Movie Review: Adult Behavior (1999)

Hi there friends. Recently on twitter I announced that I would do a little series called “Summer of the Swedes”, in which I would take a good chunk of my summer to cover more movies from my home country of Sweden on here. I’m not the most well versed in my own country’s output, so I think this little series of mine could be a good way to experience more of it. So let’s get into the first review in this series!

Ladies and gentlemen… “Adult Behavior” (Original title: Vuxna Människor).

Frank (Felix Herngren) works for a respected law firm and lives an alright life with his wife (Karin Bjurström). However, he is also very bored with his life, often drifting off into sexually charged fantasies about most women that he sees. This soon leads into Frank cheating on his wife with a young art student (Källa Bie). However, Frank isn’t the only one in a precarious spot, as those around him also have complications of their own to navigate. “Adult Behavior” has an interesting setup, and even has some interesting things to say about its situations and characters at times. But as a whole, the plot does disappoint slightly. At first it really seems like it will explore its themes and characters in-depth, but never quite goes as far as they probably could. They also have a trouble with tone, sometimes it’s more on the lighthearted side of things, and sometimes it’s quite serious, but there’s no natural transition between the two to justify the sudden switches. This isn’t saying that there aren’t things to appreciate in the storytelling, just that it could’ve used a few more tweaks. But as for what we got, it’s okay.

The characters in this are flawed, somewhat layered, and pretty entertaining. Felix Herngren plays Frank, our main character. He’s a somewhat immature, very horny man. I think he’s probably the most interesting one in the cast since we get to see right into his mind as he drifts off at several points throughout. And Herngren is really good in the role. The rest of the cast, consisting of people like Karin Bjurström, Källa Bie, Mikael Persbrandt, Cecilia Ljung, and more, all portray pretty interesting character, and all give good performances.

The music for the movie was composed by Matti Bye, and it was alright. It’s a little different than other film scores I’ve heard, going for a mildly psychedelic pop-rock vibe that adds a weird and unique edge to the movie. The movie also uses the song “Happy Together” by The Turtles, and I think the usage of it is pretty clever.

“Adult Behavior” was written by Fredrik Lindström, with direction by Lindström and Felix Herngren. And I think they generally did a good job with that stuff. They have really good control of camera and blocking, giving us some visually interesting scenes. There’s also some fun editing going on here, mainly in the scenes switching between the real world and Frank’s filthy thoughts. And since the movie’s a comedy, how is the humor in this? It’s alright. There’s some really funny jokes, but there’s also a bunch that don’t really land, because there’s little to no punchline in them. Really, on that fron it’s kind of a mixed bag.

On Rotten Tomatoes it exists, but has no rating. And on imdb.com it has a score of 6,1/10.

“Adult Behavior” is a mixed bag of a movie. It has an underdeveloped (but overall okay) plot, good characters, great performances, pretty good music, good directing/editing, and mixed comedy. Time for my final score. *Ahem*. My final score for “Adult Behavior” is a 6,25/10. So while heavily flawed, it can still be worth a rental.

My review of “Adult Behavior” is now completed.

Look forward to more Swedish flicks being discussed this summer.

Movie Review: Perfume: The Story of a Murderer (2006)

If you were to ask me for perfume related advice, then I’d simply tell you that you’d gone to the wrong guy. All I can say “this one makes my nose burn” or “this one doesn’t make my nose burn”. So you better go ask someone else. But if you wonder about a perfume related movie, then I’d be happy to assist.

Mesdames et Messieurs… “Perfume: The Story of a Murderer”.

Jean-Baptiste Grenouille (Ben Whishaw) was born with an insanely powerful sense of smell, putting him on a quest to make perfumes. But as he searches for that ultimate scent, he starts spiraling a dark and sinister path from which there is no return. This setup shows a lot of promise, and even has some moments that could make for excellent drama. And yet I never gave a shit about anything going on throughout the story. That’s not to say I was bored, or that anything was outright bad, because it was all perfectly watchable. It’s just that the storytelling felt quite flat and lifeless. I’m not sure how else to explain it. The tale itself is interesting, but the way that it’s told just never felt like it had any actual purpose or even interest in adding actual depth to proceedings.

The characters, like the story, have interesting enough setups, but in execution falls somewhat flat, only really being elevated by the actors playing them. Ben Whishaw is excellent as Grenouille, giving a mesmerizingly restrained performance that was hard to take my eyes off of. Dustin Hoffman is really good as Grenouille’s cantankerous mentor. Alan Rickman is great in his role. Really, every actor in this kills it. Just wish the material they were given had more life to it.

The score for the movie was composed by Reinhold Heil, Johnny Klimek, and Tom Tykwer, and I thought it was quite good. It’s quite eerie, but also has an underlying sadness to it, making for a somewhat haunting soundscape that helped in keeping my attention through the movie.

Based on the novel of the same name by Patrick Süskind, “Perfume: The Story of a Murderer” was directed by Tom Tykwer, whom I think did a mostly great job. Where the screenplay (which was co-written by Tykwer, Andrew Birkin, and Bernd Eichinger) falters at times, they often make up for it with the production values. Tykwer’s otherworldly direction makes for an almost hypnotic experience, especially when combined with Frank Griebe’s breathtaking cinematography, which often had me going “wow”.

“Perfume” has gotten mixed reception. On Rotten Tomatoes it has a 59% positive rating. On Metacritic it has a score of 56/100. And on imdb.com it has a score of 7,5/10.

“Perfume: The Story of a Murderer” may have a lifeless narrative and slightly underdeveloped characters, but I can kind of recommend it if you want to experience great acting, music, and cinematography on a rainy Sunday. Time for my final score. *Ahem*. My final score for “Perfume: The Story of a Murderer” is a 6,08/10. So while heavily flawed, I can still say that it could be worth renting.

My review of “Perfume: The Story of a Murderer” is now completed.

Meh.

Series Review: Second Chance (2016)

Do you ever think about what happens after we die? I mean, sure, our bodies stop functioning and there’s just a lifeless husk. But if you allow yourself to add the idea of a soul to the human equation, it becomes way more intriguing. Does it stay in the same space, experiencing everlasting darkness, or will it move on to a new host? I’m just intrigued by this kind of stuff.

Ladies and gentlemen… “Second Chance”.

When ex-sheriff Jimmy Pritchard (Philip Baker Hall) gets killed when trying to stop a break-in, he is brought back from death by twins Mary (Dilshad Vadsaria) and Otto (Adhir Kalyan), this time as a much younger and more powerful man (Rob Kazinsky). And Pritchard uses this second chance to try to reconnect with his son (Tim DeKay) and help him solve crimes. That’s right, they have a clever setup for a sci-fi/drama, and they force in a procedural element. And the case each week isn’t even sci-fi related (bar like one), but instead tends to be more regular affairs. And while it could get away with this with clever writing, á la “Lucifer”, it doesn’t really have that going for it. I wouldn’t call the story of this show bad. The individual cases are fine distractions, and the few times they introduce a more overarching plot to it all it is pretty fun. And the occasional bit of family drama works pretty well too. So overall… this stuff is okay.

The characters in this have good setups, and are on occasion pretty interesting. In our leading role we have Rob Kazinsky as the recently resurrected Jimmy Pritchard. A rough-around-the-edges ex-sheriff with a rocky past, trying to do good in his newly given second chance, even if it isn’t always easy. And that makes him a fun character to watch, with Kazisnky bringing a rugged charisma that makes him even more fun to watch. Dilshad Vadsaria and Adhir Kalyan as the two twins have an interesting dynamic since they’re such opposites in various regards, and I thought they both were good in their roles. Tim DeKay as the disgruntled son is a bit of fun, and makes for some good scenes between him and Kazinsky. And I can’t complain about the occasional bits we get with Philip Baker Hall, because he’s just great. Really, it’s a mostly solid cast.

The score for “Second Chance” was composed by John Paesano, and this is the weakest work I’ve ever heard from him. Now, that’s not saying Paesano’s a bad composer, because he’s fantastic. It’s just that his score here is so bland and unmemorable that if I tried remembering and humming it right now, a singularity of blandness would erupt in my room, causing everything in here to turn grey and brown. Again, Peasano is great, but I get the feeling he wasn’t allowed to flex his composing muscles here.

The show was created for the FOX network by Rand Ravich, with writing by him and other cool people, and direction by various people. And the craft here is fine. Most of the time it’s standard single cam setups, with little thought to much else. On occasion we get a decent shot, and sometimes we get some decently enjoyable action. But the overall craft here doesn’t go much further beyond pretty good, probably because of the limitations of the procedural format.

This show has gotten some mixed reception. On Rotten Tomatoes it has a 30% positive rating. On Metacritic it has a score of 47/100. And on imdb.com it has a score of 7,5/10.

While it doesn’t do much to stand out from the pack, “Second Chance” is still a decent Sunday afternoon distraction. It has an okay plot, good characters, really good performances, mediocre music, and decent writing/directing. Time for my final score. *Ahem*. My final score for “Second Chance” is a 6,57/10. So while heavily flawed, it can still be worth a watch.

My review of “Second Chance” is now completed.

It seems FOX isn’t gonna give this show a… second chance.

Movie Review: Spider-Man 3 (2007)

And so we come to the end of this review series on the Raimi-directed “Spider-Man” movies. It’s been fun revisiting this franchise. So let’s talk about the final part!

Ladies and gents… “Spider-Man 3”.

Peter (Tobey Maguire) seems to finally have his life under control. But that soon takes a dark turn when a mysterious space goop enters his life and changes his for the worse. All the while a super-powered petty criminal (Thomas Haden Church) roams the city after having escaped from prison. ALL THE WHILE Peter finds himself in some love triangle drama with Mary-Jane (Kirsten Dunst) and Gwen Stacy (Bryce Dallas Howard). ALL THE WHILE his- fuck this. Just… fuck it. There are elements in the plot that are good. But overall, it’s a god damn mess. It has more threads than a spider web, and they are all (for the most part) paper thin. Like I said, there are some nice parts here too, some finely handled dramatic/emotionally charged bits. But they all find themselves tangled up in this scatterbrained web.

The characters here are mixed. Some are nuanced and interesting, and some are Topher Grace as Eddie Brock. The returning core cast of Tobey Maguire, Kirsten Dunst, and James Franco are all great in their roles, and do wonders with the material they’re given (which sometimes isn’t great). Rosemary Harris as Aunt May is still the warm, comforting presence she’s always been. J.K. Simmons as J. Jonah Jameson is still an absolute blast to watch. As for new blood, there’s Thomas Haden Church as Flint Marko/Sandman. He’s given a surprising amount of development, and gives a really solid performance. And then we have the aforementioned Topher Grace as Eddie Brock. Look, Grace is not a bad actor, and he actually does a good job playing an absolute slimeball here… but he feels miscast for the character of Eddie Brock. And the stuff they do with the character here… just, no. Overall, decent cast.

Unlike the first two movies, the score in this one wasn’t composed by Danny Elfman. Instead, musical duties were handed over to Christopher Young, who I think did a great job. He incorporates Elfman’s iconic theme wonderfully, while still bringing his own flair to a lot of the other tracks. There are some emotionally charged pieces here that really work well within the movie.

As we’ve pointed out already, “Spider-Man 3” was, like its predecessors directed by Sam Raimi, who I think mostly did a great job here. I say mostly, because compared to the other two, there’s a lot more leaning on CGI for various things in this one. Which also makes some bits look a bit wonky, especially a chase scene early on in the movie. There is cool stuff to it, but overall the green screen effect looks kinda unfinished. And there are a few CGI humans in this movie, and they were a bit distracting. But with all that said, whenever it doesn’t use shit effects, it looks good. The action scenes in this are generally great, with one fight scene some ways into the movie being one of my favorite parts of it.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 63% positive rating. On Metacritic it has a score of 59/100. Roger Ebert gave it 2/4 stars. And on imdb.com it has a score of 6,2/10.

So while “Spider-Man 3” is a bit of a let-down compared to the first two, it’s still an enjoyable superhero movie. It has a messy plot with good moments, mostly good characters, really good performances, great music, and good directing/action with only a few wonky effects. Time for my final score. *Ahem*. My final score for “Spider-Man 3” is a 6,95/10. So while flawed, it’s still worth a rental.

My review of “Spider-Man 3” is now completed.

Bit a downer to end this series on. C’est la vie, je suppose.

Movie Review: Saturday Night Fever (1977)

Ah the disco trends of the late 70s. Such an interesting era for music and clothing. Not much else that I can say, it’s just fun.

Ladies and gents… “Saturday Night Fever”.

Tony Manero (John Travolta) has a pretty shitty family life, always getting put down by his parents. So to get away from that shitshow, he often goes to a local dance club, where he absolutely dominates. So we follow Tony as he deals with life. And this plot is as mediocre as it gets. It tries to be layered, it tries to be nuanced… but it’s not. It thinks itself clever, but it’s a shallow and uninteresting look at the life of this dude. The tone is also all over the place. Now, I can watch a movie switch between tones without any issue as long as the writing is good enough to make the switch feel natural. But the writing here isn’t good enough to carry the tonal changes that occur throughout the movie. This movie doesn’t always know what it wants to be. Is it a character study or is it a boogie-woogie dramedy? Because either way, the plot here never really goes above a “meh”.

The characters in this sometimes feel like they have personality, but in the end I feel like they are mostly these inconsistent husks. John Travolta plays Tony Manero, the kid with the titular medical condition. Working class jerk by day, boogie-woogie master by night. He is a very inconsistent character. Sometimes he’s a total douchebag, and sometimes he’s a nice dude. This isn’t natural character growth for him even, as it just kinda happens on a dime. At least Travolta gives a good performance. We also get supporting work from people like Karen Lynn Gorney, Barry Miller, Joseph Cali, Paul Pape, Donna Pescow, Martin Shakar, and more. And while most of the characters could’ve used a few rewrites, the performances were good.

There was a score at a few points in this movie, composed by David Shire. And it was fine, it’s not too noticeable. But you know what is noticeable? All the disco music throughout. Bee Gees, The Trammps, KC and the Sunshine Band, there’s a ton of old school stuff here, and it’s awesome. Not just because it’s overall a bunch of fun music, but because it just works so well for the setting, it helps really build a mood and give the movie some extra energy. So yeah, this movie has good music.

This movie was directed by John Badham, and I think he did a good job here. While the story and writing is lacking, Badham’s direction gives it all an energy that makes it so much easier to watch and feel invested in. And let’s get to the elephant in the room, the dance sequences. For what is a disco inferno without someone lighting up the dance floor? Well, I have to admit, the dance sequences in this are fucking incredible. The way that the character movement blends with the cinematography makes for some really mesmerizing sequences.

This movie has been pretty well received. On Rotten Tomatoes it has an 85% positive rating and a “Fresh” certification. On Metacritic it has a score of 77/100. Roger Ebert gave it 4/4 stars. And on imdb.com it has a score of 6,8/10. The movie was nominated for 1 Oscar in the category of Best actor (Travolta).

Soooo, a lot of people call “Saturday Night Fever” a classic. But I think it’s just… fine. It has a meh plot, meh characters, good performances, great music, and really good directing. Time for my final score. *Ahem*. My final score for “Saturday Night Fever” is a 6,11/10. So while very flawed, it can still be worth a rental.

My review of “Saturday Night Fever” is now completed.

Oh dear. Boogie woogies out of the room.

Movie Review: Ocean’s Twelve (2004)

As I promised last week, I am still going through with reviewing the “Ocean’s” trilogy. So let’s jump into the second part in the series.

Ladies and gentlemen… “Ocean’s Twelve”.

After successfully stealing 160 million dollars, Danny Ocean (George Clooney) decided to settle down and life an easy life with his wife Tess (Julia Roberts). But that relaxing life gets halted when Terry Benedict (Andy Garcia), the man they stole from, threatens to kill Ocean and his friends unless they can give back those 160 million (plus interest). So Danny has to team up with his gang once again to pull some heists in Europe in hopes of paying back their debt. All while a Europol agent (Catherine Zeta-Jones) is on the hunt for them. So now we have our heist sequel plot. And it’s not great. It lacks the tightness and suspense of the first movie’s plot, often feeling a bit disjointed. It’s also pretty boring in a lot of parts. Admittedly this isn’t the worst plot ever, since there are some fun moments throughout to keep it from becoming absolute shit. It’s… meh.

The characters in this don’t really get any significant development, but what I can say is the returning cast are all still a lot of fun to watch as they share some damn fine chemistry. George Clooney, Brad Pitt, Matt Damon, Don Cheadle, Elliott Gould, Bernie Mac (R.I.P), Casey Affleck, Scott Caan, Qin Shaobo, Carl Reiner, Eddie Jemison, Julia Roberts, they’re all fun. Even Andy Garcia who, despite a relatively small role, still gives a quietly intimidating and charming performance. Catherine Zeta-Jones is pretty good as the agent that the guys have to avoid throughout the movie. Again, not a lot of interesting character development here, but I did enjoy the cast.

David Holmes returned to do the score for this, and once again it is really good. It’s fun, energetic, and just helps bring something to the movie to keep it a little more interesting. The licensed tracks used throughout are also pretty good. Not the most catchy or memorable, but they still work pretty good within the movie.

As with the first movie, “Ocean’s Twelve” was shot and directed by Steven Soderbergh, and his direction is kind of what stands out here. While his direction can’t bring suspense to the heist like in the first one, I do admit that no shots he had were uninteresting. As a matter of fact, there are some shots in here that I thought were really good. Again, no real suspense is built here, but his directing is solid enough to keep me interested.

This movie hasn’t been the most well received. On Rotten Tomatoes it has a 54% positive rating. On Metacritic it has a score of 58/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 6,5/10.

“Ocean’s Twelve” isn’t great, but there is some fun to be had throughout. It has a meh plot, good characters, really good performances, really good music, and good directing/cinematography. Time for my final score. *Ahem*. My final score for “Ocean’s Twelve” is a 6,12/10. While not great, it’s still worth a rental.

My review of “Ocean’s Twelve” is now completed.

“Ocean’s Thirteen” next week.

Movie Review: Hope Springs (2012)

Marriage. A bond between a man and a woman. Or a man and a man. Or a woman and a woman. The point I’m trying to make is that it’s a bond, connecting to people (sometimes out of love, sometimes because of horrible shit) in a more powerful way. But even the happiest of marriages can show cracks, especially after a really long time. Let’s explore that.

Ladies and gentlemen… “Hope Springs”.

Kay (Meryl Streep) and Arnold (Tommy Lee Jones) have been married for a long time. And while they have a nice and easy daily routine, Kay feels like their marriage has gotten a bit stale. So she books tickets for them to go to intensive couples therapy to see if she can’t fix their situation a bit. Stories about sexless marriages isn’t anything new, and the plot here doesn’t do anything new or totally unpredictable. Overall I’d call it… fine. It’s breezy and enjoyable enough, with only a few moments of melodrama that sometimes work and sometimes don’t. It’s a harmless enough plot that I’d call fine.

The characters in this aren’t the deepest, but I also don’t hate them. They’re fine. Meryl Streep plays Kay, the one of the two who gets the plot started, the one that feels like something’s off about the marriage. She loves her husband, but she wants things to be less… dry. She easily gets emotional, and it’s a bit hit or miss for me throughout. But I can safely say that Meryl Streep is great. Tommy Lee Jones plays Arnold, the Tommy Lee Jones-ian grouch who seems to be perfectly fine with the dry and sexless marriage that he’s part of. And it’s interesting to see him get some decent character development here. And Jones is really good in the role. Then we have Steve Carell as Doctor Feld, the therapist that Kay and Arnold see during their little vacation. You can tell that he’s actually interested in what’s going on, and he seems like he genuinely likes helping people. He mainly serves as a plot device to get the Kay’s and Arnold’s plot moving forward, but he’s also an enjoyable presence. And Carell is really good in the role.

The score for the movie was composed by Theodore Shapiro and it was fine… I think. I almost never really noticed it. I could at times kind of hear it, but those tracks felt more like fodder rather than any actual mood-setter. Then there’s also a bunch of licensed tracks used throughout and I have mixed feelings. While the songs themselves were pretty good, the way they were used was a bit… sledgehammer-y. Like they used songs “appropriate to the situation”, meaning lyrics exactly explaining what was going on with the characters, things we could’ve picked up on without the “YOU HEAR THIS SHIT, WE SO CLEVER!” use of music. So the music in this movie overall is… fine.

This movie was directed by David Frankel, and he did a pretty good job. Like I said about the plot, it’s quite fun and breezy, and there’s no shot that lingers too long. And the camerawork in general is fine. There are also some jokes here that are fine. I never laughed out loud, but there were a bunch of chuckles throughout.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 75% positive rating and a “Fresh” certification. On Metacritic it has a score of 65/100. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 6,3/10.

While “Hope Springs” is far from a great movie, it’s still an enjoyable enough little romcom. It has an okay plot, okay characters, really good performances, okay music, good directing, and okay comedy. Time for my final score. *Ahem*. My final score for “Hope Springs” is a 6,23/10. While very flawed, it’s still worth a rental.

My review of “Hope Springs” is now completed.

Seen better, seen worse.

Movie Review: Mute (2018)

I’ve been looking forward to this movie for quite a long time. The director is one whose movies I’ve enjoyed quite a bit, so a new movie from him is something I of course was hyped about. And now it’s finally out, and I have now seen it. So let’s talk about it.

Ladies and gentlemen… “Mute”.

Berlin, 40 years from now. Leo (Alexander Skarsgård) is a mute bartender living a seemingly happy life. But after his girlfriend disappears, he goes on a mission to find out what happened to her, which leads him down the seedy Berlin underground. So is this plot any good? Parts of it are. The problem(s) with this plot is how tonally inconsistent it is. Because at first it seems like it’s just gonna be an emotional and gritty character drama, but then it throws in  bunch of more lighthearted and almost silly scenes featuring a pair of surgeons (Paul Rudd & Justin Theroux) as they go about their lives. Yes, the surgeon stuff is important to the plot, but it’s so tonally different to Leo’s quest. The pacing is also inconsistent. At times it moves at an acceptably slow-ish pace, but then there are times where some unnecessary stuff happens that pulls the pace to a bit of a crawl. Really, the best word I can use to describe the plot of “Mute” is inconsistent. Not necessarily bad (though some bits aren’t that great), just very inconsistent.

The characters in this are (you guessed it) inconsistent. Alexander Skarsgård plays Leo, the mute bartender at the center of this story. He’s clearly a damaged person, and seeing him go through his journey is compelling as he’s a fairly interesting character. I’m also really impressed by Skarsgård’s performance, because he has to convey so much emotion without being able to utter a single word… and the dude kills it in the role. Paul Rudd plays Cactus Bill, one of the two surgeons that are a large part of this story. He’s a dickhead, but he also seem to have some morals (mainly relating to his daughter), so he’s somewhat grounded (even if I don’t always like the character). And Rudd is good in the role. Then we have Justin Theroux as Duck Teddington (best name ever?), the other surgeon. He’s a bit of a hippie that we learn some interesting stuff about through the movie. And he’s one of the reasons for the “tonally inconsistent” things I mentioned before. Theroux is good in the role. Then we get supporting performances in the movie from people like Noel Clarke, Rob Kazinsky, Dominic Monaghan, Seyneb Saleh, Florence Kasumba, and more, most doing a good job (though the characters could use some more work).

The score for the movie was composed by Clint Mansell, and now we finally have something that I can give some high praise to! His score here does take some cues from “Blade Runer” (and a few from “Moon”), but it does enough unique stuff to stand out in a crowd, and ends up being a fucking great score that elevates a lot of scenes in the movie. There are also a few licensed tracks used throughout, and they work decently in their respective scenes.

This movie was written and directed by Duncan Jones, and this is very clearly a passion project of his. But did he do well? For the most part, sure. The direction here has a nice flow to it, and I was fairly sucked into it. It also helps that Gary Shaw’s cinematography is really fucking gorgeous, this movie has some really great eye candy in it. And any and all visual effects in this look really good.

This movie just came out, but it has already received some less than stellar reception. On Rotten Tomatoes it has a 6% positive rating. On Metacritic it has a score of 36/100. And on imdb.com it has a score of 6,9/10.

“Mute” is a mixed bag. It has a tonally inconsistent plot with some pacing issues and some lackluster character work. But it does also have some good ideas, a few okay characters, great performances, fantastic music, and good direction/cinematography/effects. Time for my final score. *Ahem*. My final score for “Mute” is a 6,31/10. While very flawed, it could still be worth a watch.

My review of “Mute” is now completed.

At least this movie has a really cool easter egg in it…

Movie Review: The Cloverfield Paradox (2018)

Can we just take a second to talk about how this movie just came out of fucking nowhere? We’ve gotten a few tiny details about it for a while, but we knew jack shit about it. Then last night during the Super Bowl a teaser for it was released that said “Hey, this movie is getting released on Netflix right after the game”. That is unprecedented in the modern film industry. It’s fucking insane. Anyway, here’s a review of the movie.

Ladies and gentlemen… “The Cloverfield Paradox”.

The earth is going through a bit of an energy crisis, so a group of scientists work on a space station to try to solve it. But when they test out a device intended on solving it, they accidentally seem to mess with space-time, which means they have to face whatever consequences that come from their actions. So now we have our space-thriller. And is it any good? I’ll give it this, I was never bored of the plot in any way here. My problem is that the space-thriller here, while having some interesting ideas going on, never goes all-out on them and just comes off as a bit undercooked and bland. Then we have the “Cloverfield” part of the title, and this movie is somehow trying to connect all the movies in the Cloverfranchise, and it doesn’t always make sense that way. So overall here we have a messy plot that is undercooked and bland. The space-thriller side of the plot is kind of fun at times, but the entire thing is messy.

The characters here are a bit uninteresting. If you wanted me to go in-depth with them, then I couldn’t do that. I don’t know enough to do that. The only one we get some idea about is Gugu Mbatha-Raw’s character, and even that is a little too weak to fully care. But I can at least say that the cast here is really solid, and they all do quite well (some better than others). Other than Mbatha-Raw, we also have people like Daniel Brühl, David Oyelowo, Chris O’Dowd, Aksel Hennie, Ziyi Zhang, John Ortiz, and Roger Davies, all doing well in their roles.

Like with “10 Cloverfield Lane”, the score for this movie was composed by Bear McCreary, and it’s good… almost too good. It’s really exciting and overall very well composed, and somehow always outshines the scenes that feature it (hence why I called it “too good”). Sure, at times it does kind of succeed in making some moments/scenes more exciting and slightly tense. Good music, doesn’t always fit.

This movie was directed by Julius Onah and I think he did an okay job. Again, when it’s just the contained space-thriller the movie can be pretty fun, even if it doesn’t always work in a narrative way. But he does capture the feel of isolation quite well, making me feel a bit more interested in what’s going on. Though there’s an overall lack of actual tension. And the scares aren’t really scary. Mildly creative, but not scary. The cinematography is good, and the visual effects and sets looks fantastic. There’s good stuff here.

This movie just came out, so it doesn’t have too much data on my usual sites (at the time of writing). But on Rotten Tomatoes it has a 13% positive rating. On Metacritic it has a score of 36/100. And on imdb.com it has a score of 6,7/10.

“The Cloverfield Paradox” is a heavily flawed movie, but it does still have some fun to it. The plot is messy, the characters uninteresting, the performances are great, the music is good, and the direction/cinematography/effects and such is good. Time for my final score. *Ahem*. My final score for “The Cloverfield Paradox” is a 6,55/10. So while it’s far from great, I’d still say that it could be worth watching.

My review of “The Cloverfield Paradox” is now completed.

I’m still excited in seeing what the Cloverfranchise could bring next.

12 Films of Christmas (Final Part)

We’re finally here, guys. The final part of this silly series of mine. We’ve talked about all kinds of christmas cheer. From the obnoxiously sweet “Elf”, to the not very cheerful “Bad Santa”, to the commercialism-critiquing “A Charlie Brown Christmas”, to the explosive and and violent “Die Hard”. It’s really been fun doing this.

This whole thing started with “The Grinch”, so it will end with “The Grinch”. It’s christmastime in Whoville, and everyone in town is overly excited for the holiday. Except for little Cindy Lou Who (Taylor Momsen) who just doesn’t get what the point of it all is. Oh, and the Grinch (Jim Carrey) hates it too. So he cooks up a vile plan to steal christmas from the people of Whoville. And is this any good? It’s… okay. I’m not gonna sit here and pretend like it’s one of the greatest christmas movies of all time, but I don’t think it’s one of the worst either. The biggest problem is that it takes a classic 25-minute long story and extend the runtime while also “modernizing” it. From 25, to 140. From simple humor about stealing christmas, to weird, early 2000s humor. Ron Howard directed this, but that’s quite difficult to tell. You could’ve told me that this was directed by Jerry Generic, and I would’ve believed you. It’s more concerned with weird late 90s/early 2000s filmmaking tricks rather than being interesting or making sense. Anyway, is there anything I like about this. Jim Carrey as the Grinch. Not only is the makeup/costume amazing, but his shtick works surprisingly well… even though it’s just Jim Carrey being Jim Carrey while wearing a Grinch costume. But he’s still enjoyable in the role. Taylor Momsen as Cindy Lou Who is adorable, and her performance is good… so that’s a plus. And there are some jokes here that land. Also, I like Anthony Hopkins’ narration. Not because it’s “inspiring” or “entertaining”, but more because I imagine it being Hannibal Lecter reading the story to one of his victims, and that makes this entire ordeal a bit more fun. So yeah, “The Grinch”… it’s average.

What are your thoughts on “The Grinch”? And what’s your favorite Jim Carrey movie? Leave any and all thoughts in the comments.
Merry christmas, happy holidays, and have a good one.