Movie Review: The Adjustment Bureau (2011)

Happy valentines day, my friends. Hope you’re showing the love today. Whether for your significant other, your friends, your relatives, your pet, it doesn’t matter. Just show some love. Anyway, since it’s the day of lovey-dovey bullshit, let’s talk about a romance movie of sorts.

Ladies and gents… “The Adjustment Bureau”.

David Norris (Matt Damon) is a congressman in the state of New York. One day he meets professional dancer Elise (Emily Blunt) and starts falling in love with her. But their relationship gets halted at every turn by a mysterious organization hellbent on keeping them apart. So now David has to try to outsmart them and take control of his own destiny. And I thought the plot here was… fine. It has a damn good concept, and I did enjoy the chain of events along with some of the fairly unique world building they did throughout. It did however never fully grab me. It felt like they only really scraped the surface of the idea to try to appeal to the broadest audience possible. It’s like if “Dark City” was a bit bland. So overall, the plot here is fine, if a bit toothless.

The characters in this I found to be decently enjoyable. Matt Damon plays David Norris, a congressman with dreams of moving up in the political world, but can’t quite do that while dealing with this whole Elise situation. And we see him get some decent development throughout as he tries to figure out what the hell is going on. And Damon is great in the role. Emily Blunt plays Elise, the woman that Norris meets and falls in love with. She’s a tough, charming, and overall pretty interesting lady that I liked following a bit in the movie. And Blunt is great in the role. We also get supporting work from people like John Slattery, Anthony Mackie, Michael Kelly, Terence Stamp, and more, all doing well in their respective roles.

The score for this movie was composed by Thomas Newman, and it was fine. It was a bit bland, while still being decently enjoyable to listen to in the background of the film. I guess it worked well enough for the various scenes throughout the movie, even though it didn’t bring any real oomph to it.

Based on a short story by Philip K. Dick (why am I not surprised), this movie was written and directed by George Nolfi, who I think did a pretty good job. His direction gives the movie a decent bit of energy and helps it from feeling stale. Sure, the plot is a bit so-and-so, but the directing is still good enough to slightly elevate it.

This movie has been pretty well received. On Rotten Tomatoes it has a 71% positive rating. On Metacritic it has a score of 60/100. And on imdb.com it has a score of 7,1/10.

While it has its fair share of flaws, “The Adjustment Bureau” is still a fairly enjoyable little romantic thriller. It has a fine plot, pretty good characters, great performances, fine music, and good directing. Though as previously mentioned, the plot didn’t really stick with me, and the music didn’t really bring anything for me. Time for my final score. *Ahem*. My final score for “The Adjustment Bureau” is a 7,87/10. So while it is flawed, it’s still worth a rental.

My review of “The Adjustment Bureau” is now completed.

Nothing like stories of forbidden love.

Movie Review: Spotlight (2015)

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Bullshit happens in our world all the time. From corrupt politicians, to corrupt courts, to corrupt cops, to corrupt men of faith… a lot of corruption now that I think about it. Anyhow, all of it is awful… I got nothing else to say.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a movie… which it is. Disclaimer over.

Ladies and gentlemen… “Spotlight”.

The year is 2001. The Boston globe’s investigative team (called “Spotlight”, roll credits) starts investigating allegations of sexual abuse within the Catholic church. And the movie follows their journey as they are looking into this, and some of the difficulties with getting it done. And it’s no huge conspiracy thriller we’re dealing with here, oh no. This is a quiet and slowly burning drama that completely engrossed me from start to finish. Seeing these people investigate all of this is incredibly fascinating. And I have to admit that when certain things were uncovered and we learned more about what was going on… I got a little bit disturbed… because the things that we learn are pretty fucked up. But yeah, I was totally invested in the story of this movie. It was very interesting and had a good amount of emotion to it.

The characters in this movie are all very clearly passionate about this investigation they are working on, and they are all very interesting and believable. And the actors definitely helped sell a lot of that for me. Mark Ruffalo is great, Michael Keaton is great, Rachel McAdams is great, Liev Schreiber is great, Brian d’Arcy James is great, John Slattery is great… every single actor in this movie is great! But what I enjoyed about these performances mainly is how reserved they all are… which adds a lot to the realism of it. Really, the way they act in this movie doesn’t feel Hollywoodized in any way, it feels very real and genuine. There’s only maybe one outburst (typical Oscar/Hollywood thing) in this movie, but it feels like it has a purpose where it is, and doesn’t just feel like it’s there for the sake of being there. Yeah, it’s a very well acted movie.

The score for the movie was composed by Howard Shore and it is pretty damn good. Most of the time I really didn’t necessarily notice it, but that isn’t really a bad thing. Like with the story and acting, the score is very quiet and reserved and perfectly fits the movie. And after also litening to it a bit after the movie I have to say that the music overall is really good.

This movie was directed by Tom McCarthy and I think he did a really good job with it. The shots never do anything too crazy or innovative, but it’s a smoothly directed movie that looks great. And again, it perfectly works with the more quiet and reserved style of everything else in the movie.

This movie has been very well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 93/100. And on imdb.com it has a score of 8,1/10 and is ranked #192 on the “Top 250” list. The movie also won 2 Oscars in the categories of Best picture and Best original screenplay. It was also nominated for an additional 4 Oscars in the categories of Best supporting actor (Ruffalo), Best supporting actress (McAdams), Best director, and Best film editing. 

“Spotlight” is a pretty fuckin’ great movie. It has an engrossing plot, really interesting characters, great performances, great music, and great directing. Time for my final score. *ahem*. My final score for “Spotlight” is a 9,88/10. So it gets the “SEAL OF APPROVAL!”.
seal-of-approval

My review of “Spotlight” is now completed.

Remember that time Bruce Wayne, Howard Stark, Bruce Banner, Christine Palmer,  and Sabretooth worked for a newspaper? Good times.

Movie Review: Ant-Man (2015)

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With “Civil War” just around the corner, and by around the corner I mean that it comes out tomorrow but I might not be able to see it until saturday because of the company I keep, I deemed that it was finally time for me to see the last entry in the MCU that I had not seen yet, please don’t kill me.

Ladies and gentlemen… “Ant-Man”.

Scott Lang (Paul Rudd) just got released from prison. However his life outside of the bars isn’t going to be the easiest after he ends up taking another job where he steals a special super-suit from scientist Hank Pym (Michael Douglas). So now Scott has to work with Hank and also Hank’s daughter Hope (Evangeline Lilly) to pull off a big heist to more or less save the world. Basically it is “Iron Man” combined with “Ocean’s Eleven” when it comes to the style of the story. Don’t misinterpret, I am not saying that “Ant-Man” is as good as eitehr of those movies, but that it feels like a mix of the both. And I have to say that I really enjoyed the experience of watching this play out. It’s actually kind of refreshing to have a Marvel movie on such a small scale where the entire planet isn’t TOTALLY at risk. It’s a fun, fast-paced trip and I enjoyed every minute of it.

The characters in this movie are all very entertaining and all work pretty well within the story. Paul Rudd is fantastic as Scott Lang, he is likeable, funny and his performance overall was really good. Michael Douglas, an actor I like but haven’t seen much from recently… holy hell, he was great as Hank Pym. Seriously, I haven’t seen him this great in a lot of (if any) recent stuff. Evangeline Lilly was great as Pym’s daughter and the two had really good chemistry with each other. Michael Peña plays Scott’s buddy who kind of helps him after he’s released from prison… seriously, pretty much every word out of that guy’s mouth is comedic gold. He is so great in the movie, he constantly had me chuckling/laughing. Then we have Bobby Cannavale who plays a police officer who now has a relationship with Scott’s ex-wife… yeah, he’s great. The last one I want to mention is Corey Stoll who plays the main villain, Darren Cross/Yellowjacket… how do I put it… he’s kind of a mixed bag for me. I do think Corey Stoll gives a good performance in the movie and when he puts on the Yellowjacket costume he is absolutely badass… but as a villain he isn’t that compelling, kind of standard stuff here. His motivations aren’t that interesting and I won’t really remember him too well after this I think… at least his acting was good.

The score for the movie was composed by Christophe Beck and it was actually really good. Sure, some of the tracks sound like your typical superhero stuff that doesn’t sound bad but you’ve heard it a billion times. But then there are tracks very reminiscent of tracks for a whole bunch of different heist films and I thought that was really cool and that it really worked for the movie.

This movie went through some problems as it was getting made. Originally it was supposed to be directed by Edgar Wright (which would have been amazing), but then he dropped out due to creative differences between him and Marvel. Then it went through some different hands until finally landing in the hands of Peyton Reed (oh boy). And while I think that whatever Edgar Wright would’ve conjured up would have been much more interesting/better, I have to say that I am happily surprised with how Reed handled the direction of this movie. It is quick, it is smooth and it’s overall very well done (Still wanna see Wright’s version). The action scenes too, holy shit, they exhilarating and really entertaining. The way they use Ant-Man’s shrinking technology for the action scenes is very creative and makes for some very fun and awesome scenes. I will also say that the visual effects are overall really great. The writing is also really good, with a lot of clever and funny dialogue that kept me entertained/laughing. Also, like with every Marvel movie I recommend that you stay through the entire credits for some pretty sweet stuff. Also look out for some pretty cool cameos throughout the movie.

This movie has been pretty well received. On Rotten Tomatoes it has an 80% positive rating and a “Fresh” certification. On Metacritic it has a score of 64/100. And on imdb.com it has a score of 7,4/10.

“Ant-Man” is one of those strange supereroes that I’ve for a long time wondered how he would make it on the silver screen. Well I can safely say that his first outing is a good start. The movie is fun, fast-paced, heartfelt, well acted, well directed, well written, funny, has great action and is just pretty damn great. Yes, the villain isn’t very compelling, but I guess he’s servicable. Time for my final score. *Shrinks* Damn it… My final score for “Ant-Man” is a 9,76/10. While flawed, I think it deserves the “SEAL OF APPROVAL!”.
Seal of Approval

My review of “Ant-Man” is finally completed.

*Grows to normal size* Gotta stop leaving the buttons so easily accessible.