Movie Review: Wind River (2017)

The frontier. A wild, unpredictable, and untameable part of our world. As beautiful as it is dangerous. Something that Taylor Sheridan seemingly likes to explore in his scripts.

Ladies and gentlemen… “Wind River”.

Set in the cold mountains and forests of Wyoming, we follow an FBI agent (Elizabeth Olsen) as she has to investigate the death of a young woman with the help of a local tracker (Jeremy Renner). So now we have our murder mystery that isn’t just a murder mystery. Yes, the investigation is a big focus of the movie, but the plot is also largely about the exploration of this place and the people who live there. Like with the two previous movies written by Taylor Sheridan (“Sicario”, “Hell or High Water”), it sets up one basic plot, and then gives it a few extra layers to explore certain themes. So what we get here is a deep, suspenseful, emotional, haunting, and just overall intriguing story.

The characters in this are all layered, interesting, and feel quite real. Jeremy Renner plays Cory Lambert, the tracker tasked with helping out in this investigation. He’s a skilled hunter with a tragic past that gets explored in a very interesting way through the movie. And Renner is fantastic in the role, playing the character with a very understated sadness and intensity, this is the best performance I’ve seen from him. Elizabeth Olsen plays FBI agent Jane Banner. She’s a bit of a fish out of water in this, as she’s not used to the cold, unforgiving frontier. This doesn’t make her useless, as she shows herself as quite capable through the movie. She’s tough, but she also does have a more vulnerable side, which gives her some layers (which is important to have out in the cold). And Olsen is really good in the role. Next we have Gil Birmingham as the father of the dead girl. While we don’t get too many details on him as a character, seeing him in pain and trying to cope with his daughter’s death is utterly heartbreaking and makes him an interesting enough character. And Birmingham is great in the role. Then we get some supporting performances from Graham Greene, Julia Jones, Martin Sensmeier, Hugh Dillon, Eric Lange, and more, all doing very well in their respective roles.

The score for the movie was composed by Nick Cave & Warren Ellis, and if you’ve read any other reviews of mine where they’ve been the listed composers, you should suspect that I loved their score for this. It’s eerie, dark, emotional, and haunting, perfectly capturing the feel of the area, while also working very well for the murder mystery plot of the movie. I am slightly biased towards their music, but I do genuinely think their compositions for this movie are fantastic.

As I’ve not so subtly alluded to, this movie was written and directed by Taylor Sheridan. I already liked the other movies he’s written, so I was curious to see how he’d do at directing. And I have to say that I am quite impressed. His direction is manages to be sweeping and ambitious, while still tight and intimate with the characters/situations. He also manages to build a lot of suspense throughout, especially during the final act where that tension escalates to a whole new level. But none of it ever feels Hollywood-ized, which feels quite fresh in our modern world. And the cinematography by Ben Richardson is pretty great.

This movie has been quite well received. On Rotten Tomatoes it has an 87% positive rating and a “Fresh” certification. On Metacritic it has a score of 73/100. And on imdb.com it has a score of 7,8/10.

“Wind River” is a fantastic little drama, and another great showcase for Taylor Sheridan’s writing. It has a great plot, really good characters, great performances, fantastic music, and great directing/cinematography. Time for my final score. *Ahem*. My final score for “Wind River” is a 9,88/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Wind River” is now completed.

We’re going back to the wild frontier…

Movie Review: Sweet Virginia (2017)

Not sure what to say here really. I can usually come up with some pseudo-clever intro for these relating back to the movie. But right now I got jack shi- Hey look, it’s Punisher!

Ladies and gents… “Sweet Virginia”.

Sam (Jon Bernthal) is a former rodeo star who now runs a motel. One day a young man (Christopher Abbott) checks in and the two strike up a friendship. But what Sam doesn’t know is that this young man is a drifter who recently committed a triple homicide. So now we have our little thriller movie. And while it seems like I might’ve spoiled the movie, I only told you what happened in the beginning. I gave you what you needed to know. And is this plot any good? Yes and no. Let’s start with negatives… the pacing in this movie is weird. And by weird I mean that it drags at times, which is weird because it’s a 90-minute movie. And while I have no problem with a slower pace, it really dragged at times and wasn’t necessarily the most interesting in those parts. Now for the positives. In the parts where the pacing isn’t weird, the plot is tense and has some quite interesting aspects to it. And in those parts it does embrace the more thriller-y sides of this thriller, and it makes those parts suspenseful and pretty entertaining. Overall the plot here is… fine.

The characters her range from really interesting to… just being there. Jon Bernthal plays Sam, our protagonist. While he’s moved on from his old life, you can tell that he’s still slightly troubled by those times, making him a bit more of an interesting character. And Bernthal is of course great in the role. Christopher Abbott plays Elwood, the young and troubled man that Sam befriends. He can seem like an okay dude at first, but has a propensity for violence, and I found his character to be quite interesting in that way. And Abbott really impressed me here, I thought he was great. Then we have Imogen Poots as a woman named Lila, and while Poots gave a really good performance, the character wasn’t great. You can tell that the seed for her character was planted, but it had not fully grown yet. Then you have Rosemarie DeWitt as a character named Bernadetta. Same as with Poots, her performance is really solid, but the character could’ve used a bit more work. So in summary, the characters here are inconsistent in quality, but at least the performances are great.

The score for the movie was composed by Brooke & Will Blair, and they did a good job with it. Sure, the score doesn’t do anything unique, as it has similarities to other thriller scores, but it’s still really good and it does help to elevate some of the scenes throughout the movie.

The movie was directed by Jamie M. Dagg and I think he did a good job with it. It’s tightly directed, and shots have a nice flow to them. He also manages to get a lot of good tension out of multiple scenes. The dude really impressed me in that sense. And the cinematography by Jessica Lee Gagné was really good.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 78% positive rating and a “Fresh” certification. On Metacritic it has a score of 72/10. And on imdb.com it has a score of 6,2/10.

While flawed, I still think “Sweet Virginia” is a really good movie. It has a fine plot, mixed characters, great performances, really good music, and really good directing/cinematography. My flaws, as previously mentioned, are that the plot drags quite a bit at times, and that a good amount of the characters are kind of uninteresting. Time for my final score. *Ahem*. My final score for “Sweet Virginia” is an 8,45/10. While flawed, I still think that it’s definitely worth a rental.

My review of “Sweet Virginia” is now completed.

Country roads, take me home
To the place I belong
Sweet Virginia…

Movie Review: Justice League vs. Teen Titans (2016)

It feels good to be back. Sure, it wasn’t long ago since my last post, but I haven’t done a normal review since like Wednesday last week. And what do you know, this review is of another DC animated movie… one of those things I always talk about here. So let’s get into it!

Ladies and gentlemen… “Justice League vs. Teen Titans”.

After Robin (Stuart Allan) does something really dangerous during a mission with the Justice League, he gets sent to train with the Teen Titans to learn how to be part of a team. And soon the Titans have to truly prove themselves when the dangerous demon Trigon (Jon Bernthal) emerges to destroy the world. So now we have our plot. And I have to start out with mentioning that the title is quite misleading. Yes, there is a part of this movie that features the Justice League and the Teen Titans being at odds, but it’s quite a brief sequence. Misleading title aside, I thought this was a good plot. The main focus on this plot lies in Robin trying to be part of the team and also Raven (Taissa Farmiga) struggling with her own demons. And it’s actually pretty engaging. Now, there is a scene that doesn’t have much purpose here and actually feels both out of place and like it slows the pacing down a bit. But it doesn’t ruin the overall experience for me, and I do still think this is a really good plot.

The characters here are fun, cool, interesting, and entertaining. Stuart Allan reprises his role as Damien Wayne/Robin from the previous DC animated movies, and Damien is still a bit of a brat, but not to an annoying length. He is actually decently compelling. And Allan is great in the role. Taissa Farmiga plays Raven, the closed-off and mysterious young woman with dark magical powers. And while Farmiga seems like she might be a bit bored at first, you can quickly gather that she’s just pulling off the quiet, closed-off style of Raven quite well. So yeah, she’s good. Then we have Kari Wahlgren as Starfire, the leader of the Titans. She’s tough, slightly naive, brave, and kind. And Wahlgren is great in the role. Then we have Jake T. Austin as Jaime Reyes/Blue Beetle, a young man with some strange alien tech fused to his spine. He’s funny, he’s tough, and he’s just really interesting. And Austin does a really good job in the role. Then we have Brandon Soo Hoo as Garfield Logan/Beast Boy, a young man with the ability to transform into a whole bunch of animals. He’s used mainly for funny moments and cool action beats throughout, but I think that also works well for the character. And Brandon Soo Hoo is good in the role. Then we have Jon Bernthal as Trigon, the demonic antagonist of the movie. He doesn’t talk too much in the movie, and he does have some modifications to his voice. But you can still hear that it is Bernthal, and he is intimidating in the role. Then we have Jason O’Mara, Rosario Dawson, Jerry O’Connell, Shemar Moore, Christopher Gorham, and Sean Maher reprising their roles from previous animated movies (to a more supporting capacity), and they all do very well in their roles. Overall, this is a well acted movie.

The score for the movie was composed by DC animation regular Frederik Wiedmann. And once again he has composed a score that is fun, dramatic, interesting, and just generally exciting. It works quite well for the movie, often elevating certain scenes. There are also a couple of licensed tracks used in a couple scenes in the movie, and they work fine I guess.

This movie was directed by Sam Liu, and he did a really good job here. His direction here is fast and energized without sacrificing any of the smaller, more quiet moments. And the animation in general here looks great (for such a small budget), with it being very fluent and just overall good looking. And the action scenes are a lot of fun. They’re fast, badass, fun, cool, and quit epic. There’s also a decent amount of humor in this movie, and for the most part it landed.

There’s barely any data on the sites I usually use for this. On Rotten Tomatoes it exists but has no rating. On Metacritic it doesn’t exist at all. And on imdb.com it has a score of 7,0/10.

Misleading title aside, “Justice League vs. Teen Titans” is a damn good DC animated movie. It has a really good plot, great characters, great performances, really good music, and really good directing/animation/humor. Time for my final score. *Ahem*. My final score for “Justice League vs. Teen Titans” is a 9,64/10. This of course means that it gets the “SEAL OF APPROVAL!”.

My review of “Justice League vs. Teen Titans” is now completed.

Why not just call it “Teen Titans: Terror of Trigon”? Would’ve made more sense.

Movie Review: Shot Caller (2017)

Don’t commit crimes, kids. It’s bad for you.

Ladies and gentlemen… “Shot Caller”.

Jacob (Nikolaj Coster-Waldau) used to be a successful businessman, but that started changing after getting thrown in jail because of a DUI. And he soon starts getting involved with the gangs inside of the prison, turning him from a successful business person and loving father, to a stoic and ruthless gangster. And I thought the plot here was pretty good. It’s told in a semi-non-linear way, in that it jumps between past (ending up in jail) and present (out of jail) and shows how Jacob changes over that time, and I thought that was quite interesting. And overall there is some decent tension throughout the plot, as well as some pretty good dramatic moments spread throughout. My problem with it is that I felt like the pacing dragged at times. I’m fine with a movie that can move at a somewhat slower pace, but this at times just decided to drag it’s feet rather than move at a decently steady pace. It’s not a constant ass-drag, but it is noticeable in parts. So overall the plot here is pretty good.

The characters here are pretty good. Some more interesting than others. Nikolaj Coster-Waldau plays the main character Jacob (or Money as he’ll be known as later). Seeing his progression from good-natured businessman and loving father to this cold and ruthless gangster is endlessly fascinating. And you can tell that even when he’s become this cold gangster, he’s a bit conflicted, like there’s still good in him. And Coster-Waldau is great in the role. Then we have Jon Bernthal as a guy called Shotgun, one of the gang members that Jacob gets to know. As the movie goes on we get to know some interesting things about him that makes him feel a bit deeper than a lot of other ones in the movie. And Bernthal is great here. Then we get Emory Cohen as Howie, a young man who’s part of Jacob’s gang. And he gets some interesting development here. And Cohen is really good in the role. Then you get some really solid supporting performances from people like Omari Hardwick, Evan Jones, Benjamin Bratt, Lake Bell, Jeffrey Donovan, Holt McCallany, and many more. ’tis a well acted movie.

The score for the movie was composed by Antonio Pinto and I have mixed feelings about it. There are some great tracks here that are very well composed and work to elevate the scenes that they’re used in. But then there are some tracks that aren’t particularly well composed and feel distractingly out of place in certain moments. So at best I guess the score could be summarized as okay.

This movie was written and directed by Ric Roman Waugh and I think he did a pretty good (there’s that phrase again) job with it. Scenes have a decent flow and have a decent amount of tension to them. And while this isn’t an action movie, when the shit does hit the fan it is badass, exciting, and violent as fuck. And the cinematography from Dana Gonzales looks good.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 67% positive rating. On Metacritic it has a score of 59/100. And on imdb.com it has a score of 7,4/10.

“Shot Caller” has flaws, but it’s still a good movie. It has a pretty good plot, pretty good characters, great performances, okay music, and good directing/cinematography. My flaws are that the pacing drags at times, and some of the music is kind of distracting in how it doesn’t always work. Time for my final score. *Ahem*. My final score for “Shot Caller” is an 8,51/10. While flawed, it’s still worth buying.

My review of “Shot Caller” is now completed.

They might as well rename it to “Cops, Crooks, and Facial Hair”.

Series Review: The Punisher – Season 1 (2017)

I don’t really think I need to make an introduction for this. I’ve talked about this show several times on this blog before, every time reminding you of my excitement for the show. So let’s just get into the review and see if this show is any good.

Ladies and gentlemen, this is season 1 of… “The Punisher”!

After he has seemingly killed the people responsible for the death of his family, Frank Castle (Jon Bernthal) soon uncovers a deep and complex conspiracy that somehow relates back to his past as a soldier. So now Frank has to find out what the hell is going on while a Homeland Security agent (Amber Rose Revah) gets a whiff of him being back in town. So now we have our comic book thriller. And is this plot any good? Yeah, it is. It’s not a fast-paced action/revenge plot, but it’s a slightly slower conspiracy thriller that features Punisher, and I think the plot here is very intriguing. My only gripe with it is in one of the early episodes. It’s not bad, but the pacing at one point dragged a little bit. But overall here we have a surprisingly deep plot that isn’t afraid to tackle dark and socially relevant themes regarding guns, violence, vigilantism, PTSD, black ops, family, and it is all incredibly engaging and intriguing. ’tis a great plot.

The characters here are flawed, damaged, layered, and just really interesting. Jon Bernthal (like in season 2 of “Daredevil”) plays Frank Castle/The Punisher, former soldier turned violent vigilante. Already in “Daredevil” he got a fair amount of development as a character, and they somehow managed to cram in a bit more here. As we follow him through the season we see how the war, death of his family, and the vigilantism has taken a toll on him and how it messes with his mind a bit. And it is all incredibly engaging. He’s of course also a motherfucking badass, but that didn’t need to be mentioned. And Bernthal is once again fantastic in the role. Amber Rose Revah plays Dinah Madani, the Homeland Security agent on Frank’s trail. She’s a tough and determined woman who wants to find Frank and possibly get justice. But she’s not just some brash and unstoppable idiot, as she at times is shown as vulnerable, but in a good way. And Revah is great in the role. Ebon Moss-Bachrach plays David Lieberman (AKA Micro), a skilled hacker and whistleblower that Frank teams up with to try to solve this conspiracy. And he brings a much needed levity to the dark and grim tale of “The Punisher” without coming off as forced or out of place. He is funny, but he is also a serious character with a good dramatic arc. And Moss-Bachrach is great in the role. Then we have Ben Barnes as Billy Russo, Frank old best friend that I will not talk too much about since it’s too easy to get a bit spoiler-y with him. But he has somewhat of an arc and Barnes is great in the role. And then (to not ramble or give too many character details here) in various supporting performances we have people like Jamie Ray Newman, Kobi Frumer, Deborah Ann Woll, Paul Schulze, Michael Nathanson, Shohreh Aghdashloo, Jason R. Moore, Daniel Webber, Kelli Barrett, C. Thomas Howell, and they all are great in this. Really, it’s a great cast.

The score for the show was composed by Tyler Bates, and it was great. What we have here is a tense, exciting, dramatic, emotional, badass, and just overall interesting score that takes heavy influence from rock and blues to create a fairly unique sound for a show like this. It’s not straight-up rock or blues, but there are traces of it in the score and I like that, makes it sound almost a bit western-y at times. And it all works very well for the show. There are also a couple of licensed tracks used throughout and they all work well in their respective scenes.

The show was created by Steve Lightfoot and written/directed by a whole bunch of different people (with Lightfoot having written a couple of episodes). And I think they did a good job here. While it’s not as action-packed as the trailer made it out to be, there is still action here. And when action happens it is exciting, badass, and brutal. Not just brutal as in a lot of blood being spilled, but brutal as in the violence having a real impact here. And it’s not just gunshots penetrating bodies, there’s also close quarters fighting, and knives, and various other things used throughout to create the memorable and brutal as fuck violence. And the directing and such in the less action-based scenes is good too… got a little sidetracked there, I usually save action for after overall directing… oh well, c’est la vie.

This show just came out, but it has already gotten some mixed reception. On Rotten Tomatoes it has a 67% positive rating. On Metacritic it has a score of 54/100. And on imdb.com it has a score of 9,6/10 (though this is very likely to change).

Season 1 of “The Punisher” is pretty damn great. It has a great plot, great characters, great performances, great music, and great directing/action. My only flaw was the slight pacing problem in one episode, but it doesn’t really bring it down too much for me. Time for my final score. *One batch, two batch, penny and dime*. My final score for “The Punisher” season 1 is a 9,52/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Punisher” season 1 is now completed.

I really want to get into the comics.

New “The Punisher” trailer!

Hello there, ladies and gents of the internet! Another interesting trailer has dropped, so let’s talk about it!

So we have a new trailer for “The Punisher”, the next Marvel/Netflix show. When “The Defenders” was released, we got a small teaser for this series, giving us a slight hint at what might occur. But now we have our first full-blown look at the show and holy shit… holy shit. We get a good glimpse at what caused Frank Castle (Jon Bernthal) to become what he was, as well as some of the people involved in this conspiracy. We also get a good look at the carnage that will ensue and mother of god, it looks brutally glorious. Blood, bullets, shouting, badassery. This trailer also features the best use of Metallica’s “One” ever. And it’s fitting too, since it’s about a soldier who gets everything taken from him. Really, this trailer is amazing and I am so excited for the show! “The Punisher” is set to be released later this year. No specific date, those cheeky fuckers are keeping that on lockdown.

What are your thoughts? Are you excited for “The Punisher”? And what’s your favorite Metallica song? Leave any and all thoughts in the comments!
Have a good one and enjoy the trailer!

Movie Review: Pilgrimage (2017)

Usually I am for hiking and wandering around in nature. But in this situation I might just stay home. This journey seems a bit… dangerous.

Ladies and gentlemen… “Pilgrimage”.

13th century Ireland. A group of monks have to transport a holy relic across the land. And the further they go, the more dangerous their journey becomes, and the more their alliances are questioned. So that’s our plot. And for the most part I think it is pretty good. It does take an interesting look at faith and how blindly a person is willing to follow it, despite disheartening dangers. My main gripe with the plot is the pacing. Sure, it is a deliberately slow-paced movie, but the first half drags it’s feet quite a lot and borders on boring a whole bunch of times. Then in the second half it picks up a bit, becoming a bit more interesting and moving a bit more steadily. So overall it is pretty good.

The characters for the most part are admittedly kind of uninteresting, but I still felt like I could follow them throughout just fine thanks to the actors. As you probably guessed from the picture at the top, Tom Holland is the star of this movie, and he does a really good job, having to play a young and inexperienced monk that has to go along on this journey. Applause to him as well since he has to speak both English and Gaelic in this movie. We also get Jon Bernthal as a mute with a mysterious past that is following along on this journey. He’s probably the most interesting character since we get clues throughout the movie as to what his past was. And Bernthal is great in the role, despite not really saying anything throughout. We also get Stanley Weber as another monk who’s following along on this journey, and while his character wasn’t the most interesting, I think Weber did a good job here. We also get Richard Armitage as a French knight that our “heroes” meet during the journey, and he’s really good in the role. All the actors do well here.

The score for the movie was composed by Stephen McKeon and it is quite good. It’s atmospheric and really helps to create an uneasy mood throughout the movie. Plus, it has some really cool choral tracks throughout that really elevated certain scenes.

This movie was directed by Brendan Muldowney and I think he did a pretty good job. His direction manages to really sell the 13th century Ireland setting, and the uneasy mood that the plot requires. It also looks quite good, with several shots making me go “Wow”. Now, while this isn’t really an action movie, it does have a couple of action scenes in it. And they are… okay. I wish that they’d have used a steady camera instead of the handheld style that they use in those scenes, would have made them a bit more engaging. But they’re not the worst that I’ve seen. You get what’s going on. You see the hits, you see the blood, even if there’s some shake in the camera.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 69% positive rating. On Metacritic it has a score of 60/100. And on imdb.com it has a score of 5,8/10.

“Pilgrimage” is a pretty good adventure/drama. It has a pretty good plot, meh characters, great performances, really good music, and good directing. As previously stated, my problems with this movie come from the pacing in the first half, the characters not being very interesting, and the shake in the action. Time for my final score. *Ahem*. My final score for “Pilgrimage” is a 7,99/10. So while quite flawed, I would say that it is worth renting.

My review of “Pilgrimage” is now completed.

Remember that time Spider-Man, Punisher, and Thorin Oakenshield went on a medieval adventure?

“The Punisher” Teaser Trailer!

Hello there, ladies and gentlemen of the internet! A trailer has dropped and I want to talk about it… so let’s talk about it.

So we finally have our first look at the upcoming Marvel/Netflix series “The Punisher”. For those who don’t know, “The Punisher” is based on a Marvel Comics character created by Gerry Conway, and making his first appearance in “The Amazing Spider-Man” #129 in 1974. Then he’s gotten his own comics and various movies (and even a video game). Then he made his MCU debut last year in season 2 of Netflix’s “Daredevil”, where he was played by Jon Bernthal. And shortly after that it was announced that he would be getting his own Netflix series. Skip forward to earlier today when we got our first teaser trailer for his show. All caught up? Great. Now, while we don’t get too many details from this teaser, we can tell that it will be an intense show featuring a lot of military-based action/drama. Also, Frank/Punisher (Jon Bernthal) is smashing his logo (a skull) into some concrete. And yeah, I’m excited. Sure, I was excited for this series as soon as it was announced, but I’m even more excited now that we have a little bit of actual footage. So I am pretty hyped. “The Punisher” has no official release date, but will most likely premiere around November of this year.

What are your thoughts? Are you excited for “The Punisher”? And what’s your favorite out of all the MCU/Netflix shows so far (not counting “Defenders” which just came out)? Leave any and all thoughts in the comments.
Have a good one and enjoy the trailer!

Movie Review: Baby Driver (2017)

VROOM! VROOM VROOM! What? That’s what cars sound like… don’t fucking judge.

Thank you very much, ladies and gentlemen, right now I got to tell you about the fabulous, most groovy… “Baby Driver”!

Baby (Ansel Elgort) is a young man who also happens to be one hell of a getaway driver. And after being brought in by his boss (Kevin Spacey) he finds himself having to take part in a heist that is seemingly doomed to fail. So now we have our heist plot. And I thought it was pretty great. Now, it’s not just about this guy pulling heists with a couple other people. It’s really about this guy and how he deals with falling in love, while dealing with this dangerous situation. And it’s so well handled, because it’s presented both as a fun, fast-paced action flick and a tense thriller. There’s also a surprising amount of drama in here that works very well. And it’s just an incredibly well handled plot.

The characters here are fun, unique, and really interesting. Baby, like I said, is a young and highly skilled getaway driver. What I didn’t mention though is that he uses his personal playlists to keep him moving in life. He also has a lot of layers to him, with us getting to see most sides of him. The cold and calculating driver, the traumatized young man, the music loving fun dude… he’s just a really interesting character. And Ansel Elgort is great in the role. Lily James plays Debbie, a waitress that Baby meets and falls in love with. And Lily James is really good in the role. I also have to mention that I actually bought into their romance. It was cute. Kevin spacey plays Baby’s boss, Doc, and he’s great in the role… it’s Kevin fucking Spacey, what else did you expect? Jon Hamm (aside from being unnecessarily handsome) plays Buddy, one of Baby’s colleagues (for lack of a better word), and he’s a tough and charming man. And Hamm was great in the role. Eiza Gonzáles plays Darling, Buddy’s wife and partner in crime (HA!). A tough, fun, and sexy lady. And Gonzáles was really good in the role. Jamie Foxx plays Bats, another one of Baby’s colleagues. He’s kind of a psychotic asshole, and he was quite a cool character. And Jamie Foxx was great in the role. We also got to see Jon Bernthal, CJ Jones, Lanny Joon, and Flea in supporting roles in the movie, and they were all great. It’s overall a really well acted movie.

The score for the movie (yes, there was a score) was composed by Steven Price. It wasn’t too prominent in the movie (as we’ll talk about in a second), but when it was used it was used very well to build up tension and such. Now, onto the real meat of the music. And by that I mean, let’s talk about the soundtrack. ’cause this movie uses a lot of licensed tracks used throughout. Not only are most of those songs fucking great, but they also play very integral parts in the filmmaking itself. Really, they are used absolutely perfectly in the movie.

This movie was written and directed by Edgar Wright and I think he did a fantastic job here. His directing is slick, fast-paced, and really tense, perfectly suiting the plot he wanted to tell. Which brings us to the music. The directing and editing perfectly matches the music. It’s almost like a musical in how the music is used in combination with the directing and editing. I mean, the action scenes here are absolutely fantastic. Not only because they are like 99% practical, but because they are timed to the beats of the songs, which is really fun to see. Gunshots, cars drifting around, jumps, everything is choreographed to match the music. But the quieter moments too are often done to work with the music. The amount of love and care that went into the craft of this is astonishing and gives me hope for the movie industry. Must’ve been a pain if an actor or stunt person missed a beat and had to redo it.

This movie has been very well received. On Rotten Tomatoes it has a 94% positive rating and a “Fresh” certification. On Metacritic it has a score of 86/100. And on imdb.com it has a score of 8,2/10 and is ranked #183 on the “Top 250” list.

“Baby Driver” is one of the coolest and most exciting action movies to come out in recent years. It has a great plot, great characters, great performances, fantastic music, and fantastic directing/choreography/editing. Time for my final score. *Vroom*. My final score for “Baby Driver” is a 9,90/10. So it of course gets the “SEAL OF APPROVAL!”.

My review of “Baby Driver” is now completed.

Your move, action movies.

Movie Review: The Accountant (2016)

Mental health. While not always the easiest thing to discuss, it’s something that NEEDS to be talked about. There are all kinds of mental health issues out there and I feel like we need to find ways understand them and help the people with them get through it. They’re people… so they deserve all the respect and support they can get.

Ladies and gentlemen… “The Accountant”.

Christian Wolff (Ben Affleck) is an autistic accountant who cooks the books for some really bad people. And when an accounting clerk named Dana (Anna Kendrick) discovers a discrepancy involving millions of dollars, Christian has to uncook those books and see what the hell all of that is about. And as Christian is uncooking these books he starts discovering what’s up with those numbers and shit starts getting real. We also get a good look into Christian’s past, which helps develop the plot further, giving it more depth. So now we have a thriller with a really intriguing mystery and some surprising drama. Seeing Christian through various stages of his life was really fascinating, with him having autism and also having been through some shit, now doing his job and such as an adult, it’s all quite interesting. It’s slow-paced, but it’s not boring… it is simply a really interesting plot.

What I appreciate about this movie is that it takes it’s time to develop the characters. Most modern action-thrillers don’t really do that, so it was qutie refreshing to see it here. Ben Affleck plays Christian Wolff, the titular accountant. Like I said earlier, Christian is autistic, but he’s also gone through some shit that has given him a very particular set of skills. And Affleck gives a terrific performance, really dedicating himself to the role. Anna Kendrick plays Dana, the young woman who notices the discrepency in the numbers, and she was really good in the role. J.K. Simmons plays Ray King, an agent from the Treasury Department, and he’s great in the role. Jon Bernthal plays a hitman in the movie and he is great. We also get a bit of John Lithgow in the movie, and he’s really good. Really, there are no bad performances in this movie.

The score for the movie was composed by Mark Isham and it wass pretty damn good. It was tense, exciting, and just overall fit the scenes very well. There were also a few songs in there. Like song-songs, not score-songs. Anyhow, they worked very well in the scenes they were in.

This movie was directed by Gavin O’Connor and I think he did a really good job. The shots overall look really good and he manages to create a lot of tension and drama with his directing. And while the action isn’t the main focus of the movie, it is still here and we should talk about it… so how is the action here? Pretty damn good. Sure, there is a short bit where the camera shakes a lot. But it’s just for a very short bit, so it doesn’t really take away from the movie. Now for the rest of the action here, it is badass, tense, and really exciting. Like “Bourne”, but not shaky. You can clearly see the violence, and I love that.

This movie has gotten some mixed reception On Rotten Tomatoes it has a 52% positive rating and a “Fresh” certification. On Metacritic it has a score of 51/100. And on imdb.com it has a score of 7,4/10.

“The Accountant” is not only an exciting thriller, but also a surprisingly solid character study. It has a really good plot, really good characters, great performances, great music, and great directing. Time for my final score. *Ahem*. My final score for “The Accountant” is a 9,65/10. This means that it gets the “SEAL OF APPROVAL!”.

My review of “The Accountant” is now completed.

I’m not saying that the depiction of autism is 100% accurate, but it’s definitely better than in most Hollywood movies.