylan Minnette, Jasmin Savoy Brown, Mikey Madison, and more, all great in their respective roles.

This is the first one in the series not to be composed by Marco Beltrami, with Brian Tyler instead taking on that task. And lucky for us, Tyler killed it. His score hearkens back to Beltrami’s scores with a lot of similar musical tricks and stylings, without ever feel like he’s just rehashing what came before. From brash, intense brass to more subtle, emotional tracks, it’s all here, and it all works wonderfully. There’s also a handful of licensed songs used throughout, and those work well in the movie too.

Unlike previous ones, “Scream 5: The Fifth Screaming” wasn’t written by Kevin Williamson or directed by Wes Craven (R.I.P). Instead writing duties fell on James Vanderbilt and Guy Busick, with direction being handled by Matt Bettinelli-Olpin and Tyler Gillett (who also gave us the wonderful “Ready or Not”). Aaaaand, they knocked it out of the park. The direction here is really suspenseful and intense, never really letting the viewer feel at ease, even during seemingly safe scenes. This really helps keep the whodunnit element relevant and exciting, while also making sure that when Ghostface appears, it actually feels scary. Speaking of the ol’ mouthgaper, Jesus Christ, the kills in this are savage. Not that the other killers in the series weren’t violent psychos, but there’s something about the violence in this that just feels extra mean-spirited and brutal, which does fit with the story and tone of this movie, and helps make el spookerino feel like more of a threat than ever. So yeah… this movie’s well crafted.

At the time of writing, this movie been pretty well received. On Rotten Tomatoes it has a 76% positive rating. On Metacritic it has a score of 60/100. And on imdb.com it has a score of 7.4/10.

I think it’s pretty clear that I think “Scream: Another Scream” is another fit for the franchise. It has a great story, really good characters, great performances, great music, and fantastic direction. Time for my final score. *Ooga booga*. My final score for “Scream” is a 9.76/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Scream the Fifth” is now completed.

Let’s end this on a classic question, because it’s fun and I genuinely wanna know… What’s your favorite scary movie?

Movie Review: Scream 4 (2011)

My friends, this is it. The final movie in this franchise… until I see the new one on Saturday. But for now, this is the final “Scream” movie. I’m finally caught up (woo!). So without further ado, let’s talk about it and see if it’s a good one.

Ladies, gents, and non-binaries… “Scream 4”!

15 years have passed since the Woodsboro murders, and we see Sidney (Neve Campbell) return to her old hometown as the first stop on her book tour. However, what should be a simple visit soon turns into a complex nightmare when people start getting murdered by another masked killer. Right from the get-go, “Scre4m” shows that it’s not fucking around, giving us arguably the most clever and expectation-subverting opening in the series. And from that point on, it doesn’t let up with its meta nature. The entire series has had a very meta approach to telling its stories, but this one leans into it the most, while also being a surprisingly prescient takedown of fame and social media, all while subverting and indulging in slasher tropes to great effect (as it has in the past), creating possibly the most intense, fun, and clever narrative in the series. Yeah, I really liked the story here.

The characters in this are all really solid, either through being well written and nuanced, or through being fun and colorful. But what does also help is that they all have some level of self-awareness, perfectly befitting the story told, which does also make it really tricky to identify who can be trusted and who can’t, keeping me on my toes from start to end. And the entire cast is terrific, featuring returning people like Neve Campbell, David Arquette, and Courteney Cox, along with newcomers like Emma Roberts, Rory Culkin, Roger Jackson, Alison Brie, Hayden Panettiere, Marley Shelton, Erik Knudsen, Adam Brody, and more.

For the fourth time in a row, Marco Beltrami came in to do the score, and once again he did a damn good job. You get some familiar note progressions, some more typical horror stings, and some subtle, creeping tracks. It’s a solid score that works really well for the movie. There’s also a few licensed songs used throughout, and they work well in their respective scenes. It is a bit of a shame to not have “Red Right Hand” back in this one, but it doesn’t completely ruin it for me.

“Scream 4” saw Kevin Williamson come back as screenwriter, with Wes Craven once again directing (THE DREAM TEAM IS BACK, BAYBEEEE!). And the craft behind it is once again top tier. Intense, creepy direction once again manages to build a fair bit of suspense, it’s Craven at the height of his powers. Also, there’s a lot of really intense violence and gore in this. And while I don’t necessarily think more gore = scarier, I do think it adds a certain unrelenting intensity to this movie that makes it a bit more disturbing and scary. It’s just really well made.

This movie’s gotten a bit of a mixed reception. On Rotten Tomatoes it has a 61% positive rating. On Metacritic it has a score of 52/100. And on imdb.com it has a score of 6.2/10.

I might get severely shamed by people for this, but “Scream 4” might be my favorite of the bunch. It has a great story, really good characters, great performances, great music, and fantastic direction. Time for my final score.  *AAAAAAAAAH*. My final score for “Scream 4” is a 9.80/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Scream 4” is now completed.

Alright… let’s hope the Radio Silence dudes can do this franchise justice.

Movie Review: Scream 2 (1997)

Hi there friends! Let’s continue through this franchise!

Ladies, gents, and non-binaries… “Scream 2”.

Two years after the traumatic events in Woodsboro, Sidney (Neve Campbell) has moved a few states over and seems to be doing fine. She’s going to college, she has friends, and she has a sweet, caring boyfriend (Jerry O’Connell). But this nice quiet life will soon be interrupted when a copycat killer starts stalking Sidney and her friends. Much like the first movie, “Scream 2” takes familiar slasher tropes and turns them on their head in fun, sharp-witted ways, while also gleefully embracing them when needed. It’s a story that cleverly plants seeds of doubt about anyone and everyone within. Combine that with the relentless pace and you get a strong narrative that never bores. Do I think it’s as strong as the first movie through? No, not quite. Like I said, it’s strong, but the increased scope of it can make it feel a bit more unfocused than the first at times, which does keep it from being as strong as it could be. But overall it’s still a damn solid, highly entertaining story.

The characters in this are fun, charming, layered, and overall just highly interesting. The ones returning from the first movie have seen major developments since then, and I really like that, as it adds some extra depth and clever character drama to proceedings. And even the new guys are really good too. And I think the entire cast, containing people like Neve Campbell, David Arquette, Courteney Cox, Liev Schreiber, Jerry O’Connell, Jamie Kennedy, Timothy Olyphant, Sarah Michelle Gellar, and many more, do fantastic work in this.

As with the first movie, the score for this was composed by Marco Beltrami, who I think did a really good job with it. He very much brings back a lot of the stylings he used within the first movie, and then refines them to make for a more polished and more nuanced sound. There’s also a few licensed songs used throughout, and they work well in their respective scenes.

“Scream 2” was once again written by Kevin Williamson and directed by Wes Craven, and once again the craft is top notch. The direction’s slick, intense, energetic, and a bit more creative with how it frames the action and violence. Speaking of which, my god, there’s some grisly stuff in here. Not that the violence in the first movie was “clean”, but there’s definitely a bigger focus on brutality in this… and I dig it, as it does fit with the whole “sequel = bigger” satire they’re going for. ’tis good shit.

This movie’s been pretty well received. On Rotten Tomatoes it has an 81% positive rating and a “Fresh” certification. On Metacritic it has a score of 63/100. And on imdb.com it has a score of 6.2/10.

While it lacks some of the focus of the first one, “Scream 2” is still a damn good sequel that entertains from start to end. It has a really good story, really good characters, great performances, really good music, and great directing. Time for my final score. *Ahem*. My final score for “Scream 2” is an 8.81/10. So while not as strong as the first, it’s still most definitely worth buying.

My review of “Scream 2” is now completed.

2 down, 2 to go.

Movie Review: Scream (1996)

Hi there, I hope your holidays have been good. Time to kick off the new year! And I thought that with the upcoming fifth “Scream” coming out next week, it could be fun to go through the first four movies leading up to it. So with that out of the way, let’s talk about this movie.

Ladies, gents, and non-binaries… “Scream”.

The small town of Woodsboro, California is in for a real nightmare when a mysterious, masked man starts stalking and killing young people. While that might at first seem like the setup for any ol’ slasher, “Scream” manages to stand above the crowd by being a satirical, yet loving send-up to them, playing around with the rules of the formula, subverting them as often as it indulges in them. And the subversive and knowing writing style keeps it feeling fresh and unpredictable, leading to storytelling that is equal parts suspenseful, clever, and quite fun, making for one hell of a solid horror story.

The characters in this are all very fun and colorful, but also a lot more layered than most of your typical slasher characters. Take for example Sidney Prescott, our leading lady. A kind young woman with a traumatic past, she’s arguably one of the most well developed characters in this, and I find her deeply engaging to follow, with Neve Campbell delivering a terrific performance. And the rest of the characters are solid too, played by people like Skeet Ulrich, Drew Barrymore, David Arquette, Courteney Cox, W. Earl Brown, Rose McGowan, Matthew Lillard, Jamie Kennedy, and more, all delivering really good performances.

The score for the movie was composed by Marco Beltrami, and I think he did a damn solid job with it. There’s a nice mix of styles here, blending loud, intimidating orchestrations with eerie choir vocals and even some hip hop-influenced percussion to create an interesting and unique sound that really elevates the storytelling. There’s also a handful of licensed songs used throughout, and I think they work really well in their respective scenes. So yeah, this movie has some damn good music in it.

“Scream” was written by Kevin Williamson, with directing duties being handled by Wes Craven, who absolutely killed it behind the camera. The man is an expert at when it comes to building suspense, keeping me on the edge of my seat at all points, even during scenes that technically could be considered “safe”. This also translates to the more action-packed bits, which manage to be quite tense, exciting, and even kinda disturbing. And Craven does all of this while balancing the act of subverting and indulging in slasher tropes. It’s just a really well crafted movie.

This movie’s been pretty well received. On Rotten Tomatoes it has a 79% positive rating and a “Fresh” certification. On Metacritic it has a score of 65/100. And on imdb.com it has a score of 7.3/10.

“Scream” is a terrific film that absolutely deserves its status as a classic. It ha a great story, really good characters, great performances, really good music, and fantastic direction. Time for my final score. *Ahem*. My final score for “Scream” is a 9.71/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Scream” is now completed.

What’s your favorite scary movie? Mine’s “Alien”.

Series Review: Demon Slayer – Season 1 (2019)

I really don’t talk enough about anime on this blog, which is kinda funny, because some of my first (and worst) reviews I did way back in 2014 were anime-related. But since then I haven’t really done much in that realm of entertainment. So maybe it’s time to try to remedy that.

Ladies, gents, and non-binaries… “Demon Slayer” season 1.

After most of his family gets killed by demons, Tanjiro Kamado (Natsuki Hanae) vows to become a demon slayer in order to avenge his dead family, while also trying to cure his sister (Akari Kito) who’s been turned into a demon. And thus we follow Tanjiro as he goes on this journey, training to get stronger, attempting to save people, and meeting all sorts of colorful characters along the way. At first glance, it may seem like typical action-fantasy anime fare, and in a lot of ways, that is what it is. But then we also get a lot of moments that show something deeper, something… humane. For all the magic and monsters and over the top comedy, the show’s story grounds itself by often taking the time to let dramatic beats breathe and simmer, giving a very humane and emotionally charged perspective to the predicaments and stories that Tanjiro finds himself involved in throughout the 26 episode season. And this gives the show a weight that really makes the story of “Demon Slayer” something special. Admittedly I wouldn’t call myself “hooked” by the first few episodes. They’re still quite entertaining, but since they consist of a lot of setup, they do suffer from a tiny bit of good ol’ premiere sickness. Again, they’re still really solid, so it’s not a dealbreaker, just a slight hiccup in what is otherwise a great story.

The characters in this are all fun, colorful, entertaining, and overall just insanely compelling. Much like the story, at first glance they might all cover the typical archetypes found within this kind of anime, but given a bit of time, they start to show more depth, while still being able to embrace some of those classic tropes when needed. I also think the performances in here are spectacular. The cast consists of people like Natsuki Hanae, Akari Kito, Hiro Shimono, Yoshitsugu Matsuoka (who plays my favorite character), Takahiro Sakurai, Takumi Yamazaki, and many more, all doing amazingly well in their respective roles.

The score for the show was composed by Yuki Kajiura and Go Shiina, and my god, they did an amazing job with it. Sweeping orchestrations, moody strings and pianos, some horror stings, even a bit of rock and techno-infused stuff slips in, and it’s all terrific, adding so much to the show. The opening and ending themes by LiSA (god, that stage name really hates SEO) are also really solid. The music in this show’s just all round great.

Based on the hit manga by Koyoharu Gotouge, “Demon Slayer” was brought to us by the studio Ufotable, and they just knocked it out of the fucking park here. The art pops beautifully, the movement is smooth, the colors look super crisp, and everything just has an insane level of polish that is an absolute joy to behold from start to end. The animation especially comes alive during the action scenes, all of which are dynamic, breathtaking, and very creative. Long story short: This show looks fucking amazing.

This show/season’s been well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 8.7/10, and is ranked #128 on the “Top 250 TV” list.

Season 1 of “Demon Slayer” is a wonderful fantasy-action anime with plenty of heart. It has a great story, great characters, great performances, great music, and amazing animation. Time for my final score. *Ahem*. My final score for season 1 of “Demon Slayer” is a 9.65/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Demon Slayer” season 1 is now completed.

I should try to cover more anime in the future. Get the original intentions back on track… albeit with less terrible writing.

Movie Review: The Dry (2021)

Hey there. Doing well? I hope you’re doing well… I got nothing clever to intro this with, so let’s just get into this shit.

Ladies, gents, and non-binaries… “The Dry”.

After he returns to his old hometown for a funeral, Federal Agent Aaron Falk (Eric Bana) starts looking into some allegations laid against his dead friend, all while dealing with his past coming back to haunt him. “The Dry” mixes elements of smalltown drama with police procedural, and I think that the story here is quite compelling. It weaves main plot and subplots quite nicely, making for a world and narrative that feels lived in, like we’re going into lives that have existed for years, rather than it feeling like it starts with the audience’s arrival. And while its very deliberate pace might test some people’s patience, I found the slow, drip feeding approach of the storytelling to be quite engaging, as it also made me question everything going on, which added quite a bit of suspense to proceedings. ’tis a damn solid story.

The characters in this are all flawed, layered, and overall quite interesting. Much like the narrative, they all feel pretty real and like they actually had lives and existed before we saw them. And the grounded feel of them helps make this story and world quite compelling. But what really helps sell them are the actors, who all deliver terrific work. I’ve been a fan of Eric Bana for years, but this might be the best performance I’ve seen from him. Further filling out the cast, we got people like Genevieve O’Reilly, Bruce Spence, Keir O’Donnell, Matt Nable, Julia Blake, Joe Klocek, BeBe Bettencourt, and a lot of other talented people.

The score for the movie was composed by Peter Raeburn, and I think he did a really good job with it. It’s very somber, leaning heavily on strings to deliver a fairly serious and often also sad score that really helps sell the drama and desperation of Aaron’s investigation and predicaments. It’s good.

Based on the novel of the same name by Jane Harper, “The Dry” was directed and co-written by Robert Connolly, who I think did a damn good job here. Connolly’s direction is (for the most part) not very flashy, but rather quite subdued, which I think fits the story and the pacing of the movie, really letting every dramatic beat simmer nicely. Stefan Duscio’s cinematography adds a lot as well, giving us some really nice shots that still captures the dry, gritty vibe of this place and story wonderfully.

This movie’s been pretty well received. On Rotten Tomatoes it has a 90% positive rating and a “Fresh” certification. On Metacritic it has a score of 69/100. And on imdb.com it has a score of 6.9/10.

While its slow, deliberate pace may put off some people, I found “The Dry” to be a highly engrossing crime-drama. It has a great story, really good characters, fantastic performances, really good music, and great direction/cinematography. Time for my final score. *Ahem*. My final score for “The Dry” is a 9.61/10. Which does mean that it gets the “SEAL OF APPROVAL!”.

My review of “The Dry” is now completed.

I am so used to seeing Bruce Spence as aliens, monsters, and creeps, so it was a nice change of pace to see him as a regular dude for once.

Movie Review: Tokyo Godfathers (2003)

Hello! As some of you might remember, last year I retired my 12 Films of Christmas series, as I got burnt out on doing 12 themed pieces over the span of 12 days. And I stand by that retirement. However, that won’t prevent me from still doing a few chrimbo movies on this blog. So with that out of the way, let us talk about one.

Ladies, gents, and non-binaries… “Tokyo Godfathers”!

’twas the night before christmas, and all throughout Tokyo, some shit was stirring, I can’t keep this up, yo. Anyhow, during christmas eve, three homeless people find a baby abandoned in some trash and set out on an adventure to find its parents. “Tokyo Godfathers” is a unique take on familiar ideas, creating a compelling narrative that is equal parts heartwarming, heartbreaking, tragic, and funny. It’s a wonderful and delightfully off-kilter story that had me feeling every emotion possible. I’m sorry that this section is so brief and vague, but it’s hard to talk any more in depth about this story without revealing too much. But trust me when I say that it’s a great little tale.

The characters in this are colorful, charming, flawed, nuanced, and overall quite interesting. First up are our leading three, all coming from tragic backgrounds, all trying their damndest to make the most of their bad situation(s). They’re a frankly amazing trio of characters that I loved following. They’re also wonderfully brought to life by the vocal talents of Toru Emori, Yoshiaki Umegaki, and Aya Okamoto. The supporting cast is great too, featuring interesting characters voiced by terrific actors like Akio Otsuka, Yusaku Yara, Kyoko Terase, and more.

The music for the movie was composed by Keiichi Suzuki, along with Moonriders, his band. And I think they did a swell job with it. It takes some influences from jazz, pop-rock, and various styles of film score to create a unique soundscape that fits the movie wonderfully.

“Tokyo Godfathers” was directed and co-written by Satoshi Kon, and he and his crew did an amazing job here. The animation quality is spectacular, with beautifully fluid movements and actions. But much like Kon’s other works, the characters have a lot of imperfections to them, compared to the oft’ flat and glossy look of many animes, which really helps add to the grounded and somewhat gritty vibe of this movie. It’s stunningly animated, cleverly edited, and just overall wonderfully put together. Kon was an absolute master who was taken from us too soon.

This movie has been quite well received. On Rotten Tomatoes it has a 91% positive rating and a “Fresh” certification. On Metacritic it has a score of 73/100. And on imdb.com it has a score of 7.8/10.

“Tokyo Godfathers” is not just a fun christmas romp, but also a beautifully nuanced drama, and I adored every bit of it. It has a great story, great characters, great performances, really good music, and fantastic direction/animation. Time for my final score. *Ahem*. My final score for “Tokyo Godfathers” is a 9.93/10. Which does mean that it gets the “SEAL OF APPROVAL!”.

My review of “Tokyo Godfathers” is now completed.

Simply wonderful.

Movie Review: Shang-Chi and the Legend of the Ten Rings (2021)

Been quite a while since I talked about a Marvel movie on here… yeah, 2019, blimey. And before we move on, I know these movies aren’t everyone’s cup of tea, and that’s fine. I just like watching them and I’m gonna keep talking about them as long as they’re made. So yeah… on with the review.

Ladies, gents, and non-binaries… “Shang-Chi and the Legend of the Ten Rings”.

After having lived a quiet life in San Francisco for years, Shang-Chi (Simu Liu) must come out of hiding when his father (Tony Leung) begins stirring to enact a mysterious and potentially dangerous plan. The story in “Shang-Chi” is interesting to me, because it takes some of the familiar themes and structural pillars of other MCU movies, but makes them feel fresh by implementing elements usually seen more in wuxia stories and kung fu movies in general. But it also weaves in a pretty nuanced and surprisingly complex family drama throughout, which really makes the story feel more tangible and emotionally resonant. So when you blend all of these together, you get a narrative that feels familiar yet also fresh and unique for this franchise. And I loved it.

The characters in this are colorful, fun, pretty layered, and overall just quite interesting. Simu Liu plays Shang-Chi, our protagonist. He’s a man who’s gone through a lot of things in life, and it does create an interesting conflict with his more lighthearted side and the good stuff he’s experienced since moving to America. And I find him to be an interesting lead, with Simu Liu giving a damn good performance. Tony Leung plays Shang-Chi’s dad, Xu Wenwu, a mighty leader of the shady organization The Ten Rings. He’s a complex and interesting character that makes for a really compelling antagonist, and Leung is great in the role. We also get supporting work from people like Awkwafina, Meng’er Zhang, Fala Chen, Michelle Yeoh, Florian Munteanu, and many more, all giving great performances in their respective roles.

The score for the movie was composed by Joel P. West, and I think he did a great job with it. It’s big and epic, but it can also be quiet and emotional. And it creates this really cool vibe for the movie by blending elements of typical western action movie music with traditional Chinese music, and it makes for a really engaging soundscape that worked insanely well for the movie. There are also a few licensed tracks used throughout, and they’re fine. They’re not something I’d really find myself listening to in my spare time, but they worked well enough within their respective scenes.

Based on various Marvel comics, “Shang-Chi” was directed and co-written by Destin Daniel Cretton, and I think he did a great job with it. He has this really fun, yet grounded energy to his style that melds really well with a lot of the big budget comic book stuff. And it does help give the movie a nice vibe and flow that I highly enjoyed. I especially think his direction shines in the action scenes that are spread throughout this movie. There’s some nice, decently long takes, and we always get a good view of the action going on. But what I appreciate most about it is the focus on martial arts. Don’t get me wrong, I love the big, pew pew action of the other MCU movies, but there’s something so refreshing when instead of Iron Man flying around blowing shit up, it’s a dude using kung fu to fend off an opponent. And even when the action got way bigger in scale and effects budget, it was really fun and well handled. It’s just really well made and comes together so well.

This movie has been well received. On Rotten Tomatoes it has a 92% positive rating and a “Fresh” certification. On Metacritic it has a score of 71/100. And on imdb.com it has a score of 7.6/10.

“Shang-Chi and the Legend of the Ten Rings” is a fun and absolutely wonderful action movie with some well written and nuanced character drama. The story’s great, the characters are great, the performances are great, the music is great, and the direction is great too. Time for my final score. *Ahem*. My final score for “Shang-Chi” is a 9.90/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Shang-Chi and the Legend of the Ten Rings” is now completed.

I really need to watch more Tony Leung movies.

Movie Review: Tick, Tick… Boom! (2021)

You know what’s kinda weird? Despite being a musician since childhood, I’ve never really been a huge fan of musicals. Or I should say, live action musicals. I don’t know why, it’s just a weird quirk of mine. But on occasion there might be one that cracks my grumpy heart. Is this one of them? I guess we’ll find out.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a movie… which it is. Disclaimer over.

Ladies, gents, and non-binaries… “Tick, Tick… Boom”

The story follows Jonathan Larson (Andrew Garfield), a young, aspiring theater composer as he struggles to keep his life afloat, trying to balance love, friendship, and putting together his first musical. I really loved the storytelling within “Tick, Tick… Boom”. There are moments it can seem slightly scatterbrained, but I think it really adds to it, since it perfectly encapsulates just how hectic Jon’s life is. The story takes an interesting look at the man’s life as well as the struggles of trying to be creative in a world where that can’t be a guarantee of success. But what carries the story the most is the sheer amount of heart. Right from scene one, it carried this warm, sincere charm that had me immediately hooked, and carried it all the way to the ending. It’s just such a nice and emotionally resonant story that hit me in a way that I haven’t felt in quite a while.

The characters here are colorful, charming, layered, and overall just all feel very real. Something about them all made them feel like actual people and not just characters performed by actors. Our lead character, Jon, was just an absolutely endearing and fascinating character that I loved following throughout the movie. And Andrew Garfield was absolutely fantastic in the role. Then we also get supporting work from people like Robin de Jesus, Jonathan Marc Sherman, Alexandra Shipp, Vanessa Hudgens, Bradley Whitford, MJ Rodriguez, and more, all giving terrific performances. It’s just a damn good cast.

The music in this was composed by Jonathan Larson, and I loved all of it. The instrumentation, the melodies, the lyrics, it all comes together beautifully to create tracks that make me want to dance, cry, laugh, rethink my life… it’s all wonderfully introspective and I think all actors brought the songs to life marvelously.

Based on the autobiographical musical by Jonathan Larson, “Tick, Tick… Boom!” is the directorial debut of Lin-Manuel Miranda, and I think he did a really solid job. His direction can be a little rough around the edges at times, but even then, it’s really good for someone making their feature debut. The man has worked with musicals in different ways for years, so he has a good grasp of how it should work, and that experience and talent does help elevate his direction a little. Speaking of musicals, I love the way the musical numbers are handled. They flow nicely, and they’re wonderfully edited, beautifully moving between people and spaces in ways that few other musicals do. So yeah, this is really well helmed.

The movie just came out, but so far it’s been quite well received. On Rotten Tomatoes it has an 87% positive rating and a “Fresh” certification. On Metacritic it has a score of 74/100. And on imdb.com it has a score of 8.2/10.

“Tick, Tick… Boom!” is a fantastic little movie that I absolutely loved. It has a great story, great characters, fantastic performances, fantastic music, and really good directing/editing. Time for my final score. *Ahem*. My final score for “Tick, Tick… Boom!” is a 9.90/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Tick, Tick… Boom!”

I’m gonna end up listening to that soundtrack a lot, aren’t I?

Movie Review: 7 Prisoners (2021)

I’ve been trying to come up with some relevant and mildly interesting thing to put as the intro for this one, but I’m coming up short. It’s just hard when you’re talking about something covering some serious shit. So I guess we should just jump into it.

Ladies, gents, and non-binaries… “7 Prisoners”.

Mateus (Christian Malheiros) lives a rough life with his family, barely scraping by on what they have. So to be able to provide for his family, he takes a job at a junkyard in São Paolo. But he soon finds out that this new life of his is way more rough and dangerous than he could have ever imagined. “7 Prisoners” is a hard movie to watch, due to its gritty, grimy, fly-on-the-wall style of storytelling. There’s nothing flashy or filmy about it. The movie has this very grounded and real feel to it, which often makes it a really uncomfortable watch. Throughout the movie, the story tackles some very real and heavy topics in really interesting, nuanced, and often even disturbing ways. And I was utterly enthralled by it all from start to end. Maybe it could be *slightly* longer, as a few moments feel a little brief, but on the wholeI do think it’s a terrific narrative.

The characters in this are interesting, layered, and all feel very real. They have this believable, worn out quality to them, like they’re real people in this world and not actors just hopping into a role. Mateus is more or less our leading man, and he’s a really complex character, beautifully brought to life Christian Malheiros who delivers a fucking fantastic performance. Then we have Rodrigo Santoro as Luca, Mateus’ boss/warden/captor. He is a terrifying antagonist. Part of it is because he can be very intense at times, but what really brings the scariness home is that he also shows a fair bit of humanity. It makes him more layered, and that honestly makes him more terrifying to me, and Santoro is fantastic in the role. We also get supporting work from people like Vitor Julian, Josias Duarte, Clayton Mariano, Lucas Oranmian, and more, all giving great performances.

The score for the movie was composed by Felipe Puperi, and it was good. It’s a somber, moody piece that never really stands out too much, subtly complementing the low-key style of the movie. It works really well.

“7 Prisoners” was directed and co-written by Alexandre Moratto, and I think he did a terrific job. His style is very simple, gritty, and very subtle. Like I said about the storytelling, it has a very fly on the wall vibe to it. It doesn’t stick out or feel filmy, it just feels like we’re observing a very real situation and it helps really add to the sense of unease built throughout. It’s just really well crafted.

This movie’s been well received. On Rotten Tomatoes it has a 95% positive rating. On Metacritic it has a score of 80/100. And on imdb.com it has a score of 7.2/10.

“7 Prisoners” is a great Brazilian crime-drama I highly recommend. It has a great story, really good characters, fantastic performances, really good music, and great direction. Time for my final score. *Ahem*. My final score for “7 Prisoners” is a 9.66/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “7 Prisoners” is now completed.

Brazil: Come for the sun, surf, and scary crime.