Movie Review: Get Out (2017)

The Month of Spooks continues. And on our plate today we have a newer movie… so let’s just get into it.

Ladies and gents… “Get Out”.

Chris (Daniel Kaluuya) is a young man who is about to meet his girlfriend’s (Allison Williams) parents for the first time. He is a bit worried though since he’s black, and she’s white. And when they arrive at the parents’ house, everything seems fine. However, Chris soon gets the feeling that something is off about this whole thing and experiences one of the strangest weekends of his life. So now we have our horror plot. What I liked about it is that it doesn’t necessarily feel like your typical horror movie plot, it takes some really interesting twists and turns and it handles everything in a pretty unique way. It is also a commentary on liberal racism, weaving that into the narrative very well. Overall it is an incredibly fascinating plot. It has a decent amount of threads going through it, but they never feel messy. Great plot.

The characters here are all quite interesting in some way. Daniel Kaluuya plays Chris, the young man having to go through all of this. He’s a likable guy with a pretty good life, however he is nervous about meeting his girlfriend’s parents. And seeing him go through all this shit, experiencing all kinds of emotions is interesting, and I found myself really caring about him. And Kaluuya is fantastic in the role. Allison Williams plays Rose, Chris’ girlfriend. When we meet her she is simply a reassuring and supportive girlfriend that I found very likable. And I won’t say more other than it’s interesting to see some of her development here. Anyway, Williams is really good in the role. Bradley Whitford (whom I barely recognized here) plays Dean, Rose’s father. He seems like a good guy at first, downright charming. And through the movie we get some interesting developments from his side. And Whitford is great in the role. Catherine Keener plays Missy, Rose’s mom. She’s a psychiatrist and she has some interesting things going on about her throughout the movie. And Keener is great in the role. We have Betty Gabriel as Georgina, one of the servants at the parents’ house. She’s kind of weird and I thought she was a pretty fascinating character. And Gabriel is great in the role. Then we have LilRel Howry in a smaller role as Chris’ best friend, Rod. He’s more of a comic relief type of character, and he’s just great, he made me laugh without feeling out of place. Then we have Marcus Henderson as Walter, the groundskeeper at the parents’ house. He, like Georgina, is quite weird. And Henderson is great in the role. Really, this is a very well acted movie.

The score for the movie was composed by Michael Abels (with some help from Timothy Williams) and it was pretty great. It’s eerie, dramatic, tense, and just overall pretty unique. It all helped set a unique mood/atmosphere for the movie, and I appreciate it quite a bit for that. There were also a couple of licensed tracks used throughout that I thought worked pretty well in their scenes.

This movie was written and directed by comedian Jordan Peele, once again proving that comedians are a bunch of fucked people… also, he did an excellent job with both those things. His directing is tight and tense, keeping me on edge for most of it. It also has a very weird and uneasy atmosphere, giving it a fairly unique vibe. It is quite tense, and it is pretty scary. There’s also some comedy in this, but it never really feels out of place, as it blends fairly well with the tone. And I have to mention Toby Oliver’s cinematography which is… fantastic. So many cool shots, such a great looking movie.

This movie has been very well received. On Rotten Tomatoes it has a 99% positive rating (100% if you go by “top critics” only) and a “Fresh” certification. On Metacritic it has a score of 84/100. And on imdb.com it has a score of 7,7/10.

“Get Out” is a fantastic directorial debut from Jordan Peele. It has a great plot, really good characters, great performances, great music, and great directing/cinematography. Time for my final score. *Boo!*. My final score for “Get Out” is a 9,88/10. So of course it gets the “SEAL OF APPROVAL!”.

My review of “Get Out” is now completed.

I don’t know what to put here.

We now have a trailer for the “Death Note” movie.

Hello there, ladies and gentlemen! As you know, sometimes certain trailers come out and I then talk about them. Well, it happened again, so here we fucking go!

So as the title of this post suggests, we have now gotten a trailer for the American live action adaptation of “Death Note”. For anyone that is unaware, “Death Note” is a Manga written by Tsugumi Ohba and illustrated by Takeshi Obata. It follows Japanese high school student Light Yagami who one day finds a mysterious notebook called “Death Note”. And very soon he finds out that he can use this notebook to kill people. An he starts using this to kill criminals. And what follows is a supernatural thriller that really is an exporation of morality and unchecked power. As with most mangas, it got turned into an animated series by Japanese animation studio Madhouse. And if you’re wondering, yes I’ve seen the series, and I think it’s great. Alright that’s kind of the backstory of this franchise. We good? Great! So now let’s talk about this trailer. So the basic premise seems to be the same, only now it’s set in the United States. So now his name is Light Turner (Nat Wolff) instead of Light Yagami. And what do I think of this trailer? Uhm… yeah, it’s not great. One of the worst parts was towards the end of the trailer where a fucking ferris wheel start falling apart and you see Light hanging on for dear life. Yeah, that’s just dumb. I’m all for re-imagining characters and stories in various settings, but I don’t like the “let’s add stupid action to it” angle. “Death Note” is a psychological thriller with a supernatural twist, and that’s what made it compelling. No big and stupid action set pieces… just suspenseful situations. Sure, the show had some action scenes, but nothing as big and dumb as a fucking ferris wheel crumbling. They seem to overall put a bit more of an action-thriller spin on it, which could be fine if they didn’t try so hard to make it… dumbed down and bloated. The best part of the trailer is at the end when you see the silhouette of Ryuk (Willem Dafoe) and he says “Shall we begin?”. For one, Dafoe is the perfect choice for the character. And secondly, I love Ryuk, he’s a really great character. What’s also interesting to note (pun intended) is that this movie is directed by Adam Wingard, the man behind the awesomely awesome “The Guest”. I don’t have much else to say on that, I just thought it was worth noting (pun intended). So am I excited about this? I don’t know… I am VERY skeptical about this, but who knows… it MIGHT be okay. “Death Note” (the rebootification) is set to come out on August 25th this year, only on Netflix.

So what are your thoughts? Are you excited about “Death Note” (the rebootification)? And are you a fan of the manga/anime/Japanese live action movies? Leave any and all thoughts in the comments!
Have a good one and enjoy.