Series Review: We Got This – Season 1 (2020)

For anyone unaware, I’m from Sweden. However, despite this, it is quite rare for me to talk about shows and movies made in my own country. But today I’m actually doing that. Yay?

Mina damer och herrar… “We Got This” season 1.

American ex-pat George (Schiaffino Musarra) has been living in Sweden for some time. However, he has recently acquired quite a huge tax debt. However, he soon finds out that there’s a 50 million SEK reward for solving the assassination of former prime minister Olof Palme. So George teams up with a colorful group of people to try to solve this nearly 40-year old case. But as they investigate, George and his team find themselves delving into a way deeper conspiracy than they probably expected. This concept is a bit on the absurd side of things, and the writing is fully aware of that, taking full advantage of said knowledge to give the storytelling a self-aware and charming tone that gives it a surprising edge over other conspiracy stories. Now, that’s not to say that “We Got This” doesn’t have any serious moments, because it does. But often it leans into a more comedic tone, almost reminding me of stuff from the Coen brothers at times. And I must say that I was thoroughly entertained by the storytelling here.

The characters in this are colorful, a bit weird, and all highly entertaining. Schiaffino Musarra plays George English, American expat trying to fix his financial situation. He’s a kind, smart, but also slightly impatient fella who’s fallen on hard times. And seeing his determination through the series to try to solve this case is quite entertaining. And Musarra is really good in the role. Next we have Alexander Karim as Alex, an old school journalist in a changing landscape. He’s also a friend of George, and the one who’s often the voice of reason (until proven wrong). He has an interesting dynamic within the show that I find quite fun. And Karim is great in the role. Next we have Olle Sarri as Björn. Björn is a bit special. He’s one tinfoil hat away from total kook, but his madness does make him and entertaining and surprisingly valuable part of the cast. And Sarri is great in the role. We also get supporting work from people like Anki Larsson, Hans Mosesson, Sandra Andreis, Christian Svensson, Johanna Wilson, Lennart Jähkel, Ida Hedlund-Stenmarck, and more, all doing really well in their respective roles.

The music for the show was composed by Goran Kajfes, and I think he did an alright job with it. It’s often a fairly jazzy affair, helping sell the lighthearted, working class absurdism of the premise. My main problem is that there aren’t really enough tracks. It makes the few in here (which generally are good) feel slightly repetitive due to some overuse. Again, the music’s pretty good… there just isn’t quite enough unique tracks.

“We Got This” was created by Schiaffino Musarra, who wrote all episodes along with Santiago Gil and Patrik Eklund, with Eklund directing all the episodes. And from that standpoint, the show is quite good too. There’s a lot of fun blocking and camera movements in the show that show how much they actually cared about the actual craft behind the show. And my god, the editing is marvelous. I did not expect to get a show with editing this snappy and energetic and fun. Reminds me a little of Edgar Wright at times. And since the show is a comedy, how’d the humor? I found it quite funny. Now, a lot of it can get lost in translation, unfortunately. But as far as I’m concerned, I laughed.

This show isn’t exactly a big, international thing, so there isn’t much review data on it on most sites I use for this section. But on imdb.com it has a score of 7,1/10.

I’ll be honest, I did not expect much from “We Got This”… but boy, am I glad I was proven wrong. It’s an absolute blast from start to finish. It has a really fun plot, great characters, great performances, pretty good music, and great directing/editing. Time for my final score. *Ahem*. My final score for “We Got This” season 1 is a 9,51/10. So it most certainly gets the “SEAL OF APPROVAL!”.

My review of “We Got This” is now completed.

Maybe the title was to make me feel secure with watching the show. “You want a good show? Well don’t worry, We Got This!”.

Movie Review: Perfume: The Story of a Murderer (2006)

If you were to ask me for perfume related advice, then I’d simply tell you that you’d gone to the wrong guy. All I can say “this one makes my nose burn” or “this one doesn’t make my nose burn”. So you better go ask someone else. But if you wonder about a perfume related movie, then I’d be happy to assist.

Mesdames et Messieurs… “Perfume: The Story of a Murderer”.

Jean-Baptiste Grenouille (Ben Whishaw) was born with an insanely powerful sense of smell, putting him on a quest to make perfumes. But as he searches for that ultimate scent, he starts spiraling a dark and sinister path from which there is no return. This setup shows a lot of promise, and even has some moments that could make for excellent drama. And yet I never gave a shit about anything going on throughout the story. That’s not to say I was bored, or that anything was outright bad, because it was all perfectly watchable. It’s just that the storytelling felt quite flat and lifeless. I’m not sure how else to explain it. The tale itself is interesting, but the way that it’s told just never felt like it had any actual purpose or even interest in adding actual depth to proceedings.

The characters, like the story, have interesting enough setups, but in execution falls somewhat flat, only really being elevated by the actors playing them. Ben Whishaw is excellent as Grenouille, giving a mesmerizingly restrained performance that was hard to take my eyes off of. Dustin Hoffman is really good as Grenouille’s cantankerous mentor. Alan Rickman is great in his role. Really, every actor in this kills it. Just wish the material they were given had more life to it.

The score for the movie was composed by Reinhold Heil, Johnny Klimek, and Tom Tykwer, and I thought it was quite good. It’s quite eerie, but also has an underlying sadness to it, making for a somewhat haunting soundscape that helped in keeping my attention through the movie.

Based on the novel of the same name by Patrick Süskind, “Perfume: The Story of a Murderer” was directed by Tom Tykwer, whom I think did a mostly great job. Where the screenplay (which was co-written by Tykwer, Andrew Birkin, and Bernd Eichinger) falters at times, they often make up for it with the production values. Tykwer’s otherworldly direction makes for an almost hypnotic experience, especially when combined with Frank Griebe’s breathtaking cinematography, which often had me going “wow”.

“Perfume” has gotten mixed reception. On Rotten Tomatoes it has a 59% positive rating. On Metacritic it has a score of 56/100. And on imdb.com it has a score of 7,5/10.

“Perfume: The Story of a Murderer” may have a lifeless narrative and slightly underdeveloped characters, but I can kind of recommend it if you want to experience great acting, music, and cinematography on a rainy Sunday. Time for my final score. *Ahem*. My final score for “Perfume: The Story of a Murderer” is a 6,08/10. So while heavily flawed, I can still say that it could be worth renting.

My review of “Perfume: The Story of a Murderer” is now completed.

Meh.

Movie Review: Knives Out (2019)

I love mysteries. Not in real life though, that shit can be infuriating/scary. But in movies/tv/books/games, the mystery genre is one of my favorites. Who killed the man? Who stole the thing? Who pissed in the cereal? Even the worst ones can still have me entertained due to me having a soft spot for the genre. So anyway, let’s talk about a mystery movie (it’s not a mystery movie jackass, it’s right in the fucking title what movie it is). SILENCE, ME.

Ladies and gentlemen… “Knives Out”.

When famed murder mystery writer Harlan Thrombey (Christopher Plummer) dies, a private investigator (Daniel Craig) starts looking into the possibility that one of Thrombey’s eccentric relatives might’ve killed him. WHODUNIT!? The goofy spelling/grammar of that word aside, that is the genre we’re dealing with here. It’s a modern whodunit that pays tribute to the classic ones, such as “Murder She Wrote” or “Columbo”, while also putting its own fresh-feeling spin to proceedings. It gives you everything you want in a classic whodunit story, while also subverting it in some really clever ways that I honestly didn’t see coming. There’s also a surprising amount of social commentary throughout. And while I’ve watched things recently with attempts at that which were a bit too hamfisted, I felt like it worked quite well within “Knives Out”, wonderfully integrating into the already solid murder mystery.

The characters here are flawed, colorful, interesting, and buckets of fun. Daniel Craig plays Benoit Blanc, a private investigator that’s been hired to investigate Thrombey’s death. He is skilled, but he’s also a bit quirky. And holy fuck, Daniel Craig… he really hammed it up here, and it made him such a fun presence to watch. Next we have Ana De Armas as a nurse who is heavily involved in the story. And she’s great in the role. And then the rest of the cast is filled out by people like Chris Evans, Jamie Lee Curtis, the aforementioned Christopher Plummer, Don Johnson, Tony Collette, Michael Shannon, Katherine Langford, Jaeden Martell, Lakeith Stanfield, Riki Lindholme, and more… and good god damn, what a solid cast this is.

The score for the movie was composed by Nathan Johnson, and it was a lot of fun. It’s very old school in its approach, often sounding like something you’d hear in an older crime movie/show, due to its often overdramatic strings. There’s also a few licensed songs used throughout, and they work well enough. So yeah, this movie has good music.

“Knives Out” was written and directed by Rian Johnson, who I think did one hell of a job on those fronts. He gives the movie such a distinct energy that keeps it feels electric, keeping any shot or scene from ever feeling boring. That doesn’t mean any part feels rushed though, Johnson lets scenes simmer when needed… but never for too long, giving it just the perfect pacing.

This movie has so far been very well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 82/100. And on imdb.com it has a score of 8,1/10.

I loved “Knives Out”, it’s a really fun and unique whodunit. It has a great plot, great characters, great performances, good music, and great writing/directing. Time for my final score. *Ahem*. My final score for “Knives out” is a 9,90/10. So that’s right, it does get the “SEAL OF APPROVAL!”.

My review of “Knives Out” is completed.

Knives Out, Spoons In.

Series Review: Twin Peaks – Season 1 (1990)

Time to finally start clearing this thing from the watchlist.

Ladies and gentlemen… “Twin Peaks” season 1!

When a young woman is found murdered in the quiet mountain town of Twin Peaks, an FBI agent (Kyle MacLachlan) is called in to try to find out what happened. And as we follow Agent Cooper’s investigation, we find out about the cheating, double-crossing, and other idiosyncrasies going on in the town.  So now we have our little crime series. Now, at first it seems like a relatively average crime story, if a bit quirky. But it doesn’t take long for “Twin Peaks” to show that it doesn’t play by the book too much, blending a whole bunch of genres at once. Now, in a lot of cases (pun intended), switching between different genres like this show does can end up quite poorly. But thanks to the unique atmosphere and writing style of the show, the blend of crime, melodrama, comedy, and mild psychedelia works quite well to give us one of the most uniquely enjoyable plots in a season of television.

The characters in this are quirky, fun, colorful, nuanced, and overall quite interesting. Kyle MacLachlan plays Dale Cooper, the FBI agent brought in to help investigate the murder of Laura Palmer (Sheryl Lee). He’s a highly skilled agent, being able to figure things out about people by simple body language. He’s also quite a charming dude, being one of the most instantly likable characters I’ve had the pleasure of seeing. And MacLachlan is great in the role. I would describe more characters, but with their unique nature, I’d rather not, as they’re all best left experienced. But the supporting cast does include people like Michael Ontkean, Mädchen Amick, Dana Ashbrook, Richard Beymer, Lara Flynn Boyle, Ray Wise, Sherilyn Fenn, Peggy Lipton, Joan Chen, Michael Horse, and more, all doing very well in their respective roles.

The score for the series was composed by Angelo Badalamenti, and I think he did a really good job with it. It’s moody, suspenseful, emotional, a little meldoramatic, and even at times kinda fucking groovy. Most tracks get reused quite often, which could get old after a while, but the way these tracks are implemented throughout the show makes the recycling work quite well.

“Twin Peaks” was created by Mark Frost and David Lynch, with writing and directing by them and a bunch of other cool people. And they manage to create such a unique vibe for the show through these elements. Eerie, warm, fascinating, and even mildly surreal, there’s something about the style that makes it stand out, turning it into quite the intoxicating experience.

This show/season has been well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 96/100.  And on imdb.com it has a score of 8.8/10 and is ranked #54 on the “Top 250 TV” list.

Season 1 of “Twin Peaks” is pretty fucking good. It has a really good plot, great characters, great performances, really good music, and great writing/directing. Time for my final score. *AHEM*. My final score for “Twin Peaks” season is a 9,82/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Twin Peaks” season 1 is now completed.

Agent Cooper, a man after my own heart.

Movie Review: Halloween (1978)

Ladies and gentlemen, we’re here. The final review in my Month of Spooks series. I’ve had fun with it, but as you know, all good things must come to an end (for this year at least, wink wink). So let’s go out with a bang by talking about the movie with the perfect title for this occasion.

Ladies and gentlemen… this is “Halloween”!

Fifteen years after he killed his sister and got sent to a mental hospital, Michael Myers manages to escape, returning to the town of Haddonfield to kill once again. So now we have our slasher plot. And I think it’s actually pretty great. While this is kind of the grandfather of slashers, setting up several of the cliches of the genre, but it also does it with a lot of subtlety, relying more on slow tension-building rather than just jumpscaring the audience every five minutes. It is a slasher… but one with nuance and subtlety as it’s primary ingredients, and that’s why the plot holds up so well here.

The characters in this are likable and interesting. First up we have Jamie Lee Curtis as Laurie Strode, a high school student who just wants to have a chill and enjoyable halloween night. But as we all know, that takes a bit of a left turn when a certain someone comes to town. She’s a nice, fairly normal, and relatively crafty young woman who I liked following, hoping she would make it. And Curtis is really good in the role. Next we have Donald Pleasence (R.I.P) as Sam Loomis, the doctor who tried helping Michael for years, but ended up giving up in more recent years when he saw that Myers was beyond helping. He knows that Myers has to be taken down, but there’s also remorse behind his eyes, as if he’s sad that he failed at helping Michael, making him a compelling character. And Pleasence is great in the role. We also get supporting performances from people like Nancy Kyes, P.J. Soles, Charles Cyphers, Nick Castle, and more, all doing well in their respective roles.

The score for the movie was composed by John Carpenter, and it’s really good. Heavily based in synth, it creates an atmosphere that just oozes suspense and uneasiness. There are a couple of the more typical horror stings that aren’t great when repeated a couple times, but for the most part the score here still holds up very well. And man, that theme is still exquisite.

As you all know, this movie was written (with the help of Debra Hill) and directed by John Carpenter, and he did a great job. Remember how I mentioned that the story relies more on subtlety than on just blatant horror bullshit? Well, that translates to Carpenter’s direction as well. It’s slow, subtle, and generally helps create an eerie vibe that absolutely creeped me out. Adding to that is the cinematography by Dean Cundey, which not only looks great, but also helps sell the almost uncanny vibe of Michael Myers’ stalking.

This movie has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 81/100. Roger Ebert gave it 4/4 stars. And on imdb.com it has a score of 7,8/10.

So yeah, “Halloween” is still great, 40 years after its release. It has a really good plot, good characters, great performances, really good music, and great directing/cinematography. Time for my final score. *Ahem*. My final score for “Halloween” is a 9,78/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Halloween” is now completed.

The night HE came to my blog.

Series Review: Fortitude – Season 1 (2015)

I am aware that I’m kind of stretching it a bit here in terms of the Month of Spooks, but there are aspects of this show that kind of work for it. Also, I kind of cheated with “Mindhunter” last year, so I think I’m allowed this one this year.

Ladies and gentlemen, I welcome you to… “Fortitude”.

On the edge of the arctic circle lies the town of Fortitude, a frozen place with a small population. A town that has been safe for as long as it’s existed. But the peace of Fortitude is disturbed when a violent crime occurs. So now we have our cold as hell thriller. And it’s good. It has an eerie feel to it that makes it stand out from other crime-thrillers out there, and the mysteries it sets up throughout the season are quite intriguing. I was sometimes taken out of the show a bit though. While it is fairly grounded most of the time, there are occasions when it suddenly requires a lot of suspension of disbelief. Now, aside from some of those moments, this is an engaging, chilling (HA!), and overall intriguing story.

The characters in this are layered, flawed, interesting, and mostly all feel pretty realistic. I will however not go in-depth about them because the cast here is so big that we’d be here all god damn day, and none of us want that. But I can say that the cast is pretty impressive. Including people like Richard Dormer, Nicholas Pinnock, Alexandra Moen, Luke Treadaway, Stanley Tucci, Michael Gambon, Sofia Gråbøl, Elizabeth Dormer-Phillips, Darren Boyd, Mia Jexen, Christopher Eccleston, and many more, all doing very well in their respective roles.

The score for the season was composed by Ben Frost, and I think he did a really good job with it. His music has a way of capturing the feel of this frozen and remote location. It’s eerie, it’s suspense-building, it’s emotional, it just works incredibly well for the show. There are also a few licensed tracks used throughout, and they work pretty well in their respective scenes too.

“Fortitude” was created by Simon Donald, and written/directed by a whole bunch of people, and I think what they created here is really interesting. For one, it’s a pretty unique location for a show. A remote town in one of the coldest parts of the world, perfect setting for this kind of show. And thanks to the directing and some frankly gorgeous cinematography, they really capture the feel of the location perfectly. They also build a lot of suspense with it, and even capture some imagery that is kind of horror-esque in how graphic and disturbing it is.

This show/season has been pretty well received. On Rotten Tomatoes it has an 86% positive rating and a “Fresh” certification. On Metacritic it has a score of 75/100. And on imdb.com it has a score of 7,4/10.

While not perfect, “Fortitude” still serves up a nice, cold mystery. It has a really good plot, really good characters, great performances, really good music, and great directing/cinematography. Though as previously mentioned, the score if brought down a bit by the show expecting you to really bend your suspension of disbelief. Time for my final score. *Ahem*. My final score for “Fortitude” season 1 is an 8,91/10. So while flawed, I’d say that it’s definitely still worth watching.

My review of “Fortitude” season 1 is now completed.

It still kind of works as horror.

Movie Review: Prevenge (2017)

Pregnancy. Amazing, fascinating, terrifying, weird. Many words can describe this natural part of human life. But I never thought one of them would be “murderous”.

Ladies and gentlemen… “Prevenge”.

Ruth (Alice Lowe) is a widow. She’s also seven months pregnant and about to go on a killing spree. And that’s the premise for this movie. So how’s the plot here? I actually thought it was good. Weird, but good. When I say weird I don’t mean that it does anything overly ambitious and strange with the narrative, as it does follow a pretty regular structure. But what I mean by weird is that some strange shit happens throughout, and I found all of that quite interesting. The plot also has a darkly comedic tone that gives it a unique and off-kilter vibe that for the most part works. There are times where the tone somewhat clashes with moments in the narrative, but it was never enough to ruin the plot for me, it just brings it down a notch. So overall this plot is pretty good.

I’m only gonna talk about one character here since we only really follow one, and she’s the only one we really get to know. Here we have Alice Lowe as Ruth, the pregnant widow going on a killing spree. She’s a damaged and quite unstable individual that is quite interesting to follow, as she’s quite a unique and intriguing. And Rowe does a great job in the role. And all the supporting players in this are all godo in their respective roles.

The score was composed by Toydrum, and it was good. It’s an eerie electronic score with plenty of droning notes to give an ethereal and uneasy vibe that I really liked. Took scenes that would’ve been kind of bland and turned them into something unique and intriguing. It’s amazing how much music can affect something.

“Prevenge” was written and directed by its star, Alice Lowe. So she’s wrote, directed, and starred in a movie while also being pregnant? That is pretty fucking impressive. And I have to say that she did a damn good job with her directing duties here. She gives the movie a very weird, almost dreamlike feel with her directing, complementing the off-kilter story quite well. I don’t think I’ve ever watched a movie that feels like this one does, so that’s pretty cool.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 94% positive rating and a “Fresh” certification. On Metacritic it has a score of 71/100. And on imdb.com it has a score of 5,9/10.

“Prevenge” is a weird and off-kilter character study that won’t be everyone’s cup of tea, but I enjoyed it. It has a good plot, a really good character, really good performances, really good music, and great directing. Though as I previously mentioned, there are moments throughout where the tone clashes with narrative. Not a deal breaker, just brings it down a notch. Time for my final score. *Ahem*. My final score for “Prevenge” is an 8,88/10. So while not perfect, I still think it’s worth buying.

My review of “Prevenge” is now completed.

Well, that was… weird.

Series Review: The Sinner – Season 1 (2017)

Murder. A horrible crime. Something that can be caused by many different reasons. If you ask me, it’s never okay… but it’s still important to look at all the details of the case.

Ladies and gentlemen… “The Sinner”.

Cora Tannetti (Jessica Biel) seems like your typical woman. She has a house, a husband (Christopher Abbott), a child, and a nice job. But one day while she’s enjoying a day at the beach with her family, she suddenly lashes out and stabs a guy to death. Her case is then given to Detective Harry Ambrose (Bill Pullman) who has to find out why Cora suddenly committed this horrible act. And the further Ambrose delves into this case, the more questions arise. So now we have our murder mystery. And already I like the different approach. It’s not a whodunnit like most other shows… but a whydunnit instead (doesn’t quite have the same ring to it, but you get the idea). It’s a really dark show filled with a lot of twists that kept me invested in everything that was going on. The plot here is quite unpredictable, because when you think you know where it’s going, it pulls the rug out from under you, giving the viewer a bit of an “Oh shit” feeling. The plot here is engaging, unpredictable, disturbing, and just overall great.

The characters here are all layered, flawed, and interesting. Jessica Biel plays Cora, the woman at the center of this story. While I won’t go too in-depth about her (since a lot of her character stuff is best left experienced), I will say that she’s a really compelling character who gets some really dark and interesting character development. And Biel is great in the role. Then we have Bill Pullman as Harry Ambrose, the Detective looking into Cora’s case. He is a highly determined policeman that is doing everything to find out what made Cora do this. He doesn’t look at the broad strokes as much as he aims to find out the details of the situation. He does also have some of his own drama to deal with that adds to his character. And Pullman is great in the role. Then we have Christopher Abbott as Cora’s husband Mason. A loving husband and hard worker, Mason’s world gets completely fucked after Cora commits the horrible crime. And seeing his journey after the event is insanely compelling. And Abbott is fantastic in the role. Then we get supporting performances from people like Dohn Norwood, Jacob Pitts, Abby Miller, Danielle Burgess, Enid Graham, Nadia Alexander, Merediths Holzman, and many more, all doing very well in their respective roles.

The score for the season was composed by Ronit Kirchman who I think did really good job. The score is heavily electronic and has a unique and eerie sound that helps add a sense of unease to the show. While I wouldn’t exactly find myself listening to the music from this show for fun, it’s definitely quality stuff that works very well within the show.

Based on a novel by Petra Hammesfahr, this show was created by Derek Simonds, with writing by Simonds and some other people, and direction by various people. And the work all these cool people put in is incredibly good, giving us some of the best craft in any recent show. The sense of dread and suspense throughout is thick enough to cut with a knife, and it helps create an engaging atmosphere that helps grip the viewer. And the cinematography by Radium Cheung and Jody Lee Lipes is pretty damn good.

This show/season has been very well received. On Rotten Tomatoes it has a 94% positive rating and a “Fresh” certification. On Metacritic it has a score of 71/100. And on imdb.com it has a score of 8,0/10.

Season 1 of “The Sinner” is a compelling and disturbing ride that I highly recommend. It has a great plot, really good characters, great performances, good music, and really good directing/cinematography. Time for my final score. *Ahem*. My final score for season 1 of “The Sinner” is a 9,81/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Sinner” season 1 is now completed.

Bill Pullman is such a likable actor.

Movie Review: 12 Angry Men (1957)

Yes, this was the first time that I had seen this classic. I know, shame on me for being a bit late to the game with it. Well, I say better late than never. So here we go.

Ladies and gents… “12 Angry Men”.

A young man has been accused of murdering his father. In a locked room we have the twelve jurors that have to determine whether the young man is guilty or not. Most of them are convinced he did it, but one juror (Henry Fonda, R.I.P) isn’t quite convinced. So we follow him as he tries to convince the other jurors of why this kid is innocent. So now we have our courtroom(ish) thriller. And I have to say that from the very first scene I was sucked into the plot. What we have here is a claustrophobic thriller, with men going back and forth for 90 minutes over the kid’s innocence/guilt, and it is riveting. There’s quite a lot of suspense built throughout the runtime, and it’s fairly unpredictable. Really, it’s a great plot.

The characters here are all quite interesting, especially as we get pretty clear looks at their respective personalities, and how they affect their thoughts on the case. I don’t have the time or energy to go into each and every one of them, but trust me when I say that we do get some really great character stuff here. And the performances here are all brilliant. Henry Fonda, Martin Balsam, Lee J. Cobb, John Fiedler, E.G. Marshall, Jack Klugman, Edward Binns, Jack Warden, Joseph Sweeney, Ed Begley, George Voskovec, and Robert Webber (R.I.P all of them), they’re all fantastic.

The score for the movie was composed by Kenyon Hopkins and what I found interesting about it is that it barely shows up in the movie. One bit at the beginning, one bit at the end… that’s it. But the limited use of music works, as it does bring out a lot of tension, and makes those two moments of music feel a bit more special. But the tracks that we do here in the movie are really good.

“12 Angry Men” was written by Reginald Rose (R.I.P) and directed by Sidney Lumet (R.I.P). And the two combined in this way is simply fantastic. On one hand, with this claustrophobic setting, you’d need Rose’s writing to be great to keep the viewer engaged as it has to do a lot of the heavy lifting. Lucky for us, his writing here is mesmerizing. Nothing about the writing feels dated, as some movies/scripts from the era could unfortunately feel… but Rose’s writing is great. And Lumet’s direction is of course fantastic. There’s a lot of movement here to make it feel exciting, almost like an action movie. And his direction here just adds so much tension to it all.

This movie has been very well received. On Rotten Tomatoes it has a 100% positive rating and a “Fresh” certification. On Metacritic it has a score of 96/100. Roger Ebert gave it 4/4 stars and put it on his “Great movies” list. And on imdb.com it has a score of 8,9/10 and is ranked #5 on the “Top 250” list. The movie was also nominated for three Oscars in the categories of Best picture, Best director, and Best adapted screenplay. 

“12 Angry Men” is an absolute classic and deserves all the praise given to it. It has a great plot, really good characters, fantastic performances, good use of music, and great writing/directing. Time for my final score. *Ahem*. My final score for “12 Angry Men” is a 9,88/10. So it gets the “SEAL OF APPROVAL!”.

My review of “12 Angry Men” is now completed.

Review is adjourned.

Movie Review: Mr. Right (2016)

Love is hard. Some find the one, some find assholes, and some find a person who just isn’t a perfect match. Really, love as a concept is a fucking mess.

Ladies and gentlemen… “Mr. Right”.

Martha (Anna Kendrick) recently went through a really bad breakup and it has sort of messed with her head quite a bit. That’s when she meets Francis (Sam Rockwell), a kind of eccentric guy who just seems like he’s the perfect guy for her. What she doesn’t know is that Francis is a world-known hitman. So we follow their relationship evolve as Francis tries to avoid local gangsters and a ruthless agent (Tim Roth) who seems to have a connection of sorts to Francis. And look, I’m not gonna sit here and pretend like this thing is the most well written or most original plot ever… but I also don’t care, because it’s just a fun and entertaining plot. It’s just a fun and fast-paced romantic comedy/action-thriller plot. And in that way I think it works quite well.

The characters here are all interesting and entertaining. Anna Kendrick plays Martha, a young woman who’s become a bit weird after a really bad breakup. And through the movie we see her evolve a bit as a character, while still being overall fun throughout. And Kendrick is really good in the role. Sam Rockwell plays Francis, the strange man/hitman that Martha forms a relationship with. He’s charming, he’s funny, he’s badass, and just overall a really interesting character that we learn a couple things about throughout, deepening him a bit. And Rockwell is just awesome in the role. And I have to say that Kendrick and Rockwell share some really solid chemistry here, making the scenes they have together much more entertaining. Then we have Tim Roth as Hopper, a sort of agent on the hunt for Francis. We learn pretty early on that he has a connection of some kind to Francis, making his chase a bit more intriguing. And Roth is great in the role. Then we get some really solid supporting work from people like James Ransone, Anson Mount, Michael Eklund, RZA, Katie Nehra, and more. ’tis a well acted movie with fun characters.

The score for the movie was composed by Aaron Zigman and I thought it was good. It’s not mindblowing in any way, but it’s fun and exciting enough to help the movie in elevating certain moments throughout. There were also multiple licensed tracks used throughout, and they too worked quite well in their respective scenes.

This movie was directed by Paco Cabezas, and I think he did a really good job with that. While the direction in quieter moments never reaches above average, it’s in the action scenes that Cabezas direction truly comes alive. His direction for the action is fast, stylish, and just overall has a great sense of fun about it. Whether it’s a melee fight or a shootout, the action here never failed to keep me entertained. Sure, I would’ve liked the amount of cuts within certain action bits to be reduced, but it wasn’t too bad. And let’s talk about the humor in this movie, since it’s a comedy. It’s funny, I laughed. Sure, it’s not the funniest comedy ever, but it got a fairly consistent amount of chuckles and laughs from me.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 43% positive rating. On Metacritic it has a score of 52/100. And on imdb.com it has a score of 6,3/10.

Is “Mr. Right” one of the best movies ever? No. But it’s a highly enjoyable romantic comedy/action-thriller. It has a good plot, really good characters, great performances, good music, and really good directing/action/comedy. Time for my final score. *Ahem*. My final score for “Mr. Right” is a 9,53/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Mr. Right” is now completed.

Now you got something to watch for valentine’s next week… other than “Black Panther”.