The Great Villain Blogathon 2019: Wafner from Overlord

Well hello there, people. Hope you’re doing well. Today I will be going out of my regular review wheelhouse a bit. When it was announced that the lovely ladies of Speakeasy, Silver Screenings, and Shadows & Satin were hosting a blogathon about movie villains, I of course had to sign up. I actually took part in another one of these about two years ago, so I’m happy to join another one! So let’s stop it with the introductions and get into my pick for The Great Villain Blogathon 2019!

Last time I took part in a villainous blogathon, I went back a handful of years and talked about the T-1000 from “Terminator 2”. So this time I went for a more recent thing. And to give you a fair warning: There will be spoilers for the entire movie. So if you haven’t seen this movie and want to remain unspoiled, maybe go and give it a rental, watch it, and then come back.

Meine Damen und Herren… This is Wafner from 2018’s “Overlord”.

“Overlord” is a 2018 world war 2 action-horror film directed by Julius Avery and starring Jovan Adepo, Wyatt Russell, and Pilou Asbæk. It’s about a group of American soldiers who crash behind enemy lines on the night of D-day to take out a nazi communications tower so that the landing on Normandy beach can happen. But as they make their way further into the compound, they find more than just nazi punks in there. To be exact, they find that the nazis are experimenting on the local population to try to create super zombie soldiers. Simple plot with a fun twist to it. Not revolutionary, but highly enjoyable. So how does Wafner (played by Pilou Asbæk) fit into this? Well, he’s a nazi captain that serves as the primary antagonist of the story. What’s interesting is that it takes about 20 minutes for us to even catch a glimpse of him, and even then it’s shrouded in darkness and at a distance. It’s not until the 33 minute mark that we finally get properly introduced to him, when he invades the private space of a French woman that helps to hide our heroes.

Wafner: “Do you hear zat?”. Chloe: “What?”. Wafner: “Sounds like our movie is failing at ze box office”.

Right in the first minute of his introduction he just gets under my skin. No, not because he’s a nazi, though that is certainly a turn-off. No, there’s just a certain creepiness to him. He’s not the over-the-top villain one might expect (yet), instead going for a more subtle and slimy creepiness, which is just perfectly delivered by Asbæk. And even though he does seem calm and composed, you can still sense that there’s a ruthlessness to him, which makes you not want to mess with him. Even when he’s captured later in the movie by our heroes, he has a way of getting under one’s skin.

Wafner: “Dood, you should totes inject me with zat”. Ford: “No nazi steroids for you”. Wafner: “Oh nein”.

What I like about Wafner is that he’s just a villain. So many movies these days try to give their villains actual depth, maybe even give them some qualities that we can sympathize with. And while I enjoy that to some extent, I prefer that they didn’t try that with Wafner here. He’s just a ruthless, smirking, villainous villain. He wants to create a super zombie army so the nazis can take over the world. As Wafner puts it “A thousand year reich requires a thousand year army”.

Eventually he manages to escape capture through cunning and deception. So he’s not just a ruthless nazi commander, but he’s also intelligent, which makes him an even more dangerous villain. But he doesn’t get away completely scot-free.

Gotta admire it when a guy can crack a smile even though half his fucking face has been blown off.

If he wasn’t dangerous enough already, he injects himself with the experimental super soldier serum, turning him borderline invincible. So you have an angry, ruthless, cunning, and creepy nazi captain that can’t be killed by conventional means. Makes for quite an intense finale. All boosted by Pilou Asbæk’s over-the-top yet excellent performance.

When asked what he likes to do during his spare time, an unusually reserved Wafner told us about his recent infatuation with making stop-motion films using the corpses of his enemies.

So that was a bit about Wafner from Overlord. He’s not particularly deep, but he’s quite intimidating and works incredibly well as a primary antagonist for this crazy genre hybrid. He’s an old school villain for the sake of having an old school villain, and I god damn salute that.
Once again I have to give a huge thanks to Speakeasy, Silver Screenings, and Shadows & Satin for letting me take part in this. I had fun. Plus, it gave me an excuse to rewatch one of my favorite movies of last year.
Have a good one.

Movie Review: Overlord (2018)

*Ron Perlman voice activated* War… war never changes. *Ron Perlman voice deactivated*.

Ladies and gentlemen… “Overlord”.

Set during world war 2, we follow a group of American soldiers as they land behind enemy lines in France to take out a nazi transmitter. But as they delve further into the complex, they discover some horrifying things that are unlike anything they have ever seen before. So now we have our historical action-horror plot. And I have to say that I really enjoyed it. Admittedly it’s a very predictable and straightforward plot that doesn’t do much to increase in depth, but that is also what I like about it. Don’t get me wrong, complex plots with twists and turns are great, but there’s something oddly refreshing about the simplicity of “Overlord”. It does slow down at a couple points to build on the characters, but that is just a plus for this movie as it gives the audience some room to breathe in between all the intense war stuff. So yeah, the plot is simple and predictable, but it’s also tense, badass, engaging, and just fun.

The characters in this are simple, but they’re also interesting and entertaining. First up we have Jovan Adepo as Boyce, who more or less is the rookie in the team.  A good kid who sees the horrors of WW2 and has to step up. But they play around with that pretty well here. And Adepo is great in the role. Next we have Wyatt Russell as Ford, the badass Corporal who takes no shit and is a little stern. Russell is great in the role. Next we have Mathilde Ollivier as Chloe, a French woman that our squad of heroes meet. She’s tough, she’s resourceful, and she’s willing to help the Americans stop ze nazis. And Ollivier is really good in the role. And then we have Pilou Asbæk in the role of evil nazi captain. I know his character has a name, but that doesn’t matter because evil nazi captain is all you need to know. A clear villain, no grey areas here. And Asbæk is great in the role. We also get supporting work from people like John Magaro, Iain De Caestecker, Jacob Anderson, Bokeem Woodbine, and more, all doing very well in their respective roles.

The score for the movie was composed by Jed Kurzel, and it was really good. It uses a lot of heavy percussion to simulate the intensity of wartime, while also implementing some intense brass stings, trodding bass, some tense string work, and it all comes together to create some music that really helps the suspense and intensity of the movie go above and beyond.

The movie was directed by Julius Avery, and I think he did a great job with it. He captures the uncertainty and suspense of being within this situation. You’d almost think this would be a straight up intense shoot-em-up all the way through, but there’s a surprising amount of sneaking around as well, and I think that adds a lot of tension to the movie. That’s not to discredit the shootouts, because when the bullets start flying, it is some of the most intense and brutal action I’ve seen in quite a while. The violence here will please fans of war films, as well as fans of gory horror stuff. There are also a couple jumpscares here, and I think they work well enough. They may be predictable, but they’re not false, and they did still get to me. Good shit.

This movie very recently came out, but so far it’s been pretty well received. On Rotten Tomatoes it has an 82% positive rating and a “Fresh” certification. On Metacritic it has a score of 58/100. And on imdb.com it has a score of 7,2/10.

“Overlord” isn’t the most original movie, but it’s still one hell of a ride that I liked a lot. It has a really good plot, good characters, great performances, really good music, and great directing. Time for my final score. *Ahem*. My final score for “Overlord” is a 9,87/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Overlord” is now completed.

Came because of AC/DC, stayed for the HOLY SHIT, THAT’S BRUTAL.

Movie Review: Where Eagles Dare (1968)

Time to jump in the wayback-machine and review a “classic”. I only put quotations there to throw people off as to what my opinion could be, you’re gonna have to read it to find out what I think about it, you lazy bastards.

Ladies and gentlemen… “Where Eagles Dare”.

Set during the second world war, we follow a squad of British (and one American) soldiers as they make an attempt to infiltrate a nazi-filled castle and save an American general. So now we have our rescue operation. And is the plot any good? Yeah, I’d say so. What I like about it is that as they early during the movie get behind enemy lines, which helps give the movie an extra layer of suspense, since they have no real allies where they are, it’s all on their shoulders. There are also a few clever little twists and turns throughout, giving the plot a little extra unpredictability, which is something I really enjoyed. So yeah, the plot here is really good.

The characters here aren’t necessarily the deepest, but the few that we do have as our main leads I found to be quite entertaining. Richard Burton (R.I.P) plays Smith, a British army major with a few tricks up his sleeve. As we go through the movie we learn that he’s a tricky bastard who always seem to be one step ahead of everyone else. And Burton is great in the role. Then we have Clint Eastwood as Schaffer, an American lieutenant that has been assigned to Smith’s rescue squad. He’s basically an Eastwoodian stoic badass… which I have no problem with, as it creates an interesting contrast with the conniving Smith. And Eastwood is really good in the role. Then we have Mary Ure (R.I.P) as… Mary. She’s a British agent that the guys team up with during their mission. And she’s both intelligent and a badass. And Ure is really godo in the role. As for the other characters, they’re not really worth talking about, because they don’t quite have the same focus as the three I just talked about. But I can at least say that the supporting cast, containing people like Michael Hordern, Robert Beatty, Neil McCarthy, and Brook Williams, is great. ’tis a well acted movie.

The score for the movie was composed by Ron Goodwin and it’s pretty fucking great. It’s quite big and loud, opting for a more exciting a triumphant sound with no real subtlety in it. And it makes for some real ear candy as it helps add a lot of excitement throughout the movie.

This movie was directed by Brian G. Hutton (R.I.P) and I think he did a really good job here. I mentioned that the plot has a good amount of tension to it, but a lot of tension in this movie comes from Hutton’s direction, which really helps sell the frantic situation that our heroes have found themselves in. He also handled the action scenes very well, they’re really exciting.

This movie has been well received. On Rotten Tomatoes it has a 90% positive rating. On Metacritic it doesn’t even exist. And on imdb.com it has a score of 7,7/10.

“Where Eagles Dare” is an exciting and very well crafted war movie. IT has a really good plot, okay characters, really good performances, great music, and really good direction. Time for my final score. *Ahem*. My final score for “Where Eagles Dare” is a 9,62/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Where Eagles Dare” is now completed.

Attacking a nazi castle? Is this Wolfenstein?

Movie Review: Flame & Citron (2008)

Vive la resistance? I don’t fucking know.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a movie… which it is. Disclaimer over.

Ladies and gentlemen… “Flame & Citron”.

The story follows two Danish resistance fighters known as Flame (Thure Lindhardt) and Citron (Mads Mikkelsen) as they battle nazis in Denmark during the second world war. But as they do their mission(s) of taking out nazi targets, they soon find themselves doubting their mission and who their allies/enemies might be. So now we have a pseudo-spy-drama set in WW2 Denmark. And it’s actually quite an enthralling plot, taking several interesting twists and turns while still keeping it fairly simple and straightforward. My only flaw with the plot is that the pacing drags a little bit at times. It’s not often it happens and it’s not a total deal-breaker, but it does bring it down a little bit. But overall it is a really good plot.

The characters here are flawed, layered, and quite interesting. Thure Lindhardt plays Flame, the titular resistance fighter whose mission it is to kill nazis. He goes through a lot of shit in this movie, portraying all kinds of emotions. And Lindhardt is great in the role. Mads Mikkelsen plays the other title character, Citron (AKA Lemon, but shut up), and as you would expect, he’s great in the role… he’s Mads Mikkelsen, he’s always great. Stine Stengade plays a woman that Flame meets and gets to know throughout the movie, and she’s great in the role. Christian Berkel plays a very important nazi here, and he’s great in the role. Overall it is a very well acted movie filled with solid performances.

The score for the movie was composed by Karsten Fundal and it is great. It’s dramatic, tense, slightly haunting, and just really beautiful. It really helped elevate a lot of scenes in the movie, whether it was adding tension or making something a little more emotional. Truly great stuff.

This movie was directed by Ole Christian Madsen and I think he did a great job here. His direction is surprisingly stylish for this type of movie, but it never takes away from more quiet and serious moments. And it does look really good, showing that there’s a good eye behind the camera. The movie also has a couple of action scenes throughout, and while they’re stylized in some ways, they aren’t the overly flashy things that you often see in Hollywood movies. They’re really exciting and badass, with the final big action scene being especially riveting.

This movie has been well received. On Rotten Tomatoes it has an 87% positive rating and a “Fresh” certification. On Metacritic it has a score of 74/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 7,3/10.

“Flame & Citron” is a pretty damn good historical thriller. It has a really good plot, really good characters, great performances, great music, and great directing. Like I said earlier, my only flaw with it is that the pacing slightly drags at one or two points. Time for my final score. *Ahem*. My final score for “Flame & Citron” is a 9,33/10. So while slightly flawed, it is still definitely worth buying.

My review of “Flame & Citron” is now completed.

We’re going to be doing one thing, and one thing only… killing nazis!

“Wolfenstein 2: The New Colossus” E3 Trailer!

Hello there, ladies and gents. Like I said in my previous post *nudge nudge, wink wink*, I would cover a whole bunch of trailer coming out of E3. So here we go with number 2.

So we have our first trailer for “Wolfenstein 2: The New Colossus”, the sequel to “Wolfenstein: The New Order”, a game where you can turn super-nazis into red paste… yes, it’s as amazing as it sounds. Bit of backstory. After having devloped super-technology, the nazis more or less won World War 2. But in a last stand effort in 1946, the allied forces sent one more batch of soldiers to try to stop the evil nazi science man (Dwight Schultz). But the allied forces kind of fucked up which led to the squad leader, William J. Blazkowicz (Brian Bloom) falling into a coma for the next 14 years. Then in 1960 he wakes up and teams up with his nurse (Alicja Bachleda) to find the resistance and stop the evil super-nazis. Also, Jimi Hendrix is there for some reason. It was a great game. Now, I’m gonna spoil the ending of the game. That’s not really a choice of mine, I need to do it to discuss the story presented for this game. *Sigh*. At the end of “The New Order” you fight your way through the super-nazi castle (yes, you read that right) to find Deathshead (that’s the evil nazi science man) and kill him. Which you finally do in a challenging but badass boss battle. Then the entire place explodes, presumably killing B.J. But now with “The New Colossus”, it seems like he fell into a coma… AGAIN… and woke up from it… AGAIN. Oh well, no use crying over repeating themes. But now the nazis have truly taken over, making the world look like a slightly less depressing version of “Man in the High Castle” (a show I reviewied once, *nudge nudge, wink wink*). So now B.J. has to work with a new and improved resistance to hopefully stop the super-nazis once and for all. All of it presented in one of the best game trailer I have seen. It shows some fun ads at the start, gives us a look at the cutscenes and dialogue, and even gives us a bit of gameplay towards the end… and god damn, this looks fucking incredible! “Wolfenstein 2: The New Colossus” is set to be released on October 27th of 2017.

What are your thoughts? Are you excited for “The New Colossus”? And what did you think of “The New Order” (if you played it). Leave any and all thoughts in the comments.
Have a good one and enjoy the trailer!

Movie Review: Green Room (2016)

green-room-movie

Usually I try to come up with some clever opening to my reviews that somehow relates back to the movie that I’ve watched… but this time I couldn’t think of anything. Well, at least something that sounds good. So let’s just get into it.

Ladies and gentlemen, welcome to the… “Green Room”.

Pat (Anton Yelchin, R.I.P.) is part of a punk rock band. And one day the band gets a gig at a neo-nazi bar. At first it looks like everything’s going fine… but then they become witnesses to a horrible crime in there, which means that the nazis lock them in a room to be able to deal with them later. So now our “heroes” have to try to escape the nazis and their cold, calculating leader (Patrick Stewart). The idea of this plot alone intrigued me to no end, I found it to be a really interesting premise. And the execution of the plot itself, it was really good. As the film went along I was constantly on edge, never knowing what type of turn the plot was gonna take next. From the moment the band came to the nazi bar to the final shot, I was hooked and on edge, it was so great.

Oh boy, how do I put this… the main characters of this movie weren’t the most intelligent bunch in cinema history. Seriously, they get dumb ideas and make stupid decisions like a lot of horror movie characters. The director has joked about this before, saying that this is the final part in his unofficial “inept protagonist trilogy”. Still, that doesn’t really justify the characters being kind of stupid to the point of lesser annoyance. Oh well, I can at least appreciate that the nazis weren’t stereotypically cartoony villains, instead feeling very grounded and surprisingly realistic. I can also say that the performances were really good. Anton Yelchin (god rest his soul) is very likable in the lead role and to give credit where credit is due, his performance was very good. Imogen Poots did a great job in here role as well. Then we also have Patrick Stewart who like I said, played the leader of the nazis, a role that feels really weird for a man like him. Seriously, he’s one of the least nazi people on the face of the earth. Anyway, his performance was terrific, very understated, truly nailed it. And every other supporting actor in the movie did really well for themselves too.

The score for the movie was composed by Brooke Blair and it was really good even if I rarely noticed it. The score is surprisingly quiet and never pulls attention away from anything. But listening to it afterwards, I have to say that it was really good. Then there were of course some punk/metal song in the soundtrack that I think worked for the movie, even if I’m not the biggest fan of the tracks in general. Except for one track that started right at the end, msotly because it’s a totally different genre and it was just great.

This film was directed by Jeremy Saulnier who I think did a terrific job with the directing of this movie. The directing is very tension-filled and never let’s you feel relaxed. Yes, it’s not a straight-up action thrill ride, but it’s a very intense thriller that really got under my skin. Speaking of getting under skin, this film is really brutal and gory. I’m not talking like there being blood that shoots out everywhere all the time. I mean it more like there being several moments featuring blood and gore that was very realistic and brutal and actually made me a bit queasy, which is something that very rarely happens. Also, the cinematograpy is absolutely beautiful. Dark and icky… but beautiful.

This movie has been very well received. On Rotten Tomatoes it has a 91% positive rating. On Metacritic it has a score of 79/100. And on imdb.com it has a score of 7,2/10.

“Green Room” may have some annoyingly stupid characters, but overall I found it really good. The plot is great, the acting is great, the music is good, the directing is terrific, and the film had me on the edge of my seat the entire time. Also, it made me feel queasy from the gore, somethign that very rarely happens, so I applaud it for succeeding with that. Time for my final score. ANARCHY IN THE UK! My final score for “Green Room” is a 9,01/10. It’s definitely worth buying.
Worth buying

My review of “Green Room” is now completed.

Never do anything near nazis, kiddos.