Movie Review: Upgrade (2018)

Can I just take a second out of this review to talk about release schedules? Because everyone got this movie in the cinemas at some point in 2018… but I didn’t, and then I had to wait until today to be able to see it at home? It’s not the first time I’ve gotten screwed liked this. I wanted to watch it, but my local cinema was like “Nope, sorry, not showing it… you dick”… okay, they didn’t directly say that, but that’s what it felt like with “Upgrade” and various other movies. Seriously, screw release schedules some times.

Ladies and gents… “Upgrade”.

After his wife is killed and he gets paralyzed, Grey (Logan Marshall-Green) accepts an offer to get an experimental surgery that would let him walk again. But soon he finds out that he’s able to do more than that, which he will use to find the people responsible for his misery. So now we have our cyberpunk revenge thriller. And it’s good. I mean, the opening isn’t the most inspired, in a lot of ways it’s just kind of bland. But after that generic opening, the plot just gets better and better and I think it becomes quite unique for a revenge thriller. It’s not one of the greatest plots ever, but it’s certainly a lot of fun and has enough little twists and turns to keep it fresh. So yeah, it’s a good plot.

The characters in this are… fine? Most of them are kind of underdeveloped. For some of the bad guys, I can accept that, as it gives them a sort of video game boss battle quality, which I enjoyed about them. But others that the movie expects me to care about… nope. Anyway, Logan Marshall-Green plays Grey, the average Joe who receives the title to become a badass. And he’s honestly quite a fleshed out character, as he’s given quite a bit of development throughout. And Marshall-Green is great in the role… mostly. At the start he’s bland and average, but like the plot, when shit gets going, he becomes great in the role. Next we have Betty Gabriel as the detective working the case of Grey’s dead wife. And where the movie expects us to give a damn about her… I didn’t, her character isn’t interesting enough in her writing for me to care. But Gabriel is pretty good in the role. We also get supporting performances from people like Simon Maiden, Harrison Gilbertson, Melanie Vallejo, Benedict Hardie, Christopher Kirby, and more, all doing pretty well in their respective roles.

The score for the movie was composed by Jed Palmer and I thought it was really good. It somehow sounds like a mix between typical cyberpunk stuff (“Blade Runner”, “Deux Ex”, etc.) and a couple different horror scores. And the mix, while familiar, feels unique and gives the most an eerie and interesting vibe that I liked quite a bit.

Based on nothing at all, this movie was written by Leigh Whannell, and I think he did a great job here. While the opening (as previously stated) is a bit boring, his direction gives the movie a certain energy that makes it kind of a joy to watch. He finds ways of really engaging the viewer with little details. But it’s in the action scenes where the directing and cinematography truly shines, because holy fucking shit, the action scenes in this movie are fantastic. They’re fast, energetic, and have some of the most clever and unique camera movements I’ve ever seen. There are a couple fights in this movie that honestly kinda blew my mind. There’s also a surprising amount of humor throughout the movie, and none of it feels intrusive, rather just adding to the movie’s fun factor.

This movie has been pretty well received. On Rotten Tomatoes it has an 87% positive rating and a “Fresh” certification. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 7,6/10.

“Upgrade” is a really good revenge action-thriller. It has a good plot, meh characters, really good performances, really good music, and great directing/cinematography. Though as previously stated, the start of the movie isn’t great, and I don’t really care about most of the characters. Time for my final score. *Ahem*. My final score for “Upgrade” is an 8,72/10. So while flawed, I’d say that it’s worth buying.

My review of “Upgrade” is now completed.

That was fun.

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Movie Review: Out of Sight (1998)

Hey. Sorry for the lack of blog posts lately. Had a bad case of the lazy. But now I’m back. And hopefully we’ll get some consistency in post frequency from it. Anyway, first review of the year, here we go!

Ladies and gentlemen… “Out of Sight”.

After he escapes from prison, career criminal Jack Foley (George Clooney) has to go on the run and try to avoid a U.S. Marshal (Jennifer Lopez) that he shares a connection with. So now we have our crime-caper plot. And it’s a good one. It doesn’t rely that much on shocking twists and turns for its narrative, instead just relying on a fast pace and a sort of sex appeal that gives it a unique vibe that I can’t say I’ve seen much of in crime-capers. But yeah, the plot here is just generally fun, fast, and quite entertaining.

The characters in this are colorful, interesting, and overall quite entertaining. George Clooney plays Jack Foley, the crook at the center of this story. I’d say he’s like a less cool-headed version of Danny Ocean, but you can definitely recognize some elements of that character in this one. Though Foley does stand out as his own entity and I find him to be quite an entertaining protagonist. And Clooney is great in the role. Next we have Jennifer Lopez as U.S. Marshal Raylan Givens… no, wait… sorry, wrong Elmore Leonard franchise… U.S. Marhsal Karen Sisco, that’s her name. She’s a tough, sexy, and capable woman who is on the hunt for our main protagonist. She’s pretty fun and has an enjoyable dynamic with Foley. And Lopez is really good in the role. We also get supporting turns from people like Ving Rhames, Don Cheadle, Steve Zahn, Catherine Keener, Dennis Farina, Luis Guzmán, Albert Brooks, and more, all doing very well in their respective roles.

The score for the movie was composed by David Holmes, and it’s awesome. It’s funky, it’s jazzy, and it captures the sort of sly sex appeal that the plot is going for, which adds to the overall fun factor of the entire thing. My favorite aspect of it is how many slick basslines there are throughout, I love the inclusion of them. There are also a few licensed tracks used throughout, and they work well in their respective scenes. So yeah, this movie has great music.

Based on a novel by Elmore Leonard (hence the joke from earlier), this movie was written by Scott Frank, and directed by Steven Soderbergh. And as a fan of “Justified” (another Elmore Leonard adaptation), the writings and overall style of this movie appeals to me. It has a similar kind of energy and snappiness to “Justified”, and that just makes it incredibly watchable for me. But even discounting my love for the aforementioned tv show, the movie just has this sort of infectious energy that I find quite fun. And even through the fun, it manages to have a decent bit of suspense throughout, giving it a bit of a welcome edge.

This movie has been well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 85/100. Roger Ebert gave it 3,5/4 stars. And on imdb.com it has a score of 7,0/10. The movie was nominated for two Oscars in the categories of Best adapted screenplay, and Best film editing.

“Out of Sight” really surprised me, it’s one hell of an enjoyable movie. It has a really good plot, really good characters, great performances, great music, and great writing/directing. Time for my final score. *Ahem*. My final score for “Out of Sight” is a 9,65/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Out of Sight” is now completed.

Despite having seen multiple Elmore Leonard adaptations, I haven’t read any of his books. Might need to fix that soon.

 

My most anticipated movies of 2019

Hello and happy new year, guys! I’m back from my… two day break. Okay, I wasn’t gone for long, but I’m excited to be writing again. New year, new opportunities, new movies! And it’s that last one that we’re talking about today, which shouldn’t come as a surprise to you guys, since this blog is mostly built on movie stuff. So since the year just started, I think it’s only appropriate to talk about some movies that I’m excited for this year. Will all of them be amazing? Probably not. But I’m just looking forward to watching them all, and I thought I’d share some of them here with you today. A few stipulations for both of us here.

Number 1: Please be respectful. I’m asking you to have the exact same opinions as me, I’m fine with disagreement. Just don’t be a dick about it. I’m all for friendly discussion, please feel free to share your thoughts in the comments. Just be nice. This is a friendly space, yo.

Number 2: I’m not gonna talk about movies that had limited releases in 2018 that then get worldwide releases in early 2019. This is for those that have their first release in 2019. Understood? Cool.

Number 3: These are not ranked. These are just a bunch of movies I’m looking forward to a fair bit.

That should be it. Let’s get into the movies.

Glass.

First movie on the list is the first one I’ll probably see in the cinema this year… which would be pretty much unlikely a few years ago. A January movie by M. Night Shyamalan? Ew. But this is something I am genuinely excited about. So spoilers for previous Shyamalan movies, I guess. In 2000, he gave us “Unbreakable”, and it was amazing. In 2017, he gave us “Split”, and it was really good. And at the end of “Split”, it was revealed that it was a secret sequel to “Unbreakable”, which blew my fucking mind. And now we get the culmination of those two movies with “Glass”, and I am really hyped.

Avengers: Endgame

Yes, I talk about a lot of superhero movies. And yes, I am aware that a lot of people are either sick of or just don’t care about them. But you can’t deny that what Marvel has done with their cinematic universe is really impressive. And now we get the ending to it… sort of. It’s the sequel to 2018’s “Infinity War”, and it will be the end for a lot of these actors in this universe. It’s kind of bittersweet. Bring on the endgame.

Captain Marvel

Another superhero origin. This one starring Brie Larson. She’s a good actor. This looks pretty good. Has a stellar cast. It’ll be fun.

Godzilla: King of the Monsters

I am a fan of the 2014 “Godzilla” movie, so I was already excited for a sequel. Then it was revealed that some classic monsters would be involved in it, which got me even more excited. Then this trailer came out and showcased some gorgeous imagery, and it got me even more hyped. So yeah, this is one of the biggest ones for me this year.

Star Wars Episode IX
It’s “Star Wars”. The end of this new trilogy. It’s “Star Wars”. How could I not be excited? “STAR WARS”.

Spider-Man: Far From Home
I am a huge Spidey-fan, been for most of my life. And this is a sequel to “Spider-Man: Homecoming”, which I liked a lot. Tom Holland is a fantastic Spider-Man. So I’m excited. Plus, Jake Gyllenhaal.

John Wick: Chapter 3

“John Wick” was one of the biggest surprises of 2014. “John Wick: Chapter 2” was a great sequel. And in 2019 we’ll get the third part in this series. The hype for this one is real.

Knives Out
No footage. No on-set images. All we have is a good director, a star-studded cast, and the vague premise of a murder mystery. And that is enough to intrigue me. Let’s go.

In the Shadow of the Moon
Like with “Knives Out”, we know practically nothing about this. But at least “Knives Out” has a vague premise of what it could be… this one on the other hand doesn’t even have that. So how could I be excited? Well, it has several good actors involved, and it’s directed by Jim Mickle, who I’m a big fan of. I’ll be supporting him any way I can.

Once Upon a Time in Hollywood

What do you get if you take one of the most star-studded casts even assembled and combine it with the mind of Quentin Tarantino? You get “Once Upon a Time in Hollywood”. Anything that Tarantino makes, I’m already excited for. But add all those cast members and an interesting setting, and you most likely have my money as well.

Lucy in the Sky
*Starts humming The Beatles*. Oh shit, you’re still here. Right, so what’s this? It’s a sci-fi movie, starring the likes of Natalie Portman, Dan Stevens, Jon Hamm, and Zazie Beets, and it’s written/directed by Noah Hawley, who brought us two of my favorite shows; “Fargo” and “Legion”. That’s all I need. Bring on the weirdness.

The Irishman
Martin Scorsese. Robert De Niro. Joe Pesci. Al Pacino. Bobby Cannavale. Harvey Keitel. Jesse Plemons. Excited yet?

Jojo Rabbit

A World War 2 satire from Taika Waititi? With said Kiwi playing Adolf Hitler? And a good cast surrounding him? Yes please, hell yeah, this is interesting.

So those were a bunch of movies I’m looking forward to. I’m sure more will be revealed throughout the year, but these are my current picks. But I also wanna hear from you guys. What movies are you excited for? Leave any and all answers in the comments!
Have a good one!

Movie Review: The Death of Superman (2018)

One of the most recurring things on this here blog (except for lame jokes and personal opinions) is my constant support of animated movies based on DC Comics. And while it’s been a while since my last post on one, my adoration for the franchise hasn’t faded in the slightest. So seeing as this will be my last review of the year, we might as well make it one about this recurring theme.

Ladies and gentlemen… “The Death of Superman”.

When a mysterious new threat arrives on earth, Superman (Jerry O’Connell), as well as the other Justice League members), as to step up to stop it before it can destroy us all. I thought the plot was good here. It’s straightforward, yet somewhat nuanced. I wouldn’t call it the deepest plot in this franchise, but there’s enough little details to keep it from just being another “Let’s beat up the bad guy plot”. It’s about Supes coming to terms with his relationship with Lois (Rebecca Romijn) and if he should come out of the closet, in regards to his dual identity. And the stuff around this new threat (who we all know is Doomsday, but I digress) has a natural sense of escalation that also works well enough for the plot.

The characters in this are fine, they are all enjoyable and work pretty well in the story. Jerry O’Connell reprises his role as Clark Kent/Superman. He’s charming, he’s likable, and he’s just generally a good guy (as Superman should be), while still struggling with some minor conflicts while also having to deal with the bigger conflict of a giant murder-alien from who knows where. And it made me care about him a bit more. And O’Connell does a really good job voicing him. Rebecca Romijn plays Lois Lane, the tough, but believable reporter who seems to have some relationship issues with Clark. And I think she’s a pretty interesting character here. And Romijn does a really good job voicing her. Next we have Rainn Wilson (yes, really) as Lex Luthor (I’m serious), the brilliant businessman with a great intellect, but a bit of an arrogance problem. Not saying much more there, you know who Lex is. But what I will say is that Wilson is really good in the role. Then we get supporting performances from people like Rosario Dawson, Nathan Fillion, Jason O’Mara, Christopher Gorham, Shemar Moore, Matt Lanter, Nyambi Nyambi, Rocky Carroll, Patrick Fabian, Paul Eiding, Jennifer Hale, Charles Halford, and many more, all doing very well in their respective roles.

As with the majority of these DC animated features, the score was composed by Frederik Wiedmann, and as per usual, it is pretty great. It is grandiose, it is epic, but it is also emotional and intimate, creating a sound that perfectly complements the life of Clark Kent. This guy never disappoints.

The movie was directed by Jake Castorena and DC animation veteran Sam Liu. And the direction here is fine, there is a decent flow to the scenes, nothing feels too rushed or too slow. And the animation here is pretty good. In quiet dialog-driven scenes, it looks fine, not much to write home about. But it’s in the action scenes where the animation comes to life and shows just how talented the people working on these movies are. These are fast, brutal, and at one point even kinda breathtaking. So yeah, the animation here is good.

This movie has been pretty well received. On Rotten Tomatoes it has a 92% positive rating. On Metacritic it doesn’t exist. And on imdb.com it has a score of 7,4/10.

While not my favorite movie in this current line of DC animated movies, “The Death of Superman” is still a highly enjoyable and somewhat touching superhero romp. It has a good plot, good characters, great performances, great music, and really good directing/animation. Time for my final score. *Ahem*. My final score for “The Death of Superman” is an 8,80/10. So it’s definitely worth buying.

My review of “The Death of Superman” is now completed.

And that’s that for 2018. See ya next year.

Movie Review: The Miseducation of Cameron Post (2018)

Can people just stop being cockwaffles? Not saying that you reading this specifically are one, but this movie did remind me that true cockwaffles exist, and I don’t like that.

Ladies and gentlemen… “The Miseducation of Cameron Post”.

When she is caught getting intimate with another girl, high school student Cameron (Chloë Grace Moretz) gets sent to a gay conversion therapy center to “get fixed”. So then we follow her as she tries to get through each day while also befriending some of the other youths who live at the center. And I kinda loved the plot here. It’s a nuanced and well written story of someone coming to terms with who she is while others try to change her because she’s different. But what really surprised me about the plot here is just how restrained it ends up being. It doesn’t show the center as this hellhole like some other pieces of media might. It’s shown in a way that takes a stance, while not portraying any of the people working there as absolute monsters. It kinda makes it feels a bit more realistic and nuanced in a way. And it really helped in making this quite an engaging plot.

The characters in this are layered, flawed, interesting, and fairly realistic. Chloë Grace Moretz plays Cameron, the titular girl who gets sent to this center. And what I like about her performance is that she is kind of conflicted in the movie. She does believe that she did nothing wrong, but the councilors at the center also do kind of get a bit to her, making her question herself a bit, and it makes for some interesting character development. And Moretz is great in the role. Next we have Sasha Lane as Jane, another girl at the center that Cameron starts to befriend. She’s more of the rebellious type who bides her time at the center, but secretly smokes pot and is very much against the center. And she’s quite an interesting part of the cast for some of that. And Lane is great in the role. Next we have John Gallagher Jr. as Rick, one of the councilors at the center trying to convert these kids. And like I said in the plot section, he’s not exactly portrayed as evil, per se. Yes, the whole gay conversion thing is fucking dumb, but he’s portrayed more as this kind-hearted and charming guy who just wants what’s best for these kids, and he’s just an interesting contrast to the many “BEING GAY IS NOT GOOD!” characters we’ve seen over the years. And Gallagher is great in the role. We also get supporting performances from people like Dalton Harrod, Emily Skeggs, Quinn Shepherd, Forrest Goodluck, Marin Ireland, and many more, all doing very well in their respective roles.

The score for the movie was composed by Julian Wass, and I thought it was pretty great. It uses a fair bit of synth, but does also dip in with the occasional stringed instrument. It has a way of sounding dreamlike while also kind of real and grounded. I don’t know how to fully explain it really, it just works incredibly well for the movie. There are also a few licensed tracks used throughout the movie, and they work well in their respective scenes.

Based on a novel by Emily M. Danforth, the movie was writen by Desiree Akhavan & Cecilia Frugiuele. And it was also directed by Akhavan, who I think did a great job with it. From a visual standpoint the movie is fairly standard, but the control that Akhavan has over each scene, guiding us through every moment with a very confident yet delicate hand.

This movie has been pretty well received. On Rotten Tomatoes it has an 86% positive rating and a “Fresh” certification. On Metacritic it has a score of 69/100. And on imdb.com it has a score of 6,7/10.

“The Miseducation of Cameron Post” deals with a lot of sensitive themes, and handles them beautifully. It has a great plot, good characters, great performances, really good music, and really good directing. Time for my final score. *Ahem*. My final score for “The Miseducation of Cameron Post” is a 9,71/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “The Miseducation of Cameron Post” is now completed.

Just to remind y’all… don’t be a homophobic cockwaffle.

Movie Review: Spider-Man: Into the Spider-Verse (2018)

What really is there to say about Spider-Man at this point? He’s one of the most well known, beloved, and profitable superheroes of all time. You all know who he is, so nothing really has to be said, I am excited to talk about this different take on the franchise.

Ladies and gentlemen… “Spider-Man: Into the Spider-Verse”.

Miles Morales (Shameik Moore) is just your average guy, except for the fact that he’s been bitten by a strange spider and has received Spider-Man-ish powers. And at the same time as he’s trying to get the hang of these new abilities, he discovers that Spider-people from other dimensions have shown up. So now Miles has to team up with his inter-dimensional namesakes to save the multiverse. And I absolutely loved the story here. It’s a fast-paced and fun comic book adventure that flies by fast than you can say “thwip”. It manages to be a good origin for this character that a lot of mainstream audience members might not know anything about, while also presenting a big multiverse adventure that should please a lot of comic book fans. But even amidst the fast-paced insanity, it knows when to slow down a bit and let the dramatic moments simmer a bit, making this whole ordeal a bit more engaging. So yeah, this is a great plot.

The characters in this are colorful, unique, fun, and just really interesting. Shameik Moore plays Miles Morales, this average guy who has a bit of trouble fitting into his current life. And when the Spider stuff comes into his life it forces him to evolve a bit as a person, and the development Miles gets is quite interesting. And Moore does a really good job voicing him. Jake Johnson plays Peter Parker, a cynical slob who’s also god damn Spider-Man. Not gonna say how he got there, but it’s funny and interesting, and he too gets some good development here. And Johnson does a really good job in the role. Next we have Hailee Steinfeld as Gwen Stacy, another interesting character who gets some decent development. And Steinfeld does a great job voicing the character. We also get supporting performances from people like Brian Tyree Henry, Mahershala Ali, Nicolas Cage, John Mulaney, LIev Schreiber, Lily Tomlin, Luna Lauren Velez, Kimiko Glenn, Kathryn Hahn, Chris Pine, and MANY more, all doing very well in their respective roles.

The score was composed by Daniel Pemberton, and I think he did a great job. While there of course is a lot of the heroic orchestral stuff throughout, Pemberton also mixed in stuff from hiphop, electronica, jazz, and even rock to create a sound that is both familiar and unique, which gives the movie its own sound. There’s also a fair bit of licensed tracks used throughout, and while I personally wouldn’t find myself listening to them on my own time, I thought they worked very well within the movie.

So this is an animated movie, and I seriously loved the animation here. At first some of it might look like it’s missing frames, but it didn’t take too long for me to get over that. And from that point on I got to experience one of the most visually stunning things ever. I don’t even know how to fully explain it, it’s just like someone put a fucking comic into a machine that would make the panels fully animated. It’s colorful, it’s fluid, it’s stylish, it’s unique, and it’s just some of the coolest stuff I’ve ever had the pleasure of looking at. Which also makes for some truly amazing action scenes. The movie also has a lot of comedy throughout, and all of it made me laugh, this is absolutely hilarious. Some of it subtle dialog, some of it broad slapstick, and some in-between stuff.

This movie just came out, but it has already been very well received. On Rotten Tomatoes it has a 97% positive rating and a “Fresh” certification. On Metacritic it has a score of 87/100. And on imdb.com it has a score of 8.8/10 and is ranked #30 on the “Top 250” list.

“Spider-Man: Into the Spider-Verse” is an absolutely magical movie, filled with great stuff for both comic book fans and casual movie goers. It has a great plot, great characters, great performances, really good music, amazing animation/action, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Spider-Man: Into the Spider-Verse” is a 9,90/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Spider-Man: Into the Spider-Verse” is now completed.

2018 is a great year to be a Spidey-fan.

12 Films of Christmas 2018 (Final Part)

It’s time, ladies and gentlemen. The final part in this year’s 12 Days of Christmas series. It’s been fun, but it’s time for it to come to an end. So let’s go out on a note.

I was considering going with “Jingle All the Way” for this last one, as it was on tv earlier. But then I decided against it because I’d prefer to not get annoyed by a movie on christmas fucking eve. So instead I went with a different thing that was on tv, something that airs every year, same Bat-time, same Bat-channe- damn it, wrong old thing. This is “From All of Us, to All of You”. In this interesting piece of Disney animation, Mickey Mouse and Jiminy Cricket host a sort of christmas show in which they give us some “christmas cards” from various characters. These “cards” are short films, some actually christmas related, and some just clips from movies like “Cinderella” and “The Jungle Book”. And for some unknown reason, it has aired on Swedish television every year since 1960. So yeah, living here in Sweden all my life, I’m kind of familiar with this. I feel nostalgic about seeing it, but at the same time it almost gets a bit same-y, since nothing new is added. Okay, I lied, at the end they show clips from new/upcoming Disney movies, but other than that, it’s the same thing as always, with only minor edits throughout the years. That said, there’s something a bit nice and warm about it, and it brings a nice sense of joy every time I see it. “From All of Us, To All of You” is a charming little compilation with a fascinating legacy.

On the last of christmas’ days, Markus wishes your ass, happy holidays, and a merry fucking christmas.

12 Films of Christmas 2018 (Part 11)

Part 11. The penultimate part. Man, time sure has flown by. It feels like barely any time has gone by, yet we’re already right at the end of this. Anyway, less sentimentality, more profanity.

Can you really talk about christmas movies without ever mentioning Shane Black? He makes movies that aren’t strictly about the holiday, but are set around it. And “Kiss Kiss Bang Bang” is no different. Released in 2005, the movie follows Harry (Robert Downey Jr.), a no-good shyster pretending to be an actor to evade the law. As he does this he gets to work with a detective (Val Kilmer) to prepare for a role. But soon they find themselves having to solve the complicated murder of a young woman. So now we have our murder mystery that is also a satire of murder mysteries while also being a buddy cop movie of sorts… hmm. And I still think it’s one hell of a fun movie. I saw it for the first time a few years back and loved it… and I still do. The mystery (while a bit convoluted) is quite fascinating, and Downey and Kilmer make for one hell of a double act. They have an infectious chemistry that I loved following from start to finish. All the performances here are great, and Shane Black’s dialog is as razor sharp as ever. “Kiss Kiss Bang Bang” is a total blast.

On the eleventh day of christmas, Markus he did laugh, at Val Kilmer asking “Who taught you math!?”.

Movie Review: Solo – A Star Wars Story (2018)

Hey, finally a non-christmas movie. Nice to have a bit of variation. Anyway, let’s go on a space adventure, you scruffy looking nerf herders.

Ladies and gentlemen… “Solo – A Star Wars Story”.

The story follows Han (Alden Ehrenreich), a young and determined guy who wants nothing but to get out of the shitty slum life he’s been part of his entire life. And such an opportunity presents itself when he joins a crew of space scoundrels who have been tasked with delivering a very valuable fuel resource to a notorious gangster. So now we have our “Star Wars” prequel. And while the plot here isn’t anything special, I found it to be a bit of fun. As a big fan of “Firefly” and “Cowboy Bebop”, I have a soft spot for these kind of ragtag space misfit stories. In it’s entirety, the plot is just fine, not something I’d put among the all-time greats. But it’s a fun and fast-paced space adventure, and I don’t mind that.

The characters in this are likable, somewhat interesting, and quite entertaining. Alden Ehrenreich plays the young version of Han Solo. In this, Han isn’t quite the jaded smuggler that we know him as in the older movies, but we see hints of that here as he enters the scoundrel life. He’s quite a fun protagonist. And I thought Ehrenreich was really good in the role, he definitely had a lot of that sly charm one would expect from the character. Next we have Woody Harrelson as Beckett, the guy that Han starts working with who sort of becomes his mentor. A hardened badass with a lot of charisma, he’s quite an enjoyable character. And Harrelson is great in the role. Next we have Emilia Clarke as Qi’ra, childhood friend and love interest of Han. And that’s all I’m gonna say, because any further details would technically be spoilers. But she’s an okay character. And Clarke is pretty good in the role. Donald Glover plays the young version of Lando Calrissian, the smoothest son of a bitch in the galaxy. Not much else to say, he’s a smooth-talking, tricky, and clever guy who could charm his way into the heart of a mountain. And Glover is really good in the role. We also get supporting performances from people like Joonas Suotamo, Thandie Newton, Paul Bettany, Phoebe Waller-Bridge, Jon Favreau, and more, all doing well in their respective roles (even if one or two of the characters is less than well-realized).

The score for this movie was not composed by the one and only John Williams. Instead it was done by John Powell. And while there are some familiar themes used throughout, he still brought a lot of his own stuff to it to create one of the best scores of the year. I’m not just saying that because of my love for any piece of “Star Wars” music, he brought his fucking A-game on a fair bit of the tracks here. Yeah, the music here is great.

This movie was directed by Ron Howard, and I think he did a really good job with it. He manages to work with a lot of the typical “Star Wars” visual stylings, while also bringing in some stuff of his own, and even a little bit of old school western. The movie is just well shot and has a nice overall flow here that makes it a joy to watch. And the action here too is a lot of fun. Some good shootouts, a nice fight or two… there’s just a lot of fun to be had with the action here. And I don’t think I need to say anything about the visual effects at this point… it’s fuckin’ “Star Wars”, y’all know that stuff is gonna look great.

This movie has been pretty well received. On Rotten Tomatoes it has a 70% positive rating. On Metacritic it has a score of 62/100. And on imdb.com it has a score of 7,0/10.

While not anything special, “Solo – A Star Wars Story” is a damn fine space adventure full of charisma and fun. It has a pretty good plot, good characters, great performances, great music, and really good directing/action/visual effects. Time for my final score. *Ahem*. My final score for “Solo – A Star Wars Story” is an 8,86/10. So I’d definitely say that it’s worth buying.

My review of “Solo – A Star Wars Story” is now completed.

You know what another title for this movie could be? Dirty Rotten Scoundrels. *Ba-dum-tss*.

12 Films of Christmas 2018 (Part 10)

Ugh. Ugh ugh ugh. Why am I doing this to myself?

Sometimes you watch good movies. Sometimes you watch bad movies. And sometimes, you might find a “Holy Mess”. Released in 2015, this holiday dramedy is about a gay couple (Anastasios Soulis and Anton Lundqvist) who invite a bunch of their relatives over to celebrate christmas. Cue the dysfunctional family crap, involving homophobia, familial inadequacy, and poor writing. The ideas here aren’t inherently bad, I am 100% sure that they could be used to make a truly compelling piece of cinema. But the writing here isn’t exactly what you’d call… good. When it tries to be funny, it’s groan-worthy. Then when it switches to the drama side of things it expects one to care… but I really didn’t, because like I said… the writing is a holy mess (see what I did there?). But let’s be generous and look at some of the positives. Most of the performances here are good, with Robert Gustafsson (mostly known for comedy) being a real standout with a really good dramatic performance. And the cinematography here is pretty good too, there are some solid enough shots and camera movements throughout. But in the end it all comes down to the writing, and as we’ve discussed, it’s more lutfisk than christmas ham. As the title suggests, this film is indeed a “Holy Mess”.

On the tenth day of christmas, Markus must confess, that he’s not a fan of Holy Mess.