Series Review: Buffy the Vampire Slayer – Season 7 (2002 – 2003)

My friends, after roughly two years, we’ve finally arrived. The end of my mom and I’s rewatch of this show is over. Which means that this will be the final review in this series. For some, that is a relief. For some, they’re neutral. And there may even be one or two goobers who are a little sad that they got no more Buffy reviews to look forward to from me. Well, either way… let’s get into it.

Ladies, gents, and non-binaries… the final season of “Buffy the Vampire Slayer”.

Following the traumatic events at the end of season 6, Buffy (Sarah Michelle Gellar) and her friends seem to be finding themselves working through it, trying to heal and get by. This relative calm is about to get ruined however when a great evil, more powerful than anything they’ve faced before, starts emerging and causing carnage, forcing the gang to have to gather strength and allies in order to hopefully have a chance at stopping it. While the final season isn’t the highest point in the show’s run, I would still say the story is mostly successful at what it sets out to do. It escalates decently, and it has some nice, engaging bits of drama and payoff. And even some of the more one-off episodes are solid too. It doesn’t always succeed, as I do find the big bad of the season to be a bit underwhelming in the end, and there are times throughout the 22 episodes that just don’t *quite* hit the mark. But there’s still plenty of fun to be had, some decent mini-arcs, and a relatively satisfying conclusion to the show.

The characters in this are mostly interesting. Returning cast members (bar one) get some great arcs, and I do like how they sort of evolve over the season. And Sarah Michelle Gellar, Alyson Hannigan, Nicholas Brendon, Michelle Trachtenberg, James Marsters, Anthony Head, and Emma Caulfield all deliver top notch work. As for newcomers, we got people like D.B. Woodside (MVP), Iyari Lemon, Sarah Hagan, Nathan Fillion, Indigo, Felicia Day, and more, all delivering really good performances in their respective roles.

The score this season was partly composed by Robert Duncan and partly by Douglas Romayne, and I think the music here’s good. Some more subtle, emotional beats, as well as big, bold, brass for the more action-packed moments. Really, it sort of takes what’s come before and just continues doing it well. There’s also a bunch of licensed songs used throughout, and they work well too. Overall, the music’s good, there’s not much I can say that I haven’t touched on in previous seasons.

Season 7 of “Buffy” was written and directed by a whole bunch of different people (including one horrible man), and the craft here is generally good. Makeup and prosthetics are great as usual, some of the CG is a bit jank (but in a charming, forgiveable way), and generally direction is as solid as ever. The only thing that can feel slightly off at times is cinematography. Certain episodes have this weird, blurry quality, odd lighting… it just distracts in those few episodes. It isn’t super often it happens however, so it doesn’t completely fuck up the overall craft of the season for me. For the most part, the crew did a damn good job.

This show/season has been decently well received, with a few mixed reactions thrown in there. On Rotten Tomatoes it has an 81% positive rating and a “Fresh” certification. On Metacritic it has a user score of 4.8/10. And on imdb.com it has a score of 8.2/10.

While it is a little rocky throughout, the final season of “Buffy the Vampire Slayer” is still another really enjoyable batch of episodes that I think sticks the landing for the show pretty well. It has a good story, really good characters, great performances, really good music, and really good directing/craft. Time for my final score. *Ahem*. My final score for season 7 of “Buffy” is an 8.56/10. So while flawed, it’s still worth watching.

My review of “Buffy the Vampire Slayer” season 7 is now completed.

And that’s it, no more Buffy for this blog… until I inevitably cover the spin-off show, that is.

Movie Review: Reign of the Supermen (2019)

As has been made clear many times on this here blog, I like watching animated adaptations of DC Comics properties. Yes, there’s been a few less than stellar ones through the years, but I always root for them, because of my nearly lifelong love of these characters. So with this said, let’s talk about one.

Ladies and gentlemen… “Reign of the Supermen”.

Set six months after “The Death of Superman“, the world is still trying to recover after one of its biggest heroes died at the hands of the monster known as Doomsday. And in the wake of the Man of Steel’s demise, several new and mysterious Supermen start revealing themselves, all trying to be the new hero of Metropolis. While the movie at times suffers from trying to cram a lot of plot into 80 minutes, I still found myself enjoying the hell out of proceedings. The creative team really know how to squeeze genuine emotion and clever storytelling out of this admittedly silly premise. There were times where I really felt something more than just “Yay, superheroes!”. Again, it’s not perfect as it has a lot of plot to dish out in a very short runtime, but for the most part the story holds up, even providing a surprising amount of nuance.

Like with the story, the crew managed to give a surprising amount of nuance to the characters in here, giving them interesting motivations and entertaining arcs. I won’t go too much into details about them, as it would risk spoiling stuff, so I’ll just leave it on all characters having something interesting to them. Also, holy crap this cast. Rebecca Romijn, Cameron Monaghan, Cress Williams, Jerry O’Connell, Rainn Wilson, Charles Halford, Rosario Dawson, and so many more… it’s an incredible cast, with everyone giving their A-game.

As with a lot of these DC animations, the score for “Reign of the Supermen” was composed by Frederik Wiedmann, and as per usual, it is terrific. This man brings us terrific tunes every time he composes the score for one of these movies. It’s big and epic, but also low-key and intimate. My man brought his A-game once again.

Based on the 90s comic storyline of the same name, “Reign of the Supermen” was directed by DC animation regular Sam Liu. And if you’re somewhat unfamiliar with that name, let’s just say that he’s one of the most reliable hands in the DC/WB animation department. The man knows how to infuse properties with a certain energy that is quite engaging to experience. When scenes need to slow down and be more emotional, his direction is great. And when action happens, his direction is great. The man knows how to deliver on animated comic book goodness. Speaking of which, the animation here is great. It has a decent amount of detail, and it has a nice fluidity to it that really shines during action scenes.

This has been pretty well received. On Rotten Tomatoes it has a 93% positive rating. And on imdb.com it has a score of 6,8/10.

“Reign of the Supermen” may buckle slightly under the weight of too much plot in too little time, but it still manages to be a damn fine animated feature. It has engaging plot, it has really good characters, great performances, great music, and really good animation/direction. Time for my final score. *Ahem*. My final score for “Reign of the Supermen” is an 8,87/10. So while flawed, it’s still definitely worth buying.

My review of “Reign of the Supermen” is now completed.

Fun fact: As I was writing this, I put on some music. And one of the songs that came on was “Land of Confusion” by Genesis, which has the oddly fitting lyric “Oh Superman, where are you now?

Movie Review: The Death of Superman (2018)

One of the most recurring things on this here blog (except for lame jokes and personal opinions) is my constant support of animated movies based on DC Comics. And while it’s been a while since my last post on one, my adoration for the franchise hasn’t faded in the slightest. So seeing as this will be my last review of the year, we might as well make it one about this recurring theme.

Ladies and gentlemen… “The Death of Superman”.

When a mysterious new threat arrives on earth, Superman (Jerry O’Connell), as well as the other Justice League members), as to step up to stop it before it can destroy us all. I thought the plot was good here. It’s straightforward, yet somewhat nuanced. I wouldn’t call it the deepest plot in this franchise, but there’s enough little details to keep it from just being another “Let’s beat up the bad guy plot”. It’s about Supes coming to terms with his relationship with Lois (Rebecca Romijn) and if he should come out of the closet, in regards to his dual identity. And the stuff around this new threat (who we all know is Doomsday, but I digress) has a natural sense of escalation that also works well enough for the plot.

The characters in this are fine, they are all enjoyable and work pretty well in the story. Jerry O’Connell reprises his role as Clark Kent/Superman. He’s charming, he’s likable, and he’s just generally a good guy (as Superman should be), while still struggling with some minor conflicts while also having to deal with the bigger conflict of a giant murder-alien from who knows where. And it made me care about him a bit more. And O’Connell does a really good job voicing him. Rebecca Romijn plays Lois Lane, the tough, but believable reporter who seems to have some relationship issues with Clark. And I think she’s a pretty interesting character here. And Romijn does a really good job voicing her. Next we have Rainn Wilson (yes, really) as Lex Luthor (I’m serious), the brilliant businessman with a great intellect, but a bit of an arrogance problem. Not saying much more there, you know who Lex is. But what I will say is that Wilson is really good in the role. Then we get supporting performances from people like Rosario Dawson, Nathan Fillion, Jason O’Mara, Christopher Gorham, Shemar Moore, Matt Lanter, Nyambi Nyambi, Rocky Carroll, Patrick Fabian, Paul Eiding, Jennifer Hale, Charles Halford, and many more, all doing very well in their respective roles.

As with the majority of these DC animated features, the score was composed by Frederik Wiedmann, and as per usual, it is pretty great. It is grandiose, it is epic, but it is also emotional and intimate, creating a sound that perfectly complements the life of Clark Kent. This guy never disappoints.

The movie was directed by Jake Castorena and DC animation veteran Sam Liu. And the direction here is fine, there is a decent flow to the scenes, nothing feels too rushed or too slow. And the animation here is pretty good. In quiet dialog-driven scenes, it looks fine, not much to write home about. But it’s in the action scenes where the animation comes to life and shows just how talented the people working on these movies are. These are fast, brutal, and at one point even kinda breathtaking. So yeah, the animation here is good.

This movie has been pretty well received. On Rotten Tomatoes it has a 92% positive rating. On Metacritic it doesn’t exist. And on imdb.com it has a score of 7,4/10.

While not my favorite movie in this current line of DC animated movies, “The Death of Superman” is still a highly enjoyable and somewhat touching superhero romp. It has a good plot, good characters, great performances, great music, and really good directing/animation. Time for my final score. *Ahem*. My final score for “The Death of Superman” is an 8,80/10. So it’s definitely worth buying.

My review of “The Death of Superman” is now completed.

And that’s that for 2018. See ya next year.

Movie Review: Serenity (2005)

Once upon a time, there was a tv show called “Firefly”. It was this well-written genre-bending sci-fi show about a group of space cowboys and the adventures they went on. It was beloved by many, but was unfortunately canceled after only 14 episodes. Fans were devastated. But two years after it got canceled, fans saw something shiny in the distance. Was it a continuation of the show? Yes it was. And today we’re taking a look at it.

Ladies and gentlemen… “Serenity”.

Set after the events of the show, we once again follow the crew of the ship Serenity, led by Captain Malcolm Reynolds (Nathan Fillion), as they are hunted down by a mysterious assassin (Chiwetel Ejiofor) hellbent on getting to a specific member of the crew. So now we have our space opera featuring cowboys. And I found this to be a really good plot. It feels like an extended episode of the show, giving us the fun space adventure we wanted while also further evolving the universe. And I also think it works the perspective of someone who hasn’t seen the show before. Sure, people might be slightly lost on a few aspects, but it’s not so ingrained in the show’s plotlines that it would alienate general audiences. And I do in think this is a fun, suspenseful, emotional, and overall well told story.

The characters in this are layered, unique, interesting, and overall entertaining. While I’m sure there are those of you here who are unfamiliar with these characters, I will not go in-depth with those returning from the show as it would make this post last far too long. But in that group we have Nathan Fillion, Gina Torres, Alan Tudyk, Summer Glau, Adam Baldwin, Sean Maher, Morena Baccarin, Jewel Staite, and Ron Glass, all giving great performances throughout, and most getting some good development throughout. Let’s talk about Chiwetel Ejiofor as the film’s villain, simply known as The Operative. He’s a calm, well-spoken, and generally diplomatic guy who is a highly capable killer. And that makes him quite an interesting villain, making him a good foe for our beloved heroes. And Ejiofor is really good in the role. We also get some supporting performances from people like David Krumholtz, Michael Hitchcock, Sarah Paulson, Yan Feldman, Rafael Feldman, Tamara Taylor, and more, all giving solid performances.

The score for the movie was composed by David Newman, and I think he did a really good job with it. As expected from something that is about cowboys, it of course takes a lot of inspiration from western and country, with various string-based instruments used throughout to give off that cowboy-ish vibe. But there are also some tracks implementing the sort of percussion and brass one can expect from a lot of sci-fi. And it all comes together to create a fun, engaging, and emotional score.

As previously mentioned, “Serenity” is a follow-up to the tv show “Firefly”, which was created by Joss Whedon. And this movie is written and directed by Whedon as well, who does a great job bringing the stuff I love about the show to a larger scale. The fast-paced action, the intimate conversations between characters, and the overall fun vibe that the show always had. And yes, the snappy dialogue of course makes a return, and it’s just as funny and enjoyable as it was in the show. And the cinematography by Jack Green was really good, giving us a lot of cool shots. The visual effects can be hit or miss, but I don’t mind too much, especially since I know that this was a lower budget production (compared to a lot of contemporary movies). Overall the technical stuff just comes together nicely.

This movie has been well received. On Rotten Tomatoes it has an 83% positive rating and a “Fresh” certification. On Metacritic it has a score of 74/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 7,9/10.

“Serenity” is not only a good continuation of the “Firefly” universe, but it’s also an overall enjoyable sci-fi romp. It has a really good plot, great characters, great performances, really good music, and great directing/cinematography/effects/humor. Time for my final score. *Ahem*. My final score for “Serenity” is a 9,82/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Serenity” is now completed.

Take my love, take my land
Take me where I cannot stand
I don’t care, I’m still free
You can’t take the sky from me

Movie Review: Justice League: Throne of Atlantis (2015)

Bla bla bla, Markus likes DC animation, bla bla bla, moving on.

Ladies and gentlemen… “Justice League: Throne of Atlantis”.

After the death of their king, the Atlantean troops get coaxed by Ocean Master (Sam Witwer) into attacking the surface. This brings queen Atlanna (Sirena Irwin) to try to get help from the Justice League to find her son Arthur (Matt Lanter) and stop Ocean Master’s crusade. So now we have our Aquaman origin/Justice League sequel story. And is it any good? For the most part, sure. It tries to do a lot of things at the same time. On one hand it is a sequel to “Justice League: War”, showing the team still having some mild struggles to come together and help each other. And on the other hand you have Aquaman having to become Aquaman because the DC universe needs Aquaman… Aquaman. And while I’m used to the relatively short runtime of these animated features, I feel like they could’ve added a couple minutes to it, because a couple of the more dramatic/important moments feel a bit rushed through. I’d like to see those moments be held for just a little bit longer. But I was never bored and I wouldn’t call any of it bad, just slightly lacking. The plot is fine.

The characters returning from “Justice League: War” are the fun and colorful characters that we know and love. But since this is mainly an Aquaman movie, let’s talk about the titular fishman. He’s portrayed in this as a broken man, not yet aware of who/what he is and what legacy he has to follow, and it’s interesting seeing him having to come to terms with all this craziness. He’s voiced by Matt Lanter who does a really good job in the role. He gives a very likable performance. Next we have Orm/Ocean Master, the entitled asshole half-brother of Aquaman. He’s kind of a brat and maniacal dick, but that also makes him an interesting foe for Aquaman. He’s voiced by Sam Witwer who gives a pretty hammy performance… but you can tell that he’s having a blast with it, which made me enjoy it. We also got Sumalee Montano as Mera, protector of Atlantis and love interest of Aquaman. She’s a fun character and Montano does a good job in the role. We also got Harry Lennix as Black Manta, the shady Atlantean wearing a weird helmet. He’s clearly up to no good, but he’s still decently interesting. And Lennix does a good job voicing him. And we see the returns of of Jason O’Mara as Batman, Jerry O’Connell as Superman, Rosario Dawson as Wonder Woman, Christopher Gorman as Flash, Nathan Fillion as Green Lantern, Shemar Moore as Cyborg, and Sean Astin as Shazam, all doing really frickin’ well in their respective roles.

The score for the movie was composed by Frederik Wiedmann, a man who has composed the scores of multiple modern DC animated movies. And once again he has created something pretty damn good. His score here is exciting, emotional, dramatic, and even manages to be awe-inspiring at times. So yeah, it was quite good.

This movie was directed by Ethan Spaulding and it is fairly well directed. And since it’s an animated feature, we should talk about the animation. It is pretty damn good (for a low budget direct-to-video movie). The animation here flows very well and there’s a decent amount of detail in it. The action scenes are especially well animated. You can really see it all coming more alive in those times, with plenty of fluency in the animation making for a lot of entertaining moments.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 40% positive rating. On Metacritic it doesn’t even exist. And on imdb.com it has a score of 6,7/10.

“Justice League: Throne of Atlantis” is not one of the greatest DC animated movies ever, but it’s a really enjoyable movie. It has a good plot, good characters, great performances, great music, and really good directing/animation. My main flaw of course being that several moments throughout the plot felt a bit rushed. Time for my final score. *Ahem*. My final score for “Justice League: Throne of Atlantis” is an 8,78/10. While flawed, I’d say that it’s still worth buying.

My review of “Justice League: Throne of Atlantis” is now completed.

This was fun.

Movie Review: Wonder Woman (2009)

With WB/DC very recently having released their new DCEU movie “Wonder Woman”, and with my often proclaimed love for DC animation I thought it was a good time to go back a few years and review the last movie that had “Wonder Woman” in the title. So here we go.

Ladies and gentlemen, she is… “Wonder Woman”!

After having crashed on the mysterious island of Themyscira, U.S. army pilot Steve Trevor (Nathan Fillion) finds himself at the mercy of the island’s inhabitants, the Amazons. And when they deem him a non-hostile, they aim to bring him back to modern civilization. The one who gets tasked with this is none other than the island’s princess, Diana (Keri Russell). But it quickly becomes more than just a delivery mission as Ares (Alfred Molina), the god of war escapes from Themyscira’s prison. Which means that Diana and Steve have to team up to stop Ares from creating neverending chaos and destruction. And yeah, this plot is really good. While not the deepest, as a matter of fact it’s quite shallow, it still gives us a good insight into Diana’s origin and into the mythology of her world. There are also a few okay twists throughout the plot, giving it a little extra meat on the bone so to speak. Yeah, it’s a good plot.

The characters here are all entertaining and get a surprising amount of depth. Diana is portrayed as this young and brave woman that wants to see the world and see what’s beyond Themyscira, to learn what is out there. And Keri Russell does a really good job voicing her. Steve Trevor, as he’s presented here, is a bit of a pig. He’s not necessarily a bad person, he’s just kind of a womanizer. But he does get a decent amount of character development throughout the movie as he works with Diana, and Nathan Fillion is just great in the role. Ares is portrayed as a kind of mad but still intelligent warrior who wants nothing but war and hate, and Alfred Molina is great in the role. Hyppolita, Queen of the Amazons. A badass woman who wants the best for her daughter, while also trying to be a good leader. She’s voiced by Virginia Madesen who does a great job in the role. Next up we have Artemis, the right hand woman of the queen, and she’s just a badass. She’s voiced by Rosario Dawson who’s Rosario Awesome in the role. Really, this is just an overall well acted movie.

The score for the movie was composed by Christopher Drake and it was pretty great. It was big, dramatic, epic, exciting, and just overall fit the movie very well. Definitely one of the best scores I’ve heard from one of these direct-to-video DC movies.

This movie was directed by Lauren Montgomery and she did a great job here. The scenes flow very well and none of them feel out of place or like they overstay their welcome. And since this is an animated movie, how is the animation? It’s quite good. Remember, we’re judging this based on direct-to-video animations, since they (this included) don’t get the same budget big animated features do. But yeah, overall the animation here is quite good. Everything flows nicely and just looks overall good. Especially the action scenes which are just fun and exciting and badass.

This movie has been pretty well received. On Rotten Tomatoes it has an 88% positive rating. On Metacritic it doesn’t even exist. And on imdb.com it has a score of 7,4/10.

“Wonder Woman” is another great DC animated movie. It has a really good plot, really good characters, great performances, great music, and really good animation. Time for my final score. *Ahem*. My final score for “Wonder Woman” is a 9,78/10. This of course means that it gets the “SEAL OF APPROVAL!”.

My review of “Wonder Woman” (the animated one) is now completed.

If you’re wondering if I will review the new live action movie, I might. Not sure exactly when, but it will probably happen in the near-ish future.

 

Movie Review: Justice League: The Flashpoint Paradox (2013)

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I’ve made my love for DC’s animated movies very clear several times on my blog, so I’m not gonna ramble on anymore about that on this post. So let’s just get into the review.

Ladies and gentlemen… “Justice League: The Flashpoint Paradox”.

Barry Allen (Justin Chambers) wakes up one day to find that everything is different from what he’s used to. His mother’s alive and he no longer has his powers. So he then teams up with a very different Batman (Kevin McKidd) to try to get everything back to normal. And with that said, I do think that the plot here is surprisingly good. Sure, parts can feel a little bit rushed at times because of the 75 minute runtime, but it’s still a really interesting premise that was kept me interested and entertained for all of those minutes.

The characters here are all interesting and entertaining in some way. Justin Chambers does a good job as Barry Allen/Flash. I thought C. Thomas Howell was great as Professor Zoom, he really was the perfect mix of menacing and cocky. Kevin McKidd was great as the flashpoint version of Batman, perfectly playing this very angry individual who also happens to be a little bit of a dick. Then we get a bunch of other really good vocal performances from people like Michael B. Jordan, Steve Blum, Cary Elwes, Nathan Fillion, Danny Huston, and a bunch of others.

The score for the movie was composed by Frederik Weidmann and it was pretty damn good. It’s a really exciting and even at times dramatic score that perfectly works to the movie’s advantage. Yeah, it’s kind of awesome.

So how is the animation in this animated movie? Well, since this was a direct-to-DVD animation I have to judge it a little differently than any big Disney animations we seee in theaters. But I do overall think the animation was really good. Especially during the action scenes, they looked really good and were loads of fun to watch.

Since this is a DC animated movie, it barely exists on the sites I tend to use here. But on Rotten Tomatoes it has a 100% positive rating. On Metacritic it doesn’t even exist. And on imdb.com it has a score of 8,1/10.

“Justice League: The Flashpoint Paradox” is another great animated movie from DC. It has a really good plot, good characters, great performances, great music, and great animation/action (for this kind of movie). Time for my final score. *ZOOM*. My final score for “Justice League: The Flashpoint Paradox” is a 9,88/10. So it of course gets the “SEAL OF APPROVAL!”.
seal-of-approval

My review of “Justice League: The Flashpoint Paradox” is now completed.

Makes you wonder what certain characters that we didn’t see would be up to in the flashpoint timeline.

Movie Review: Guardians of the Galaxy (2014)

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Everybody loves Marvel (except for DC fanboys who won’t admit they do like Marvel). Personally I am a bit of a fence sitter when it comes to the comic giants. It all depends on the comic/movie/cartoon/series itself. I like Iron Man…but I also like Batman. I like Superman…but I like Thor as well. But that is not the point right now. The point is the fact that Marvel made a movie…about a comic series popular among Marvel nerds…but no one else know who they are. What is this movie? Will I like it? Those are questions we will get answers for today!

Guys and girls…”Guardians of the Galaxy”.

Peter Quill (Chris Pratt) is a bounty hunter. 26 years ago he was abducted by a bunch of aliens led by the bounty hunter Yondu Udonta (Michael Rooker). But now as I said, he is a bounty hunter himself. One day he is on the hunt for this mysterious orb…thingy. When he finds it he is attacked by a man named Korath (Djimon Hounsou). Korath is there to get this orb for his boss, Ronan the Accuser (Lee Pace). After a quick, but not too graceful escape, Peter (Also called Star-Lord in the movie) makes it to a planet to trade in the orb for cash. But soon he gets hunted down by three very odd people for various reasons. Gamora (Zoe Saldana), who wants the orb. Rocket Raccoon (Bradley Cooper) and his companion, the waling tree, Groot (Vin Diesel) wants Peter because he has a bounty on his head. Soon they all end up in jail where they meet the very dangerous Drax the Destroyer (Dave Bautista). Soon they all escape to A. Sell the orb to get a load of cash…and B. Kill Ronan (Mainly Drax). Now this might seem like an odd and not very detailed plot for a movie…and you would be right if I didn’t have my rule…the execution. And I have to say the execution for “Guardians of the Galaxy” is fucking amazing. It is somewhat simple, but fun. They have a straight narrative in this movie and never veers off track. Also…the story is so weird, yet so amazing.

I honestly think the characters are the highlight of this movie. They are amazing! Not only very well-acted, but also incredibly well-written. Let’s start off with the main star(lord) of the movie…Peter Quill. Not only is he the most prominent character in the movie, but he is also the fleshed out. He not only gets a well-written (And somewhat heartbreaking) backstory, but he also got the most personality. Next up is Gamora, she got a great backstory (which you’ll find out about later in the movie) that could actually make it’s own, pretty interesting movie. She is a badass (like Zoe Saldana…oh wait). Next up is Drax. His wife and daughter got killed by Ronan…but that is as far as it goes. They never touch too much on the subject, which kind of makes the character a little underwhelming. It might also be because Dave Bautista is a wrestler…not an actor. Next is Groot, the walking tree. He is a walking tree voiced by Vin Diesel…there is not much. Yet he is a great character. He is kind hearted, badass and only speaks in three words: “I am Groot”. So usually Rocket will have to translate what he said for the others (He and Groot are old buddies). You guys are probably wondering why I finish with the fucking Raccoon…but that is the reason. He is a gun toting, trash talking raccoon voiced by Bradley Cooper. He stole the movie. The only character in the movie I had the biggest problem with in the movie was the villain, Ronan. He wasn’t really that interesting. “Avengers” at least had Loki. And “Iron Man” had Obadiah Stane…but Ronan is not interesting in any way. I admit, Lee Pace did a good job…but the character itself wasn’t that interesting.

The music in this movie is fucking amazing. It is as most modern sci-fi/action movies. In that sense I mean it is a mix of original orchestral songs and licensed tracks…and I fucking love that. The most known track is “Hooked on a feeling” which was featured in both the trailer and this movie. But in general…I loved it.

This movie got some of the best visual effects that I have scene in any sci-fi movie ever. I especially loved the effects on both Groot and Rocket…they looked amazing. Also, the camera work, oh my god it was really good! James Gunn really shows how to make a good looking movie. Also, this is the funniest movie I have ever seen (without it being dumb-dumb comedy). Not only funniest Marvel movie, but funniest in general. I laughed so much during this movie.

“Guardians of the Galaxy” is one of those movies that got really good reception. On Rotten Tomatoes it has a 92% positive rating with a “Fresh” certification. On metacritic it has a score of 76/100. On imdb.com it got a score of 8,6/10 and is (At the time of this review) ranked #52 on the Top 250 list.

I said some things. Some good things, and one slightly less good thing. But that slightly less good thing doesn’t bring the movie down that much. Time to throw out my final score for the movie! “Guardians of the Galaxy” gets a 9,97/10. It is a fun, action-y, hilarious sci-fi adventure with good acting, great effects and a lot of heart. This movie gets the “SEAL OF APPROVAL!”.
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“Guardians of the Galaxy” is now reviewed.

This will probably end up my favorite movie of the year (Unless “Interstellar” somehow beats it).